Imagine tuning into the radio and thinking Mars just declared war on New Jersey. That’s what happened in 1938, when Orson Welles’ War of the Worlds broadcast sent listeners into a panic. Years later, Welles chuckled at the chaos, proving Martians weren’t the only ones invading.
Donna Summer Sings With David Lee Roth in Bill McClintock’s Mashup of ‘Bad Girls’ and Van Halen’s ‘I’ll Wait’
It’s disco versus spandex, and somehow everybody wins. Bill McClintock’s latest mashup stages a cheeky conversation between Donna Summer and David Lee Roth, with Ozzy even crashing the party. Turns out, “Bad Girls” and “I’ll Wait” were destined for the same dance floor.
James Taylor to Make Grand Ole Opry Debut November 11 as Part of Opry’s 100th Anniversary
Multi-platinum and Grammy Award-winning music icon James Taylor will make his Grand Ole Opry debut on Tuesday, November 11th, as part of the Opry’s ongoing 100th anniversary celebration.
Longtime Opry legend George Hamilton IV is credited as the first country artist to champion the songs of James Taylor, recording covers of “Carolina in My Mind” in 1969 and “Sweet Baby James” in 1971, helping introduce Taylor’s music to country audiences.
The award-winning singer/songwriter, who has sold over 100 million albums and is a member of the Rock and Roll Hall of Fame, the Songwriters Hall of Fame, and the Folk Americana Roots Hall of Fame, has collaborated with numerous country music artists over the past few decades including Chris Stapleton and Opry member and friend Vince Gill, and performed “Wichita Lineman” at Country Music: In Performance At The White House in 2011 with Lyle Lovett and Opry member Alison Krauss. Taylor won a Grammy for Best Country Collaboration of the Year for his duet with Krauss on “How’s The World Treating You?”
Taylor will be joined by his Opry member friends Gill and Emmylou Harris. Previously announced artists on the show include Scotty Hasting, Jamey Johnson, Craig Morgan, and Gary Sinise and the Lieutenant Dan Band.
“The Opry has been built over the last 100 years in large part by songwriters and storytellers. To have one of the very best ever with us to celebrate 100 years is amazing to so many of us,” states Opry executive producer Dan Rogers.
The Opry’s “Rhinestone Milestone” birthday month kicks off the first weekend in October, featuring special OpryPlaza Parties, sponsored by Durango Boots, Country Financial and Boot Barn, on October 3, 4, and 5 and a milestone Opry 100 show celebrating 100 years of WSM, the radio home of the Opry, on October 5th. Additionally, Opry Community Day will be held for all Tennessee residents on October 5th. On October 11th, the Opry will welcome Kathy Mattea into the family as the newest member of the Grand Ole Opry.
Guns N’ Roses Announce Vinyl Reissue of ‘Live Era ’87–’93’ With Deluxe Editions and New Merch
Guns N’ Roses will reissue its first official live album, Live Era 87-93, on vinyl on November 21st via Geffen/UMe. Recorded live across the universe between 1987 and 1993, the sets have been newly remastered from the original stereo analog master tapes for the first time since 1999.
The set will be available in multiple configurations, including a 4 LP 180-gram black vinyl with slipcase and poster, and a multi-color 4 LP Premium Edition.
A deluxe 4 LP edition features revamped artwork with full color graphics, expanded into two premium gatefold jackets housed in an exclusive foil art slipcase, a poster, and an exclusive turntable mat. Pressed on picture disc vinyl, limited to 500 units worldwide, individually numbered and exclusively available via the band’s website.
A new line of merch, including a t-shirt, long-sleeve shirt, magnet, lithograph, and mug are also available.
A1. Nightrain
A2. Mr. Brownstone
A3. It’s So Easy
A4. Welcome To The Jungle
B1. Dust N’ Bones
B2. My Michelle
B3. You’re Crazy
B4. Used To Love Her
C1. Patience
C2. It’s Alright
C3. November Rain
D1. Out Ta Get Me
D2. Pretty Tied Up
D3. Yesterdays
E1. Move To The City
E2. You Could Be Mine
F1. Rocket Queen
F2. Sweet Child O’ Mine
G1. Knockin’ On Heaven’s Door
G2. Don’t Cry
G3. Estranged
H1. Paradise City
H2. Coma (Special Bonus Track)
Twice Announce ‘This Is For’ 2026 World Tour With North American, European, and UK Dates
Twice is pushing boundaries once again, bringing Once closer than ever with an intimate new arena run. The global K-pop superstars announced their 2026 This Is For World Tour, spanning North America, Europe, and the UK. Kicking off Friday, January 9th, in Vancouver, BC at Rogers Arena, the tour will hit major cities including Oakland, Los Angeles, Philadelphia, Atlanta, Chicago, Lisbon, Barcelona, and Paris before concluding Wednesday, June 3rd at The O2 in London, UK. For the first time, Twice will perform in-the-round on a 360-degree stage, transforming arenas into immersive spaces where fans can experience the show from every angle.
This new tour follows a series of historic milestones for TWICE. In 2024, they became the first female K-pop group to headline MLB and NFL stadiums, selling out Los Angeles’ SoFi Stadium and New Jersey’s MetLife Stadium. They previously became the first female K-pop group to headline a U.S. stadium with two sold-out nights at LA’s BMO Stadium in 2022 — a record that set the stage for their unprecedented stadium tour. This year, they also became the first female K-pop group to headline Lollapalooza, where they drew one of the festival’s largest crowds. The trek arrives just one year after their record-breaking fifth world tour, Ready To Be, which drew 1.5 million fans across 51 shows in 27 cities worldwide.
Most recently, Twice released their fourth full-length album, This Is For, which debuted in the top 10 on the Billboard 200 chart, marking the group’s seventh consecutive entry on the chart. The girl group also contributed to the official soundtrack for Netflix’s hit film K-Pop Demon Hunters. Members Jeongeon, Jihyo, and Chaeyoung recorded a special version of the original track “Takedown,” featured during the film’s powerful end sequence and accompanied by exclusive behind-the-scenes footage from the recording studio. Their rendition of the song reached No. 58 on the Billboard Hot 100, while Twice’s hit single “Strategy,” also included on the film’s soundtrack, achieved notable success on the Hot 100 as well. These accomplishments set the stage for Twice’s highly anticipated tenth anniversary this October – a celebration of a decade of groundbreaking success, artistic evolution, and global impact.
Twice first launched their This Is For World Tour with two sold-out shows in Seoul and are currently touring across Asia. Previously announced dates will bring the tour to Australia, Hong Kong, Bangkok, and more this fall, before heading to the U.S., Canada, Europe, and the UK in 2026. Members Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung, and Tzuyu will deliver their all-new production and a career-spanning setlist featuring hits like “The Feels,” “More & More,” “Fncy,” and “Strategy” to arenas worldwide.
North American presales start on Thursday, October 9th at 11 am local time. Fans must sign up at by October 6th at 7 pm ET/4 pm PT. No codes are needed as access is tied to a Ticketmaster account, and anyone who signs up can join the sale. Remaining tickets will be available during the general onsale beginning Thursday, October 9th at 3 pm local time.
European tickets will go on sale beginning Thursday, October 9th at 10 am local time.
Twice This Is For 2026 World Tour Dates:
Jan 9 – Vancouver, BC @ Rogers Arena
Jan 13 – Seattle, WA @ Climate Pledge Arena
Jan 17 – Oakland, CA @ Oakland Arena
Jan 22 – Los Angeles, CA @ Kia Forum
Jan 24 – Los Angeles, CA @ Kia Forum
Jan 28 – Phoenix, AZ @ PHX Arena
Jan 31 – Dallas, TX @ American Airlines Center
Feb 13 – Washington, DC @ Capital One Arena
Feb 18 – Belmont Park, NY @ UBS Arena
Feb 20 – Belmont Park, NY @ UBS Arena
Feb 24 – Philadelphia, PA @ Xfinity Mobile Arena
Feb 27 – Atlanta, GA @ State Farm Arena
Mar 3 – Montreal, QC @ Bell Centre
Mar 6 – Hamilton, ON @ TD Coliseum
Mar 21 – Taipei @ Taipei Dome
Mar 27 – Orlando, FL @ Kia Center
Mar 31 – Charlotte, NC @ Spectrum Center
Apr 3 – Boston, MA @ TD Garden
Apr 6 – Chicago, IL @ United Center
Apr 10 – Detroit, MI @ Little Caesars Arena
Apr 12 – Saint Paul, MN @ Grand Casino Arena
Apr 14 – Denver, CO @ Ball Arena
Apr 17 – Austin, TX @ Moody Center
May 9 – Lisbon, PT @ MEO Arena
May 12 – Barcelona, ES @ Palau Sant Jordi
May 16 – Paris, FR @ Accor Arena
May 23 – Berlin, DE @ Uber Arena
May 26 – Cologne, DE @ LANXESS arena
May 30 – Amsterdam, NL @ Ziggo Dome
June 3 – London, UK @ The O2
David Broza Launches 2025 North American Tour
Internationally acclaimed Israeli singer-songwriter and peace activist David Broza will launch his highly anticipated North American tour this fall with powerful performances in Fort Lauderdale at the Parker Playhouse on November 18, Montreal’s Théâtre Rialto on November 22 and Toronto’s Danforth Music Hall on November 23—presented by Starvox Entertainment. Known for his electrifying stage presence and genre-defying blend of folk, rock, flamenco, and Latin influences, Broza brings to North America a reimagined concert experience rooted in hope, empathy, and cross-cultural connection.
In Canada, Montreal will host the official kick-off, with audiences at Rialto Theatre among the first to experience Broza’s refreshed live show—featuring striking visuals, new arrangements, and timeless messages of unity. The following night in Toronto, Broza takes the stage in a performance that marks a powerful full-circle moment for Corey Ross, founder and CEO of Starvox Entertainment, who first presented Broza nearly 30 years ago in a sold-out concert at Lee’s Palace. That debut marked Ross’s entry into producing—launching a career that would go on to redefine live entertainment in Canada and beyond.
“That night in 1995 was the beginning of everything for me,” says Ross. “Bringing David Broza back to Toronto is not just a musical milestone—it’s a personal one. His music is fearless in its belief that art can transcend politics and heal division. This tour is about standing for those values.”
David Broza’s storied career spans over four decades and more than 30 albums in Hebrew, English, and Spanish. A lifelong advocate for peace and dialogue, his work includes iconic anthems like “Yihye Tov” (“Things Will Get Better”)—written in response to the Israeli-Egyptian peace accords—and cross-cultural collaborations such as East Jerusalem West Jerusalem. His music speaks directly to the human desire for understanding, especially in times of conflict.
“I feel more strongly than ever that my music is a call to stand against hatred, to bring people together, and to keep faith in the idea that things can improve,” says Broza. “Montreal and Toronto, in particular are cities that value diversity and culture—it feels right to begin this journey here.”
The tour also reflects the evolving legacy of Starvox Entertainment. Under Ross’s leadership, the company has grown into a multi-platform powerhouse behind global hits such as Immersive Van Gogh, Potted Potter, Evil Dead: The Musical, and The Art of Banksy. Starvox is the only Canadian live entertainment company named to PROFIT Magazine’s Top Growth Companies five times.
David Broza’s 2025 North American tour promises evenings of virtuosic guitar work, evocative storytelling, and music that bridges cultures, languages, and ideologies.
Tickets for Fort Lauderdale (Nov. 18) Montreal (Nov. 22) and Toronto (Nov. 23) are on sale now at www.starvoxent.com.
14 Protest Songs That Still Hit Hard
Protest songs once carried the power to rattle governments, galvanize movements, and dominate the airwaves. Today, you rarely hear them on mainstream radio. Part of this absence comes down to three factors: first, the consolidation of radio ownership and its preference for safe, apolitical hits; second, the rise of algorithm-driven streaming that rewards mood playlists over message; and third, the fragmentation of popular culture, where no single song can so easily unify the public imagination. Still, many of the classics remain as potent and piercing as when they were first written.
“A Change Is Gonna Come” — Sam Cooke
Cooke’s 1964 anthem became a soundtrack for the Civil Rights Movement, blending gospel’s yearning with pop’s immediacy. Its hopeful yet mournful tone continues to resonate as a timeless call for justice.
“Blowin’ in the Wind” — Bob Dylan
Dylan’s deceptively simple 1962 ballad posed rhetorical questions about peace, war, and freedom. Its enduring power lies in its refusal to offer answers, instead forcing listeners to wrestle with them.
“Born in the U.S.A.” — Bruce Springsteen
Often misinterpreted as a patriotic anthem, Springsteen’s 1984 hit was a searing critique of America’s treatment of Vietnam veterans. Its pounding chorus still masks a sobering indictment of neglect.
“Eve of Destruction” — Barry McGuire
This 1965 chart-topper captured the paranoia of nuclear war and civil unrest. McGuire’s gravelly delivery made the song both a pop phenomenon and a polarizing lightning rod.
“Fight the Power” — Public Enemy
Commissioned for Spike Lee’s Do the Right Thing, this 1989 track raged against systemic racism with unrelenting force. Its chorus remains an electrifying call to resistance.
“Fortunate Son” — Creedence Clearwater Revival
John Fogerty’s furious 1969 anthem blasted the inequities of Vietnam-era draft policies. Its raw energy and cutting lyrics keep it relevant whenever privilege shields the powerful from sacrifice.
“Get Up, Stand Up” — Bob Marley and the Wailers
Marley and Peter Tosh wrote this 1973 classic after witnessing poverty in Haiti. Its rallying cry against oppression carries the righteous fervor of a sermon set to reggae.
“Give Peace a Chance” — John Lennon
Recorded during Lennon and Yoko Ono’s 1969 “Bed-In” protest, this singalong chorus became a global anti-war chant. Its simplicity is precisely what gives it force.
“Killing in the Name” — Rage Against the Machine
Released in 1992, the song exploded with fury at police brutality and systemic racism. Its ferocious refrain remains an unflinching indictment of authority abused.
“Masters of War” — Bob Dylan
Dylan’s 1963 broadside remains one of the most lacerating antiwar songs ever written. Stripped of metaphor, it names and shames the profiteers of violence.
“Mississippi Goddam” — Nina Simone
Written in response to the murder of Medgar Evers and the 1963 Birmingham church bombing, Simone’s blistering track shattered the polite protest song mold. Its mix of cabaret rhythm and righteous rage is still shocking.
“Strange Fruit” — Billie Holiday
Holiday’s haunting 1939 recording about lynching is one of the earliest and most powerful protest songs in American music. Stark and unflinching, it remains devastating.
“Sunday Bloody Sunday” — U2
This 1983 anthem about the Troubles in Northern Ireland blends martial drums with anguished lyrics. U2 transforms tragedy into a communal act of mourning and defiance.
“What’s Going On” — Marvin Gaye
Released in 1971, Gaye’s soulful plea for peace and understanding responded to war, poverty, and injustice. Its blend of tenderness and urgency makes it one of the most enduring protest songs of all time.
Francophone Fandom to Global Reach – New Data Shows Québec Artists Spearheading a Vibrant New Chapter
Québec artists are establishing a vibrant new chapter for themselves, connecting a surge in local fandom with a new global spotlight. Following the season finale of The Summer I Turned Pretty, streams of Cœur de Pirate’s “Corbeau” surged nearly 290x worldwide on Spotify, while Patrick Watson’s “Je te laisserai des mots“ which also featured saw a 57% spike globally.
This comes off the back of French-language music seeing a 15% increase year on year on Spotify in the past year, and in that same time Patrick Watson having the first Francophone track to enter Spotify’s illustrious Billions Club.
These breakout moments underscore the power of streaming in driving discovery and helping artists to reach new fans, and highlight how Québec’s artists are increasingly resonating far beyond the borders of the province and the country.
And Québec’s moment is both global and local. New Spotify data interrogates how Québec listeners’ habits and behaviours are shaping Canada’s audio landscape – demonstrating the province’s role as both a cultural hub for French-language voices and a launchpad for global discovery.
“Québec and global Francophone listeners bring incredible energy and curiosity to Spotify. Their fandom reflects not just loyalty to Francophone voices, but also an openness to discovery that travels far beyond borders,” said Elizabeth Phipps, Artist and Label Partnerships Lead, Spotify Canada. “This is why cultural moments—from sync placements to national holidays—have such a powerful impact both at home and abroad.”
Québecers are Shaping a Distinct National Listening Identity on Spotify
Québec audiences are strongly leaning into French-language content on Spotify:
- 16% growth in Francophone music streams in Québec in the past year – surpassing the 15% growth that Francophone music has seen globally;
- Over 49,000% increase in monthly streams of French-Canadian content in Canada, as well as over 4,500% increase of streams of French-Canadian content worldwide;
- 77% growth in audiobook listening in between July 2024-July 2025, with Patrick Senécal titles Aliss and Hell.com ranking as the most popular French-language audiobooks nationwide.
Podcasts are thriving too: Comedy, Health & Fitness, and Society & Culture genres are the most streamed in Québec, showing both appetite for entertainment and curiosity for learning.
Local Passion is Fuelling Québec Music Culture
Montrealers have emerged as the biggest fans of Québec’s Francophone music scene, leading the province with 266 million local streams of Francophone music, followed by fans in Québec City (28 million streams) and Laval (13 million streams).
Streaming is also channeling Québec’s unique cultural moments: for this year’s Saint-Jean-Baptiste Day, streams of Francophone artists surged by 116% across the province.
Québec Talent is Succeeding on the Global Stage
Beloved Québecois artists continue to define and export the province’s cultural identity. Patrick Watson, Céline Dion, Cœur de Pirate, Garou and Enima have emerged as the top-streamed French-Canadian artists of the last decade.
At the same time, Québec’s new generation of musicians, podcasters, and authors are finding fans both at home and abroad.
And Québec Fans Are Driving Homegrown Acts to Succeed
As highlighted at Spotify Sessions 2025, fandom—not just following—defines how listeners engage today. Québec’s audiences are active participants in shaping their province’s distinct music culture:
- On average, Spotify users spend two hours per day on the platform, with 76% saying it makes daily moments more enjoyable.
- 68% of users agree their time on Spotify feels more positive than on social media.
This fandom is what allows Québec moments—from The Summer I Turned Pretty sync spikes to Saint-Jean-Baptiste Day surges—to ripple across Canada and into global markets.
Scorpions Release “You & I” to DSPs and Announce Career-Spanning Collection From ‘The First Sting’
SCORPIONS – “You & I” now available on all DSPs for the first time! The emotional power ballad from the 1996 album Pure Instinct is one of Scorpions’ fan favorites, captivating listeners with its blend of heartfelt vocals, catchy melodies, and the band’s unmistakable sound.
In celebration of their sixth decade as a band, on October 17, 2025, pioneering German hard rock group Scorpions will be releasing From The First Sting, a thrilling collection the raw energy, unforgettable anthems, and iconic moments from their illustrious career. From The First Sting is the band’s only career-spanning collection and will be available on a deluxe 2LP & 2CD bookpack and 2CD format for European and Rest of the World fans, as well as 2LP vinyl and 1CD format for fans in the Americas.
During their career, Scorpions viewed their music as a bridge between cultures. They performed in the former Soviet Union, China, and Southeast Asia, thereby fostering international understanding.
Commercially, the band are also one of the best-selling hard rock and heavy metal bands of all time – with over 120 million album sales to their name. From The First Sting is a sonic journey through the band’s timeless hits, from “Rock You Like a Hurricane” to “Wind of Change”, showcasing Scorpions’ evolution while honoring the spirit of their classic sound.
From The First Sting features two previously unreleased tracks, “This Is My Song” and “Still Loving You”, the latter of which features British violinist Vanessa Mae. The physical for fans in the Americas comes housed in a carefully crafted 2LP gatefold vinyl pressed on 180g and 1CD digisleeve, comprehensively illustrating the enduring influence of the pioneering masters of their genre.
Perfect for die-hard fans and newcomers alike, From The First Sting delivers the ultimate Scorpions experience – a blistering ride through 60 years of hard-hitting, heart-pounding rock that continues to leave its mark on the world.
TRACKLISTINGS
2LP and 1CD tracklisting
1 In Search Of The Peace Of Mind
2 This Is My Song*
3 Speedy’s Coming
4 In Trance
5 Pictured Life
6 The Sails Of Charon
7 Top Of The Bill (Live)
8 Always Somewhere
9 The Zoo
10 No One Like You
11 Rock You Like A Hurricane
12 Big City Nights
13 Wind Of Change
14 Still Loving You feat. Vanessa Mae*
15 Humanity
16 Rock Believer
*Bonus tracks
2CD tracklisting
CD1
1 In Search Of The Peace Of Mind
2 This Is My Song
3 Speedy’s Coming
4 In Trance
5 Pictured Life
6 The Sails Of Charon
7 Top Of The Bill (Live)
8 Holiday
9 Always Somewhere
10 Lady Starlight
11 The Zoo
12 No One Like You
13 When The Smoke Is Going Down
14 Still Loving You
15 Rock You Like A Hurricane
16 Big City Nights
CD2
1 Rock You Like A Hurricane (Live)
2 Believe In Love
3 Send Me An Angel
4 Wind Of Change
5 Under The Same Sun
6 Still Loving You feat. Vanessa Mae
7 Mind Like A Tree
8 You & I
9 Wind Of Change (Moment Of Glory)
10 Always Somewhere
11 Maybe I Maybe You
12 Humanity
13 The Best Is Yet To Come
14 House Of Cards
15 Rock Believer
‘We Will Rock You’ Returns to Toronto With Brand-New Production at CAA Ed Mirvish Theatre
WE WILL ROCK YOU, the international hit musical that features and celebrates the iconic music of Queen and has been seen by over 20 million people in 28 countries, is returning to Toronto for a limited engagement this November in a brand new production from the Québec-based cultural producing company Gestev.
The French-language production has been touring Quebec since June of this year and will play Toronto in an English-language version. WE WILL ROCK YOU begins performances November 28, 2025 and will play through January 4, 2026 at the CAA Ed Mirvish Theatre, the same venue of the musical’s original Canadian premiere production in 2007 to 2008.
Tickets are available now at mirvish.com and by calling 1.800.461.3333.
In translating the production into English, adaptor and director Steve Bolton has assembled a cast of Quebecoise and Ontarian artists.
THE CAST
The cast includes Callum Lurie (Galileo), Paige Foskett (Scaramouche), Maggie Lacasse (Killer Queen), Patrick Olafson (Khashoggi), Peter Deiwick (Ozzy), Laurence Champagne (AXL), and Caleb Ajao (Brit).
The ensemble features Stephanie Paquet (Ensemble, Understudy Killer Queen), Mathieu-Philippe Perras (Ensemble, Understudy Galileo), Emily Masurkevitch (Ensemble, Understudy Scaramouche), Alexandre Iannuzzi (Ensemble, Understudy Brit, Understudy Khashoggi), Elizabeth Lauzon (Ensemble, Understudy AXL), Sayer Roberts (Ensemble, Understudy Ozzy, Understudy Cricket), Chloé McNeil (Ensemble, Céline), Seth Zosky (Ensemble, Cricket), Eric Dahlingner (Ensemble), Sophie McLeod (Ensemble), and Alexandra Grant (Ensemble).
Callum Lurie (Galileo).
Select theatre: Drew in Rock of Ages (STF and Rogue Productions); Grease, Cinderella: The Panto (Drayton Entertainment); Legally Blonde, Next To Normal (STF); The Beast in Beauty and the Beast (Capitol Theatre Moncton); Brad in The Rocky Horror Show (LOT). Film/TV: Dare Me (Netflix); Robyn Hood (Global); Cross (Prime Video). Callum Lurie (He/Him) is a proud graduate of the Dan School of Drama and Music at Queen’s University. As an actor and arts educator, Callum has worked across Canada, and even the globe with Norwegian Cruise Lines. Thank you to Cassie and my family for their support, and Gestev and the Ed Mirvish Theatre for having me. @callum_lurie
Paige Foskett (Scaramouche)
Paige is thrilled to step into a dream role in We Will Rock You. Some favourite credits include Ariel in Footloose (Stage West); Groundhog Day (YES Theatre); Anne in Anne of Green Gables (Tweed & Co.); Wizard of Oz: The Panto (Drayton Entertainment); Rock of Ages (More Entertainment); Bittergirl and American Idiot (Stephenville); Legally Blonde and Heathers (Hart House). Endless thanks to friends, family, and this powerhouse team for the love and support. Enjoy the show! @paigefosk
Maggie Lacasse (Killer Queen)
Maggie Lacasse is a proud bilingual Montréal-born performer and graduate of the Randolph College for the Performing Arts in Toronto. She is thrilled to return to a Mirvish stage, having previously played Jane Seymour in Six The Musical at the Royal Alexandra Theatre. This time she trades her historical crown for an edgier one as the audacious Killer Queen. Mags’ career has taken her around the world, from starring as Shalica in Step Up: Dubai All In! to headlining productions with Celebrity Entertainment, Playlist Productions and Royal Caribbean. She was a featured vocalist on Alan Menken’s single “Wonders of the Universe”. A lifelong rock fan, she currently fronts Flashback to the 80s Rock, a revue celebrating the music that shaped her. Beyond performing, Maggie produces and directs original work, including her headliner act Let’s Duet! touring internationally, and HEARTBEAT: The Sound of the 70s, soon rocking venues nationwide. She is deeply grateful to her friends and family for their continuous love and support, and dedicates this performance to all theatregoers and communities whose voices deserve to be heard and celebrated. @maggielacasse_ @lets.duet.music
Patrick Olafson (Khashoggi)
A graduate of the National Theatre School 32 years ago, Patrick appeared in several Montréal major musicals such as Grease, Jeanne La Pucelle, Le Petit Prince, and Jerusalem the Musical. He landed his singing voice to a few cartoons, including the French version of Trolls I – II and III, Smallfoot, Hoodwinked, The Lion King II and Lady and the Tramp II. In 2007, he recorded a tribute album to Michel Legrand and toured across Québec. In 2008, he cofounded TOCADÉO, a male vocal quartet that recorded eight albums and toured eight different shows. Patrick is thrilled to make his Mirvish debut in the role of Khashoggi which he created in the Québec production of We Will Rock You. www.patrickolafson.com @patrickolafson
Peter Deiwick (Ozzy)
An actor and singer in Canada for over 30 years, Peter started his career as a rock singer backing up Lee Aaron on a cross-country tour when he was 18. His career has grown with opportunities in theatre, film and television. Selected theatre: Mamma Mia!, Rock Of Ages and the original Canadian cast of We Will Rock You (all for Mirvish); Toxic Avenger (Dancap) and Once (Neptune Theatre). He was also the original Gilbert in Anne and Gilbert, the sequel to Anne of Green Gables at the Confederation Centre for the Arts. Selected film and TV credits: The Handmaids Tale (Hul), Reacher (Amazon), Fellow Travellers (Showtime), Frankie Drake and Murdoch Mysteries (CBC), Taken (NBC), Reign (CW), Private Eyes (Global), and the Stephen King adaptation, IT: Welcome to Derry (HBO). His performance is dedicated to his nephews, Gabriel and Michael. “Never stop dreaming my little men.” And to the memory of his agent Penny Noble.
Laurence Champagne (AXL)
Originally from Quebec City, Laurence graduated from the Conservatoire d’art dramatique de Montréal in 2018 and quickly began building an impressive career. After appearing in several short films, she caught attention in Alec Pronovost’s web series Le Killing and booked her first commercial. In 2019, she took on the role of Lisa in the hit musical Mamma Mia! in Montreal and Quebec City, followed by Juliet in Romeo and Juliet at Théâtre du Trident in 2020, a performance that earned her the Nicky-Roy Award (Award of Excellence in Arts and Culture). Though the pandemic interrupted Romeo and Juliet and cancelled Kinky Boots, in which she was cast as Pat at the Just for Laughs Festival 2020, Laurence bounced back in 2021 with the web series Entrelacés. Her role earned her a 2022 Gémeaux Award nomination for Best Actress in a Dramatic Web Series. She then went on to perform in the acclaimed play Shear Madness (Dernier Coup de Ciseau) and portray Charlène Dufour in Jean-Philippe Duval’s series À cœur battant. In 2024, she returned to Théâtre du Trident with Pride and Prejudice (Orgueuil et Préjugés), and in 2025, she lit up the stage as the rebel Axl in the French-language production of We Will Rock You, performed in Montreal, Quebec City, Trois-Rivières, and Gatineau.
Caleb Ajao (Brit)
Caleb was most recently seen in the Mirvish production of Disney’s The Lion King at the Princess of Wales Theatre. He holds a Master of Music from NYU and now calls Toronto home, working professionally as a vocal coach, choreographer, and stylist. Deepest thanks to my incredible support team, my loving family, and my agents at Talent House for believing in me every step of the way. And above all, endless gratitude to God—through whom all things are not only possible, but beautiful.
THE CREATIVE TEAM
The creative team includes Steve Bolton (Executive Producer, Director, Choreographer), Jean-Marc Saumier (Scenographer), David Lavallée-Gagné (Light Designer), Yohan Gingras (Video Designer), Vanessa Borris (Costume Designer), Felix Plante (Props Designer), Louis Bond (Hair and Wigs Designer), Thomas Allard Rousseau (Makeup Designer), Megan Brydon (Choreographer), Yannick Moisan (Choreographer), Domenic Pandolfo (Musical Arrangements), and Gabriel Bertrand-Gagnon (Musical Director).
WE WILL ROCK YOU
CAA Ed Mirvish Theatre
November 28, 2025 – January 4, 2026
Performance Schedule:
Tuesday-Saturday: 7:30PM
Wednesday: 1:30PM
Saturday-Sunday: 2PM
Holiday Performance Schedule:
Tuesday December 23: 1:30PM & 7:30PM
Wednesday December 24: 1:30PM
Thursday December 25: No performance
Friday December 26: 1:30PM & 7:30PM
Saturday December 27: 2PM & 7:30PM
Sunday December 28: 2PM
Tuesday December 30: 1:30PM & 7:30PM
Wednesday December 31: 1:30PM
Thursday January 1: No performance
Friday January 2: 1:30PM & 7:30PM