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Virginia To Vegas Confirmed “Utopian” Tour Dates In Eastern Canada

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Following a successful run of western Canadian dates with Marianas Trench and Shawn Hook, singer-songwriter and platinum recording artist Virginia To Vegas, aka Derik Baker, revealed the first round of dates on his headlining “Utopian Tour” today. Named after the notable 2016 full-length album “Utopian” (Wax Records/Universal Music Canada), which spawned the Top 10 hit “Lights Out”, and the platinum-selling smash “We Are Stars” featuring Alyssa Reid, the Utopian Tour kicks off on March 23rd in Waterloo and includes stops in Montreal, Toronto and London. Additionally, Virginia To Vegas will make an appearance during the JUNO Awards festivities in Ottawa this coming April, headlining a JUNOfest show on April 1st at Live! On Elgin. St. John’s indie rock outfit Repartee joins the Utopian Tour as special guest for all dates except Toronto.

Also announced today, Virginia To Vegas will release the brand new track “Selfish” to radio this Friday (2/24). The follow up to 2016’s Gold-certified “Lights Out” – a Spotify mainstay with close to 5 million streams, “Selfish” sees Virginia To Vegas once again join forces with the powerhouse team of writers and producers behind his Top 10 hit and fastest rising single to date to deliver another modern crafted pop song.

Recognized as a fitting example of tomorrow’s global music star, Virginia To Vegas, aka Derik Baker, hails from Guelph, Ontario where he was raised on his parent’s eclectic record collection and cut his teeth in the music industry writing songs for a variety of pop artists. Discovered on YouTube in 2013 by Wax Records Jamie Appleby, he released his debut single “We Are Stars”, which quickly introduced the exciting new talent to thousands of fans, and saw him top radio charts and earn a platinum-selling single. Virginia To Vegas followed his highly praised success with the release of the EP “Volume 1”, which included the popular singles “Don’t Fight the Music” and “Colourful”.

The past couple of years have seen Virginia To Vegas travel the continent, film music videos in Las Vegas and New York, share arena stages with Alyssa Reid and Hedley and perform on the Much Music Video Awards (MMVAs).

In 2016, Wax Records, one of Canada’s leading independent record labels entered into a distribution deal with Ultra Music – the world’s premiere electronic music label and a division of Sony Music Entertainment, to license Virginia To Vegas’ hit single “Lights Out” and forthcoming album for the world, excluding Canada. Virginia To Vegas joins some of today’s hottest international artists including; Calvin Harris, Omi and Kygo on the Ultra Music label around the world with anticipated releases in the US, UK and key European markets throughout 2017.

*JUNOfest show
^with special guest Repartee
March 23 – Waterloo, ON – Maxwells^
March 30 – Montreal, QC – Belmont^
April 1 – Ottawa, ON – Live! On Elgin^*
April 6 – Toronto, ON – Mod Club
April 13 – London, ON – Rum Runners^

Terrence Malick’s “Song To Song” Film Gets Its First Trailer

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Two intersecting love triangles. Obsession and betrayal set against the music scene in Austin, Texas. Haley Bennett, Ryan Gosling, Natalie Portman, Michael Fassbender, Cate Blanchett, Rooney Mara, Christian Bale, and Benicio Del Toro star in the Terrence Malick-directed film.

PPL reveals most-played Nirvana songs for Kurt Cobain’s 50th birthday today

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UK Collecting society PPL has compiled a list of the most played Nirvana songs on UK TV and radio to mark what would have been frontman Kurt Cobain’s 50th birthday today.

“Kurt Cobain was one of the most visionary figures in music in the late 1980s and early 1990s”, says PPL’s Head Of Music Reporting Services Tim Silver. “He inspired countless young people all over the world to start learning an instrument and to have the confidence to begin writing their own music. On what would have been his 50th birthday, we are delighted to be able to honour him with a chart of the 20 most-played Nirvana songs on radio and TV. There are a lot of their best-known tracks in there but also one or two curveballs as well”.

1. Smells Like Teen Spirit
2. Come As You Are
3. Lithium
4. Heart-Shaped Box
5. In Bloom
6. The Man Who Sold The World (MTV Unplugged)
7. All Apologies
8. About A Girl
9. Aneurysm
10. On A Plan
11. Drain You
12. Stay Away
13. Breed
14. Love Buzz
15. Serve The Servants
16. Lounge Act
17. Something In The Way
18. Molly’s Lips
19. Dumb
20. Territorial Pissings

Teenager Gets To Play With Bruce Springsteen Onstage In Australia, For The Second Time

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Bruce Springsteen played in Brisbane Thursday night. A teenager held up a sign that said he was missing school for the concert, and could he play Growin’ Up? Springsteen called the young man up on stage to play. Fifteen-year-old Nathan Testa knew the song well enough to ask The Boss, but here’s the even stranger part. This was the second time he’s been pulled from the audience. While attending a Brisbane concert with his family in 2013, Testa, then 11, was pulled on stage to play Waitin’ on a Sunny Day.

Mind-Blowing Video Of Robotics, Projection Mapping And Software Engineering Will Make You Go “Whoa”

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This video was made with the help of large-scale robotics, projection mapping, software engineering. Bot & Dolly’s technology is an integrated software/ hardware platform providing innovative control of 6-axis industrial robots, and other things I am completely at ease to say I don’t understand. All the more impactful like a magician’s trick at the end of the evening, and more questions than before I started watching.

BOX from SOUNDSRED on Vimeo.

Brothers Perform Pink Floyd’s “Wish You Were Here” In Jerusalem

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Brothers Aryeh and Gil Gat turn in a superb cover version of Pink Floyd’s 1975 classic Wish You Were Here on the streets of Jerusalem. One of the band’s most-loved songs, done in a style you would have never thought of.

Danish Blues Band Performs “Minnie the Moocher” In The Streets Of NYC

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Danish blues rock band Brothers Moving perform an acoustic cover of Cab Calloway’s classic scat hit Minnie the Moocher at New York City’s Union Square.

Watch Rage Against The Machine’s Very First Show Back In 1991

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On October 23, 1991, four men in baggy pants introduced themselves to the world, calling their band Rage Against The Machine, with a nearly hour-long set at California State University, Northridge. Within a year, their self-titled debut album would go triple platinum a year after this show.

How Harry Connick, Jr. Got His Clapping Audience Back On The Correct Beat

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Have you ever been to a concert where the audience is clapping during the song, but on the wrong beat? While performing “Come By Me” during a live performance, musician Harry Connick, Jr. used a clever trick to get his audience to clap along on the correct beat. The video explains how clapping on 1 & 3 makes the song feels like it drags, because it matches the intensity of the notes that are played. When you clap on 2 & 4, though, that intensity is more even throughout the song and so it feels like it flows better rather than a stop-and-go type of feel.

https://youtu.be/–qv9SI6vws

A different explanation of the same process.

James Brown Drummer Clyde Stubblefield Dies; Take Another Listen To THAT Drum Break That Built Hip Hop

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The funkiest drummer who ever lived, Clyde Stubblefield, who drummed on many of James Brown‘s most important recordings, has died. He was 73. His recordings with James Brown are considered to be some of the standard-bearers for funk drumming, including the singles “Cold Sweat”, “There Was a Time”, “I Got The Feelin'”, “Say It Loud – I’m Black and I’m Proud”, “Ain’t It Funky Now”, “Mother Popcorn”, “Get Up, Get Into It, Get Involved” and the album Sex Machine.

His rhythm pattern on James Brown’s “Funky Drummer” is among the world’s most sampled musical segments. It has been used for decades by hip-hop groups and rappers such as Public Enemy, Run-D.M.C., N.W.A, Raekwon, LL Cool J, Beastie Boys and Prince, and has also been used in other genres. Stubblefield was featured in the PBS documentary, Copyright Criminals, which addressed the creative and legal aspects of sampling in the music industry.

Funkadelic bassist Bootsy Collins, who played with Stubblefield in Brown’s band, wrote on Facebook, “We lost another Pillar Stone that held up the Foundation of Funk. Mr.Clyde Stubblefield has left our frequency. I am lost for words & Rythme right now. Dang Clyde! U taught me so much as I stood their watchin’ over u & Jabo while keepin’ one eye on the Godfather. We all loved U so much. (SENDOUT YR LOVE TO HIS FAMILY & FRIENDS)! Then share yr stories about this Fire breathin’ Drummer, (THE FUNKY DRUMMER)! R.I.P. From all yr Funkateers…”

Here’s THAT drum break, the beat that built hip-hop: