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Ariana Grande Announces “The Dangerous Woman” North American Tour

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Multi-platinum selling and Grammy Award-nominated artist, Ariana Grande, today revealed details behind her biggest tour yet – THE DANGEROUS WOMAN TOUR. Produced and promoted exclusively by Live Nation, THE DANGEROUS WOMAN TOUR will kick off Feb. 2, 2017 at the Talking Stick Arena in Phoenix, Ariz. and includes 36 dates in cities throughout North America, including stops in Los Angeles, New York City, Toronto, Vancouver, Washington, DC, Chicago, Dallas, Miami and more.

“Ariana Grande is an incredible performing artist and American Express is excited to partner with her on the DANGEROUS WOMAN TOUR. We are excited to bring our Card Members, who are her fans, an opportunity to purchase tickets before the general on-sale date,” said Walter Frye, Vice President of Global Entertainment and Premier Events at American Express. “Our Card Members have a strong passion for music and Ariana’s tour is sure to deliver an exceptional music experience.”

American Express® Card Members can purchase tickets before the general public beginning Tuesday, September 20 at 10am (Wednesday, September 21 at 10am in Canada) local through Friday, September 23 at 10pm local. Tickets go on sale Saturday, September 24 at www.livenation.com.

Within less than a year, ARIANA GRANDE captured No. 1 on the Billboard Top 200 twice—first with her Republic Records debut “Yours Truly” and also with its 2014 follow-up, “My Everything.”

“Yours Truly” yielded the game-changing pop smash “The Way” featuring Mac Miller, which went triple-platinum, landed in the Top 10 of the Billboard Hot 100, and seized No. 1 on the iTunes Overall Top Songs chart. Meanwhile, the platinum-selling My Everything garnered a GRAMMY Award nomination for “Best Pop Vocal Album” and spawned the six times-platinum hit “Problem.” Upon the single’s release, Ariana became “the youngest woman to debut with over 400K sold first-week,” while the song ranked as the 5th “highest digital song debut for a female artist” and 9th highest ever. Moreover, it debuted at No. 1 in 85 countries, topping the iTunes Overall Top Songs and Pop Songs charts for four weeks.

During release week, “My Everything” was No. 1 on Spotify as Ariana personally rose to No. 1 on Billboard’s Artists 100 chart. She also became the first woman in history and the first artist since Michael Jackson to simultaneously have three songs—“Problem,” “Break Free” featuring Zedd, and “Bang Bang” with Nicki Minaj and Jessie J—in the Top 6 of the Digital Songs Chart. “Bang Bang” went platinum and was GRAMMY-nominated for “Best Pop Duo/Group Performance.” By the end of the year, she landed four songs in the Top 10 of the Billboard Hot 100; the most of any artist in 2014. Ariana has enjoyed five Hot 100 Top 10 smashes.

In 2013, Ariana was named “Best New Artist” at the American Music Awards. Other accolades followed, with Ariana winning “Favorite Breakout Artist” at the People’s Choice Awards 2014, the “Young Influencer Award” at the iHeartRadio Music Awards, the “Radio Disney Chart Topper Award,” “Choice Female Artist” and “Choice Single” “Problem” at the 2014 Teen Choice Awards, and more. At the 2014 MTV VMAS, “Problem” was named “Best Pop Video” as well. In November, Ariana took home the award for “Favorite Female Artist – Pop/Rock” at the 2015 American Music Awards.

2016 sees Ariana release her mega-anticipated third full-length album, “Dangerous Woman,” driven by the title track, which captured No. 1 on both iTunes Overall Top Songs Chart and Top Pop Songs Chart minutes after release. “Dangerous Woman” also debuted in the Top 10 of the Billboard Hot 100, earning her the distinction of becoming the first artist to debut on the chart with the lead single from her first three albums.

ARIANA GRANDE – THE DANGEROUS WOMAN TOUR
Tickets on sale Sept. 24 at www.livenation.com
All dates, cities and venues below subject to change.

Thursday, February 2, 2017 Phoenix, AZ Talking Stick Resort Arena
Saturday, February 4, 2017 Las Vegas, NV MGM Grand Garden Arena
Tuesday, February 7, 2017 Omaha, NE Century Link Center
Thursday, February 9, 2017 Tulsa, OK BOK Center
Tuesday, February 14, 2017 Nashville, TN Bridgestone Arena
Friday, February 17, 2017 Uncasville, CT Mohegan Sun Arena
Sunday, February 19, 2017 Manchester, NH SNHU Arena
Tuesday, February 21, 2017 Buffalo, NY Key Bank Center
Thursday, February 23, 2017 New York, NY Madison Square Garden
Sunday, February 26, 2017 Cleveland, OH Quicken Loans Arena
Monday, February 27, 2017 Washington, DC Verizon Center
Wednesday, March 1, 2017 Philadelphia, PA Wells Fargo Center
Friday, March 3, 2017 Boston, MA TD Garden
Sunday, March 5, 2017 Toronto, ON Air Canada Centre
Monday, March 6, 2017 Montreal, QC Bell Centre
Thursday, March 9, 2017 Columbus, OH Nationwide Arena
Saturday, March 11, 2017 Indianapolis, IN Bankers Life Fieldhouse
Sunday, March 12, 2017 Detroit, MI The Palace of Auburn Hills
Tuesday, March 14, 2017 Chicago, IL United Center
Thursday, March 16, 2017 St. Paul, MN Xcel Energy Center
Saturday, March 18, 2017 Kansas City, MO Sprint Center
Tuesday, March 21, 2017 Salt Lake City, UT Vivint Smart Home Arena
Thursday, March 23, 2017 Seattle, WA Key Arena
Friday, March 24, 2017 Vancouver, BC Pepsi Live at Rogers Arena
Sunday, March 26, 2017 Sacramento, CA Golden 1 Center
Monday, March 27, 2017 San Jose, CA SAP Center
Thursday, March 30, 2017 Anaheim, CA Honda Center
Friday, March 31, 2017 Los Angeles, CA The Forum
Monday, April 3, 2017 Denver, CO Pepsi Center
Thursday, April 6, 2017 San Antonio, TX AT&T Center
Saturday, April 8, 2017 Houston, TX Toyota Center
Sunday, April 9, 2017 Dallas, TX American Airlines Center
Tuesday, April 11, 2017 New Orleans, LA Smoothie King Center
Wednesday, April 12, 2017 Atlanta, GA Philips Arena
Friday, April 14, 2017 Miami, FL American Airlines Arena
Saturday, April 15, 2017 Orlando, FL Amway Center

The Rolling Stones’ Historic Film Goes to CraveTV In First-Window TIFF Deal

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In advance of tonight’s world premiere at the Toronto International Film Festival, CraveTV today announced it has exclusively acquired the new feature film THE ROLLING STONES OLÉ OLÉ OLÉ!: A TRIP ACROSS LATIN AMERICA, which follows The Rolling Stones’ early 2016 tour through 10 Latin American cities, including their historic stop in Havana. The deal was brokered this week in Toronto during TIFF, between CraveTV’s Mike Cosentino and Eagle Rock Entertainment’s Thomas Howe.

The feature-length timely film, directed by Grammy nominated Paul Dugdale (ADELE LIVE AT THE ROYAL ALBERT HALL; COLDPLAY: GHOST STORIES; ED SHEERAN: LIVE AT WEMBLEY STADIUM) provides intimate insight into the world of The Rolling Stones. A road movie that celebrates the revolutionary power of rock-and-roll, exhilarating and vivid, the film chronicles the tour, local culture, and unique bond that exists between the Latin American people and The Rolling Stones. As part of the deal, CraveTV also acquired the Stones’ companion concert film, THE ROLLING STONES HAVANA MOON, a concert special from the Havana show, also directed by Dugdale.

Today’s announcement also confirmed that following its world premiere at TIFF, CraveTV will be the exclusive first-window home in Canada for THE ROLLING STONES OLÉ OLÉ OLÉ!: A TRIP ACROSS LATIN AMERICA, launching Friday, Oct. 14 and anchoring the service’s popular Music Collection, which features a broad array of documentary and performance specials featuring artists and their music across all genres. THE ROLLING STONES HAVANA MOON will launch in Jan 2017, again in an exclusive post-theatrical window.

CraveTV parent Bell Media confirmed that following their exclusive first-windows on CraveTV, the specials will premiere across premium Pay service The Movie Network, and Specialty services Bravo! and MUCH, before getting a broadcast premiere in Canada on CTV, Canada’s most-watched network.

Click here for the trailer of THE ROLLING STONES OLÉ OLÉ OLÉ!: A TRIP ACROSS LATIN AMERICA.

“Bringing The Rolling Stones to Bell Media’s networks fits perfectly with our aim of delivering exclusive, must-watch music themed programming to Canadians across multiple platforms,” said Randy Lennox, President, Broadcasting and Content, Bell Media. “We are excited to welcome Mick, Keith, Charlie, and Ronnie to Bell Media and Canada.”

“Bringing exclusive premium content to our subscribers is our number-one goal,” said Mike Cosentino, Senior Vice-President, CTV and Specialty, Bell Media. “The Rolling Stones are the world’s greatest rock-and-roll band and we are thrilled for this deal and to make CraveTV and our Music Collection the exclusive home for these historic films.”

“Exclusive specials from iconic artists are a huge part of what makes CraveTV an unmatched value proposition in Canada, and they don’t get any more iconic than The Rolling Stones,” said Tracey Pearce, President, Distribution and Pay, Bell Media.

“Eagle Rock Entertainment is proud to have screened THE ROLLING STONES OLÉ OLÉ OLÉ!: A TRIP ACROSS LATIN AMERICA at TIFF. Paul Dugdale and JA Digital have produced with us and The Rolling Stones a fine film and we are very happy that Bell Media will be our broadcast partners for Canada,” said Geoff Kempin, Executive Director, Eagle Rock Entertainment.

A portrait of a band still at the very top of their game that have seen it all but remain hungry as ever to break new ground, the documentary captures blistering performances and unique personal experiences as the band visited Latin America for the first time in 10 years. True pioneers of rock, the Stones, who have toured every corner of the globe, explored new horizons bringing their high-octane performances to countries Uruguay, Peru and Columbia and the city of Porto Alegre, and of course Cuba, for the very first time. Fans will see Mick Jagger, Keith Richards, Charlie Watts, and Ronnie Wood mesmerize their generations of fans with full performances of classic hits from their extraordinary calalogue such as “(I Can’t Get No) Satisfaction,” “It’s Only Rock ‘n Roll,” “Wild Horses,” “Honkey Tonk Women,” “Sympathy For The Devil,” “Paint It Black,” and “Miss You.”

Directed by Paul Dugdale, produced by Sam Bridger (THE ROLLING STONES: SWEET SUMMER SUN – LIVE FROM HYDE PARK; IDRIS ELBA’S HOW CLUBBING CHANGED THE WORLD), and shot throughout February and March 2016, the film is produced by JA Digital in co-production with Eagle Rock Films for Eagle Rock Entertainment and Promotone.

 THE ROLLING STONES OLÉ OLÉ OLÉ!: A TRIP ACROSS LATIN AMERICA is the fifth title about The Rolling Stones to stream on CraveTV, joining THE ROLLING STONES: SWEET SUMMER SUN – HYDE PARK LIVE(also directed by Paul Dugdale); THE ROLLING STONES: SOME GIRLS LIVE FROM TEXAS ‘78; THE ROLLING STONES: CROSSFIRE HURRICANE; andTHE ROLLING STONES: STONES IN EXILE.

Watch David Letterman on Years Of Living Dangerously Season 2 on National Geographic

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Over a year and half after leaving his Late Show , David Letterman returns to television to host an upcoming episode of National Geographic’s climate change series Years of Living Dangerously. Letterman’s episode features his travels to India to examine how that nation provides energy to its entire population. I know what you’re thinking…Wait…What? Don’t worry, he really hasn’t changed.

The second season of Years of Living Dangerously premieres on National Geographic on October 30th.

David Letterman on YEARS of LIVING DANGEROUSLY from YEARS of LIVING DANGEROUSLY on Vimeo.

Gillian Welch on the changes in Americana music

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Paste: It would be an understatement to say that you pioneered this [new Americana] movement. You’ve been making this music for 20 years and now… this is what’s popular. This isn’t weird.
Gillian Welch: I’m no longer a maritian. Now I’m part of a scene, which is a nice change.

Paste: So how have you witnessed the genre evolve over the years?
Welch: You know, the coolest thing… I feel like this scene has grown out of a lot of the best aspects of the old time music. And a lot of the stuff that drew my partner and I to it in the first place… there was something about a certain kind of folk music that was almost too soft for us. What I’ll call the “pretty folk.” And at the time when we started, that’s what folk meant. Not to put anybody down, but folk was in a very different place in the late ‘80s, early ‘90s, and I didn’t identify very much with folk. Because it was very pretty, very clean in its way. So I always gravitated toward… old time and bluegrass music, and mountain music because the first time I heard the Stanley Brothers, I immediately understood its relationship to the Velvet Underground, and all this other punk stuff that I was listening to. And I think that’s what this entire scene understands and loves, is there was nothing in its way “softer” about this music. It’s sometimes quieter, but it’s not softer. So all the [laughs] angst, and all of the frustration, and all of the strangeness and outsideness that I felt, and that any person growing up in this age might feel, I was able to connect with this music. Also, it’s worth saying… the darkness and the tragedy of the stories that are so commonplace in this type of music that Dave [Rawlings] and I’s music sprung from. I remember feeling really liberated early on, like, “oh there’s nothing I can’t talk about. I wanna talk about morphine addiction? Fine. I wanna talk about rape? Fine. I wanna talk about suicide? Fine. It all comes out of this tradition. I felt total permission to vent anything I wanted to through this tradition… I’m pretty much a shy girl, and didn’t want to talk about what was going on with me, ever, but through the music it was all okay. That’s like everybody. That’s like every artist. There’s a reason why you express yourself through art, because there’s some way which you can’t do it.

Via

The Best TEDx Talk I’ve Seen This Year: “When We Design for Disability We All Benefit”

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“I believe that losing my hearing was one of the greatest gifts I’ve ever received,” says Elise Roy. As a disability rights lawyer and design thinker, she knows that being Deaf gives her a unique way of experiencing and reframing the world — a perspective that could solve some of our largest problems. As she says: “When we design for disability first, you often stumble upon solutions that are better than those when we design for the norm.”

Demetrius Shipp Jr. is perfect as Tupac in “All Eyez On Me” biographical drama film

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All Eyez On Me, originally titled Tupac, is an upcoming American biographical drama film directed by Benny Boom, produced by LT Hutton, David C. Robinson, James G. Robinson and written by Steven Bagatourian, Stephen J. Rivele, Christopher Wilkinson, Ed Gonzalez, and Jeremy Haft. The film stars Demetrius Shipp, Jr. (Tupac Shakur), Danai Gurira (Afeni Shakur), Kat Graham (Jada Pinkett), Dominic L. Santana (Suge Knight), Jamal Woolard (Biggie Smalls), Annie Ilonzeh (Kidada Jones), Lauren Cohan (Lelia Steinberg), Grace Gibson (Faith Evans), Harold House Moore (Dr Dre.)

https://youtu.be/3ZlXHAbX3TY

That Time In 1992 When Tom Jones And David Gilmour Performed Prince’s “Purple Rain”

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Of all the many heartfelt Prince tributes online, this one deserves your time. Performed during his 1992 “The Right Time” tour, singer Tom Jones performed a beautiful and caressed version of the iconic Prince song Purple Rain. And if that wasn’t enough, check out the inventive and inspired David Gilmour on guitar.

Sting’s New Song ‘50,000’ Was Inspired by Deaths Of David Bowie And Prince

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Sting’s new album 57th & 9th is being billed as Sting’s return to rock and roll and will be released on November 11. But one song in particular is classic Sting, based on the lyrics.

‘50,000’ is a tribute to the recent deaths of Prince and David Bowie, although no names are mentioned. “Mortality does sort of rear its head, particularly at my age – I’m 64,” he told Rolling Stone. “It’s really a comment on how shocked we all are when one of our cultural icons dies: Prince, David, Glenn Frey, Lemmy. They are our gods, in a way. So when they die, we have to question our own immortality. Even I, as a rock star, have to question my own. And the sort of bittersweet realization that hubris doesn’t mean anything in the end.”

The title refers to the 50,000 fans lifting their voices and raising their hands at stadium rock concerts as “every word he ever wrote reflected back to him.” By the end of the song, Sting releases he has more time behind him, than in front. Brilliant stuff.

https://youtu.be/T8QWtmW1WUQ

Have The Greatest Day Ever With Ferris Bueller’s Day Off In 8-Bit Graphics

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CineFix presents Ferris Bueller’s Day Off retold via old-school 8-bit. No quarters, controllers or faking sick required.

DJ Shadow Announces Endtroducing 20th Anniversary Endtrospective Edition

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2016 has been a stellar year for experimental hip hop luminary DJ Shadow, aka Josh Davis, with the release of his critically acclaimed studio album, The Mountain Will Fall, – his first release in five years – drawing praise from all corners, from The Guardian who called the record “impressive in its inventiveness” to Mojo who claimed “Shadow is back in the frame” and AV Club who hailed it as “DJ Shadow’s best work since his early-aughts heyday.” DJ Shadow is currently touring the new record and will be hitting North America later this month with two-night stands in Los Angeles and New York and shows in San Francisco, Portland, Philadelphia, Seattle, Boston, DC, Toronto, Montreal, Vancouver and others. Following, he will head to France to perform at Pitchfork Music Festival Paris and Turin, Itay for the Club To Club Festival.

For many, it is Shadow’s 1996 debut album, Endtroducing, that they keep returning to, widely regarded as a groundbreaking release that paved the way for experimental hip hop and changed the shape of electronic music from that point on. Upon its release, The Guardian gave it a 5-star review and called it “One of the most daring and original albums of recent times,” continuing, “This is genius,” while SPIN wrote that the album “practically folds you into its symphonic fantasia, the coming-of-age story of a 24-year-old bunk-bed dreamer.” Almost a decade later Pitchfork awarded Endtroducing a perfect 10 in their review of the 2005 Deluxe Edition, calling the record “deeply spiritual.”

Endtroducing was included in many critical lists of the best albums of 1996, and more recently has been ranked as one of the best albums of the 1990s by the likes of Q, SPIN, Pitchfork and Rolling Stone, who wrote, “The dystopian New Age of Endtroducing sounds like an alien spacecraft touching down on the autobahn late at night, probably to check out Earth’s used-vinyl bins,” adding, “This is DJ culture at its boldest: steeped in the past but zooming into the Space Age future.” TIME magazine went one step further, hailing it as one of the “100 greatest albums of all time.”

This year marks 20 years since that pivotal release, and to mark the occasion the San Francisco-based producer has announced a special deluxe CD/LP 20th Anniversary Endtrospective Edition (Island) featuring the original album, a collection of demos, alternate takes and live versions titled Excessive Ephemera, and Endtroducing Re-Imagined, featuring 12 specially commissioned remixes from some of contemporary electronic music’s leading lights including Hudson Mohawke, Clams Casino, Salva, Prince Paul, Bondax & Karma Kid and more.

A seminal, incredibly influential hip hop release (also regarded as pretty much the last word in instrumental ‘trip hop,’ a term used a lot at the time), Endtroducing is simply one of the defining albums of the ’90s. It is famously also the first record ever made entirely from samples of other people’s records – with a particularly broad array of sources used, many mined from the catacomb-like basement under Davis’s favorite record store in Sacramento, Calif., which has long-since closed its doors. This is the store pictured by photographer B+ on the album cover and in many other shots included in the package.

The CD/LP package will include expanded liner notes from a new interview conducted by Eliot Wilder (author of the lauded 33 1/3 book on the album) and some never-before-published photographs by B+ and Phil Knott to create the 20th anniversary release as Deluxe 3 CD and 6 LP (3 x double LP) sets. The new remixes will also be issued as a standalone digital album.

Speaking about the anniversary edition, DJ Shadow commented, “I’ve had to sort of concede that there is something about the record that took on a life of its own, that probably has very little to do with me. Nobody can plan these sorts of things. I think that everyone aspires to their music being loved and heard and appreciated on some level, but there are a lot of intangibles, and there are a lot of things that even the original artists couldn’t have planned or fully understood at the time. I feel that way about Endtroducing. And I think that’s the main difference between Endtroducing and all the other records I’ve made—it was the first time and it was a kind of a flag in the ground, at least within my body of work.

As a music lover, my favorite records always have some hallmarks of an era, but also sound as if they could have been made almost any time within a 20 year time span. I’ve always felt that as someone who buys a lot of records and sits there and studies them and kind of vibes off them, I also feel like once you put something out into the world, it can be discovered later. That happened so much with Endtroducing – 10 or 15 years down the road, people were discovering it.”

ENDTROSPECTIVE EDITION TRACK LISTING:

CD 1 / LP 1&2 – ENDTRODUCING

1. Best Foot Forward
2. Building Steam With A Grain Of Salt
3. The Number Song
4. Changeling
**Transmission 1
5. What Does Your Soul Look Like Part 4
6. Untitled
7. Stem / Long Stem
**Transmission 2
8. Mutual Slump
9. Organ Donor
10. Why Hip Hop Sucks in ’96
11. Midnight In A Perfect World
12. Napalm Brain / Scatter Brain
13. What Does Your Soul Look Like Part 1 – Blue Sky Revisit
**Transmission 3

CD2 / LP 3&4 – EXCESSIVE EPHEMERA

1. Best Foot Forward – Alternate Version
2. Building Steam With A Grain Of Salt – Alternate Take Without Overdubs
3. The Number Song – Cut Chemist Party Mix
4. Changeling – Original Demo Excerpt
5. Stem – Cops ‘N’ Robbers Mix
6. Soup
7. Red Bus Needs To Leave!
8. Mutual Slump – Alternate Take Without Overdubs
9. Organ Donor – Extended Overhaul
10. Why Hip Hop Sucks In ’96 – Alternate Take
11. Midnight In A Perfect World – Gab Mix
12. Napalm Brain – Original Demo Beat
13. What Does Your Soul Look Like – Peshay Remix
14. DJ Shadow Live In Oxford, England, October 30, 1997

CD3 / LP 5&6 – ENDTRODUCING RE-EMAGINED

1. Best Foot Forward – Teeko Remix
2. Building Steam With A Grain Of Salt – Salva Remix
3. The Number Song – Lee Bannon Remix
4. Transmissions – Kuedo Remix
5. Changeling II – Adrian Younge Remix
6. What Does Your Soul Look Like Part 4 – Teklife Remix
7. Stem / Long Stem – Clams Casino Remix
8. Mutual Slump – Daedelus Remix
9. Organ Donor – UZ Remix
10. Midnight In A Perfect World – Hudson Mohawke Remix
11. What Does Your Soul Look Like Part 1 – Prince Paul Remix
12. Building Steam With A Grain Of Salt – Bondax & Karma Kid Remix

DJ SHADOW ON TOUR
September 27 – San Diego, CA @ House Of Blues
September 28 – Los Angeles, CA @ Teragram Ballroom
September 29 – Los Angeles, CA @ Teragram Ballroom
September 30 – San Francisco, CA @ 1015 Folsom
October 1 – Portland, OR @ Roseland Theater
October 2 – Vancouver, BC @ Commodore Ballroom
October 3 – Seattle, WA @ Showbox at The Market
October 6 – Minneapolis, MN @ Varsity Theater
October 7 – Chicago, IL @ Metro
October 8 – Toronto, ON @ Phoenix Concert Theatre
October 9 – Montreal, QC @ Club Soda
October 10 – Philadelphia, PA @ TLA
October 11 – Boston, MA @ Paradise Rock Hall
October 13 – Washington, DC @ 9:30 Club
October 14 – Brooklyn, NY @ Music Hall Of Williamsburg
October 15 – Brooklyn, NY @ Music Hall Of Williamsburg
October 26 – La Rochelle, FR @ La Sirene
October 27 – Paris, FR @ Pitchfork Music Festival Paris
October 28 – Brussels, BE @ Festival Des Libertes
October 29 – Nancy, FR @ L’Autre Canal
October 31 – Montpellier, FR @ Rockstore
November 2 – Manchester, UK @ Warehouse Project
November 5 – Turin, IT @ Club To Club Festival