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No surprise: Millennials are using radio less, smartphones more, than older groups

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When it comes to life choices, nearly every generation has drawn at least a little ire from their longer-lived predecessors—be it their style of clothing, political views or taste in media. From music to movies, younger, often early adopters, have a penchant for blazing their own, new paths.

According to Nielsen’s Generational Snapshot study, which looked at media usage and device penetration of Millennials (18-34), Generation X (35-49) and Baby Boomers (50-67), distinct differences—as well as a few notable similarities—exist when it comes to connecting with content.

LOCATION, LOCATION, LOCATION

Just where these different generations predominantly live can help provide a line of sight to content creators and marketers alike—perhaps even acting as a barometer for a future populace.

In certain Designated Market Areas (DMAs), such as Pittsburgh, Detroit and St. Louis, Baby Boomers—who can spend over 184 hours per month watching Live or time-shifted television—make up more than one-quarter of the population in their respective regions. It’s no surprise then, that, according to Nielsen’s most recent Local Watch Report, these DMAs are three of highest in terms of daily traditional and/or timeshifted television use at an average of over five hours per day!

Conversely, the markets that are tops among Millennial consumers have higher subscription-based video on demand (SVOD) penetrations. They also have higher tablet and smartphone penetration rates. For instance, while only 23% of Sacramento’s population are Millennials, the DMA has the country’s highest smartphone penetration overall (92%). It’s also the market that has experience one of the largest year-over-year gains in penetration (12%).

MULLING THEIR OPTIONS

While time spent on traditional television has decreased across most generations over the past several years, device fragmentation has led to more content options, and consumers are taking full advantage of them—regardless of age. For example, tablet penetration among all generations analyzed has increased 9% from 2014 to 2015. At 70%, Generation X leads the way in terms of national tablet penetration.

Multimedia devices (such as Roku, Apple TV and Google Chromecast) have also made their mark on a wide swath of consumers. These relatively inexpensive options extend viewing choices, and consumers continue to spend time with them. In fact, according to the study, monthly time spent using multimedia devices has increased across all of the generations. What’s more, while Millennials spend the most time on these devices, Baby Boomers show an increase year over year in time spent on multimedia devices by two hours and 56 minutes in fourth-quarter 2015.

The study also looked at multicultural consumers in these same generational groups and found that across all races and ethnicities—regardless of age—black and Hispanic consumers spend more time per month using an App/web on a smartphone as well as watching video on a smartphone. Black Millennials spend an average of more than 68 hours per month using an App/web on a smartphone, over 10 hours more than the average Millennial.

THE EARS ACTUALLY HAVE IT

Perhaps no other form of entertainment is as different, and in many cases as polarizing, throughout the generations as music. From big band to rock and roll to hip-hop to electronic, music preference is often generational. The study looked at the music formats and found that both Millennial and Generation X listeners prefer to tune into the modern classics of Pop Contemporary Hits, with weekly total audiences of 27.5 million and 19.3 million listeners, respectively. And regardless of the disparity with regard to the weekly cume numbers, both of these groups spend more than three hours 15 minutes tuning in to this format.

Baby Boomers, on the other hand, prefer the Adult Contemporary/Soft Adult Contemporary genre, spending more than four hours weekly listening to the smooth sounds. That group is also more disposed to listen to the News/Talk format, with about 15.7 million listeners tuning in for an average of six hours 45 minutes weekly. This compares to three hours 45 minutes for Millennials and five hours for Gen X.

In a world of seemingly endless content choices and a viewer that perpetually takes advantage of these options, knowing both adoption and use among the different generations helps provide the industry with a look at where eyes—and ears—are and how old those consumers may be.

Via

The Top Pop Stars of the Past 103 Years Come to Life: Frank Sinatra, Elvis, Prince, Justin Bieber, and More

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The past century has seen a whole range of music icons, with distinct personas and styles, and, in this visual journey, as we did for female pop stars already, we take a look back at some of the most notable male artists from the past 100 years. We begin with Joe “King” Oliver, a preeminent 1910s jazz performer, and then work our way up through the likes of Frank Sinatra, Elvis Presley, and Michael Jackson, before reaching modern-day stars Kanye West and Justin Bieber.

Lukas Graham Announces North American Headline Tour Beginning November 10

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Lukas Graham, whose hit single “7 Years” just went triple platinum, will embark on an expansive headlining tour later this year, produced by Live Nation. The tour kicks off Thursday, November 10 in Vancouver, and crisscrosses North America through Wednesday, February 1, making stops at The Wiltern in Los Angeles, The Fillmore in Denver, and Hammerstein Ballroom in New York along the way. The upcoming tour will see the Danish foursome graduate to theatres four to five times larger than the clubs they recently performed in during their sold-out Spring headline tour.

Tickets go on sale to the general public on Friday, June 10, with an artist presale launching Tuesday, June 7 at 10:00am local. Additionally, Citi card members will have access to presale tickets on select dates beginning Tuesday, June 7 at 10:00am local, through Citi’s Private Pass program. See below for a full list of dates, and check LukasGraham.com for more info.

Led by vocalist and songwriter Lukas Graham Forchhammer, Lukas Graham has solidified their status as the breakout act of 2016. Their hit single “7 Years,” which they recently performed at the Billboard Music Awards, reached #1 at both Top 40 and Hot AC radio and #2 on the Billboard Hot 100, with over 425 million Spotify streams and counting. Now, the band is gearing up for the launch of their second single, “Mama Said.,” which will head to radio later this month.

Lukas Graham’s self-titled debut album has received overwhelming critical acclaim since its April 1 release, debuting at #3 on the Billboard 200 and propelling the band further into the global spotlight with what the New York Times describes as “neatly turned songs that merge the lilt of pop-soul with the quick cadences of hip-hop.” Hailing from Christiania, an autonomous, artistic community in the center of Copenhagen, Lukas developed his natural talent for honest and gritty songwriting. Classically trained with the Copenhagen Boys’ Choir, with a musical scope widened by his Irish folk roots and passion for hip-hop, Lukas possesses a distinct, poetic ability to capture the full range of emotions in his music.

Lukas Graham Tour Dates

November 10                Vancouver, BC                          Vogue Theatre

November 11                Portland, OR                             Roseland Theatre

November 13                Berkeley, CA                             The UC Theatre

November 15                Denver, CO                               Fillmore Auditorium

November 16                Salt Lake City, UT                      The Complex

November 18                Las Vegas, NV                          The Foundry at SLS

November 19                San Diego, CA                          House of Blues

November 21                Los Angeles, CA                       The Wiltern

January 9                      Lake Buena Vista, FL                 House of Blues

January 10                    Atlanta, GA                               The Tabernacle

January 12                    Houston, TX                              House of Blues

January 13                    San Antonio, TX                        The Aztec Theater

January 14                    Dallas, TX                                 House of Blues

January 16                    Saint Louis, MO                                    The Pageant

January 17                    Chicago, IL                               House of Blues

January 18                    Saint Paul, MN                          The Myth

January 20                    Madison, WI                              Orpheum Theatre

January 21                    Louisville, KY                            The Louisville Palace Theater

January 22                    Nashville, TN                             Ryman Auditorium

January 24                    Detroit, MI                                 Fillmore Detroit

January 25                   Toronto, ON                             Sound Academy

January 27                    Philadelphia, PA                        The Fillmore

January 28                    New York, NY                           Hammerstein Ballroom

January 29                    Boston, MA                              House of Blues

January 31                    Silver Spring, MD                      The Fillmore

February 1                    Wallingford, CT                         The Dome at Toyota Presents Oakdale Theater

Prophets Of Rage Announce “Make America Rage Again” North American Tour

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Assembling as a politically-charged response to 2016’s tumultuous election year, the newly-formed PROPHETS OF RAGE, features TOM MORELLO, Tim Commerford, Brad Wilk, Chuck D, B-Real and DJ LORD.  Best described by Morello as an, “elite task force of revolutionary musicians determined to confront this mountain of election year bullshit,” the group combines the sonic firepower of Rage Against The Machine, Public Enemy and Cypress Hill.  The band has said that “dangerous times demand dangerous songs” and has fans using #MakeAmericaRAGEAgain and #TakeThePowerBack to engage across social media.  In what the LA Times headlined simply as “REVOLUTIONARY,” the band’s mission is clear, promising “No Sleep till Cleveland,” the home of the 2016 Republican National Convention this July, where they have a planned performance on July 19th.

Following two sold-out shows at The Whisky and The Hollywood Palladium that had thousands of hopeful fans lined up in Los Angeles this week, and a sold-out show in Brooklyn at Warsaw Ballroom, the group has announced a national 35+ city North American tour, bringing their raging messages to the masses. The MAKE AMERICA RAGE AGAIN TOUR, will kick off in Cleveland, OH on July 19, in tandem with the Republican National Convention. From there the tour will include stops in Brooklyn, Los Angeles, Chicago, Nashville and Atlanta before concluding in San Diego, mere weeks before 2016 Election Day. A portion of the proceeds from each show will benefit a local homeless charity.

Ticket on-sales begin Friday, June 10th at www.livenation.com, check local listings for timing.

PROPHETS OF RAGE 2016 TOUR DATES

All dates, venues and cities below subject to change.

Date City Venue
July 19 Cleveland, OH TBD
Aug. 19 Fairfax, VA EagleBank Arena
Aug. 20 Camden, NJ BB&T Pavilion
Aug. 21 Mansfield, MA Xfinity Center
Aug. 23 Hartford, CT The Xfinity Theatre
Aug. 24 Toronto, ON Molson Canadian Amphitheatre
Aug. 26 Holmdel, NJ P.N.C. Bank Arts Center
Aug. 27 Brooklyn, NY Barclays Center
Aug. 28 Wantagh, NY Nikon at Jones Beach Theater
Aug. 30 Noblesville, IN Klipsch Music Center
Aug. 31 Burgettstown, PA First Niagara Pavilion
Sept. 1 Clarkston, MI DTE Energy Music Theatre
Sept. 3 Tinley Park, IL Hollywood Casino Amphitheatre
Sept. 4 St. Louis, MO Hollywood Casino Amphitheatre
Sept. 5 Kansas City, MO Providence Medical Center Amphitheater
Sept. 7 Morrison, CO Red Rocks Amphitheatre
Sept. 10 Auburn, WA White River Amphitheatre
Sept. 11 Ridgefield, WA Sunlight Supply Amphitheatre
Sept. 13 Mt. View, CA Shoreline Amphitheatre
Sept. 15 Los Angeles, CA The Forum
Sept. 17 Phoenix, AZ Ak-Chin Pavilion
Sept. 25 Dallas, TX Gexa Energy Pavilion
Sept. 27 Nashville, TN Bridgestone Arena
Sept. 29 VA Beach, VA Veterans United Home Loans Amphitheater
Oct. 1 Tampa, FL MidFlorida Credit Union Amphitheater at Encore Park
Oct. 2 West Palm Beach, FL Perfect Vodka Amp
Oct. 4 Alpharetta, GA Verizon Wireless Amphitheatre
Oct. 5 Cincinnati, OH Riverbend Music Center
Oct. 7 Tulsa, OK BOK Center
Oct. 8 Houston, TX Cynthia Woods Mitchell Pavilion
Oct. 9 San Antonio, TX AT&T Center
Oct. 11 El Paso, TX El Paso County Coliseum
Oct. 12 Albuquerque, NM Isleta Amphitheatre
Oct. 14 Las Vegas, NV Mandalay Bay Event Center
Oct. 16 Chula Vista, CA Sleep Train Amphitheatre

Keegan-Michael Key: “Improv actors are at war together”

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Key & Peele’s Keegan-Michael Key gives us a glimpse of the group dynamics in an improv troupe.

Bad lip reading: orchestral version will make you laugh with your ears covered

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I love the many bad lip reading videos for movies and TV shows, but this is the first bad lip reading of an orchestra. It’s horrible to listen to, but brilliant.

Music using only Windows computer noises

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In 1994, Microsoft designers Mark Malamud and Erik Gavriluk approached Eno to compose music for the Windows 95 project.[38] The result was the six-second start-up music-sound of the Windows 95 operating system, “The Microsoft Sound.” YouTuber syou2at has taken all the sounds on your computer under the Windows operating system, and recorded a pretty cool EDM track for your dancing pleasure.

Neil Gaiman On What Stories Are Really About

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Listen.

If someone tells you what a story is about, they are probably right.

If they tell you that that is all the story is about, they are very definitely wrong.

Any story is about a host of things. It is about the author; it is about the world the author sees and deals with and lives in; it is about the words chosen and the way those words are deployed; it is about the story itself and what happens in the story; it is about the people in the story; it is polemic; it is opinion.

An author’s opinions of what a story is about are always valid and are always true: the author was there, after all, when the book was written. She came up with each word and knows why she used that word instead of another. But an author is a creature of her time, and even she cannot see everything that her book is about.

Why do we need the things in books? The poems, the essays, the stories? Authors disagree. Authors are human and fallible and foolish. Stories are lies after all, tales of people who never existed and the things that never actually happened to them. Why should we read them? Why should we care?

The teller and the tale are very different. We must not forget that.

Ideas, written ideas, are special. They are the way we transmit our stories and our ideas from one generation to the next. If we lose them, we lose our shared history. We lose much of what makes us human. And fiction gives us empathy: it puts us inside the minds of other people, gives us the gift of seeing the world through their eyes. Fiction is a lie that tells us true things, over and over.

Neil Gaiman, Ray Bradbury, Fahrenheit 451, and What Science Fiction Is and Does

Muhammad Ali (1942-2016)

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Boxing legend Muhammad Ali – one of the world’s greatest sporting figures – has died at the age of 74. The former world heavyweight champion died late on Friday at a hospital in the US city of Phoenix, Arizona, having been admitted on Thursday. He had been suffering from a respiratory illness, a condition that was complicated by Parkinson’s disease.

He was, and will always be, The Greatest. Rest in peace, Champ.

https://youtu.be/EYoh62jUFpk

Steve Miller’s Isolated Vocals For “Fly Like An Eagle”

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Steve Miller’s Fly Like an Eagle went to number 2 on the Billboard Hot 100 chart during the week of March 12, 1977, kept from the top spot by “Evergreen (Love Theme from A Star Is Born)” by Barbra Streisand. The single edit can be found on Greatest Hits (1974–1978). Live and on the radio, it’s usually played in tandem with Space Intro, but the song also segues into Wild Mountain Honey.

https://youtu.be/q67kd0c5Irg