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Merlin: Streaming Revenues Go Global, Payouts Increase 73% to $232m

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Speaking at A2IM’s Annual Meeting, Charles Caldas, CEO Merlin, the global digital rights agency for the independent label sector, has announced the results of Merlin’s 2016 member survey. Merlin is the global digital rights agency for the world’s independent label sector. The organisation’s members command in excess of 12% of the global digital recorded music market and embody more than 20,000 independent record labels and distributors from 46 countries and all continents. These include Beggars Group, Secretly Group, Domino, Epitaph, !K7, Kobalt Label Services, [PIAS], Merge and Warp, representing some of the world’s most important and successful artists.

Merlin acts to ensure these companies have effective access to new and emerging revenue streams and that their rights are appropriately valued and protected.

Since commencing operations in May 2008, Merlin has licensed key digital services including SoundCloud, YouTube Red, Spotify, Pandora, Google Play, Deezer, Vevo, KKBOX and Guvera.

The organization has just released their membership survey, which saw global payouts reach $232 million, up 73% from the year before. Other findings include:

  • Digital consumption unlocks global markets – 39% report over half of digital revenues originate from outside their home territory, compared with just 16% reporting the same for physical
  • Overall business growth remains consistently high among Merlin members. 79% state they are optimistic about the future of their business
  • Almost half (46%) of Merlin’s members report audio streaming/subscription as their primary source of digital revenue
  • Usage of Merlin members’ repertoire on audio streaming/subscription services is 27% higher on paid tiers compared to free ad-funded tiers

Representing the most valuable set of rights outside of those controlled by the three major labels, Merlin’s 700-strong membership commands in excess of 12% of the global digital market across more than 20,000 labels – including the likes of Beggars Group, Domino, Epitaph, Kobalt Label Services, Merge, Ninja Tune, [PIAS], Secretly Group and Warp Records.

Drawing on anonymized responses from across 35 countries, this is the fourth time Merlin has surveyed its membership in this way. The findings are combined with a new analysis of Merlin’s own internal data, which reveals a surge in both revenues received from leading audio streaming services and the consumption of independent music on those platforms – and particularly so on paid streaming tiers:

Year-on-year (April-March 2014/15 to April-March 2015/16) digital revenues paid out to Merlin’s independent label members increased by 73% year-on-year to $232m. Following a 20% reduction in administration fees, announced in February 2016 – the fifth such reduction in four years – Merlin continues to deliver maximum value to members’ digital businesses.

Comparing usage in the month of March 2016 with March 2015, the volume of audio streams reported to Merlin increased by 80%. In March 2016 alone, audio tracks by Merlin’s members were streamed more than 4bn times, up from 2.5bn in March 2015.

Drawing on an analysis of over 11.5bn audio streams (Jan-March 2016) usage of Merlin members’ repertoire on audio streaming & subscription services was 27% higher on paid streaming tiers compared to free ad-funded tiers.

Almost two-thirds of respondents (62%) state that digital now accounts for more than 50% of their overall business revenue. For 1 in 3, it accounts for over 75%.

Streaming is now the primary source of digital revenue for almost half (46%) of Merlin members – up from one-third last year.

The global scale of digital music consumption clearly benefits independent record labels and distributors. 39% of respondents report that over half of digital revenues came from outside their home territory – compared with only 16% reporting the same for physical

Downloads are the primary digital revenue source for 28% of respondents – down from 41% in 2015. For 64% of respondents, video-streaming platforms like YouTube account for less than 10% of overall digital revenues.

Despite continued transition in the digital music market, the majority (65%) of Merlin members report overall business growth – the same percentage as last year.

79% of respondents state they are “optimistic” about the future of their business, while 86% of respondents say that membership of Merlin is important to their business.

Charles Caldas, CEO of Merlin, said: “2016’s survey offers yet more evidence that Merlin’s independent record label members continue to grow and break new ground in the digital space. Over successive years we have seen audio streaming revenues surge for the vast majority, and it is particularly heartening to see members capitalize on consumer demand in new or previously untapped international markets. The digital business is a global business, and Merlin members are at the heart of it.”

 

Winnie Cooper from The Wonder Years is all grown up, and here is her story

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What happens when you’re no longer the girl next door from The Wonder Years?

Former television heartthrob Danica McKellar told us how math helped her to discover that she is so much more than the child actress who played Winnie Cooper.

Cool Crowdfunding Project: Maximum Plunder – The Poster Art of Mike King

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Mike King has made more concert posters than any designer in America. This book now in the final 3 weeks of crowfunding contains more than 1000 of them.

If you’re a music fan, chances are you’ve come across Mike King’s concert posters.

Maybe you were getting soaked waiting in line for a show at one the Northwest’s legendary concert venues and you were checking out the posters stapled on a nearby telephone pole, or you needed something to look at while holding your friend’s hair back in a filthy bathroom in a nameless dive, so you fixated on a poster for an upcoming concert. Wherever you were, whether it was La Luna, Satyricon, The Moore Theater, The Showbox, Roseland Theater, Crystal Ballroom, Doug Fir, etc. Mike King’s art was probably there too.

Spanning three decades of music, Maximum Plunder gathers together Mike’s work into a comprehensive retrospective. A five-year project, the book presents nearly 1,100 of his remarkable posters from every period in nearly every musical genre, from country to death metal, jazz to punk. You’ll see striking examples of Mike’s work for both internationally famous bands to barely-known local artists.

  • 280 pages of posters in glorious color and crappy black and white
  • Forward by noted graphic designer, writer, and former Kinko’s employee Sean Tejaratchi
  • Introduction by Mike King using actual words
  • Nine chapters of various lengths and content
  • Extensive, frequently interesting commentary
  • Fully alphabetical Index
  • For those with low expectations, this book contains everything you need to know

Mike is a prolific designer – having produced more than 5000 posters, from the Afghan Whigs to ZZ Top. His works have appeared in books, magazines, museums and galleries across various parts of the globe including: The Experience Music Project (Seattle), The Museum of Design (Atlanta), the Bold Hype Gallery (NYC), Gallery 1988 (L.A.), to name just a few. He has been published in Spin, Juxtapoz, and numerous anthologies of contemporary art and design, and his works are sought by collectors the world over.

A native of suburban Portland, Mike got his start making posters for the punk/noise bands he played in. From those early days of bad xeroxes and trading poster design for admission to shows, Mike now works full-time as a designer and artist in NYC.

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That Time The Queen Met Marilyn Monroe

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Rare footage of Elizabeth II meeting Marilyn Monroe, as found from Vanity Fair:

The two met at the premiere of The Battle of the River Plate in London’s Leicester Square. Monroe was there to accompany her then husband Arthur Miller. In the video, you can see her in the receiving line of guests waiting to shake the young Queen’s hand.

At the time, both Monroe and Queen Elizabeth II were just 30 years old. The Queen had ascended to the throne at the age of 25 following the death of her father, King George VI. Monroe had just finished filming The Prince and the Showgirl in London; the film premiered in June 1957.

YOU can act opposite Vincent Price, Fernando Lamas and more with this awesome 1950s vinyl record game

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CO STAR, The Record Acting Game” was a popular series of 15 LP records released by Co Star records, a subsidiary of Roulette Records, that appeared in the late fifties/early sixties, featuring several legendary actors, old-time actors and several younger actors (and singers) performing scenes from plays (Macbeth), novels (Peyton Place) and movies (Casablanca) costarring YOU, YES YOU! (“YOU act scenes opposite your favorite star!”) as the record has blank spaces between their lines so you can recite your lines on your way to winning an Oscar. A narrator introduced each record and 20-24 page mimeographed scripts were enclosed with each record, indicating when to insert your lines to “act” opposite the star.

This particular record features Argentinean born actor Fernando Lamas doing his part from “The King & the Chorus Girl”. Unfortunately the script with the lines from the film were not in the jacket,  you’ll have to make up your own.

Co-Star – The Record Acting Game – Fernando Lamas (mp3s)

135MP3:
Scene 1: Alfred & Humbert (4:47)
Scene 2: Alfred & Dorothy (5:28)
Scene 3: Alfred & Dorothy (3:55)
Scene 4: Alfred & Humbert (5:12)
Scene 5: Alfred & Dorothy (3:57)
Scene 6: Alfred & Humbert (3:15)
Scene 7: Alfred & Dorothy (2:06)

 

 

 

 

 

 

 

Via

Tears For Fears Announce New Tour And Album

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Tears for Fears’ Roland Orzabal and Curt Smith are pleased to announce that they have rescheduled as many tour dates in the fall as possible, that were previously postponed earlier this year. Tickets purchased for the original dates will be honored for the new dates or refunds will be available at point of purchase. Tears for Fears are currently working hard both in the US and the UK on their new record, which will be released in 2017 on Warner Bros. Records.

TOUR DATES:

September 17 – Goldendale, WA @ Maryhill Winery
September 18 – Woodinville, WA @ Chateau St. Michelle
September 20 – Salt Lake City, UT @ Red Butte Garden
September 22 – Boise, ID @ Idaho Botanical Garden
September 23 – Reno, NV @ Silver Legacy Resort and Casino
September 26 – Grand Rapids, MI @ Mejier Gardens
September 27 – Indianapolis, IN @ Murat Theatre
September 30 – Windsor, ON @ The Colosseum at Caesars Windsor
October 1 – Orillia, ON @ Casino Rama Entertainment Center
October 3 – Morrison, CO @ Red Rocks Amphitheatre
October 5 – Colorado Springs, CO @ Pikes Peak Center
October 7 – Phoenix, AZ @ Comerica Theatre
October 8 – Temecula, CA @ Pechanga Theatre
October 9 – San Diego, CA @ Humphrey’s

Watch The Tragically Hip Short Doc “Family Band” Produced By The NFB

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In this short documentary about The Tragically Hip, director David Battistella uses a split-screen and acid-etched colours to distil the iconic Canadian band’s essence. After decades together, through hotels, highways, gigs and recording sessions, The Hip’s members have forged a powerful brotherhood. “These guys are my life partners, musically” says bass guitarist Gord Sinclair. The Hip’s brand of straight-ahead rock and roll has catapulted the band to international stardom, and ensured them a place in Canadian musical history, but at heart, they remain a bunch of guys from Kingston, Ontario, making music together just for fun. This film was produced for the 2008 Governor General’s Performing Arts Award.

Family BandDavid Battistella,National Film Board of Canada