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Kathleen Hannah On Internet Trolls: “I don’t even understand why there are comments”

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…and this is exactly what I’ve never had, or will, have comments on this website. No offense, you see?

Paper Magazine: The song “I’m Done” takes on abuse from less personal sources, namely internet trolls. How do you avoid that stuff or ignore it?

Kathleen Hanna: I don’t even understand why there are comments — I have them turned off on my website. For me, this is is a one way conversation. This particular art form is a one way conversation because I’ve decided it is. Part of that song is just dealing with the frustration of one person writing one fucked up thing about you. You don’t always have the thick skin to be like, ‘This has nothing to do with me. I shouldn’t take this personally.’

That’s been a big part of my identity, of being like, ‘Look, we can argue, it’s nothing personal.’ And that doesn’t mean not being vulnerable. That means being able to weed through what is real criticism and what is fake criticism. There’s this article by ’70s feminist Jo Freeman about being trashed, by other women, even. It talks a lot about what’s the difference between real criticism, which is criticism that you need to know to be better at what you do, and fake criticism, which is just meant to tear you down and which you can’t do anything about. If I get criticism that my voice is out of tune on something, I can work on that if I want to. If I get criticism that my arms look flabby and I don’t dress my age, it’s like, ‘Fuck you, what does that have to do with anything?’

I can choose not to look myself up, or to not look at comments or Twitter. You see awful, awful stuff. People in the wake of the Orlando massacre, a hate crime on such a massive level, and during pride month no less, got a hashtag trending on Twitter about ‘heterosexual pride day.’ Fuck you. Why don’t you learn about something that has nothing to do with you? Fuck off. Can we just be accountable for our privilege and realize we don’t know it all? I want to find places on the internet that feed me with good information that I can share with people. I want to read books. I want to read the Atlantic. I don’t want to be on the Internet all day.

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People with Alzheimer’s tell us memories they never want to forget

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Cut asked people diagnosed with Alzheimer’s to tell them memories they never want to forget.

People with Alzheimer's tell us memories they never want to forget from Cut.com on Vimeo.

A Supercut Of Every Amazingly Strange Bill Wurtz Video

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If you’ve never watched a Bill Wurtz video, you’re in for a treat. Here’s a supercut of them all!

A Dripping Faucet Becomes A Cool Song

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Nobody should be wasting water, but a dripping kitchen faucet is also a chance to make some beautiful music, if you’re a really good editor.

Never, Ever Forget How Easy It Was For Sinead O’Connor To Slay You In Concert

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Sinead O’Connor sings “I Am Stretched On Your Grave” in the 1990 concert film The Year of the Horse. At the 4:30 mark, she begins dancing, and now it’s quite dusty in here.

Flea Introduces the Fender Signature Flea Bass

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Introducing the Fender Signature Flea Bass. Modeled after Flea’s rare ’61 Shell Pink Jazz Bass, the Flea Bass features a beautiful road-worn finish, American Vintage ’64 pickups and a custom neck plate that is based on a drawing from the influential bassist. Of course, the perfect person to officially welcome this Jazz Bass into the world is Flea himself, as this video goes inside his home to learn more about what inspired him as an artist.

How Tennis Balls Are Made

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Apparently, the process of making a single tennis ball involves over 20 steps. It also happens to be oddly satisfying to watch.

How to Make a Tennis Ball from Benedict Redgrove on Vimeo.

Gregory Porter’s NPR Music Tiny Desk Concert Is What You Need This Weekend

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Bob Bolen writes, “Gregory Porter’s healing soul music sends a message of compassion, and he’s got a baritone voice that resonates love. When Porter visited NPR, we’d just learned that our colleague, photojournalist David Gilkey, had been killed while working on a story for NPR in Afghanistan. When Porter began singing the calmly beautiful “No Love Dying,” he may not have known how much it would mean to us. Yet this song of compassion and hope, from his Grammy-winning 2013 album Liquid Spirit, was just what we’d needed.

“Porter and pianist Chip Crawford continued their thoughtful, entrancing set with “Take Me To The Alley” (the title track to Porter’s new album), a song about how we treat and think about those who live on society’s margins. Closing this Tiny Desk concert is “Don’t Be A Fool,” another new song of love, loyalty and trust. For us, Porter’s set provided a timely reminder that we can all use comfort, counsel and guidance — and that music can be serious and heartwarming without losing its sense of wonder and delight.”

The Jesus & Mary Chain Announce North American Tour Dates

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2017 just got that much better now that The Jesus & Mary Chain are releasing Damage & Joy, their first album since 1998 and seventh overall, on March 24th. The band announced several North American dates in support of the new album. Check out the dates stream their singles “Amputation” and “Always Sad” below:

The Jesus & Mary Chain — North American tour

May 09 — St. Paul, MN @ The Palace
May 10 — Chicago, IL @ Riviera
May 12 — Toronto, ON @ Massey Hall
May 14 — Brooklyn, NY @ Brooklyn Steel
May 19 — Los Angeles, CA @ The Wiltern
May 20 — Oakland, CA @ The Fox Theatre
May 22 — Portland, OR @ Crystal Ballroom
May 23 — Seattle, WA @ Showbox SoDo
May 25 — Vancouver, BC @ Vogue Theatre

Amanda Palmer on the power of music and live performances

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“Music does a thing that nothing else does. We see it when we’re standing on stage, and when we sign at the end of shows, and we hold people in our arms who cry and weep and say, ‘This song changed my life.’ Music never has to feel less powerful, and I think the way music has changed and the way it’s gotten more commercialized, it doesn’t change the core. If you write a good, powerful song like ‘Glacier,’ or like the songs I’ve written that get into the heart of your listener, it all falls away. Nothing else really matters.” – Amanda Palmer

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