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Jerry Lee Lewis Asks The Most Important Question You’ll Ever Hear About Heaven And Hell

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“I said, ‘Elvis, I’m going to ask you one thing before we part company here. If you die, do you think you’d go to heaven or hell?’ And he got real red in the face, and then he got real white in the face, and he said, ‘Jerry Lee, don’t you ever say that to me agin.’ I said, ‘Well, I won’t even say it to you again.’ Hahahaha!…He was very frightened.”

…I was always worried whether I was going to heaven or hell. I still am. I worry about it before I go to bed; it’s a very serious situation. I mean you worry, when you breathe your last breath, where are you going to go?” – Jerry Lee Lewis, in The Guardian (irony)

Science Says These Are The 20 Best Songs To Wake You Up

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In order to create the perfect “wake up” playlist, Spotify enlisted the help of music psychologist and Cambridge PhD candidate, David M. Greenberg, because nobody wants to wake up to a beeping noise or alarm clocks anymore. Greenberg and Spotify’s data team focused on three main elements these songs needed to have:

  • Music that builds: A song that is too vigorous from the start won’t help you get out of bed — it’s too much too soon. Songs that start more gently (even just for a few seconds) and then build, help you wake up more gradually.
  • Positivity: Once alert, you need to become motivated for the day to come; positive lyrics can get you out of a grumpy state and shift towards a feel-good attitude.
  • Strong beat: It’s not just the lyrics, it’s also the sonic elements of the music. Songs that emphasize beats 2 and 4 of each measure — usually with the bass and drums — with a BPM of approximately 100-130 will get you moving and further the feel good mood.

Here are the songs:

  1. Coldplay – Viva La Vida
  2. St. Lucia – Elevate
  3. Macklemore & Ryan Lewis – Downtown
  4. Bill Withers – Lovely Day
  5. Avicii – Wake Me Up
  6. Pentatonix – Can’t Sleep Love
  7. Demi Lovato – Confident
  8. Arcade Fire – Wake Up
  9. Hailee Steinfeld – Love Myself
  10. Sam Smith – Money On My Mind
  11. Esperanza Spalding – I Can’t Help It
  12. John Newman – Come and Get It
  13. Felix Jaehn – Ain’t Nobody (Loves Me Better)
  14. Mark Ronson – Feel Right
  15. Clean Bandit – Rather Be
  16. Katrina & The Waves – Walking on Sunshine
  17. Imagine Dragons – On Top of the World
  18. MisterWives – Reflections
  19. Carly Rae Jepsen – Warm Blood
  20. iLoveMemphis – Hit The Quan

I’m going to try this tomorrow morning. I’ll let you know how it goes.

H/T Business Insider

The 16 new books in the 33 1/3 series are going to blow your mind

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As a rule, the 33 1/3 book series inspired by music and classic albums are a lovely, glorious experience in my world. Some volumes are valued more highly than the album themselves, and no, I’m not naming names, lest I get quoted in another series. The start of reading any of the books are always followed by a response – going back to the album discussed and giving it a second, third and hundredth listen, in some cases. One day, believe me, these books will be revered and deemed iconic as the albums being written about, if that hasn’t started already.

Without further adieu, the next 16 books in the 33 1/3 series will be:

Jawbreaker’s 24 Hour Revenge Therapy by Ronen Givony

24 Hour Revenge

 

The Pharcyde’s Bizarre Ride II the Pharcyde by Andrew BarkerBizarre Ride

 

Tori Amos’ Boys for Pele by Amy Gentry

Boys for Pele

Young Marble Giants’ Colossal Youth by Michael Blair and Joe BuccieroColossal Youth

Björk’s Homogenic by Emily Mackay

Homogenic

Fugazi’s In on the Kill Taker by Joe Gross

In on the Kill

Modern Lovers’ The Modern Lovers by Sean L. Maloney

Modern Lovers

Merle Haggard’s Okie from Muskogee by Rachel Rubin

Okie Muskogee

Siouxsie and the Banshees’ Peepshow by Samantha Bennett

Peepshow

Ol’ Dirty Bastard’s Return to the 36 Chambers: The Dirty Version by Jarett Kobek

36 Chambers

Wendy Carlos’ Switched-On Bach by Roshanak Kheshti

Switched on Bach

Japan’s Tin Drum by Agata Pyzik

Tin Drum

Lou Reed’s Transformer by Ezra Furman

Transformer

Angelo Badalamenti’s Twin Peaks OST by Clare Nina Norelli

Twin Peaks

Camp Lo’s Uptown Saturday Night by Patrick Rivers & Will Fulton

Uptown Saturday

Bob Mould’s Workbook by Walter Biggins and Daniel Couch

workbook

Once again…that’s

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Quebec’s Andre Menard and Alain Simard Announced As 2016 Inductees To Canadian Music Industry Hall Of Fame

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Canadian Music Week is pleased to honour industry veterans André Menard and Alain Simard with their induction into the Canadian Music Industry Hall of Fame. Menard and Simard will be honoured on Thursday, May 5, 2016 at the Canadian Music & Broadcast Industry Awards Gala at the Sheraton Centre in Toronto.
“The immense impact that André and Alain have had on our countries musical landscape is immeasurable. We are thrilled to honour them both into the Canadian Music Industry Hall of Fame this Spring.” says Neill Dixon, President of Canadian Music Week

“It’s incredible to have been part of our music scene for all these years. In our daily work, drawing inspiration from artists creativity and people’s enthusiasm towards what you are producing in your job is a rare fate. Plain amazing to be recognized by your peers for this,” says André Menard and Alain Simard.

André Ménard numbers among the most influential figures in the Quebec artistic community, having greatly contributed to the cultural life of Montreal. Working in the domain of live show and concert production since 1975, he has had a 30-year association with Alain Simard as co-founder and vice-president of L’Équipe Spectra. He is also the cofounder and artistic director of the Festival International de Jazz de Montréal.

André has held seats on a number of boards including ADISQ from 1980 to 1993 (including two years as president); Chambre de Commerce du Montréal Métropolitain from 1992 to 1994; Jazz Alliance International (JAI), a non-profit organization based in New York, a subsidiary of the International Association for Jazz Education (IAJE) 2005-2008; Rendez-vous du cinéma québécois from 2001-2009 and La La La Human Steps Dance Company since 1995

He has also been a member of the Conseil d’administration du partenariat du Quartier des spectacles since its inception in 2003. Ménard was also responsible for the original idea behind the “Quartier des theatres”, an idea first taken up and illustrated during a speech by Alain Simard at the Board of Trade in the late ’90s.

Over the years, a number of awards have been bestowed upon André including; Recipient of the first Hall of Fame Award, presented by National Jazz Awards Canada (2004); Winner of the Reconnaissance award presented by RIDEAU (2003); Winner of the prix Events producer of the year presented by the Jazz Journalist Association (2002); Personality of the Week, La Presse (2001); Chevalier des Arts et lettres of the French Republic (1993) and Personality of the Week, La Presse (1988)

Alain Simard completed his classical studies at Collège St Ignace in Montreal, where in 1969 he began to launch live shows at a student café, La Clef, which hosted the era’s first “underground” groups. In the early ’70s, together with Productions Kosmos, he brought to Montreal stages such artists as Pink Floyd, Genesis and B.B. King, among others. He later became the personal manager of Paul Piché, Offenbach, Claude Dubois and Michel Rivard, launched the TV production company Spectel-Video with Momentum Vidéofilm and helped create ADISQ with Guy Latraverse.

Founder of the Montreal International Jazz Festival, the FrancoFolies de Montréal, the Montreal High Lights Festival, La Grande Mascarade, and more recently, the Montreal International Film Festival, Alain Simard has been the president and CEO of L’Équipe Spectra – a recognized leader in Quebec’s cultural industry – since its inception in 1977. In the last 35 years, Mr. Simard’s exceptional contribution to the cultural and entertainment industry has boosted Montreal’s international visibility. Thanks to his love of music, Mr. Simard has made Montreal a destination of choice for millions of festival goers around the world.

Over the years, Mr. Simard has received numerous prizes, including the Félix Hommage at the ADISQ Gala; the Prix Hommage from the Société des Fêtes et Festivals du Québec; the special prize Mérites du français dans le Commerce 2000, awarded by the Office québécois de la langue française; and the Grand Prix Ulysse trophy from Tourisme Montréal. He also holds the title of Chevalier des Arts et des Lettres, bestowed on him by the Republic of France, as well as of Chevalier de l’Ordre de la Pléiade. In 2003, La Presse called him “the most influential personality in the Quebec cultural sector” and, in 2004, he was named Grand entrepreneur de l’année 2004 by Groupe Perform.

Alain has served on numerous boards, including ADISQ, the Institut québécois du Cinéma, ARTV, Tourisme Montréal and the Fondation du Maire de Montréal pour la Jeunesse. He currently sits on the boards of the Montreal International Film Festival, the Montreal High Lights Festival, the FrancoFolies de Montréal, the Montreal International Jazz Festival, and all the boards of Équipe Spectra’s subsidiaries and/or affiliated companies: Amerimage-Spectra, Sogestalt Television, Bleu Blanc Rouge Productions, Zingaro Films, Libretto Productions and Spectra Animation.

Netflix Introducing 5-Minute Videos To Help Curb Bedtime ‘JUST ONE MORE VIDEO’ From Kids

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Parents, get ready for your victory lap because your bedtime-stalling kids just met their match. It’s no secret kids will say everything from the outrageous – “I hate the inside of my eyelids” – to the hard-to-argue-with “I’m starving-dying of thirst-need to pee” excuse to avoid bedtime o’clock. Now, with the help of Netflix and DreamWorks Animation, grown-ups can stop the kids’ shenanigans while making some mischief of their own.

With today’s launch of five-minute-long ‘favorites’ of the hit series Dinotrux from DreamWorks Animation, parents can offer up an ENTIRE SHOW – that’s 300 whole seconds, kids – to motivate little ones to get ready for bedtime, pronto. Kids will think they’re getting away with murder, but parents will get the last laugh when the show ends after just five minutes and the kids are tucked in on time. Parents: 1, Kids’ Bedtime Stalls: 0.

While short on time, the new Dinotrux 5 Minute Favorites are big on kid-approved action. Netflix and DreamWorks Animation engineered the new shows knowing exactly what kids love most: rewatching their favorite scenes. Parents know when kids like a show, they really like it. And ask to re-watch their favorite scenes over, and over, and over again. The three new 5 Minute Favorites, launching today on Netflix, showcase favorite scenes following the rapid adventures of Ty-Rux and Revvit as they demonstrate important lessons of teamwork and friendship – even among the unlikeliest of pairs. To watch on Netflix simply search for 5 Minute Favorites.

It turns out that bedtime stalls are a universal problem faced by parents around the world. Netflix polled parents across seven countries (US, UK, France, Canada, Australia, Brazil, and Mexico) and found 61 percent of parents who are in charge of getting their children tucked in at night are dealing with their kids’ creative stall tactics at bedtime. All of that lollygagging adds up to parents spending nearly 20 minutes every single night negotiating with kids to get them into bed.

Dinotrux '5 Minute Favorites' only on Netflix (PRNewsFoto/Netflix)
Dinotrux '5 Minute Favorites' only on Netflix (PRNewsFoto/Netflix)

Alanis Morissette, Meghan Trainor, and Jimmy Fallon Perform ‘Ironic’ As Chickens

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The Jagged Little Chicks perform an all-clucking rendition of Alanis Morissette’s hit song “Ironic.”

https://youtu.be/IBK8qSnBlHo

Bon Jovi’s Isolated Vocals and Guitars For “You Give Love A Bad Name”

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Not be confused with “Shot Through the Heart”, an unrelated song from Bon Jovi’s 1984 self-titled debut album, “You Give Love a Bad Name” was a monster hit, the first single from their 1986 album Slippery When Wet. Written by Jon Bon Jovi, Richie Sambora and Desmond Child about a woman who has jilted her lover, the song reached No. 1 on the U.S. Billboard Hot 100 on November 29, 1986 to become the band’s first number one hit. In 2007, the song reentered the charts at No. 29 after Blake Lewis performed it on American Idol. In 2009 it was named the 20th greatest hard rock song of all time by VH1.

Jon Bon Jovi’s vocals

Richie Sambora’s giutar

…and here’s the full-on glorious ’80s video:

As tours become longer, insurance rates go up for musicians

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A day after Katy Perry tweeted she had just completed her 151-date Prismatic world tour and that it was “only By The Grace Of God that I made each & every one of them”, One Direction had to cancel their show in Belfast at the last minute due to Liam Payne falling ill.

Insurers and underwriters looking at Perry’s next tour will regard it as low risk. But they will be keeping a closer eye on One Direction, even though the show was quickly rescheduled, and mentally reworking the numbers if more shows get cancelled. Since record sales started to tumble 15 years ago, touring has become the way that most acts make a living these days. The numbers are staggering. Taylor Swift, for example, is grossing $2.93m per night on her 1989 tour, based on from figures published by Billboard. With stakes this high, touring insurance, on the surface an admittedly dry subject, has never been more important.

Acts on the road generally take out three types of insurance: equipment (to protect against damage and theft); public liability (in case an audience member is injured during a show); and non-appearance. The last two are relatively modern developments, but it is non-appearance that is arguably the most critical, especially as tours become longer.

At the start of October, promoter and agent John Giddings spoke at the International Festival Forum and suggested that David Bowie has effectively retired from touring, having performed his last solo British show in 2004 at the Isle of Wight festival (which Giddings runs). There have been rumours that Bowie is not willing to put himself through the exertion of a world tour. Unlike, say, 74-year-old Bob Dylan, who has played between 85 and 112 shows every year this century, Bowie has not played for so long it could be difficult to insure a tour against cancellations.

Via The Guardian

James Franco Talks About Growing Up In California In New Google Animated Video

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Actor, filmmaker, and artist, James Franco, shares stories from growing up in California, from his bad-boy days in Palo Alto to a brief stint in the UCLA cafeteria. Franco shares the inspiration beneath his many hats as a performer in California Inspires Me, a Google Play x California Sunday Magazine collaboration.

‘Elstree 1976’ Doc Details The Unheard Actors And Extras In ‘Star Wars’ Trilogy

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These people came from a wide variety of backgrounds and went on to have unique careers and lives. This is resolutely not a ‘Making of Star Wars’ documentary. Star Wars is merely the common ground shared by these people and just a starting point for collecting the experiences of this generation of performers. It tells the story of six decades of British theatre, cinema and movie conventions from the perspective of working actors whose characters’ fame often seems to eclipse their own. The film explores the industry, the craft and the acting life. It reflects on what makes and sustains a pop culture phenomenon, how it feels and what it means to be a part of that legacy. Most importantly, it forms a portrait of a generation of performers and the British film industry, which facilitated the rise of the Hollywood blockbuster.