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BMI Reports Record-Breaking Revenues of Over $1 Billion With Digital Revenue Up 65%

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BMI today announced record-breaking revenue and royalty distributions for its fiscal year ended June 30. BMI generated total revenues of $1.013 billion, the highest in the company’s history and the most public performance revenue generated for songwriters, composers and publishers by any music rights organization in the world. In addition, BMI distributed and administered $877 million to its affiliated songwriters, composers and music publishers, a nearly 4.5% increase over last year and the company’s largest distribution ever.

BMI operates on a non-profit-making basis and returns approximately 87% of all revenue to the musical creators and copyright owners it represents.

“These are phenomenal results for BMI and underscore the value we bring to our community of songwriters, composers and publishers,” said Mike O’Neill, President and CEO, BMI. “They’re even more impressive when you consider the negative impact to our international revenues brought on by the strengthening dollar,” he added. “We will continue to work hard on behalf of the more than 700,000 affiliates we have the privilege to represent, not only to make sure they can continue to earn a living doing what they love, but also through our ongoing efforts with Congress and the U.S. Department of Justice to rewrite the rules so they make sense for today’s digital world.”

BMI’s digital revenue exceeded $100 million, the first U.S. PRO to achieve this important milestone. Digital revenue increased 65% over last year, which was the largest category increase for the company. Revenue sources included Amazon, Apple, Netflix, Pandora, Spotify and YouTube, among many others.

Revenue from all media licensing, including radio, television and cable and satellite entertainment, also saw record levels at $484 million, with cable and satellite entertainment accounting for the largest portion of BMI’s domestic revenue for the second consecutive year. Additionally, general licensing revenue, including license fees from bars, hotels, fitness facilities and restaurants, along with other income, achieved a record high $137 million. General licensing added more than 14,000 new businesses to its already vast portfolio.

International revenues came in at a strong $292 million, despite significant economic challenges overseas. While down 5% in USD from last year, the company overcame a $28 million negative impact to international revenues caused by lower foreign exchange rates due to the strengthening dollar.

BMI processed nearly 600 billion performances, more than 500 billion of which were digital, a 25% increase from last year. More than 1.2 million unique musical works were identified across the various digital services.

BMI’s historic revenue performance comes in the same year the company prevailed in a groundbreaking rate-setting case against Pandora. After a nearly two-year legal battle over the value of the BMI repertoire to the streaming music giant, the court agreed that BMI’s proposed rate of 2.5% of Pandora’s gross revenue was the more appropriate reflection of the value of BMI’s music. Importantly, the decision established that publisher marketplace agreements can be taken into account as benchmarks when determining rates, an important step forward in valuing music today.

R.E.M.’s Michael Stipe REALLY doesn’t want politicians using their songs for their campaigns.

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R.E.M.’s Michael Stipe doesn’t want politicians *cough Donald Trump cough* using their songs for their campaigns. And in case one would be ambitious in thinking it would be ok, Stipe wrote a terse note on Twitter.

On Facebook, however, the band released an official statement reminding fans that the band trying to block their music from being played at political rallies, something much bigger is at stake:

While we do not authorize or condone the use of our music at this political event, and do ask that these candidates cease and desist from doing so, let us remember that there are things of greater importance at stake here. The media and the American voter should focus on the bigger picture, and not allow grandstanding politicians to distract us from the pressing issues of the day and of the current Presidential campaign.

Jack White’s Third Man Records and Light In The Attic Release A VERY Cute Kids’ Record Player with Music!

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Light In The Attic & Jack White’s Third Man Records are joining forces to show impressionable, young minds the virtues of good music and vinyl records with our exclusive children’s compilation, This Record Belongs To______ available November 6th on LP, CD & digitally accompanied by Third Man Record’s new portable light-weight children’s turntable with built in speakers and a USB port for converting vinyl records to digital. Parents everywhere rejoice!

What if your favorite children’s book were not only a timeless story but came with a soundtrack of tunes that kids and grown-ups alike would love? Hold onto your boots… it’s here! This Record Belongs To______ is the antidote to your standard kids compilations. You won’t find boy bands, princesses, or purple dinosaurs here. Instead the record consists of two halves–an upbeat side for daytime dancin’ and a mellow side for bedtime lullabies. Among the many gems featured include songs from Carole King, Woody Guthrie, Donovan, Harry Nilsson, Jerry Garcia, Nina Simone, Kermit The Frog and more.

Inspired by the classic Little Golden Books Series and Sesame Street’s In Harmony albums, This Record Belongs To ______ stems from a love of music, reading, and a passion for teaching future generations the interactive experience of holding an album in your hands, putting needle to groove, and immersing yourself in the pages of a record’s sleeve as the music plays. The compilation was compiled and sequenced by DJ and friend, Zach Cowie, who is as dear to our hearts as this collection of songs (previously passed around as a gift between friends) and is the soundtrack for many LITA & TMR offspring. These kiddos now all have undeniably excellent taste in tunes.

The record is accompanied by an original, full-color storybook illustrated by acclaimed artist, Jess Rotter, which tells the tale of five forest pals who find a mysterious object–a round, flat disc that they proceed to investigate. The animal friends finally solve the mystery and learn how to play a record and let their bodies move to the groove (within the grooves).

How can you fully introduce your children to the magic of vinyl records without letting them interact with the record player a bit themselves? Third Man Records realizes your high end turntable might not be kid-friendly, so they are co-releasing a portable, suitcase record player just for the kids. The new Third Man Records children’s turntable made by Jensen is compact and portable, featuring images of Manny, the Third Man mascot. The three-speed turntable with built-in speakers has a USB port for converting vinyl records to digital, an automatic return tone arm, and is as lightweight as a portable turntable can be.

Akon on SiriusXM – hear my interview with him

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Akon’s shimmering, soulful voice has propelled countless hits across genres from pop to hip hop and dance. With over 35 million albums sold worldwide, five Grammy Award Nominations, 45 Billboard Hot 100 Songs, and to many numerous music industry awards under his belt to mention , he’s simply unstoppable. As soon as you hear Akon’s voice you know it’s him, he is iconic.

And being a founding member (and namesake) of the Akon Lighting Africa project is a major part of this discussion on SiriusXM. It’s Akon’s vision to drive development throughout Africa and to make it the world’s major investment hub in the 21st Century.

Populations in off-grid locations are the first to suffer from the lack of energy. The priority is therefore to electrify very isolated towns and villages, far from the capital cities. Thanks to the range of solutions distributed by Akon Lighting Africa, they can benefit from affordable, clean and endless energy.

You can hear Akon on my show – @ThatEricAlper – all weekend long on Canada Talks 167:

Saturday, September 12th at 12 pm and 4 pm EST
Sunday, September 13th at 6 am and 11 am EST
Monday, September 14th at 3 am EST

I never post my SiriusXM on Soundcloud, ya gotta pay for satellite radio, ya know. But this one was so special. I did an in-depth talk with global superstar Akon, and wanted to spread the word about Akon Lighting Africa, and his leadership to bring electricity to millions households in Africa with solar energy. It felt right to release this segment, and I hope you check it out:

Video: The Story of NWA’s ‘F**k Tha Police’

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Noisey presents a new documentary exploring the story behind seminal rap track ‘F**k Tha Police’ by NWA.

They talk to Ice Cube and Yella from the group about the circumstances that led to the making of the song, as well as police officers from the Compton gang unit at the time and lifelong Compton citizens who felt the impact of the song in their neighbourhoods.

Jimmy Fallon And Justin Timberlake Do It Again With History of Rap Part 6

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Jimmy Fallon and Justin Timberlake perform a medley of hip hop classics.

https://youtu.be/1omPNEVOIaM

List of songs below:
History of Rap 6 Song List
R. Kelly & Jay Z – “Fiesta”
LL Cool J – “Rock the Bells”
Whodini – “Friends”
Slick Rick & Doug E. Fresh – “La Di Da Di”
Public Enemy – “Fight the Power”
NWA – “Straight Outta Compton”
Salt-N-Pepa – “Let’s Talk About Sex”
MC Hammer – “U Can’t Touch This”
DJ Jazzy Jeff & The Fresh Prince – “Summertime”
Wu-Tang Clan – “C.R.E.A.M.”
Notorious B.I.G. (feat. Puff Daddy & Mase) – “Mo Money Mo Problems”
Snow – “Informer”
Nelly – “Country Grammar”
Bone Thugs-n-Harmony – “Crossroads”
R. Kelly – “Ignition (Remix)”
Chris Brown – Look at Me Now (feat. Lil Wayne & Busta Rhymes)
Kendrick Lamar – “Bitch Don’t Kill My Vibe”
Drake – “Know Yourself”
Big Sean – “I Don’t F*** With You”
Jay Z & Kanye West – “Otis”
Fetty Wap – “My Way”
Ace Hood (feat. Future Rick Ross) – “Bugatti”
Beastie Boys – “Fight For Your Right”

Hipster Barbie Doll is Much Better at Instagram Than Anyone Else

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I love Instagram, but really, I don’t post a lot of personal photos there. My feed is more represented by better-looking people have more fun than I’ll ever have, otherwise known as rock stars. But Sociality Barbie beats us all at the social media site. I mean, just look at these, for starters.

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In Calgary, Dogs Gets To Enjoy Public Pools Before Closing Down For The Summer

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It was dogs day Monday in Calgary outdoor pools. Man’s best friends were invited to take a plunge after the pools closed for the season to raise money for charity.

You can now buy Scooby-Doo and his friends AND THE MYSTERY MACHINE in LEGO

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Solve the Zombie mystery with The Mystery Machine! Escape from the Zombie and the spooky tree in The Mystery Machine with spy glass, computer screens, camera and a giant sandwich. Help Scooby-Doo, Fred and Shaggy avoid getting trapped in the branches of the spooky tree and jump into The Mystery Machine to get away. Read the clue and open up the back of the vehicle to use the computer screens, spy glass and other mystery-solving equipment. Work out the real identity of the Zombie who is secretly operating the tree, then celebrate with a giant sandwich (A-HA! THIS is where this comes in!) The Mystery Machine features a driver’s cabin with steering wheel and space for 2 minifigures, removable roof and foldout sides for easy play.

download (3)

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EMI Production Music Launches Sampling Amnesty

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EMI Production Music is taking the innovative step of declaring an amnesty of all sampling declarations (past and present) from its extensive back catalogue of some of the most iconic production music libraries of all time.

The leading production music business, which is a division of Sony/ATV Music Publishing, launches the amnesty today (September 1) with the aim of encouraging new sample requests from its broad catalogue as well as ensuring already existing samples are properly licensed.

Whether it is for a drum break, an electronic segment looped or a freak-out flute solo that has been sampled, anyone coming forward and declaring previously uncleared samples will be given the opportunity to enter into a licence for future use without the fear of a royalty back claim.
The idea behind the amnesty is to give artists, producers and record labels the opportunity to legitimise the samples in their back catalogue. It also aims to encourage new creative use of the expansive archives of the multiple participating EMI libraries, which include KPM, Music House, Ded Good and Selected Sound.

The music produced by EMI Production Music’s labels is specifically created for use in media and includes famous TV themes such as “Grandstand”, “Mastermind” and “ITV News At Ten”, while covering more than six decades of music and every conceivable genre from orchestral to underground dance and cutting-edge indie.

Alex Black, EMI Production Music Global Director, said: “EMI Production Music has a treasure trove of original recordings spanning more than six decades. Our vision for this amnesty is to highlight the wealth of possibilities open to producers working with samples.

“We’re very excited about the new and exciting partnerships that will come from the amnesty. The chance to work with labels and artists who see the value in the library is a very thrilling prospect for us. We are also excited about the potential to bring recognition to our original composers by unearthing great tracks from the past that have sampled their music.”

KPM, along with other EMI Production Music labels such as Music House, Selected Sound and Ded Good, has been used as a source for samples by countless acts over the years. Those who have turned to the KPM vaults include Jay Z, Mark Ronson, Nelly, Fatboy Slim, Schoolboy Q, Gorillaz, Easy-Z, Jurassic 5 and Freestylers. They and others have utilized compositions and recordings by KPM artists such as Alan Hawkshaw, Keith Mansfield and Johnny Pearson who may not be household names but who have created some of the best-loved TV themes of all time, as well as other famous musical hooks.

However, in addition to the many examples of recordings from the catalogue that have been licensed properly, in other cases this has not happened. It is these the amnesty is focusing on in order to allow previously undeclared samples to be licensed and the respective record labels to be able to then fully exploit the licensed master.

The amnesty will run for six months and any music properly licensed during this period will benefit from a licence for future use without any royalty back claim. However, samples which were already subject to clearance discussions and any unlicensed samples discovered by EMI itself will not be covered by the amnesty.

To support the amnesty, EMI Production Music is releasing previously undigitised archive recordings from the KPM Greensleeves or 1000 Series albums and the brown sleeved KPM Original Series and other archive labels like Themes International. These will be available on the EMI search system PLAY (www.emipm.com)

Playlists are also available on Spotify and YouTube – made up of tracks that feature samples from the KPM catalogue. These will illustrate the vast number of KPM tracks that have been used.