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The first in a series of David Bowie box sets to be released on September 25

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On this day in 1971, David Bowie performed for the first time at what was then known as the ‘Glastonbury Fair’. Today in 2015 as the Glastonbury Festival approaches once more Parlophone Records are proud to announce DAVID BOWIE FIVE YEARS 1969 – 1973, the first in a series of box sets spanning his career.

The ten album / twelve CD box, ten album / thirteen-piece vinyl set and digital download featuring all of the material officially released by Bowie during the nascent stage of his career from 1969 to 1973. All of the formats include tracks that have never before appeared on CD/digitally as well as new remasters.

Exclusive to the box sets will be Re:Call 1 a new 2-disc compilation of non-album singles, single versions & b-sides. It features a previously unreleased single edit of All The Madmen, which was originally set for a U.S. release but was never actually released. Also included is the original version of Holy Holy, which was only ever released on the original 1971 Mercury single and hasn’t been available on any release since.

Also exclusive to all versions of Five Years 1969 – 1973 will be a 2003 stereo remix of ‘The Rise and Fall Of Ziggy Stardust And The Spiders From Mars’ by the album’s original co-producer Ken Scott, previously only available on DVD with the LP/DVD format of the 40th anniversary edition of the album.

The vinyl box set has the same content as the CD set on pressed on audiophile quality 180g vinyl.

The box set’s accompanying book, 128 pages in the CD box and 84 in the vinyl set, will feature rarely seen photos as well as technical notes about each album from producers Tony Visconti and Ken Scott, an original press review for each album and a short foreword by legendary Kinks front man Ray Davies.

The CD box set will include faithfully reproduced mini-vinyl versions of the original albums and the CDs will be gold rather than the usual silver.

An alternate cover has been created for the 2003 mix of Ziggy Stardust by Ken Scott, which features an outtake from the original Heddon Street photo session. There is also newly originated artwork for Re:Call 1 featuring a 1973 in-studio image from renowned photographer Mick Rock.

DAVID BOWIE FIVE YEARS 1969 – 1973

6 Original Studio Albums:
David Bowie AKA Space Oddity*
The Man Who Sold The World*
Hunky Dory*
The Rise and Fall Of Ziggy Stardust And The Spiders From Mars
Aladdin Sane
PinUps*
*New 2015 Remasters.

2 Live Albums:
Live Santa Monica ‘72
Ziggy Stardust: The Motion Picture Soundtrack

Exclusive to the Box Sets:
The Rise and Fall Of Ziggy Stardust And The Spiders From Mars (2003 Ken Scott mix)
‘Re:Call 1’

CD1
Space Oddity (original UK mono single edit)*
Wild Eyed Boy From Freecloud (original UK mono single version)*
Ragazzo Solo, Ragazza Sola
The Prettiest Star (original mono single version)*
Conversation Piece*
Memory Of A Free Festival (Part 1)
Memory Of A Free Festival (Part 2)
All The Madmen (mono single edit)* previously unreleased
Janine*
Holy Holy (original mono single version)* only ever issued on original ‘71 Mercury single
Moonage Daydream (The Arnold Corns single version)*
Hang On To Yourself (The Arnold Corns single version)*

CD2
Changes (mono single version)*
Andy Warhol (mono single version)*
Starman (original single mix)
John, I’m Only Dancing (original single version)
The Jean Genie (original single mix)
Drive-In Saturday (German single edit)
Round And Round
John, I’m Only Dancing (sax version)
Time (U.S. single edit)
Amsterdam
Holy Holy (Spiders version)
Velvet Goldmine

All tracks stereo except *mono. The vinyl box set has the same content as the CD box set pressed on audiophile 180g vinyl.

Chuck Palahniuk Reads ‘Fight Club for Kids’, His Kid-Friendly Book Version Of ‘Fight Club’

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Chuck Palahniuk reads an excerpt from a new children’s book version of ‘Fight Club,’ and tries his best to stay kid-friendly.

But a club without rules wouldn’t get very far,
There were a few simple rules, and here’s what they are:
1. You do not talk about Horsing Around Club.
2. You DO NOT talk about Horsing Around Club.

A Mariachi Band, Gospel Choir, and More Exit A Festival Porta Potty

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A series of epic surprises emerge from what appears to be a normal porta potty.

2 More Books Coming Out In October From 33 1/3 Series – Phish and Miles Davis

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Last week, the fab 33 1/3 series posted the covers for their two new books out in September, but things are far better than you thought, because they will also be publishing two BRAND NEW books in October: Wally Holland‘s book on Phish’s A Live One and George Grella‘s book on Miles Davis’ Bitches Brew. Covers below! Get excited.

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Twenty years after its release, Phish’s double-CD collection A Live One has something rare and precious going for it: it still doesn’t sound like anybody else. Oversized, perverse, requiring an unusual amount of listener background knowledge? Yes to all. Yet the collective improvisations it captures, unprecedentedly coherent yet freewheeling and open-ended, are unique in rock ‘n’ roll.

This book considers the music and moment of Phish’s ecstatically inventive 1995 live document, a mix of weirdo acid-psych, ambient moonscapes, vaudevillian Americana, and riotous arena-rock energy, all filtered through bandleader Trey Anastasio’s screwball compositional sensibility and the band’s idiosyncratic approach to spontaneous group creativity. It places Phish and their fandom in historical and cultural context, and picks apart the mechanics of their extended group jams. And it examines the mystery of how a quartet of nice boys from Burlington, VT could have been, all at once, one of America’s biggest touring acts and one of its best-kept secrets.

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It was 1969, and Miles Davis, prince of cool, was on the edge of being left behind by a dynamic generation of young musicians, an important handful of whom had been in his band. Rock music was flying off in every direction, just as America itself seemed about to split at its seams. Following the circumscribed grooves and ambiance of In A Silent Way; coming off a tour with a burning new quintet-called ‘The Lost Band’-with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette; he went into the studio with musicians like frighteningly talented guitarist John McLaughlin, and soulful Austrian keyboardist Joe Zawinul. Working with his essential producer, Teo Macero, Miles set a cauldron of ideas loose while the tapes rolled. At the end, there was the newly minted Prince of Darkness, a completely new way forward for jazz and rock, and the endless brilliance and depth of Bitches Brew.

Bitches Brew is still one of the most astonishing albums ever made in either jazz or rock. Seeming to fuse the two, it actually does something entirely more revolutionary and open-ended: blending the most avant-garde aspects of Western music with deep grooves, the album rejects both jazz and rock for an entirely different idea of how music can be made.

 

Dam-Funk Announces New Album, Shares Track, Live Band Tour Dates, ‘Invite the Light’ Out September 4

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Today, Dam-Funk returns with the announcement of his first solo album in nearly 6 years, Invite the Light, out September 4th via Stones Throw. He also shares the first cut from the album, lead single “We Continue.”

Invite the Light isn’t just Dam’s first solo full-length since ’09, he thinks of it as his first fully-realized effort – a “concise, beginning-to-end vision” – that’s resulted in a loosely autobiographical concept album inspired by the trials and tribulations of his personal and professional life of the last six years.

As always, Dam flexes his multi-instrumentalist talents by handling all the production, but still makes time for guests including rapper Q-Tip, pop surrealist Ariel Pink, 7 Days of Funk collaborator Snoop Dogg, the father-son duo of Leon Sylvers III & IV, and funk giant Junie Morrison of the Ohio Players, who opens and closes the album with dire warnings of what could happen in a world without funk. Rest assured, Dam is here to make sure that never comes to pass. As he puts it, “funk is the underdog, the black sheep of black music,” and if that’s true, Dam-Funk is its shepherd.

Ever since debuting with Stones Throw in 2008, he has become one of the genres most passionate proselytizers, out to save it from devilish depictions of cartoonish caricature. To Dam, funk is a way of living, “a feeling of struggle and staying cool through it all.” Dam’s partnership with the label has now included everything from his 2009 LP Toeachizown, to an anthology of early productions, Adolescent Funk (2010), to 2013’s collaboration with funk pioneer Steve Arrington on Higher, and celebrated partnership with hip-hop’s Snoop Dogg titled 7 Days of Funk.

Growing up in the Los Angeles city/suburb of Pasadena, Dam-Funk is a ‘70s baby who came of age in the era of the Uncle Jamm’s Army parties, of electro-pharaoh Egyptian Lover, of Prince’s purple reign. His parents nurtured his musical talents as a child and by his teens, he mastered the drums, then the drum machine. A chance encounter led to an apprenticeship under funk songwriter/producer Leon Sylvers III (SOLAR Records) and by the mid-90s G-Funk era in hip-hop, Dam found his musical skills in high demand by rappers such as Mack 10 and MC Eiht. “Everybody was trying to do the live instrumentation thing, so then you got cats like me playing on records,” Dam explains.

Sideman status wasn’t enough though. Dam remembers “watching gold plaques hitting the wall” for everyone but him and he decided to go “full-funk” and make a do-or-die try to become an artist on his own terms. In 2006, Dam-Funk and a few friends launched the popular Funkmosphere party in L.A., bringing the boogie back. It’s around then that Dam drew the attention of Stones Throw and both label and artist related to Dam’s insistence that “funk is not just a Jheri Curl. There was more than that.”

Pre-order Invite the Light on iTunes and receive a free download for “We Continue” or pre-order vinyl via the Stones Throw website.

Dam-Funk Live Band Tour Dates

Fri 9/04 || San Diego, CA || The Casbah
Sat 9/05 || Los Angeles, CA || Teragram Ballroom
Sun 9/06 || San Francisco, CA || The Independent
Tues 9/08 || Portland, OR || Doug Fir Lounge
Thurs 9/10 || Vancouver, BC || Venue
Sat 9/12 || Jackson, WY || Pink Garter Theatre
Sun 9/13 || Salt Lake City, UT || Urban Lounge
Tues 9/15 || Denver, CO || Cervantes
Wed 9/16 || Albuquerque, NM || Sister
Fri 9/18 || Las Vegas, NV || Bunkhouse Saloon
Dam-Funk – Invite the Light
(Stones Throw – September 4th, 2015)

Tracklisting:

  1. Junie’s Transmission [Feat. Junie Morrison]
  2. We Continue
  3. Somewhere, Someday
  4. I’m Just Tryna’ Survive (In The Big City) [Feat. Q-Tip]
  5. Surveilliance Escape
  6. Floating On Air
  7. HowUGonFu*kAroundAndChooseABusta’?
  8. The Hunt & Murder of Lucifer
  9. It Didn’t Have To End This Way
  10. Missung U
  11. Acting [Feat. Ariel Pink]
  12. O.B.E.
  13. Glyde 2nyte [Feat. Leon Sylvers III & IV
  14. Just Ease Your Mind From All Negativity [Feat. Snoop Dogg]
  15. Virtuous Progression [Feat. JimiJames, Kid Sister, Nite Jewel, Novena Carmel & Jody Watly]
  16. Scatin’ (Toward The Lgiht)
  17. Junie’s Re-Transmission [Feat. Junie Morrison]
  18. I’m Just Tryna’ Survive (In The Big City) Party Version [Feat. Q-TIp]
  19. ‘Kaint Let ‘Em Change Me
  20. The Acceptance

The Killers’ Isolated Vocals For “Somebody Told Me”

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In an interview with Rolling Stone, The Killers’ lead singer Brandon Flowers said Somebody Told Me “…is the story of trying to meet someone in a club.” The single peaked at #51 on the US Billboard Hot 100. In the UK it charted at number 28 upon its first release in March 2004 becoming the band’s first top 40 hit, it was then re-released in January 2005 and reached number 3.

https://youtu.be/5ZA4se9byzY

Check out this cool video demonstration of the world’s first drum machine

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Check out this cool video demonstration of the third version of Rhythmicom built by Leon Theremin at Moscow State Conservatory in early 1960s. Theremin was a Russian and Soviet inventor, most famous for his invention of the theremin, one of the first electronic musical instruments and the first to be mass produced. The first Rhythmicon was developed by Theremin for Henry Cowell in 1932, making it the first rhythm machine ever built. You know who likely wants this really badly? Martin Gore of Depeche Mode, since he likes buying this stuff on eBay.

And The Crowd Goes Wild At A Phillies Game…For A Squirrel In The Dugout

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The Phillies hosted the Cardinals at Citizens Bank Park when a squirrel climbed across the netting behind home plate and dropped into the Phillies dugout. The squirrel actually landed on Chase Utley as several players scrambled out of the way. The squirrel quickly scurried out of sight.

Watch MTV’s 120 Minutes With JJ Jackson Episode From 1986

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MTV’s 120 Minutes With JJ Jackson debuted on March 10, 1986, and here’s a 35-minute video spanning the entire two-hour show with a few of the music videos still left in.

https://youtu.be/mXo7zGQkS9c