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Duran Duran and Nile Rodgers Reunite for Disco-Fueled New Single “Free to Love”

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Duran Duran and Nile Rodgers are back together, and the result sounds exactly like you’d hope. The Rock and Roll Hall of Fame inductees have released “Free to Love,” their first new music of 2026, a disco-driven synth-pop anthem co-written with Rodgers that carries the unmistakable warmth of their four-decade creative partnership. It’s upbeat, it’s urgent, and it lands at exactly the right moment.

Simon Le Bon calls it “disco for the 2020s,” and that description holds up. The track is built for open spaces and loud speakers, with a chorus that pushes freedom as something personal and non-negotiable. Nick Rhodes put it plainly: “Every time we plug in and play with Nile, the electricity he generates could light up a whole city.” Rodgers adds, “Whatever chaos is going on outside, inside the studio we’re free to love our peace.”

The music video, directed by Jonas Åkerlund (Madonna, Beyoncé, Metallica) and featuring British broadcaster Clara Amfo, pulls from the visual language of classic TV music shows, disco balls included. It’s a deliberate, joyful throwback that suits the song perfectly.

The Rodgers connection goes back to his remix of “The Reflex” in 1984, the band’s first Billboard Hot 100 number one, and has continued through their 2004 album ‘Astronaut’ and the 2015 track “Pressure Off.” “Free to Love” is the latest chapter in one of pop music’s most reliable collaborations.

Duran Duran headline BST Hyde Park in London on July 5th with Scissor Sisters as special guests, following a BeachLife Festival appearance and a four-night Las Vegas residency at Fontainebleau. A full European run follows.

Duran Duran 2026 Tour Dates:

May 1, BeachLife Festival, Redondo Beach, CA

May 2, Fontainebleau, Las Vegas, NV

May 6, Fontainebleau, Las Vegas, NV

May 8, Fontainebleau, Las Vegas, NV

May 9, Fontainebleau, Las Vegas, NV

June 19, Heartland Festival, Kværndrup, DK

June 22, Spoorpark, Tilburg, NL

June 24, O2 Arena, Praha 9, CZ

June 26, Schleyerhalle, Stuttgart, DE

June 28, Papp Arena, Budapest, HU

July 1, Sofia Arena, Sofia, BG

July 2, Arena Boris Trajkovski, Skopje, MK

July 5, BST Hyde Park, London, UK

July 7, Arena di Verona, Verona, IT

July 9, La Reggia Di Caserta, Caserta, IT

July 11, Villa Manin, Passariano, IT

July 12, Piazza Grande, Locarno, CH

Muscle Shoals Singer-Songwriter Bay Simpson Drops Nostalgic Rock Single “Too Good To Be True”

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Bay Simpson arrives as a solo artist with real credentials behind him. The Muscle Shoals singer-songwriter, fresh off a chair turn from Adam Levine on NBC’s The Voice Season 29, has released “Too Good to Be True,” a nostalgic rock single that draws directly from the experience of growing up in the early 2010s and only understanding those years once they’re gone. It’s out now.

The song carries serious songwriting weight. Simpson co-wrote it with Brian Maher, whose credits include Justin Moore chart-toppers, and James LeBlanc, whose pen has touched Kenny Chesney, Rascal Flatts, and Martina McBride. The result is a track built for people who didn’t appreciate what they had until the chapter closed. “I didn’t enjoy high school when I was in it,” Simpson says, “but when I look back now, I miss it.”

Levine’s reaction during the blind audition said plenty. “It’s in your bones,” he told Simpson. “The tone and the way you delivered the vocals really showed me an understanding of rock ‘n’ roll music. This dude is going to be different than anybody on the show.” That kind of endorsement from a rock credibility benchmark doesn’t come easily.

Simpson’s backstory adds another layer. At 20, he landed his first major cut when Kid Rock recorded his song “Never Enough.” He’s shared stages with Dwight Yoakam and Jamey Johnson fronting his country-rock band Outlaw Apostles. Now stepping out solo, he’s bringing the full weight of Muscle Shoals with him.

Conductor Michael Tilson Thomas, Who Led San Francisco Symphony for 25 Years, Dies at 81

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Michael Tilson Thomas, one of the most galvanizing figures in American classical music, died Wednesday at his home in San Francisco. He was 81. The San Francisco Symphony confirmed that Thomas, known universally as MTT, passed away surrounded by family and friends, succumbing to glioblastoma, an aggressive form of brain cancer he’d been fighting since 2021. His final public appearance was a concert celebrating his 80th birthday in April 2025.

The scope of his career was staggering. A protege of Leonard Bernstein, Thomas served as music director of the San Francisco Symphony for 25 years beginning in 1995, transforming the orchestra into one of the most innovative ensembles in the world. Before San Francisco, he held principal positions with the London Symphony Orchestra, the Los Angeles Philharmonic, and the Buffalo Philharmonic, and conducted virtually every major orchestra on the planet. His 12 Grammy Awards documented a discography of more than 120 recordings, with his Mahler cycle for SFS Media standing as a particular landmark.

Thomas was also a builder. In 1987, he co-founded the New World Symphony in Miami Beach, a postgraduate orchestral academy that trained more than 1,200 fellows over 35 years and transformed South Florida’s cultural landscape. The academy’s Frank Gehry-designed New World Center, which opened in 2011, was Thomas’s vision made permanent. As an educator he had no peer in classical music since Bernstein himself, with his “Keeping Score” television series reaching audiences far beyond the concert hall.

“A ‘coda’ is a musical element at the end of a composition that brings the whole piece to a conclusion,” Thomas said last year when he announced his public appearances would wind down. “My life’s coda is generous and rich.” He is survived by no immediate family. His husband and manager Joshua Robison died in February 2026.

The Afghan Whigs Drop New Single “Duvateen” as 40th Anniversary North American Tour Kicks Off

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Forty years in and The Afghan Whigs are still writing songs that hit like a gut punch. The Cincinnati rock veterans have released “Duvateen” via Royal Cream/BMG, a piano-driven track that finds Greg Dulli staring down mortality with the kind of unflinching clarity that’s defined the band since 1986. The title references the light-manipulating fabric used on film sets, deployed here as a metaphor for the darkness that frames every life.

Dulli doesn’t pull punches about what the song means to him. “When I finished ‘Duvateen,’ it felt like my life passing before my eyes,” he says. “I’m at a precipice in life where I can look behind and clearly see the forest of my youth, but I can also see the path to the other side. And it’s going to inform what I do for the rest of my days.” It’s the kind of songwriting that reminds you why the Whigs have never sounded like anyone else.

“Duvateen” follows “House of I,” their first new music since 2022, which drew praise from Rolling Stone, SPIN, and Pitchfork. Both singles point toward a new album arriving later this year. Details are coming soon.

The 40th Anniversary North American Tour launches this weekend with Mercury Rev along for the ride as special guests. Twenty-one dates stretch from Woodstock, NY to Pioneertown, CA, covering the coasts and everything in between. UK dates follow in September.

“40 years later, I still get to do the thing I love the most,” Dulli says. “Writing songs and performing them with my friends all over the world. I truly have to pinch myself.”

Tickets and info at linktr.ee/theafghanwhigs.

The Afghan Whigs & Mercury Rev Tour Dates:

April 25, Bearsville Theater, Woodstock, NY

April 27, Royale, Boston, MA

April 28, 9:30 Club, Washington D.C.

April 30, Webster Hall, New York, NY

May 1, Union Transfer, Philadelphia, PA

May 2, Mr. Smalls Theater, Pittsburgh, PA

May 4, Town Ballroom, Buffalo, NY

May 5, House of Blues, Cleveland, OH

May 6, Bogart’s, Cincinnati, OH

May 8, Turner Hall Ballroom, Milwaukee, WI

May 9, Metro, Chicago, IL

May 10, Varsity Theater, Minneapolis, MN

May 12, Summit Music Hall, Denver, CO

May 15, Aladdin Theatre, Portland, OR

May 16, Commodore Ballroom, Vancouver, BC

May 17, The Showbox, Seattle, WA

May 19, The Fillmore, San Francisco, CA

May 20, The Bellwether, Los Angeles, CA

May 22, The Observatory, Santa Ana, CA

May 23, The Observatory North Park, San Diego, CA

May 24, Pappy & Harriet’s, Pioneertown, CA

UK Dates:

September 19, Stylus, Leeds, UK

September 20, The Palais, Nottingham, UK

September 22, SWG3 Galvanizers, Glasgow, UK

September 23, O2 Ritz, Manchester, UK

September 24, O2 Shepherd’s Bush Empire, London, UK

September 26, Chalk, Brighton, UK

Countertenor John Holiday Announces Debut Album ‘Over My Head’ Arriving This July

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John Holiday has one of the most distinctive voices in classical music, and now it’s getting its proper debut. The acclaimed countertenor releases his first album, ‘Over My Head,’ on July 17, 2026 through PENTATONE. Recorded at WGBH studios in Boston alongside pianist and close collaborator Kevin Miller, the album weaves together spirituals, art song, and contemporary works into a deeply personal program Holiday describes as “Love in the Key of Resilience.”

The repertoire covers serious ground. Works by Hall Johnson, Robert L. Morris, and H. Leslie Adams sit alongside world premiere recordings by Theo Morrison and Carlos Simon, plus Holiday’s own arrangements of standards including “Fly Me to the Moon,” “Summertime,” and “Strange Fruit.” It’s a program that reflects the full range of an artist equally at home in Baroque opera and American song.

The Wall Street Journal calls his voice “arrestingly powerful, secure and dramatically high.” The Los Angeles Times names him “one of the finest countertenors of his generation.” The New Yorker simply called it “a thing of astonishing beauty.” The critical consensus is unanimous, and ‘Over My Head’ is the record that formally introduces Holiday to a wider audience.

PENTATONE rolls out the album digitally ahead of the July release, with Holiday’s arrangement of “Strange Fruit” arriving May 22, followed by Theo Morrison’s “I Hear an Army Charging Upon the Land” on June 26.

‘Over My Head’ arrives July 17, 2026 on PENTATONE.

‘Over My Head’ Tracklist:

  1. I’m Gonter Tell God All O’ My Troubles, Hall Johnson
  2. VOCALISE I, Carlos Simon
  3. Strings in the Earth and Air, Theo Morrison
  4. O Cool is the Valley Now, Theo Morrison
  5. Lightly Come or Lightly Go, Theo Morrison
  6. Now, O Now, in this Brown Land, Theo Morrison
  7. I Hear an Army Charging Upon the Land, Theo Morrison
  8. VOCALISE II, Carlos Simon
  9. Humoresque, Robert L. Morris
  10. Gospel Blues, Robert L. Morris
  11. Juba: Ev’rytime I Feel the Spirit, Robert L. Morris
  12. Fly Me to the Moon, arr. John Holiday
  13. Summertime, arr. John Holiday
  14. VOCALISE III, Carlos Simon
  15. Strange Fruit, arr. John Holiday
  16. Prayer, H. Leslie Adams
  17. The Heart of a Woman, H. Leslie Adams
  18. Night Song, H. Leslie Adams
  19. Sence You Went Away, H. Leslie Adams
  20. Over My Head and Amazing Grace, arr. John Holiday

Deaf Singer ALI Stuns the Judges on ‘The Voice’ With a Soulful Take on “Killing Me Softly”

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ALI walked onto The Voice stage for Season 23’s blind auditions and delivered a performance of “Killing Me Softly with His Song” that stopped the room cold. Then she revealed she was born deaf and wears two hearing aids, and the room got even quieter. Kelly Clarkson and Chance the Rapper both turned their chairs. ALI chose Clarkson as her coach, a full-circle moment for a singer who grew up in Walnut, California listening to Clarkson songs her uncle burned onto CDs for her.

Run-DMC’s DMC and Public Enemy Veterans Unite as New Hip-Hop Power Group FREEDOM

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Three architects of hip-hop history have joined forces. Darryl “DMC” McDaniels of Run-DMC, DJ Johnny Juice, and Brian Hardgroove, both veterans of Public Enemy, have formed FREEDOM, a new group built to bridge rock, hip-hop, and social consciousness. Their debut single, “I’m On Your Side,” arrives May 15, 2026 through Worldwide Entertainment Group, The Orchard, and JRB Innovations.

“I’m On Your Side” isn’t background music. It’s a direct response to a polarized world, a track about reclaiming your voice when truth and democracy feel like contested territory. The song pairs hard-hitting beats with lyrics that demand engagement, not just passive listening. It’s an anthem with real stakes behind it.

The music video was filmed in New York in a single day, directed by Simon Kinney of Synergy Group Productions, whose credits include Pink, Metallica, and Ed Sheeran. An additional shoot took place in Santa Fe, co-directed by Zay Santos of Santa Fe Stockyards. The result is a visual that matches the song’s urgency.

FREEDOM is also launching a fan community platform alongside the single, giving listeners a way to connect directly with the group’s message. Exclusive merchandise drops as part of the official launch.

McDaniels, Juice, and Hardgroove carry serious individual weight. Together, FREEDOM has the kind of combined credibility that doesn’t need a build-up. “I’m On Your Side” hits all major streaming platforms May 15th.

Riz Ahmed Turns a Children’s Board Game Into Surreal Tragedy on Saturday Night Live UK

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In a delightfully unhinged sketch from the third episode of Saturday Night Live UK, guest host Riz Ahmed plays a man whose growing fixation with the children’s game Operation spirals into genuine real-life tragedy. The surreal bit is exactly the kind of absurdist comedy that makes live sketch television worth watching. SNL UK, branded “Live From London,” premiered in March 2026 and airs live at 22:00 every Saturday on Sky, with six episodes in its first run. It’s the first British incarnation of the franchise Lorne Michaels launched in New York back in 1975.

Australian Guitar Prodigy Taj Farrant Brings His “Chapter One” Tour to the UK

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Taj Farrant has arrived in the UK, and he’s bringing everything with him. The Australian guitarist and singer-songwriter launches his thirteen-date “Chapter One” UK Tour on April 29th, opening with a sold-out show at Cheltenham Jazz Festival 2026. It’s a statement opener for a young musician who’s been making serious noise well beyond his years.

Farrant’s guitar work doesn’t fit neatly into one box, and that’s exactly the point. His playing draws from rock, blues, and pop, combining what he describes as vintage warmth with modern aggression. It hits hard and feels earned. This is the kind of tone that turns heads at festivals and holds rooms at full attention.

The resume speaks for itself. Farrant has shared stages with Carlos Santana, Buddy Guy, and the Hendrix Experience team. He’s performed alongside Rob Thomas, ZZ Top, and Christone “Kingfish” Ingram. He’s played Big Blues Bender in Las Vegas, Telluride’s Blues & Brew, and Australia’s largest blues event, Bluesfest. These aren’t footnotes. They’re the foundation.

‘Chapter One’ is his debut album, and this tour is its proper introduction to UK audiences. Farrant’s songwriting matches his playing, direct, expressive, and built on real feeling rather than flash. The performances on this run promise exactly that kind of impact, intimate venues, no distance between artist and crowd.

Tickets are available now at alttickets.com and venue box offices. The Cheltenham date is already gone, so don’t wait on the rest.

“Chapter One” UK Tour Dates:

April 29, 2026, Cheltenham Jazz Festival 2026, Cheltenham (Sold Out)

May 2, 2026, Bodega, Nottingham

May 3, 2026, The Garage, London

May 5, 2026, The Caves, Edinburgh

May 6, 2026, The Crescent Community Venue, York

May 7, 2026, Night & Day Café, Manchester

May 8, 2026, The Black Prince, Northampton

May 9, 2026, The Oast Rainham, Gillingham

May 10, 2026, Thekla, Bristol

May 12, 2026, Exeter Phoenix, Exeter

May 13, 2026, The Globe, Cardiff

May 14, 2026, The 1865, Southampton

May 15, 2026, The Waterfront, Norwich

James Valentine, Voice of Sydney and ARIA Hall of Fame Saxophonist, Dead at 64

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James Valentine, the Australian musician, broadcaster, and author whose warm, curious voice became part of the daily rhythm of Sydney life for more than two decades, died on April 22 at home surrounded by his family. He was 64. Valentine had been diagnosed with oesophageal cancer in March 2024, and his family confirmed that he chose to end his life through voluntary assisted dying. “He was calm, dignified as always and somehow still making us laugh,” his family said in a statement. He is survived by his wife Joanne and their two children, Ruby and Roy.

Born in Ballarat, Victoria on September 12, 1961, Valentine grew up with music in his blood, studying saxophone and gravitating toward jazz before Melbourne’s vibrant music scene pulled him fully into its orbit. He joined Joe Camilleri’s group Jo Jo Zep in 1982 and fell into the Models almost by accident, after playing in a covers band whose rhythm section happened to be two of that band’s members. “All of a sudden I was in this pop band wearing black leather jackets,” he recalled. He stayed with the Models from late 1984 through 1987, appearing on their two most commercially successful albums, ‘Out of Mind, Out of Sight’ (1985) and ‘Models’ Media’ (1986). The title track of the former reached number 37 on the Billboard Hot 100 in 1986 and logged 13 weeks on the chart. When the Models were inducted into the ARIA Hall of Fame in 2010, Valentine was there to take his place on stage with his bandmates.

His musical collaborations extended well beyond the Models. He worked with Absent Friends, the Wendy Matthews Band, Kate Ceberano, Stephen Cummings, and Jo Camilleri, among others, building a reputation as a generous and technically gifted saxophonist. INXS bass player Garry Gary Beers, who recorded with Valentine in Absent Friends, put it plainly: “James was a truly great sax player and a very decent guy. I will always remember him as the guy who was always smiling, always happy to be in the moment and a guy you could depend on.”

The pivot to broadcasting turned out to be where Valentine’s gifts found their widest audience. He joined the ABC in the mid-1980s and never really left, spending more than 30 years across television and radio, including over 20 years presenting the Afternoons show on 702 ABC Radio Sydney. His show was conversational, curious, and deeply human, built around talkback segments that turned everyday life into something worth listening to. In 2020, he collected a Bronze Award at the New York Festival’s Radio Awards for Best Two-Way Telephone Talk/Interview Show. ABC Managing Director Hugh Marks described him as “a trusted companion for generations of our Sydney audience” who brought “warmth, wit, and humanity to radio.” Fellow presenter Richard Glover said Valentine had “lifted the spirit of the city every day for 25 years.”

Valentine announced his retirement in February 2026, after further tumours were discovered following his initial treatment. In the weeks before his death, Governor-General Sam Mostyn expedited his appointment as a Member of the Order of Australia (AM), with the medal presented to his children at Admiralty House. “He was sharing his death with us to help us understand our mortality and how we live life better,” Mostyn said. His daughter Ruby noted that Valentine wanted his choice to be known publicly, hoping his voice could lend weight to the conversation around voluntary assisted dying. “If ever he could lend his voice to the argument of why this is such a necessary thing for so many people,” she said.

Prime Minister Anthony Albanese captured the feeling of a nation. “With the passing of James Valentine, we have lost one of our national treasures. When he was on, you always felt like you were in the very best of company.”