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Margriet Hermans, Beloved Flemish Singer, Broadcaster, and Politician, Dies at 72

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Margriet Hermans, the singer, television host, and politician who became one of the most recognisable faces in Flanders across four decades of public life, died on 3 June 2026 at the age of 72, shortly after being diagnosed with an aggressive cancer. A performer who reinvented herself again and again, she leaves behind a career that spanned the stage, the studio, and the Belgian Senate.

Born Margareta Maria Josepha Hermans in Turnhout on 17 March 1954, she first broke through as a singer in 1987, finding success in both Flanders and the Netherlands. That same era saw her chase the international spotlight, taking part in the Eurovision Song Contest pre-selections three times, and her song “Een Vriend” earned her the Radio 2 Summer Hit honour in 1987.

If the late 1980s made her a singer, the 1990s made her an icon. From 1989 to 1997 she hosted her own popular talk show, simply titled “Margriet,” where she welcomed national and international stars, and for years afterward she remained a fixture on Flemish panel programmes. Her place in popular culture was sealed in 1993, when a celebrity comic based on her life was drawn by Erik Vancoillie.

Hermans was never content to stay in a single lane. Alongside her media career she was politically active for many years, moving through several parties before settling with the Open VLD, since renamed Anders. In 2007 she was elected to the Belgian Senate, where she served until 2011, and that same year she was created a Knight by Royal Decree in recognition of her contributions to public life.

Remarkably, her story still had another act in it. After a quieter spell out of the spotlight, Hermans enjoyed an unexpected revival as a singer in 2022 with the hit “Lekker Blijven Hangen,” which earned her a second Radio 2 Summer Hit award, 35 years after her first. The following year, in 2023, she was inducted into the Radio 2 Hall of Fame, a fitting tribute to a voice that had stayed with Flemish audiences for a lifetime.

In May 2026, it was publicly announced that she was suffering from a neuroendocrine tumour, and all her planned performances were cancelled. She died by euthanasia on 3 June 2026. As her daughter Celien reflected, even in her final chapter Hermans remained entirely herself, taking her life into her own hands to the very end, just as she always had.

She is survived by her daughter and by the generations of fans who knew her as a singer, a host, and a familiar friend on the screen. Few public figures manage to be so many things to so many people; Margriet Hermans was a star who never stopped surprising the country that loved her.

How to Get Your Music on Spotify Editorial Playlists in 2026 (Without Getting Scammed for Placement)

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Let’s clear something up first: if anyone DMs you promising guaranteed editorial placement for a fee, they’re running a scam. The real path onto Spotify’s playlists costs nothing but preparation, timing, and a genuine audience. The catch is that the rules have tightened. As one 2026 industry guide puts it, editorial access is tighter, algorithms are smarter, and independent curators have become a legitimate ecosystem of their own. Get a single editorial placement, though, and the payoff is real, since a spot on a list like RapCaviar or New Music Friday can deliver millions of streams overnight. Here’s exactly how to give yourself the best shot, entirely above board.

Know the three types of playlists

Before you pitch anything, understand the landscape, because each tier works differently. There are three distinct playlist tiers on Spotify. Editorial playlists like RapCaviar, New Music Friday, and Today’s Top Hits are curated by Spotify’s in-house editors, deliver the biggest spikes, and are the hardest to land, with the only entry point being Spotify for Artists before your release date. Algorithmic playlists like Discover Weekly, Release Radar, and Daily Mixes are generated by Spotify’s algorithm; you can’t pitch for these and instead earn them through engagement signals like saves, completions, and playlist adds. The third tier is independent playlists, curated by users, bloggers, and tastemakers, and in 2026 these are more powerful than ever, especially for emerging artists, offering accessibility and niche exposure.

Pitch through Spotify for Artists, and only that

There is exactly one legitimate door to editorial consideration. The editorial pipeline starts, and often ends, with Spotify for Artists. You’ll need a Spotify for Artists account, and a key limitation to plan around: Spotify only allows you to pitch one track per release, so if your release has multiple songs, choose the strongest one for the best chance of getting featured. Any service charging you for “direct editorial pitching” beyond this is selling you something Spotify already gives you for free.

Submit early. Then submit earlier than that

Timing is the single most common place artists trip up. The hard floor is clear: submit one unreleased track at least 7 days before release; this is the minimum, the window closes on release day, and there’s no retroactive submission. But the minimum is not the goal. According to campaign data cited by Chartlex, tracks pitched 14 or more days early see roughly twice the editorial consideration rate compared to those submitted at the 7-day minimum. Most guides now recommend aiming for around three weeks before release. Pitching early carries a bonus, too: it ensures your song appears in your followers’ Release Radar on launch day.

Write a pitch editors actually want to read

This is where the magic happens, and where most artists self-sabotage. The fundamentals: include detailed metadata covering genre, mood, and instruments, and write a concise, authentic pitch that captures your track’s story and vibe. Avoid generic bios or self-promotion, because editors care about music that fits their playlist’s mood and sound. A smart, free tactic is to speak the curators’ language. As one 2026 marketing guide advises, identify the micro-genres you belong to and use those community genre buzzwords in your pitch, since many micro-genres have their own dedicated editorial playlists. Skip the rambling personal anecdote; lead with where the song fits and who it’s for.

Make your profile worth promoting

Editors aren’t just judging the song, they’re judging whether featuring you keeps listeners on the platform. As one pitching breakdown notes, Spotify values promoting artists who make it look good, so update your profile and artist playlists; if you start to get popular, listeners can see all the neat features of Spotify and subscribe. A polished, active profile with a clear photo, current bio, and your own curated playlists signals that you’re an artist worth betting on.

Earn the algorithm with real engagement

Editorial is only one lane, and arguably not the most durable one. While editorial playlists attract attention, algorithmic playlists often deliver the most sustainable growth, as Discover Weekly, Release Radar, and Spotify DJ recommendations adapt continuously based on user behavior. You can’t pitch these, so you trigger them organically. Focus on organic signals: listeners saving your track, adding it to personal playlists, replaying it, and sharing it. Consistent engagement tells Spotify your music has its audience, increasing your chances of algorithmic recommendations. Cross-platform presence feeds this loop, because someone who discovers you on a playlist and then finds an active Instagram or TikTok is far more likely to save the track and follow your profile.

Start with independent curators

If editorial feels like a long shot today, build momentum from the ground up. Independent placements aren’t just exposure; they generate the data that strengthens everything else. As industry guides note, genuine engagement on independent playlists can generate data that strengthens future editorial pitches, and landing multiple independent placements helps your music gain traction and visibility, which in turn supports your chances with algorithmic playlists. For most emerging artists, this is the realistic starting point.

Play the long game

Here’s the truth no playlist hack will tell you: there are no guarantees, and one feature won’t make a career. Playlisting in 2026 is a system that rewards those who understand it. Editorial pitches require precision and lead time, algorithmic placement is earned through genuine listener engagement, and independent curators are the best starting point for most artists. The other half of the equation is simply showing up consistently, because regular releases give Spotify more data, more chances to serve your music to new listeners, and more algorithmic momentum over time. Pitch every single release, treat each one as another data point, and let the system compound in your favor. No credit card required.

A Beginner’s Guide to Traditional Irish Music

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If you’ve ever stood at the edge of a pub session and felt the floorboards thrum under a wall of fiddles and whistles, you already know the pull of Irish traditional music. The good news for newcomers is that this is one of the most welcoming musical worlds you can step into, and there’s never been a better moment to dive in. This August, Belfast hosts Fleadh Cheoil na hÉireann, the world’s biggest celebration of traditional Irish music and culture, running from August 2nd to 9th, 2026, with hundreds of thousands of people descending on the city for eight days of street sessions, concerts, and competitions. Whether you’re hoping to play or simply listen with sharper ears, here’s everything you need to know to get started.

Start with what “trad” actually is

At its heart, this is a living folk tradition built on participation, not performance. Irish traditional music is a community-based folk tradition that has been passed down, usually by ear, for hundreds of years. Unlike classical or modern pop, it’s about participation, connection, and shared tunes, which is exactly why it has spread to become a folk music played at festivals and sessions in every part of the world. One key thing to grasp early: Irish music is tune-based rather than song-based, though there are plenty of beautiful songs too.

Learn to tell your jigs from your reels

The single most useful skill for a beginner is recognising the main tune types. The five fundamentals are reels, jigs, slip jigs, hornpipes, and polkas, and understanding their feel will deepen your connection to the music whether you’re playing or simply listening. The two you’ll hear most are jigs and reels. Jigs are bouncy and in 6/8 time (think “rashers and sausages”), while reels are fast, flowing, and in 4/4 time. There’s a wonderfully simple trick to tell them apart: let your foot tap along at a natural pace, then count the fast notes between each tap. If you can count to three, it’s a jig. If you can count to four, it’s a reel. Reels are worth knowing well, since they’re written in 4/4, played at a quick lively pace, and are the backbone of many dance sets. Hornpipes take a little more practice to spot, because they have a swung rhythm with an emphasis on the first and third part of the phrase: ONE two THREE four.

Pick an instrument that suits you

You don’t need to spend a fortune or be a virtuoso to begin. The trad world offers plenty of entry points: common instruments include the tin whistle, Irish bouzouki, fiddle, bodhrán, uilleann pipes, and flute. For total newcomers, some are far friendlier than others. The fiddle is the iconic sound of Irish trad but more challenging for complete beginners, the bodhrán is great for rhythm lovers though demanding in timing and feel, and instruments like the flute, concertina, and uilleann pipes are beautiful but often more advanced and expensive. The advice from teachers is clear: if you’re completely new to trad, starting with the tin whistle or bouzouki is a fantastic choice.

Understand sets and sessions

Tunes rarely travel alone. In a session, musicians string several together into a “set.” A set typically consists of two to four tunes, generally of the same type, like all reels or all jigs, often chosen to complement each other in key. It helps to know what kind of gathering you’ve wandered into, too: regular sessions usually have a set list of favourite local or regional tunes, while festival sessions might feature a wider range of less familiar tunes. That makes a festival like the Fleadh a thrilling place to listen, though a daunting one to jump into cold, so don’t feel any pressure to join in before you’re ready.

Practise smart and start small

If you do decide to play, the path forward is refreshingly simple. The seasoned advice for beginners is to pick one instrument and stick with it for a while, learn two or three easy jigs or reels, listen daily to Irish trad recordings or session videos, and practise short and often rather than in long irregular bursts. Polkas are a great place to begin, because they’re wonderfully accessible tunes for beginners, and you needn’t worry about the breakneck speed they’re usually played at in a session; feel free to take them at your own pace for now. Above all, lead with your ears. Listening first, before you ever pick up an instrument, is how this music has always been learned.

So whether you make it to Belfast this August or simply queue up a session video tonight, remember that the door to Irish traditional music is always open. It’s a tradition built to be shared. All you have to do is start listening.

Fleadh Cheoil na hÉireann takes place in Belfast, August 2–9, 2026. For more information visit fleadhcheoil.ie, visitbelfast.com, and discovernorthernireland.com.

Hollywood Legend Clint Eastwood Officially Retires At 96 After Seven Decades On And Behind The Screen

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One of cinema’s longest and most remarkable runs has reached its end. Clint Eastwood has officially retired from acting and directing at 96, with his son Kyle confirming the news in 2026. The decision closes a career that stretched across seven decades, from a contract player earning $100 a week to a four-time Academy Award winner and one of the most recognizable figures in film history.

His final work behind the camera came with ‘Juror #2’, the legal thriller released by Warner Bros. in November 2024 to generally favorable reviews. The film marked his tenth straight collaboration with the studio, a partnership that began back in the mid-1970s and outlasted nearly everyone he started with. After ‘Juror #2’, insiders went back and forth on whether it would be his last, but Kyle settled the question.

The beginning was anything but glamorous. Eastwood was signed by Universal in 1954, initially criticized for delivering his lines through his teeth, a trait that later became a trademark. His breakthrough arrived as Rowdy Yates on the CBS western series Rawhide, which ran from 1958 into the mid-1960s and put him through some of the most grueling work of his life, often six days a week for 12 hours a day.

Then came the role that changed everything. When his Rawhide co-star turned down an Italian western, Eastwood took the part for $15,000 and a Mercedes-Benz, traveling to Spain to shoot ‘A Fistful of Dollars’ with a then-unknown director named Sergio Leone. The Man with No Name made him a major star in Italy, and the Dollars trilogy reshaped the western entirely, trading the clean-cut hero for a morally ambiguous antihero. Leone once said he needed a mask more than an actor, and Eastwood gave him exactly that.

The 1970s cemented his status as a cultural force. Dirty Harry arrived in 1971, inventing the loose-cannon cop genre and handing Eastwood one of cinema’s most quotable lines. That same year, he made his directorial debut with ‘Play Misty for Me’, launching a second career that would eventually eclipse his first. He founded Malpaso Productions, named after a creek on his Monterey County property, and used it to take control of nearly everything he made.

His reputation as a director grew on efficiency and instinct. Frustrated by reshoots early on, Eastwood became famous for completing most scenes on the first take, avoiding rehearsals, and bringing films in under budget and ahead of schedule. He favored low-key lighting and a noir-ish feel, and he trusted audiences to fill in the gaps rather than spelling everything out.

The critical respect he chased for years finally arrived in full. ‘Unforgiven’ won Best Picture and Best Director in 1992, and ‘Million Dollar Baby’ repeated the feat in 2004, making him, at 74, the oldest director to win two Best Picture awards. He directed five actors to Oscar-winning performances, including Gene Hackman, Sean Penn, Tim Robbins, Morgan Freeman, and Hilary Swank, and earned acclaim for films he never appeared in, from ‘Mystic River’ to ‘Letters from Iwo Jima’.

His range as a leading man stayed wide to the very end. He moved from the romantic ache of ‘The Bridges of Madison County’ opposite Meryl Streep to the weathered fury of ‘Gran Torino’, which became the highest-grossing film of his career, and on to ‘The Mule’ in his late 80s. Films featuring Eastwood have grossed more than $1.8 billion domestically, a staggering figure spread across more than 50 titles.

Music ran alongside all of it. A devoted jazz and blues aficionado, Eastwood composed scores for several of his films, co-wrote songs, and ran his own Warner-distributed label, Malpaso Records. He received an honorary doctorate from the Berklee College of Music and called it one of the great honors of his life.

The honors piled up across continents. Four Academy Awards, four Golden Globes, the Légion d’honneur, the Order of the Rising Sun, an AFI Life Achievement Award, and France’s highest civilian distinctions all came his way. French President Jacques Chirac told him he embodied the best of Hollywood, and President Obama once described his films as essays in individuality, hard truths, and the essence of what it means to be American.

As he reflected on his late career, Eastwood kept it simple. He said he kept working because there were always new stories to tell, and that as long as people wanted to hear them, he’d be there. After more than 70 years, the storyteller has finally stepped away, leaving behind a body of work few will ever match.

Rising K-Pop Boundary-Pushers Cortis Announce First-Ever North American Tour

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Cortis are crossing the ocean for the first time. The boundary-pushing K-pop group, featuring Martin, James, Juhoon, Seonghyeon, and Keonho, have announced their first-ever North American tour. The 2026 Cortis Tour Put Your Phone Down kicks off with two back-to-back shows in Incheon, South Korea on July 18-19, before the Live Nation-promoted North American leg launches in August with six shows spanning Toronto, New York, Atlanta, Irving, Los Angeles, and San Francisco.

Their rise has been rapid. Less than a year into their career, Cortis debuted at No. 3 on the Billboard 200 with their second EP ‘Greengreen’, an achievement that underscores just how quickly they’ve climbed onto the global stage.

The group has already hit some major milestones. Earlier this year they headlined the Opening Night of the NBA Crossover Concert Series during NBA All-Star 2026, becoming the first K-pop act to lead the event, then returned the next day for the All-Star Game halftime show.

The summer only gets bigger. Cortis make their Lollapalooza Chicago debut, sharing the lineup with Charli XCX, Tate McRae, and Lorde, with a main stage set August 1st and an official aftershow July 31st that sold out immediately, leading right into the North American run. Presales start June 9th, ahead of the general sale June 10th at 3 pm local time, with VIP packages on offer.

2026 Cortis Tour Put Your Phone Down North American Dates:

Aug 4 – Toronto, ON – The Theatre at Great Canadian Toronto

Aug 6 – New York, NY – Infosys Theater at Madison Square Garden

Aug 8 – Atlanta, GA – Fox Theatre

Aug 11 – Irving, TX – The Pavilion at Toyota Music Factory

Aug 13 – Los Angeles, CA – YouTube Theater

Aug 15 – San Francisco, CA – The Theater at Bill Graham Civic Auditorium

Box Office Blockbuster ‘Michael’ Heads Home With Streaming And Physical Editions This Summer

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The biggest musical biopic of the year is coming home. Lionsgate has announced that ‘Michael’, the worldwide box office blockbuster chronicling Michael Jackson’s life and legacy, arrives on Premium Digital and Premium Video on Demand beginning June 9th, followed by DVD, Blu-ray, 4K UHD, and collectible editions on July 14th. With a 97% Popcornmeter score, the film has grossed $852.4 million to date.

The cast runs deep. Jackson’s nephew Jaafar Jackson stars in the titular role in his film debut, alongside Nia Long, Laura Harrier, Miles Teller, Colman Domingo, Kat Graham as Diana Ross, and Kendrick Sampson as Quincy Jones. Directed by Antoine Fuqua and written by John Logan, the film was produced by Graham King, John Branca, and John McClain.

The story digs beneath the music. ‘Michael’ traces Jackson’s journey from the discovery of his extraordinary talent as the lead of The Jackson 5 to his rise as the visionary artist who relentlessly pursued becoming the biggest entertainer in the world. Highlighting both his life off-stage and some of the most iconic performances from his early solo career, the film gives audiences a front-row seat to Jackson as never before.

The numbers behind it are staggering. ‘Michael’ opened in theaters April 24th with a $217.4 million debut, the biggest opening weekend ever for a musical biopic, surpassing Queen’s ‘Bohemian Rhapsody’. Deadline reports the Universal/Lionsgate production is the second-best opening year-to-date, trailing only Universal’s Super Mario Galaxy Movie.

Collectors get plenty to dig into. The home release packs special features including the making-of documentary “Don’t Stop ‘Til You Get Enough,” a behind-the-gates look at Hayvenhurst, multiple time-lapse transformations, and more, some exclusive to the physical editions. Lionsgate is also making the film available through Movies Anywhere as part of its initial June offering.

Clint Black And Retro-Nuevo Trio Midland Join Forces For Limited Fall 2026 Tour

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Two eras of country are sharing one stage this fall. Nineties legend Clint Black is teaming up with Grammy-nominated retro-nuevo trio Midland for a limited-run tour, bringing the two acts together for just eight exclusive performances. The pairing promises nights packed with timeless hits, modern country favorites, and a one-of-a-kind concert experience.

The collaboration runs deeper than the road. Black, whose career spans decades, still captivates audiences with classics like “Killin’ Time,” “A Better Man,” and “Like the Rain,” while Midland has earned wide acclaim for fan favorites including “Drinkin’ Problem,” “Burn Out,” and “Sunrise Tells the Story.” The two acts are also gearing up to release their new duet “Up In Texas” on Midland’s forthcoming album ‘Stages’, out June 12th via Blue Highway Records.

This is a rare chance to catch both together. The eight-show run offers audiences an evening of hits, high-energy performances, and storytelling from two of country’s most distinctive voices. Select presales start Wednesday, June 3rd, ahead of the general sale Friday, June 5th at 10 am local time.

Clint Black & Midland Fall 2026 Tour Dates:

Oct 8 – Charlotte, NC – TD Amp Ballantyne

Oct 9 – Indianapolis, IN – Everwise Amphitheater at White River State Park

Oct 10 – Camdentown, MO – Ozarks Amphitheater

Oct 15 – Louisville, KY – The Louisville Palace

Oct 16 – Auburn, AL – Gogue Performing Arts Center at Auburn University

Oct 22 – Lynchburg, VA – Lynchburg Amphitheater at Riverfront Park

Oct 23 – Durham, NC – DPAC

Oct 24 – Glen Allen, VA – After Hours at The Innsbrook Pavilion

Japanese Rock Icon Yoshiki To Headline First-Ever Global Citizen Live: Tokyo

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Music and philanthropy share the same stage in Tokyo this month. Yoshiki, Japan’s biggest rock star, will headline Global Citizen Live: Tokyo, the movement’s first-ever music event in Japan, taking place June 18th at the Tokyo International Forum. He joins a lineup that includes &TEAM, Ai, and Yuki Chiba, with Chris Peppler hosting the evening.

Yoshiki connects to the cause on a personal level. He says he’s very happy to perform at Global Citizen’s first concert event in Japan, adding that the mission of joining music and philanthropy resonates with him deeply.

The night carries real-world stakes. Proceeds from ticket sales contribute to the FIFA Global Citizen Education Fund, an initiative aiming to raise ¥16 billion to provide at least 100,000 children with access to quality education in over 150 countries by the 2026 FIFA World Cup. Twenty-seven grassroots organizations from 10 countries, including two programs in Japan, have been selected to receive awards ranging from $50,000 to $250,000 to further their work.

Two Japanese organizations stand among them. Ubuntu FS, headquartered in Kitakyushu, uses sports as a platform for community building, youth development, and social inclusion, while Tokyo-based SDGs Promise Japan advances sustainable development through education, economic empowerment, and capacity building, particularly across Africa.

Yoshiki arrives at a remarkable moment. The composer, classically trained pianist, rock drummer, and leader of X Japan and The Last Rockstars was named one of Time magazine’s Most Influential People of 2025. Following sold-out shows in Tokyo, he’ll perform two exclusive classical concerts at Walt Disney Concert Hall in Los Angeles on July 16-17. Fans can also earn a limited number of free tickets by taking action to end extreme poverty through the Global Citizen app.

Minneapolis Declares “Prince Celebration Week” As Fans Mark Tenth Anniversary Of Annual Tribute

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Purple is taking over the Twin Cities. As Prince Celebration 2026 gets underway, Minneapolis Mayor Jacob Frey has proclaimed June 1 through 7 “Prince Celebration Week,” recognizing the artist’s immeasurable impact on the city’s culture, identity, and global legacy. Fans from around the world are gathering during the 10th anniversary year of the annual tribute, and the Minneapolis skyline will glow purple on June 6 in his honor.

Frey doesn’t hold back on what Prince means to the city. He notes that few artists are as connected to a place as Prince is to Minneapolis, crediting his music, style, and creativity with helping define the city’s identity and making purple its unofficial color. L. Londell McMillan adds that the global “fams” community is already assembling from around the world to celebrate Prince’s life and enduring impact.

The marquee event lands June 5. The Prince Celebration of Life 10th Anniversary Concert at The Armory unites members of The New Power Generation and The Revolution on one stage, joined by Morris Day, Miguel, Tevin Campbell, Bilal, Kat Graham, and more. The night before, the Club 3121 Celebration & Jam Session brings together DJ Rashida, Liv Warfield, Ashley Tamar, and special guests.

Demand has been fierce across the board. The 10th Anniversary Kickoff Party at First Avenue, featuring DJ Lenka Paris and special guest Chaka Khan, has officially sold out, alongside Maya McClean’s “Awakening” sound healing experience at Paisley Park.

The week opens up to everyone too. A series of free community events includes the Prince Celebration Block Party and inaugural Prince Sing-Along on June 6 at the iconic Prince mural downtown. Expected to draw thousands on the eve of what would have been Prince’s 68th birthday, the all-ages gathering features performances by Grammy winner CeeLo Green, Liv Warfield, Purple Rain Musical star Kris Kollins, Jada LaFrance, Monique Blakey, and more, plus youth showcases in a multigenerational tribute to Prince’s lasting influence.

Hail The Sun Mark Ten Years Of ‘Culture Scars’ With Anniversary Tour

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A decade-old favorite is hitting the road again. Hail The Sun announce a 10-year anniversary tour for ‘Culture Scars’, the band’s 2016 third studio LP, their Equal Vision Records debut, and an album that charted at No. 38 on the Billboard Top Rock Albums chart. The run kicks off Tuesday, August 11 at The End in Houston, sweeping through five more east coast nights before wrapping at Brighton Music Hall in Boston on Sunday, August 16.

The band is leaning into the intimacy of it all. They share that they’re thrilled to play these smaller shows in venues similar in size to the ones they hit back in 2016 when ‘Culture Scars’ first dropped. Tickets go on sale this Friday, June 5 at 10 a.m. ET.

There’s always been more bubbling under the surface with this band. Their songs probe the nature of existence and don’t flinch from self-reflection, a through-line since lead vocalist Donovan Melero, guitarists Shane Gann and Aric Garcia, bassist John Stirrat, and drummer Allen Casillas formed in Chico, California in 2009.

That ambition runs especially deep on their latest album ‘cut. turn. fade. back.’. Produced and engineered by Pete Adams and GRAMMY winner Johnny Kosich of Beach Noise, then mixed and mastered by Zakk Cervini (Blink-182, Bring Me The Horizon), the record encompasses the complete cycle of life through its four monosyllabic words. Its 11 songs touch on military atrocities, humanitarian crises, addiction, lost love, and death, capturing the cyclical nature of all of it.

‘Culture Scars’ Anniversary Tour Dates:

August 11 – Houston, TX – The End

August 12 – Hamden, CT – Space Ballroom

August 13 – Philadelphia, PA – Union Transfer

August 14 – Asbury Park, NJ – House of Independents

August 15 – Long Island, NY – Amityville Music Hall

August 16 – Boston, MA – Brighton Music Hall