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David Bowie, Radiohead, and The 1975 among Mercury Prize shortlist

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David Bowie, Radiohead, and The 1975 are among the finalists for this year’s Mercury Prize. The annual prize recognizes what the panel judges to be the best album from an artist in Great Britain or Ireland; this year’s winner will be announced on Sept. 12. Here’s the complete shortlist of finalists:

Anohni: Hopelessness
Bat For Lashes: The Bride
David Bowie: Blackstar
Jamie Woon: Making Time
Kano: Made in the Manor
Laura Mvula: The Dreaming Room
Michael Kiwanuka: Love & Hate
Radiohead: A Moon Shaped Pool
Savages: Adore Life
Skepta: Konnichiwa
The 1975: I like it when you sleep, for you are so beautiful yet so unaware of it
The Comet Is Coming: Channel the Spirits

Toronto Bars And Venues To Show Tragically Hip’s Last Concert

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As the Tragically Hip inch closer to what is called their final concert concert at the K-Rock Centre in Kingston on Saturday, August 20, a number of Toronto bars and venues will be joining in to allow people to catch it.

In addition to the venues listed below, the CBC will also stream the show starting at 8:30 p.m. local time on CBC Television, CBC Radio One and CBC Radio 2, and it’ll stream on CBC Music and CBC’s YouTube channels.

Here’s where to watch a live stream of the Hip’s final concert in Toronto.

Carlton Cinema (20 Carlton Street)
Junction City Music Hall (2907 Dundas St. West)
Drums and Flats (1980 Avenue Road)
Horseshoe Tavern (370 Queen Street West)
Folly Brewpub (928 College Street)

If you hear of any other places to watch it, other than my house, let me know.

Music Canada voted onto IFPI’s Main Board

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Graham Henderson, President & CEO of Music Canada, has been voted onto the Main Board of IFPI, the organization that represents the recording industry worldwide. This marks the first time a representative from Canada has held a position on the Main Board. In addition, Music Canada now has a seat on IFPI’s ILC (International Legal Committee), a group of leading legal experts from IFPI and its member organizations.

IFPI (International Federation for the Phonographic Industry) represents the interests of the recording industry worldwide. IFPI’s mission is to promote the value of recorded music, campaign for record producer rights and expand the commercial uses of recorded music in all its member markets. Its membership comprises around 1,300 major and independent music companies in 62 countries.

The Main Board provides direction and guidance from leading global organizations, markets and music companies to steer IFPI’s priorities. Currently, the Main Board is comprised of representatives from major and independent labels, as well as regional and national trade associations.

“I am honoured that Music Canada will have the opportunity to represent Canada’s music labels on an international level,” says Graham Henderson. “As the music industry continues to adapt alongside new technology, I am proud that Music Canada will be able to collaborate with international colleagues on issues of crucial importance to artists and rights holders worldwide.”

According to Canada’s Department of Heritage, Canada is the third largest exporter of musical talent in the world.

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That new U2 album? 2017. The big tour? 2017.

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Despite saying that they were hoping to have a new album by the end of 2016, it’s looking less and less likely that U2 will have the follow-up to 2014’s Songs of Innocence out until next year. According to lead singer Bono, they are also lining up a tour for 2017.

Billboard is quoting Spanish reporters who asked Bono about the status of the record while he, guitarist the Edge and their friend Gavin Friday were in Valencia, Spain, to attend the wedding of a friend. “It’s not finished yet but you will like it,” he said, before comparing it favorably with one of their most beloved albums. “In terms of lyrics it is stronger than [1983’s] War; it has more clarity.”

As for going out on the road, that will likely coincide with the album’s release. “The second part of the tour is for 2017,” he continued. “You might see a few things in September or October though.”

 

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A Supercut Tribute to ’80s Movie Dance Scenes

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August 5th marks the 30th anniversary of Lionel Richie’s album “Dancing On the Ceiling” and to celebrate here’s a nostalgia overload of 80 movie dance scenes from the 80’s getting down. Las Vegas-based video editor Robert Jones perfectly synced 80 memorable dance scenes from classic 1980s films with Lionel Richie’s hit.

https://youtu.be/NihK8KSQ3pU

Kevin Smith Responds To Person Critiquing His Film

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At the ‘Yoga Hosers’ Q&A in New Orleans, Kevin Smith deals with a guy that said the movie sucked. This is how he deals with the situation.

https://youtu.be/U7bGgSfaL9M

If ‘Baby’ Was Taken Literally in Popular Songs

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You do know these songs are literally about babies, right?

A Sneak-Peek Inside The Grease Live Control Room

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Grease Live was broadcast back in January this year, and the Associate Director Carrie Havel is unbelievable. Take a look at the split screen of how complicated it is to put a show like this together. One wrong choice by Carrie, as in if the shots changed somewhere besides where the actors expect the camera, the viewer will be thrown off, noticing how bad it looks. That’s pure genius, right here.

Ikea Envisions How People Instagrammed in the 18th Century

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Let’s relax. It’s time to check those expectations at the kitchen door, and rediscover the simple joy of cooking, eating and being together.

Conor Oberst’s Ruminations Available October 14 on Nonesuch

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In the winter of 2016, Conor Oberst found himself hibernating in his hometown of Omaha after living in New York City for more than a decade. He emerged with the unexpectedly raw, unadorned solo album Ruminations, available October 14, 2016, on Nonesuch Records. “I wasn’t expecting to write a record. I honestly wasn’t expecting to do much of anything. Winter in Omaha can have a paralyzing effect on a person but in this case it worked in my favor. I was just staying up late every night playing piano and watching the snow pile up outside the window. Next thing I knew I had burned through all the firewood in the garage and had more than enough songs for a record. I recorded them quick to get them down but then it just felt right to leave them alone,” says Oberst. Ruminations is available to pre-order now from iTunes and from Nonesuch, where a limited number of pre-orders will include a signed print. Oberst will perform songs from the album at a handful of special solo shows this fall at venues including Carnegie Hall and the Ryman Auditorium; complete tour dates are below.

Oberst began publicly releasing music in 1994 at the age of 14. Those early recordings, made in Omaha on four-track cassette by Oberst and his friends, were an introduction to the work of a prodigious songwriter whose creative outpouring would soon be widely lauded. Writing and recording prolifically over the next two decades, first with his band Bright Eyes and later under his own name—and at special moments as a member of Desaparecidos and Monsters of Folk—Oberst became known, the Los Angeles Times said, as an artist who “sees the world with fresh and fearless eyes.” The Times continued, “He weaves his findings into intimate songs whose melodies are as timeless as a hymnal and whose images are hauntingly poetic….He can command your attention with long narratives that have more words than a pocket dictionary, or stop you cold with a single line.”

In Nebraska last winter, songs that hark back to that earlier era unexpectedly began to take shape. Oberst went to ARC, the studio he built with his Bright Eyes bandmate and longtime friend Mike Mogis, to record that music. With the help of engineer Ben Brodin, he recorded all the songs in the span of 48 hours. The results are almost sketch-like in their sparseness, and they ultimately became the songs that comprise Ruminations. These tracks do not have the multi-layered instrumentation of the most recent Bright Eyes and solo albums: This is Oberst alone with his guitar, piano, and harmonica; the songs connect with some of the rough magic and anxious poetry that first brought him to the attention of the world, while their lyrical complexity and concerns make it obvious they could only have been written in the present.

Ruminations Track List:
1.Tachycardia
2. Barbary Coast (later)
3. Gossamer Thin
4. Counting Sheep
5. Mamah Borthwick (A Sketch)
6. The Rain Follows the Plow
7. A Little Uncanny
8. Next of Kin
9.You All Loved Him Once
10. Till St. Dymphna Kicks Us Out

Conor Oberst has several live dates, including intimate solo performances in November and December. Due to popular demand, a second Los Angeles live date has been added in December. All tour dates below.

Conor Oberst Live Dates:
August 18 – Grand Island, NE @ 309 N Pine Street
August 20 – Lyons, CO @ Rocky Mountain Folks Festival
September 28 – San Luis Obispo, CA @ Fremont Theatre
October 1 – San Francisco, CA @ The Fillmore
October 2 – Pomona, CA @ The Glass House
October 3 – Las Vegas, NV @ Brooklyn Bowl
October 5 – Santa Fe, NM @ The Bridge at Santa Fe Brewing Company
October 7 – Dallas, TX @ Granada Theater
October 8 – Austin, TX @ Austin City Limits Festival
November 6 – Nashville, TN @ Ryman Auditorium *
November 17 – Toronto, ON @ Massey Hall *
November 23 – New York, NY @ Carnegie Hall *
November 26 – Chicago, IL @ Thalia Hall (SOLD OUT) *
November 27 – Chicago, IL @ Thalia Hall (SOLD OUT) *
December 9 – Los Angeles, CA @ The Cathedral Sanctuary at Immanuel Presbyterian Church *
December 10 – Los Angeles, CA @ The Cathedral Sanctuary at Immanuel Presbyterian Church (SOLD OUT)

*Solo shows
Miwi La Lupa supporting 9/28 & 10/1
Anna McClellan supporting 9/28
Jim James supporting 10/1
Pearl Charles supporting 10/2-10/7
Simon Joyner supporting 11/23