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Watch David Bowie And Other Appear On Marc Bolan’s Variety Show, MARC

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Marc Bolan hosted a music TV show in the 1970s, called – wait for it – MARC, a cross between Saturday Night Special and your favourite music video.

Granada Television commissioned Bolan to front the series, which was just fab as he was, indeed, called Marc, and he introduced new and established bands and performed his own songs. By this time Bolan had lost weight, appearing as trim as he had during T. Rex’s earlier heyday. The show was broadcast during the post-school half-hour on ITV earmarked for children and teenagers.

The last episode featured Bolan duetting with his friend David Bowie. Before the song had reached its end, Bolan tripped over a microphone cable and fell off the stage. Bowie is said to have called out “Could we have a wooden box for Marc [to stand on]?”. Following the show Bolan and Bowie co-wrote and recorded a rough outline of a new song, “Madman.” The new wave band Cuddly Toys found a bootleg tape and recorded it, which became a UK Indie Chart single and featured on their Guillotine Theatre album.

The final show was recorded on September 7, 1977, but not broadcast until after Bolan’s funeral on September 20, 1977, which was also attended by David Bowie and Rod Stewart, among others.

SPCA Parodies Adele’s “Hello” For Adoption Campaign

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These itty bitty Pawdeles have a lot to “meow” about – they are looking for a home. East Bay SPCA releases Meow, a video spoof of Adele’s Hello music video featuring adoptable kittens. The East Bay SPCA video promotes cat adoption while telling a silly, yet touching story of a little girl, woman and older gentleman’s visit to the East Bay SPCA in hopes of adopting a kitten. The kittens promise their potential adopters that they will do whatever it takes to be the best pets ever! Every cute kitten that appears in the video was adopted from the East Bay SPCA.

Husband Shared Why His Wife Is A Hero And You’ll Definitely Agree

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Bobby Wesson decided to write a post on Facebook about why his wife is a hero. She is a caring wife, a giving mother, and a registered nurse. His thoughts immediately went viral online, and shows that everyone deserves a little caring, a little attention, and a good spot on the couch after a long, long day.

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David Foster Wallace On Why You Need A Dictionary

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I urge my students to get a usage dictionary… To recognize that you need a usage dictionary, you have to be paying a level of attention to your own writing that very few people are doing… A usage dictionary is [like] a linguistic hard drive… For me the big trio is a big dictionary, a usage dictionary, a thesaurus — only because I cannot retain and move nimbly around in enough of the language not to need these extra sources.

As a teacher, about 90% of my job is getting the students to understand why they might need one.

A usage dictionary is one of the great bathroom books of all time. Because it has the appeal of trivia, the entries are for the most part brief, and you end up within 48 hours — due to that weird psychological effect — actually drawing on exactly what you learned in some weird, coincidental way.

– David Foster Wallace in Quack This Way

The Guess Who’s “American Women” Isolated Drums, Bass And Guitar

American Woman by Canadian rock band The Guess Who, was first released in January 1970 on the album of the same name and later in March as a single, which reached No. 1 on the Billboard Hot 100. Backed with “No Sugar Tonight,” Billboard ranked it as the No. 3 record of 1970.

Shortly after its release, The Guess Who were invited to play at the White House. Because of its supposed anti-American lyrics, Pat Nixon asked that they not play “American Woman”.

https://youtu.be/_S0rjbDSetE?list=PL1kce1vO4m_lbSEsUa_HBQ6LC0GPKV4zA

Justin Bieber Nails What Being Famous REALLY Feels Like

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It’s because of the way the Justin Bieber brand was portrayed. I was a wholesome pop star who was so amazing who had nice hair and a fucking image that no one could ever live up to. So when all this happened people were like, “Woah, let’s rip him apart”. If you see Gandhi roll up a blunt, it’s different to seeing Ryan Gosling roll up a blunt. You wouldn’t give Ryan Gosling a hard time.

I watched the Amy Winehouse documentary on the plane and I had tears in my eyes because I could see what the media was doing to her, how they were treating her. People thought it was funny to poke her when she was at rock bottom, to keep pushing her down until she had no more of herself. And that’s what they were trying to do to me.

You get lonely, you know, when you’re on the road. People see the glam and the amazing stuff, but they don’t know the other side. This life can rip you apart. [I get depressed] all the time. And I feel isolated. You’re in your hotel room and there are fans all around, paparazzi following you everywhere, and it gets intense. When you can’t go anywhere or do anything alone you get depressed. I would not wish this upon anyone.

I just want people to know I’m human. I’m struggling just to get through the days. I think a lot of people are.

– Justin Bieber in NME

British Pro Tennis Player Fistbumps Ball Boy by Mistake

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Dominic Inglot is so excited to be leading during his doubles match with Andy Murray on Monday in Monte-Carlo, he gets a little generous with his fist bumps.

Facebook gets its own Content ID with Rights Manager

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It’s essentially Facebook’s equivalent of YouTube’s Content ID, albeit focused more on managing copyrighted video content uploaded to the social network and tackling infringement, rather than monetising user uploads of it.

The Rights Manager tool will enable rightsholders to: “Easily upload and maintain a reference library of video content to monitor and protect, including live video streams; Specify permitted uses of each video by setting match rules; Identify and surface new matches against your protected content so you can review them and file a report if needed; Whitelist specific Pages and profiles who have permission to use your copyright content; and Outsource management, monitoring and protection of your content by using our Rights Manager API” according to Facebook.

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Toronto to unveil music plaques celebrating Yorkville Village

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Toronto’s Yorkville Village – widely considered the heart of Canada’s bohemian, counterculture community in the ’60s and ’70s – boasted more than 40 clubs and coffee houses that nightly featured such legendary singer-songwriters as Gordon Lightfoot, Ian & Sylvia, Joni Mitchell and Neil Young. Those were extraordinary times. Club 71 the Village’s first coffee house, was opened by Werner Graeber in 1959. By 1964, Yorkville had become a nurturing environment not only for folk music, but also for pop, blues, and later, psychedelic rock. Hippies, teenagers and curious tourists flocked to these unlicensed venues, which offered an alternative to the Yonge Street bars.

Yorkville was also home to three acclaimed recording studios regularly used by such major Canadian artists as Gordon Lightfoot, Anne Murray, The Guess Who, Lighthouse, Bruce Cockburn, Murray McLauchlan and Dan Hill and many international artists including Elton John, Cat Stevens and Fleetwood Mac.

The Yorkville scene inspired a generation of songwriters and led to the rise of a new Canadian sound. Many successful groups came to prominence through their performances there including Luke & The Apostles, The Ugly Ducklings, The Kensington Market, to name a very few.

On Friday, May 6th, long overdue, I might add, there will be an unveiling of three new plaques: The Purple Onion, The Penny Farthing and Yorkville’s Music Scene.

Thanks to Heritage Toronto for doing this. They’re the charitable arms-length agency of the City of Toronto established in 1949 to promote a greater appreciation for the city’s rich architectural, cultural, archaeological and natural heritage. Through partnerships with local community groups and volunteers, Heritage Toronto provides city-wide programs and services. Core annual programs include neighbourhood Tours, the Heritage Toronto Awards and Kilbourn Lecture, and a heritage Plaques and Markers program.