That Eric Alper

For decades, Eddie Schwartz has remained one of the most respected figures in the music world—an iconic Canadian songwriter, producer, performer, and rights advocate whose songs have echoed across generations. With his new single “We Win,” Eddie marks a bold and inspiring return to his roots as a solo artist, leading into the release of his new EP Film School, both out now. The project showcases the full spectrum of his brilliance: lyrical poignancy, musical craftsmanship, and the indomitable spirit that has defined his legacy.

A Member of the Order of Canada and the Canadian Songwriters Hall of Fame, Eddie Schwartz is the architect behind enduring hits like “Hit Me With Your Best Shot,” popularized by Pat Benatar, and “All Our Tomorrows,” later covered by Joe Cocker. His catalog spans more than 200 recorded songs and over 65 million physical sales worldwide—long before streaming platforms entered the conversation. With Film School, Eddie adds a powerful new chapter to his discography and creative journey.

The lead single “We Win” pulses with optimism and resolve, themes that mirror the artist’s own return to songwriting after a prolonged pause. “We’ll break down the walls, we’ll tear up the rules / Come out swinging, fighting, not afraid to lose,” Eddie sings in the chorus—his words now layered with personal and cultural meaning. “We get up off our knees / We stand up and believe / No matter how the story ends, we win.” Delivered with trademark sincerity, “We Win” feels as timely as it is timeless.

“These songs didn’t come easily,” Eddie writes in his artist notes. “After stepping away from writing, I wasn’t sure I’d ever return. But with encouragement from my wife Joanne and friends in Nashville and beyond, I found my way back.” His creative rebirth is deeply felt throughout Film School, a collection of mostly new songs that channel reflection, purpose, and an undiminished creative spark.

Born in Toronto in 1949, Eddie Schwartz holds a degree in music and English literature from York University. He first made his mark in the band Icarus alongside industry titans Bob Ezrin and Ben Mink, before launching a solo career that led to multiple hit singles and an enduring role as one of Canada’s great musical exports. “Hit Me With Your Best Shot” may have been dismissed by a publisher early on, but Benatar’s iconic recording turned it into a cultural lightning rod. Eddie, ever gracious, always let the music speak for itself.

His songs have been recorded by an astonishing roster: Paul Carrack, The Doobie Brothers, Carly Simon, America, Donna Summer, Rita Coolidge, Rascal Flatts, and Mountain, among many others. As a producer, his credits include the Doobie Brothers’ Cycles, Carrack’s Groove Approved, and his own albums, all resonating with an unmistakable blend of craftsmanship and soul.

Film School arrives not only as an artistic statement but also as a deeply personal one. “After a number of years doing the Nashville-style co-writing every day—two songs a day, five days a week—I burned out,” Eddie reflects. “The blank page stayed blank for a long time.” His ability to re-engage with songwriting—on his own terms—underscores the quiet power behind “We Win” and the entire EP.

From the cinematic textures of the title track to the soul-stirring honesty of “We Win,” every note on Film School reveals a master returning to form. “I wrote these songs slower than before. But every line, every melody came from a real place,” Eddie notes. “I wanted the music to reflect what I’ve lived through and what I still believe in.”

That belief has extended far beyond music. Eddie’s work as a global music creators’ advocate has earned him deep admiration. As past president of the International Council of Music Creators and the Songwriters Association of Canada, and as president of Music Creators North America, Eddie has shaped policy and fought for the rights of the creative community worldwide.

SOCAN recognized his impact with their Cultural Impact Award, while his induction into the Canadian Songwriters Hall of Fame remains a testament to his artistry and influence. Still, despite the accolades, Film School reminds audiences why Eddie Schwartz is—first and foremost—an artist.

“I wrote ‘We Win’ as a song of hope,” he says. “I hope people hear it and feel the power of standing up again. Because there’s always a reason to try again, to keep moving forward.” With Film School, Eddie Schwartz continues to do just that—creating music that uplifts, empowers, and endures.