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UK Blues Award Winners The Zac Schulze Gang Bring Raw Power to 6-Date November Tour

Eric Alper
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UK Blues Award Winners The Zac Schulze Gang Bring Raw Power to 6-Date November Tour

The Zac Schulze Gang have been building toward this, and November is when it all lands. The Kent-based blues-rock trio have announced a 6-date UK tour, tickets on sale now via alttickets.com and zacschulzegang.rocks/tour.

Winners of Young Artist of the Year at the UK Blues Awards 2025, following Zac Schulze’s Emerging Artist of the Year win at the same awards in 2024, the Gang have been on an upward trajectory that shows no signs of slowing. Sold-out shows in the Netherlands, Germany, and London’s legendary 100 Club have cemented their reputation as one of the most electrifying live acts working in this space.

Frontman and guitarist Zac Schulze plays with precision, speed, and passion, but this is very much a band built on collective chemistry. Drummer Ben Schulze and bassist Ant Greenwell generate a thunderous rhythm section behind him, and together the trio create a massive roar without ever losing sight of the song.

Their debut studio album ‘Straight To It’, released in September 2025, captures exactly what makes them special. It opens with “The Rocker,” whose breathless hooks function almost as a rallying call, before pushing through the blitzkrieg rush of “High Roller.” The record also makes room for the bright power-pop of “Angeline” and the soaring alt-rock anthem “Betterland,” demonstrating a range that goes well beyond straightforward blues-rock.

The influences running through their sound are serious ones. Rory Gallagher, Dr Feelgood, AC/DC, and Thin Lizzy on the classic side, Turnstile, Royal Blood, and Queens of the Stone Age on the contemporary end. It’s a blend of melody and muscle that gives ‘Straight To It’ real visceral energy throughout.

Rock News summed it up cleanly: “The Zac Schulze Gang are no ordinary blues-rock band; they’re an unstoppable force, poised on the brink of something extraordinary.” Metal Planet Music called them “a phenomenon in the making.” Both assessments feel accurate.

Festival appearances at Eric Clapton’s Crossroads in LA, Planet Rock’s Winter End, Fairport’s Cropredy Festival, and the Rory Gallagher Tribute Festival in Ballyshannon have introduced them to audiences well beyond their UK base. November gives those audiences a chance to see them up close.

November 2026 Tour Dates:

November 10 – Leeds, The Key Club

November 11 – Manchester, Night & Day

November 12 – York, The Crescent

November 13 – Norwich, Waterfront Studio

November 14 – Brighton, Hope & Ruin

November 15 – Nottingham, Rescue Rooms

Soul Trio The Womack Sisters Refuse to Wait on Powerful New Single “You Went Away Too Long”

Eric Alper
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Soul Trio The Womack Sisters Refuse to Wait on Powerful New Single “You Went Away Too Long”

The Womack Sisters arrive with a single that hits like a memory you can’t shake. “You Went Away Too Long,” out now on Daptone Records, is a beautifully constructed R&B track that moves through grief, longing, and hard-won confidence with the kind of effortless control that only comes from singers who have lived every note. Listen here.

The track opens with a dark herald of horns, orchestral chimes, and percussion groove before settling into a tender, melancholy first verse. Then the mood shifts. When BG, Zeimani, and Kucha lock into the haunting unison chorus, the vulnerability gives way to something fiercer, 3 women who know exactly what they’re worth and have run out of patience waiting for it.

The Sisters explain the song’s personal weight. “Imagine precious time stolen from your life, slipping away like sand through an hourglass, as your loved ones slowly forget the sound of your laughter. ‘You Went Away Too Long’ is a song about love and life interrupted.”

Produced by Gabriel Roth, aka Bosco Mann, the Daptone co-owner who has been in their corner since 2016, the single follows 2 previous releases that established the trio as one of the most exciting new acts in the Daptone universe. Debut single “I Just Don’t Want You (To Say Goodbye)” is a deeply soulful ballad, while “If You Want Me” showcases their pop-sensible control and uncompromising rawness in equal measure.

The backstory is extraordinary. Kucha, Zeimani, and BG grew up singing behind their parents and their uncle, the legendary Bobby Womack, on stages and in studios across London, Thailand, Amsterdam, Kenya, West Virginia, and the Bahamas. BG carries a direct bloodline to the iconic Sam Cooke, and his uncanny ability to move between pristine pop runs and bluesy gospel growls runs straight through her voice.

As a trio, their 3 distinct voices function as a single instrument. Kucha brings a pure soulful tone with gritty sweetness. Zeimani’s voice is rich, sultry, and capable of moving from a moan to a squall with silky smoothness. BG anchors it all with a range that seems genuinely boundless. Together, they trade leads and blend into harmonies that only sisters can pull off.

This summer, The Womack Sisters support Daptone label-mates Thee Sacred Souls across North American amphitheaters, and on August 14 they open for Al Green at the Hollywood Bowl. Both opportunities feel entirely earned.

Upcoming Dates:

August 14 – Los Angeles, CA, Hollywood Bowl (opening for Al Green)

Irish Folk Songwriter Ó hEaráin Finds Beauty in Farewell With New Single “On My Mind”

Eric Alper
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Irish Folk Songwriter Ó hEaráin Finds Beauty in Farewell With New Single “On My Mind”

Kevin Herron writes from places most songwriters avoid, and “On My Mind” goes straight to one of the most universal human experiences there is. Released under his Ó hEaráin project, the new single is a folk meditation on love, memory, and the quiet acceptance that comes at the end of a life well lived.

The song opens with a simple, captivating acoustic guitar melody before gradually unfolding through emotive slide guitar and spacious, understated arrangements. It’s the kind of production that trusts the material completely, leaving room for the emotional core to do its work without interference.

Herron is direct about what the song is trying to say. “On My Mind is a love song written from the perspective of someone approaching the end of life. Despite the somber theme, I think the music and melodies create an uplifting and reflective feel, anchored in the belief that we will see them again.”

That belief carries the track. For all its weight, “On My Mind” doesn’t feel heavy. It feels generous, an ode to connection and continuity rather than loss.

Herron performs both acoustic and slide guitar on the recording, joined by vocalist Gráinne Gavigan, a longtime collaborator whose presence adds real warmth to the arrangement. Rounding out the session are Nick Scott on double bass, Laura McFadden on cello, and Eamon Ferris on drums, a group of respected Irish session musicians who bring exactly the right touch to a song that demands restraint.

Donegal-born and folk-rooted, Herron has built a quiet but impressive resume as a session musician alongside artists including Little Hours, Stephanie Rainey, and Clare Sands, and as a former member of Cork indie outfit Rowan. The Ó hEaráin project channels all of that experience into something more personal, more intimate, and more emotionally honest.

“On My Mind” blends folk songwriting with traditional Irish and Americana influences in a way that feels entirely natural. It’s a song that earns its feeling, and it lingers long after the final note.

The Maine Get Intimately Honest on New Single “Quiet Part Out Loud”

Eric Alper
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The Maine Get Intimately Honest on New Single “Quiet Part Out Loud”

The Maine have always known how to make a song feel like a private conversation, and “Quiet Part Out Loud” is exactly that. The new single arrives alongside an official music video, and it’s one of the most immediate, emotionally direct tracks the band has released in years.

Frontman John O’Callaghan wrote the song with urgency as the driving force. “Some songs take months or years to write, and some take hours. This one came together quickly out of necessity, because time is sometimes not on your side. With that notion in mind, say what you want while you still can.”

That philosophy is all over the track. Martial drums and an enchanting vocal effect drive a pulsating, therapeutically intimate sound, with O’Callaghan pleading “talk to me just like there’s no one around.” It lands with the kind of quiet intensity the band does better than almost anyone working in this space.

“Quiet Part Out Loud” comes from ‘Joy Next Door’, The Maine’s latest studio album and arguably their most essential to date. True to the band’s meticulous approach to craft, the LP was written and recorded in sequential order, treating the album as a complete narrative rather than a collection of individual tracks.

Drummer Pat Kirch explains the visual identity behind the record. “Every album of ours has a color that represents it, and Joy Next Door is the green era. The green grass on the album art feels like it matches perfectly with the organic instrumentation and imperfections left intact on the album.”

Those imperfections are a deliberate choice, and they give ‘Joy Next Door’ a warmth and humanity that feels earned. The Maine have been doing this since 2008, with 9 studio albums, 5 of which charted on the Billboard 200, and over 1 billion global streams to their name. They’ve headlined their own 8123 Fest in Tempe and played Bonnaroo and Lollapalooza. The fanbase they’ve built is as dedicated as it gets.

“Quiet Part Out Loud” is a reminder of exactly why that connection runs so deep. It’s honest, precise, and genuinely moving.

Soul Powerhouse Samantha Martin & Delta Sugar Capture Lightning in a Bottle on ‘A Beautiful Buzz’

Eric Alper
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Soul Powerhouse Samantha Martin & Delta Sugar Capture Lightning in a Bottle on ‘A Beautiful Buzz’

Some artists belong on a stage, and ‘A Beautiful Buzz’ makes the case better than any studio recording ever could. Samantha Martin & Delta Sugar’s new live album, out now via Gypsy Soul Records, documents the kind of performances that leave audiences wrecked in the best possible way.

Recorded during the Love Is All Around tour across Western Canada in 2022, the album captures the raw, sweat-soaked energy that has made this band one of Canada’s most commanding live acts. Lead single “My Crown” arrived first, offering an immediate introduction to what the full record delivers from start to finish.

Martin is a two-time JUNO Award nominee and seven-time Canadian Blues Award nominee for Female Vocalist of the Year, and those numbers only tell part of the story. Her voice is the kind that stops a room, equally at home in a whisper and a full-throated roar, with the control and emotional range to match.

The comparisons that follow her are serious ones. Rhythm & Booze described her as someone whose “name can be talked of in the same sentence as Etta James, Tina Turner, and Aretha Franklin,” calling it “soul for the modern age with a turbocharger.” Paris Move went further, naming her “the new Southern soul tornado.”

Those references aren’t just flattery. The DNA running through Samantha Martin & Delta Sugar’s sound traces back to Mavis Staples, Sharon Jones, Otis Redding, Booker T. & the MG’s, and the Memphis Horns, delivered with a road-hardened urgency that feels entirely contemporary. It’s classic soul filtered through years of stages, miles, and hard-won experience.

Glide Magazine captured it well: “a jaw-dropping display of vocal prowess that showcases this band’s brand of supercharged blues. Like Brittany Howard, Samantha Martin might be the next musical game changer.”

‘A Beautiful Buzz’ doesn’t argue with any of that. It just proves it, night after night, note after note, in front of real crowds who clearly feel every second of it. This is what a live album is supposed to do.

Hard Rock Legends UFO Expand a Classic With ‘The Wild, The Willing and The Innocent’ Deluxe Reissue

Eric Alper
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Hard Rock Legends UFO Expand a Classic With ‘The Wild, The Willing and The Innocent’ Deluxe Reissue

UFO are giving one of their finest albums the treatment it deserves. ‘The Wild, The Willing and The Innocent’, the band’s landmark 1981 studio record, is back in a fully expanded deluxe edition via Chrysalis Records, available on 3LP tri-fold sleeve 180gm vinyl and 2CD Digipak formats, with new remastering from the original tape transfers.

The original album captured UFO at a genuine creative peak, blending soaring melodies and powerful performances anchored by Phil Mogg’s unmistakable voice. It also marked the debut of keyboardist and guitarist Neil Carter, who stepped in for Paul Raymond and immediately made his presence felt across the record.

Mogg remembers Carter’s arrival with characteristic warmth. “Neil had a box of tricks. Getting the backing vocals was great, though I still don’t think he’s forgiven me for making him play saxophone. He was a great add to the band. Plus, he was a nice bloke.”

Drummer Andy Parker is equally effusive. “Neil was just an incredible musician. He brought another energy into the band.” That energy comes through clearly across the album’s 8 tracks, and the new remaster brings every detail into sharper focus than ever before.

The centrepiece of this deluxe edition is a brand-new mix of a previously unreleased live recording, captured at the Hammersmith Odeon on January 29th, 1981, mixed by Brian Kehew. It’s an electrifying document of UFO in full flight, running through 11 tracks including “Doctor Doctor,” “Lights Out,” and “Rock Bottom.”

The package also includes original 7″ edits of singles “Couldn’t Get It Right” and “Lonely Heart,” plus an alternative mix of album standout “It’s Killing Me.” Newly written liner notes by Michael Hann, featuring fresh interviews with Mogg and Parker and previously unseen photographs from the era, round out what is an essential collector’s item.

Hann puts it plainly in his liner notes: “The Wild, the Willing and the Innocent is, hands down, the best UFO studio album: it’s melodic, it’s experimental, it’s memorable, and it rocks.”

Hard to argue with that.

CD1 – The Wild, The Willing & The Innocent (2026 Remaster):

Chains Chains

Long Gone

The Wild, The Willing And The Innocent

It’s Killing Me

Makin’ Moves

Lonely Heart

Couldn’t Get It Right

Profession Of Violence

Couldn’t Get It Right (7″ Edit)

Lonely Heart (7″ Edit)

It’s Killing Me (Alt. Mix)

CD2 – Live at Hammersmith Odeon, London, January 29th, 1981 (Newly Mixed):

Long Gone

Chains Chains

Lonely Heart

Cherry

Mystery Train

Only You Can Rock Me

Too Hot To Handle

Lights Out

Rock Bottom

Doctor Doctor

Shoot Shoot

Robin McAuley Reimagines a Classic on “Little Drops Of Heaven”

Eric Alper
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Robin McAuley Reimagines a Classic on “Little Drops Of Heaven”

Frontiers Records is marking 30 years with something genuinely worth celebrating. To honour three decades in the melodic rock world, the label has released a brand-new rendition of “Little Drops Of Heaven,” featuring Robin McAuley on vocals, and it’s a strong reminder of why both the label and the singer have earned their place in this genre.

Originally recorded by Pretty Maids, the track gets a full reimagining here, with McAuley’s unmistakable voice bringing fresh intensity and emotional depth to a song that was already built to last. The production comes courtesy of Aldo Lonobile, Head of A&R Europe at Frontiers Label Group, who assembled a stellar supporting cast for the recording.

Lonobile reflects on the project with real affection. “Revisiting one of my favourite songs from Pretty Maids for Frontiers’ 30th anniversary felt incredibly special. This song carries a certain emotional weight and melodic strength that made it stand out from the very beginning.”

McAuley, known for his work with Black Swan among others, came into the project with genuine enthusiasm for the source material. “I’ve always liked Pretty Maids and especially the band’s songwriting. Ronnie Atkins has a unique style, and when Aldo approached me to record this cover, I couldn’t wait to get into the studio.”

His approach to the material was deliberate and respectful. “I tried to keep the integrity of the song but also add some of my own style, so hopefully they like my version.” The result is a performance that honours the original while giving it room to breathe in a contemporary context.

The lineup behind McAuley on the track is tight and purposeful, Alessandro Mammola on guitar, Andrea Arcangeli on bass, Alessio Lucatti on keyboards, and Alfonso Mocerino on drums. Together they deliver the kind of melodic rock that Frontiers has championed for 3 decades.

“Little Drops Of Heaven” is a confident, emotionally charged single that captures exactly what this label has always done well, world-class musicianship wrapped around timeless songwriting.

Progressive Rock Architects The Dear Hunter Hit the Road for “The Road To Sunya” Tour

Eric Alper
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Progressive Rock Architects The Dear Hunter Hit the Road for “The Road To Sunya” Tour

The Dear Hunter are heading back out on the road, and they’re bringing one of their most ambitious albums with them. “The Road To Sunya” tour continues through July and August, covering major markets across the U.S. with support from Closure in Moscow and K Sera on select dates.

The remaining run picks up July 28 in St. Louis and pushes through the South, Mid-Atlantic, Northeast, and Midwest before wrapping August 14 in Chicago, hitting cities including Nashville, Philadelphia, Boston, New York, and Baltimore along the way.

The band made their feelings clear about getting back out there. “It’s been far too long since we’ve had the opportunity to perform with you, and we need anyone and everyone who loves this band to come join us and make these nights unforgettable.”

The tour supports ‘Sunya’, The Dear Hunter’s latest studio album and their most sonically expansive to date. Built on synth textures, tightly wound grooves, and deep pulls from jazz and funk, ‘Sunya’ marks a deliberate shift in perspective from its predecessor ‘Antimai’.

Where ‘Antimai’ spoke from a collective urban voice, ‘Sunya’ narrows to a single point of view, following one perspective stepping beyond a walled world into a physical wasteland, confronting silence and the absence of meaning in equal measure. The progressive rock architecture is still present, but rhythm now carries as much of the story as spectacle.

The band describes it as their most ambitious record yet. “‘Sunya’ is our most ambitious effort to date. There are a lot of funky, jazz-fusion type influences that show up in these songs. But, the record still feels like The Dear Hunter. Lyrically, we explore a lot of dystopian themes, while adding a bunch of synthy layers.”

That combination of dystopian lyricism and genre-blending instrumentation makes ‘Sunya’ one of the more genuinely interesting progressive rock records in recent memory. It’s a sharp, layered listen that rewards attention.

Casey Crescenzo launched The Dear Hunter as a side project in the mid-2000s before it became his primary creative vehicle in 2006. The band’s catalog runs deep, anchored by a series of interconnected concept albums beginning with ‘Act I: The Lake South, the River North’, with standalone records and EPs filling out a discography that keeps growing in unexpected directions.

‘Sunya’ continues that momentum, and the remaining tour dates give fans across the country a chance to hear where The Dear Hunter have taken things next.

“The Road To Sunya” Tour Dates:

July 28 – St. Louis, MO

July 29 – Nashville, TN

July 31 – Atlanta, GA

August 1 – Carrboro, NC

August 3 – Baltimore, MD

August 4 – Philadelphia, PA

August 6 – Boston, MA

August 7 – New York, NY

August 8 – Asbury Park, NJ

August 10 – Allentown, PA

August 11 – Lakewood, OH

August 13 – Grand Rapids, MI

August 14 – Chicago, IL

Kiss Reinvent Fan Engagement With Interactive New Platform

Eric Alper
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Kiss Reinvent Fan Engagement With Interactive New Platform

Kiss have always known how to make the fan experience feel like an event, and their newly launched platform on KISSOnline takes that to a whole new level. The Rock & Roll Hall of Fame legends are redefining what it means to connect with the Kiss Army.

The platform introduces a suite of interactive features including Personal Kiss Listening Stats, a daily KISStory Trivia Quiz, and Kiss-themed profile pictures. Fans can track their own listening habits and measure their engagement directly within the community.

The centerpiece is the Patch Game, a unique achievement system where fans unlock exclusive digital patches by completing themed challenges tied to their listening activity and KISSOnline engagement. The patches draw from iconic Kiss albums and rare Kiss Army memorabilia, honoring the full depth of the band’s history.

It goes further than digital bragging rights. VIP fans can apply their earned patches to a purchasable, official Kiss Army jacket, making their fandom something they can actually wear. Four band member patches, covering The Starchild, The Demon, The Catman, and The Spaceman, are also available both digitally and physically.

Gene Simmons and Paul Stanley made the launch unmistakably Kiss by releasing an exclusive unboxing video, trying on the new merchandise and previewing what fans can get their hands on.

This is a platform built by people who genuinely understand their audience, and the Kiss Army now has a home that reflects exactly how dedicated that community has always been.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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