Hailing from Cleveland, Ohio, indie alt-pop artist Carrie Ryan has dropped her new song “Can’t Fight It,” an emotionally charged track where her voice takes center stage. The song moves over an easy vibe that transports the listener to a world of Ryan’s creation, warm and reflective like flipping through old photos late at night and reminiscing on the past. Known for her knack for blending moody melodies with real life themes delivered in cinematic fashion and influenced by artists like Halsey and Florence + The Machine, Ryan writes songs that feel personal while sounding big. She’s had music featured on Lifetime’s Little Women: LA and CBS’s The Young and the Restless. Lyrically, the song addresses being in love with the same person for ten years and choosing to accept time passing instead of fighting it. Ryan wrote it after realizing many of her past love songs focused on the rush of new relationships, approaching love from a different perspective about growing up together, sharing memories, and finding comfort in a life built side by side. Ryan comments, “I wanted to write a song about how lucky it is to grow up with and deeply know another person.” “Can’t Fight It” isn’t about chasing youth but appreciating what lasts, carrying a heartfelt and relatable message.
Cristina Branco Returns To Stage With “Fado Em Movimento” And “Mãe” Tour Across Europe
Cristina Branco, guitarist Bernardo Couto, and the French Ensemble Des Équilibres, a string quartet led by violinist Agnès Pyka, have joined forces in the project “Fado em Movimento.” The premise explores the universe of fado in dialogue with other musical genres, based on original compositions by Florentine Mulsant, Anne Victorino d’Almeida, and Fátima Fonte, with texts by Gonçalo M. Tavares. The project, resulting from artistic residencies at Casa da Música, ESMAE in Porto, and La Ferme du Buisson Cultural Centre in France, returns to the stage today for the first of five dates in France. After Bourges on January 6, it continues to Metz on January 10, Pontault-Combault on January 13, Sault on January 15, and Avignon on January 16.
With an unparalleled passion for traditional fado, Branco pays a heartfelt tribute to the musical genre in “Mãe,” her 18th album of original songs, in which she lends her singular and expressive voice to a variety of composers. Since 2023, both on record and live, “Mãe” has offered national and international audiences an original repertoire that takes listeners on an immersive journey of rediscovering fado, exploring its emotional depths and subtle nuances. From January 24 to 31, accompanied on stage by Bernardo Couto on Portuguese guitar, Bernardo Moreira on double bass, and Luís Figueiredo on piano, Branco returns to Germany with these songs, following warmly received performances in previous years, performing in Dreieich on January 24, Karlsruhe on January 25, Freiburg on January 27, Bremen on January 28, Wilhelmshaven on January 29, and Potsdam on January 31. On February 6, Brussels, Belgium, will host this show. On March 25, Branco begins an eight-concert tour in the Netherlands, starting in IJmuiden, returning to the country where her nearly 30-year career began, also performing in Tilburg on March 26, Middelburg on March 28, and Den Haag on March 31. In April, Breda on April 2, Eindhoven on April 3, Groningen on April 4, and Utrecht on April 5 will have the opportunity to experience the essence of “Mãe.”
On March 19, fado meets jazz in Horsens for the first of two concerts in Denmark. Branco takes the stage at Horsens Ny Teater, accompanied by the vibrant DR Big Band and pianist-composer Mário Laginha. The intense emotions of fado and the lively energy of jazz merge into a concert experience full of passion, intimacy, and high artistic quality. The evening’s musical program was conceived by Laginha, blending the melancholy and depth of fado with the dynamic sound of a big band. The musician himself will be at the piano, leading the orchestra through a unique and moving repertoire. On March 22, the DR Koncerthuset in Copenhagen will host this performance.
Tour Dates:
“Fado em Movimento”:
January 6 – Bourges, France
January 10 – Metz, France
January 13 – Pontault-Combault, France
January 15 – Sault, France
January 16 – Avignon, France
“Mãe”:
January 24 – Dreieich, Germany
January 25 – Karlsruhe, Germany
January 27 – Freiburg, Germany
January 28 – Bremen, Germany
January 29 – Wilhelmshaven, Germany
January 31 – Potsdam, Germany
February 6 – Brussels, Belgium
March 25 – IJmuiden, Netherlands
March 26 – Tilburg, Netherlands
March 28 – Middelburg, Netherlands
March 31 – Den Haag, Netherlands
April 2 – Breda, Netherlands
April 3 – Eindhoven, Netherlands
April 4 – Groningen, Netherlands
April 5 – Utrecht, Netherlands
Fado Meets Jazz:
March 19 – Horsens Ny Teater, Horsens, Denmark
March 22 – DR Koncerthuset, Copenhagen, Denmark
Steve Aoki Supercharges 2ŁØT And Aloe Blacc Anthem “Immortal” With Festival-Ready Remix
2ŁØT and Aloe Blacc have ushered in the new year with a pulse-pounding remix of their inspirational anthem “Immortal,” reimagined by global dance music icon Steve Aoki and released via Dim Mak. The track transforms the original’s message of fearless living into a full-blown festival banger, merging soaring vocals with electrifying drops and big-room energy. Rooted in the ancient philosophy of memento mori, a reminder of life’s impermanence, “Immortal” challenges listeners to step into their intentions and let go of fear. 2ŁØT frontman Rudy Love Jr. comments, “This remix brings the urgency of the message to a whole new level. It’s about seizing every moment. And when Steve flipped the track, he gave it this unstoppable momentum that really drives that message home.”
The release follows Aoki’s New Year’s Eve drop of ‘HiROQUEST 3: Paragon Remixed,’ which includes a special remix of “Paragon” by 2ŁØT, offering fans a double dose of the emerging band’s signature mix of emotional resonance and genre-defying sound. Both collaborations build on the creative synergy that began during Aoki’s Hiroquest 3: Paragon era and now carries into 2026 with renewed intensity. The “Immortal” remix caps off a breakout year for 2ŁØT, marked by collaborations with Aloe Blacc, Paul Oakenfold, Albert Harvey, and now Steve Aoki, as well as the release of their debut album ‘Entropy,’ the ‘Albert Harvey Mix’ EP, and a string of performances at events like KTLA and Somewhere Festival. The five-piece band comprised of Rudy Love Jr., Chase Koch, Omar Jawar II, Sage Judd, and Robert Trusko blends hip hop, funk, soul, jazz, rock, and electronic music into a sound they call Electronic Jam Music, using music as a tool for social change with themes spanning addiction recovery, youth empowerment, and criminal justice reform. With new original material on the way and select tour dates to be announced soon, 2ŁØT enters 2026 poised for another landmark year fueled by collaboration, connection, and an unwavering belief in music as a force for transformation.
Punk Band Steelboy Releases Coming Of Age Anthem “Now or Never”
Hailing from Richmond Virginia, punk band steelboy starts the year off strong with their new single “Now or Never.” The track perfectly captures the moment when most of us thought we were indestructible and lived our lives with reckless abandon, highlighting and reminiscing about what it was like to live so freely. Accompanying the nostalgic theme is music that’s equal parts high energy, anthemic, and extremely catchy, the kind of song that needs to be played at full volume with all the windows down or seen performed live by the band. Bassist and vocalist Ryan Smith comments, “‘Now or Never’ is a coming of age song, all about being fearless and reckless and young and alive. It’s a flashback to a time when we weren’t afraid of living or dying.”
Formed in late 2022 through early 2023, steelboy comprises four frenemies who play punk rock to stay sane. The new single arrives via Punkerton Records and showcases the Richmond quartet’s ability to blend youthful intensity with infectious melodies that demand repeat listens.
Johnny Orlando Shares New Single And Video “Emilia” Starring Xochitl Gomez
Toronto-born singer-songwriter Johnny Orlando has returned with “Emilia,” a dreamy indie-pop track exploring the linear relationship between love and fear. Released via Position Music with an accompanying video starring Xochitl Gomez, the new single captures a singular, inward-looking headspace written in the heat of the moment. Driven by shimmering guitars, tape-worn textures, and layered vocals, “Emilia” lives somewhere between nostalgia and now as an instinctive, late-night kind of song that’s hazy around the edges but emotionally precise. Orlando comments, “Emilia is about self-sabotage — finding someone by accident who completes you, and not trusting yourself enough to let a good thing happen.” The track doesn’t rush to resolve itself, instead sitting with the tension between vulnerability and restraint while letting the feeling linger, marking a clear step forward in Orlando’s evolution as both a musician and songwriter.
The video leans into an understated, indie-film aesthetic that mirrors the song’s emotional tension and restraint, with Gomez delivering a quietly cinematic turn. Sonically, the track pulls from the emotional world of Dominic Fike, The 1975, and Harry Styles while nodding to the timeless ease of Fleetwood Mac and The Strokes. Following headline tours across North America, Europe, and Asia, “Emilia” signals the next chapter of a broader body of work on the horizon, positioning the 22-year-old at the forefront of a new wave of alt-pop artists redefining what mainstream can look and feel like. Orlando has accumulated nearly 1 billion global streams and an online following of over 26 million engaged fans worldwide, garnering nominations for Breakthrough Artist of the Year and Pop Album of the Year at the JUNO Awards, as well as four consecutive wins for Best Canadian Act at the MTV European Music Awards. His August 2022 debut album ‘all the things that could go wrong’ has amassed over 250 million streams globally.
Daniel Caesar Returns To NPR Tiny Desk With ‘Son Of Spergy’ Performance And 12-Piece Choir
Canadian singer-songwriter Daniel Caesar has returned to NPR’s Tiny Desk for a second performance following his nearly untouchable 2018 concert, which currently ranks in the top 15 most viewed Tiny Desk concerts on YouTube. The new performance showcases material from his 2025 album ‘Son of Spergy’ and features a 12-piece choir alongside an upright piano and guitar. NPR Music’s Bobby Carter writes that the vulnerability and intimacy of ‘Son of Spergy’ made the decision clear for Caesar’s return, noting that the album, the space, and the shared vision for how it would unfold gave the green light for part two. The presentation includes five songs: “Rain Down,” “Emily’s Song,” “Moon,” “Who Knows,” and “Sins of the Father,” with Caesar effortlessly leading the choir from note number one. Carter describes the moment as one of the most transcendent at the Tiny Desk, with a pause before applause at the conclusion. Caesar’s spirituality has remained constant throughout his work from debut ‘Freudian’ to ‘CASE STUDY 01’ and ‘NEVER ENOUGH,’ but ‘Son of Spergy’ completes what Carter characterizes as a pilgrimage and a newfound sense of acceptance.
Understanding the Divorce Process and Legal Representation in Oklahoma
By Mitch Rice
Divorce is a major life issue which affects finance, family relationships, and long term stability. Though each case is different, study of how divorce is handled in the state of Oklahoma may put people at ease as they go through the process. From which papers to file to issues of child custody and property division, the legal system, which is put in place for divorce, does so in a way that looks at the practical as well as the emotional issues.
In Oklahoma what is termed “divorce” is in fact the “dissolution of marriage.” The process starts when one spouse files a petition in the district court of the state in which they or the other spouse lives. Oklahoma allows both fault-based and no-fault divorces, in which case incompatibility is the most common reason. Once the petition is filed, the other spouse has to be properly served and given a chance to respond.
Legal Issues Commonly Addressed in Divorce
Before a divorce can be finalized, several legal issues have to be resolved. These may include division of marital property, allocation of debts, child custody and visitation, child support, and spousal support. In Oklahoma the principle of equitable distribution is followed, which means that marital property is divided fairly but not necessarily equally. Separate property, which includes assets owned before the marriage or received as a gift or inheritance, is generally left out.
When it comes to cases that include children, the court puts the best interests of the child first. Both sole and joint custody may be awarded, which the court determines based on parent involvement, stability, and which parents are better able to meet the child’s physical and emotional needs. Child support is determined by state rules, which take into account income, custody arrangements, and other related expenses.
In Oklahoma spousal support, also known as alimony, is not automatic. Courts look at if one spouse has a proven need and if the other has the ability to pay. Also looked at are the length of the marriage, earning capacity, and contributions to the home.
The Role of Legal Professionals in Divorce Cases
Divorce laws are very complex, which is why many turn to legal professionals to help them through the process and to advocate for what is fair. In the field of family law attorneys help out their clients by preparing the legal documentation, explaining rights and what is expected of each party, working towards coming to amicable solutions via negotiation, and in the end representing the client in court when issues can not be worked out.
Legal representation in many cases is key during a divorce that has issues like child custody in dispute, hidden assets, or reports of misdeeds. Attorneys who are trained in this field interpret the laws, apply past court decisions, and also see to it that court processes go as they should, which in turn helps to avoid large-scale delays or bad results.
In rural areas of Oklahoma, which include the likes of Okmulgee County, many residents look to experienced legal professionals who are well versed in local court procedures. Resources discussing divorce lawyers in Okmulgee OK are commonly consulted by those trying to better understand how family law matters are handled within the local judicial system.
Mediation and Alternative Dispute Resolution
Not all divorces go to great lengths in court. In Oklahoma it is encouraged that many use mediation or other forms of out-of-court solutions, which are preferred, especially in cases that include children. Mediation, which is a form of cooperative dispute resolution between former spouses that is facilitated by a neutral third party, helps to see that issues are resolved outside the court setting, which in turn saves time and reduces emotional strain.
While at present mediators do not give out legal advice, what is seen is that attorneys step in to advise their clients behind closed doors or review what is to be put in agreements, which is before the finalization. Also, it is through the court’s approval that parties’ mediated agreements become a part of the final divorce decree.
Legal Timelines and Waiting Periods
Oklahoma has laws that put in place waiting periods that can delay how soon a divorce is final. If kids are involved, the wait is usually for 90 days from the date of when the petition was filed, though in some cases this may be waived. Without kids, divorces may go through more speedily if all issues are resolved.
At this stage permanent orders may be given out that relate to issues of custody, support, or use of marital property. Such temporary arrangements will stand until the final decree is passed.
Life After Divorce
Once a divorce is out of court, the court’s decisions become legal. This includes abiding by custody arrangements, paying support, and following through on property division. Changes may be made in the future should situations greatly change, which is especially true in issues related to children.
Comprehending the legal aspects of divorce puts individuals in a better position to approach the process with clarity. Though emotional issues are a given, with the right info regarding legal rights and procedures people may see through the transition more clearly which in turn helps them make informed decisions.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
Erin LeCount Releases New Single “I Believe” With Live Performance Video From London Koko Show
Burgeoning alt-pop singer-songwriter and producer Erin LeCount has released her sensational new single “I Believe” today via Atlantic Records. Alongside the single comes a new live performance video of “I Believe” taken from LeCount’s recent sold-out headline show at London’s KOKO, shot and edited by long-time collaborators Sam Taylor-Edwards and Kit Dale, who both worked on the music videos for “808 Hymn” and “Machine Ghost.” LeCount teased the release of “I Believe” on social media and played it live during her emphatic sold-out La Lune Tour, which took place at the end of 2025. The track follows the release of her two recent singles “808 Hymn” and “Machine Ghost,” both released in late 2025.
On “I Believe,” LeCount demonstrates why she stands as one of the most acclaimed and exciting new artists to emerge onto the scene, with an artist vision that remains unfalteringly and unmistakably her own. The track’s expansive production, created entirely by LeCount, couples with her hauntingly beautiful vocals and lyrics. “I Believe” falls between art-pop and baroque-pop, signifying the lofty trajectory LeCount has in store for her already impressive career. Speaking about the single, LeCount said, “‘I BELIEVE’ is a cynical, existential song about apathy, passiveness in your own life, disillusionment with the state of the world, what it feels like to turning to every possible external source to tell you how to feel and exist – religion, self help books, magazines, astrology, lovers, antidepressants. I wrote it about a pursuit of perfection, faith and meaning soundtracked to relentless synth pop production.”
In December 2025, LeCount embarked upon her sensational UK and IE La Lune Tour, playing to sold-out crowds in Manchester, Birmingham, Bristol, Dublin, and London. In February 2026, LeCount takes the La Lune Tour to North America, with cities including a sold-out show in Toronto on February 7, along with New York and Los Angeles. The original North American tour sold out within weeks, and due to popular demand extra dates have been added. The 22-year-old self-taught artist and producer serves as a visionary sonic architect and the sole writer and producer of her music, with a sound that ranges from luscious baroque-pop arrangements to alluring gothic-pop. Her diaristic lyrics and captivating synths offer an enchanting interplay of vulnerability and power, exploring themes from identity to relationships and the meaning of life. LeCount’s influences include Fiona Apple, Kate Bush, Lorde, Imogen Heap, Charli xcx, and Sampha, and she recently attended Paris Fashion Week shows including Ann Demeulemeester and MUGLER.
ERIN LECOUNT 2026 NORTH AMERICAN ‘LA LUNE TOUR’ DATES:
Thursday 5th February, Schuba’s, Chicago, IL – SOLD OUT
Saturday 7th February, The Garrison, Toronto, ON – SOLD OUT
Monday 9th February, Baby’s All Right, Brooklyn, NY – SOLD OUT
Tuesday 10th February, Baby’s All Right, Brooklyn, NY – SOLD OUT
Thursday 12th February, Roxy, Los Angeles, CA – SOLD OUT
Friday 13th February, Roxy, Los Angeles, CA – EXTRA DATE ADDED
Listing on Major Exchanges: Best Practices for Sustainable Growth
By Mitch Rice
Getting a token listed is more than a ceremonial milestone. Listing on major exchanges is often the moment when a project steps out of the shadows and into a broader market spotlight. For traders, it signals improved liquidity and price discovery. For founders, it unlocks visibility, credibility, and access to a global user base. A well-executed listing can act as a growth catalyst — while a poorly prepared one can expose weaknesses fast.
This is the reason why WhiteBIT crypto exchange listing, similar to listing on other large platforms, has become a benchmark for projects that aim to scale responsibly. Top-tier exchanges are selective for a reason. They protect users, reputations, and market integrity. Projects that understand this dynamic approach listings strategically, not emotionally.
At the core of any successful listing is project value. Exchanges are not looking for hype alone. They assess whether a token brings something meaningful to the ecosystem. That usually starts with a real use-case — a clear explanation of why the token exists and how it is used beyond speculation. Traders notice this too. Tokens with utility tend to hold liquidity better once the initial excitement fades.
Another pillar is team credibility. Exchanges and market participants want confidence that the people behind the project can execute long-term. This includes transparent backgrounds, proven experience, and visible project leadership that can make decisions under pressure. In volatile markets, leadership quality often matters as much as technology.
Comprehensive Due Diligence and Other Important Preparations for Listing
Before approaching any major exchange, serious projects invest time in due diligence. This stage separates listing-ready teams from those that are still early. Key preparation areas typically include:
- Due diligence documentation, covering legal structure, tokenomics, and compliance readiness
- A clear audit & review process, including smart contract audits from reputable firms and public summaries of findings
- Demonstrated transparency & communication, with open channels, clear disclosures, and realistic roadmaps
- Evidence of consistent ongoing updates, showing that development, partnerships, and ecosystem growth are active
- Market positioning that reinforces project value and long-term sustainability rather than short-term hype
Exchanges evaluate not only what exists today, but also whether the project can maintain standards after the listing goes live.
Listing should never be treated as a finish line. It is a starting point that amplifies both strengths and weaknesses. Projects that focus on substance — utility, leadership, audits, and communication — tend to earn market trust over time. For traders, these signals often separate short-lived pumps from assets worth tracking long-term. In today’s competitive landscape, best practices in listings are not optional. They are the baseline for survival and growth.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
Black Swan Unleash Title Track From Upcoming Third Album ‘Paralyzed’ Arriving February 13
All-star hard rock collective Black Swan have unveiled the title track from their upcoming third studio album ‘Paralyzed,’ arriving February 13, 2026 via Frontiers Music Srl. The supergroup features Robin McAuley of McAuley Schenker Group, Reb Beach of Winger and Whitesnake, Jeff Pilson of Foreigner and The End Machine, and Matt Starr of Ace Frehley and Mr. Big. Beach comments, “With ‘Paralyzed’ I was going for a Black Sabbath ‘Neon Nights’ vibe when I started writing it, and then it blossomed into the title track when Jeff and Robin got their hands on it. It’s a very cool song guitar wise, and I hope we get to play it live one day because it really rocks!” McAuley addresses the lyrical content, stating, “Nowadays it’s difficult not to become submerged in the news and negative comments presented to us through all media sources. That feeling of being numb and unsafe with an overpowering feeling of anxiety. Desperate for change, get back to the good old days when things seemed simpler.”
Pilson adds, “‘Paralyzed’ is another Robin McAuley story that speaks to that anxiety most of us are feeling about the state of the world right now. It’s scary, overwhelming and seemingly never-ending! We need to find the positive in all the negativity and we need it soon! Plus- it rocks!!!!!” Starr praises the track, saying, “‘Paralyzed’ kicks ass! This is one of the things that BLACK SWAN does best… Hard driving high energy rock ‘n’ roll with great melodies, tons of hooks, thought provoking timely lyrics and exceptional musicianship. I’m really proud of this track.” McAuley expressed his enthusiasm for the new record, noting, “Can’t wait for you guys to hear our new record. We feel we’ve taken our songwriting to another level on this one, with amazing guitar riffs that once again show the brilliance that is Reb Beach.”
Following the critical acclaim of their previous releases, Black Swan delivers another powerful statement in modern hard rock with ‘Paralyzed.’ Beach characterizes the band’s sound, explaining, “BLACK SWAN is old school eighties rock that is all about good guitar riffs with badass vocals. No one is better than Robin at singing this kind of music. I think the combination of my riffs and his vocals is what makes the band stand out.” Starr states, “I think the fans are going to love our new record. It builds on the first two records, taking the songwriting, playing, and energy to another level. I’m so proud to be part of this great group of musicians and guys.” Pilson concludes, “We’re all very excited for the release of BLACK SWAN’s ‘Paralyzed’ and can’t wait for all the fans to hear it. We wanted to come up with a real step forward in melodic heaviness, and I strongly believe we delivered.”