Sure, the world is streaming, but CDs are still spinning—especially at the merch table. Physical sales may be down from their 2000s peak, but live shows remain one of the best places to sell CDs. Why? Because fans want to take something home, make a real connection, and support you directly. The CD isn’t dead—it just changed jobs. It’s no longer the main music format. It’s the souvenir. Here are 10 simple, practical ways to move those discs in a digital-first world.
1. Treat Your CD Like a Collectible
Design it like it’s a piece of merch, not just a music format. Fans are more likely to buy a CD with cool artwork, handwritten lyrics, or limited-edition packaging than a jewel case with a blurry logo.
2. Sign Them at the Table
One of the biggest draws for physical media today is the artist’s touch—literally. Have a Sharpie handy. A signed CD turns a purchase into a personal moment.
3. Bundle With a Shirt or Sticker
Offer a “CD + something” bundle. Fans love a deal, and adding a sticker, pin, or T-shirt gives more value—and you move more merch.
4. Tell People Where the Money Goes
Say it out loud on stage or at the merch table: “Every CD you buy helps us get to the next city.” People want to support artists directly, especially when they know it matters.
5. Offer Exclusive Tracks or Bonus Content
Give them a reason to buy the CD and stream the album. Add acoustic versions, demos, or live recordings that aren’t on Spotify.
6. Place the CDs Where They Can Be Seen
Don’t hide them behind a pile of shirts. Make them visible—eye-level, colorful, and with a “What’s on this CD?” mini sign or tracklist.
7. Use Square or Contactless Payment
Don’t miss a sale because someone’s out of cash. A phone and a Square reader = your new best friend.
8. Mention the CD on Stage
A 5-second plug mid-set—“We’ve got CDs at the back!”—can be the difference between zero sales and five.
9. Lean Into the Nostalgia
Acknowledge it: “We know it’s 2025 and you probably stream everything—but CDs are still awesome.” People love owning things. Remind them why.
10. Make It a Conversation Starter
Use the fact you’re selling CDs to meet your fans. Use the moment to chat, thank them, and make a connection they’ll remember long after the show.
It’s Workaholics Day—July 5, the one day we pause to salute the folks who live to work, not work to live. But if you’re reading this on your break or hiding behind a spreadsheet, take comfort: music gets it. From Dolly Parton’s 9-to-5 grind to Johnny Paycheck’s famous resignation letter in song form, here are 10 tracks that capture the triumph, exhaustion, and absurdity of working life. Whether you’re chasing a dream or just chasing the weekend, these songs know your hustle.
“9 to 5” – Dolly Parton The ultimate anthem for office warriors everywhere. With wit, charm, and a typewriter beat, Dolly captures the daily grind and the dream of something more.
“Allentown” – Billy Joel A steel-town story set to a pounding piano. Joel chronicles the collapse of American manufacturing and the quiet resilience of workers left behind.
“Career Opportunities” – The Clash A punk-fueled rejection of dead-end jobs and hollow promises. The Clash turn career disillusionment into a battle cry.
“Get a Job” – The Silhouettes This doo-wop classic from 1957 mixes sharp harmonies with a jab at postwar job pressures. It’s catchy, ironic, and still relevant.
“I Can’t Wait to Get Off Work” – Tom Waits A weary ode to the restaurant shift life. Waits rasps through the cigarette smoke of after-hours dreams and just wanting the day to end.
“Manic Monday” – The Bangles Written by Prince, this new wave hit captures the dread of Monday morning after a dreamy Sunday, dressed up in jangly guitars and harmonies.
“She Works Hard for the Money” – Donna Summer A disco-powered tribute to working women everywhere. Summer belts out respect for those pulling double shifts and getting little in return.
“Take This Job and Shove It” – Johnny Paycheck Country’s most iconic quit notice. Paycheck’s honky-tonk kiss-off struck a chord with every fed-up employee who’s dreamed of walking out.
“Welcome to the Working Week” – Elvis Costello Short, sharp, and sarcastic. Costello’s punk-era jab packs a week’s worth of frustration into just over a minute.
“Workin’ for a Livin’” – Huey Lewis and the News A high-energy rock ‘n’ roll tribute to everyday hustle. With lyrics like “busboy, bartender, ladies of the night,” Huey sings for all of us grinding to get by.
“Working for the Weekend” – Loverboy A red-bandana-wearing anthem for clocking out and turning up. Few songs better capture the thrill of Friday at 5:00 p.m.
When Elton John released his cover of “Lucy in the Sky with Diamonds” in 1974, he wasn’t alone. Backing vocals and guitar came courtesy of none other than John Lennon—credited cheekily as Dr. Winston O’Boogie. The song topped the charts in the U.S. and Canada, extended beyond the original with new instrumental sections, and became a moment where two icons collided under the stars. And when they performed it live at Madison Square Garden that November, it was a promise fulfilled.
Commercial kitchens operate under constant pressure. Staff move quickly between preparation stations, fryers, and storage areas. Floors often collect water, oil, and food scraps. Even the most skilled teams cannot avoid every spill. A single step can end in a serious fall.
Anti-slip mats play a clear role in reducing these hazards. They create safer footing and help keep floors dry. This approach cuts injuries and protects businesses from unnecessary costs.
The Hidden Costs of Slip and Fall Accidents
Injury statistics highlight the risks in food service workplaces. According to Safe Work Australia, slips, trips, and falls account for a large share of compensation claims in hospitality. Beyond direct harm, accidents disrupt service and morale.
Below is a table outlining the potential financial impact of slip and fall incidents:
Cost Type
Estimated Range (AUD)
Workers’ compensation claims
$10,000 – $50,000 per incident
Insurance premium increases
5% – 15% annually
Legal and regulatory penalties
Varies by severity
Lost productivity and retraining
$5,000 – $20,000
Reputational damage
Difficult to quantify
Even a single accident can trigger higher premiums and staff shortages. Over time, repeat incidents can damage an employer’s reputation, making it harder to attract reliable employees. Preventive measures carry a cost, but the alternative can be far more expensive.
Common Causes of Slips and Falls
Several factors contribute to accidents on kitchen floors. Recognising them helps managers prioritise safety.
Spilled Liquids and Grease
Cooking processes release oils and moisture. Drips and splashes collect quickly, creating slippery patches. Staff often track grease across the floor as service continues.
Wet Cleaning During Service
Mopping during operating hours increases risk. Even when staff place signage, it may be ignored in the rush to serve customers.
Worn or Inappropriate Flooring
Tile and polished concrete can lose traction. Over time, foot traffic and aggressive cleaning degrade surfaces.
Unsuitable Footwear
Shoes lacking grip compound the problem. Even minor spills turn dangerous when footwear fails to maintain contact.
Identifying these causes forms the first step toward a safer environment. Controls like regular cleaning and footwear policies help, but they do not address the flooring itself.
How Anti-Slip Mats Work
Anti-slip mats counteract hazards in practical ways. Their design elements address both liquid accumulation and traction loss.
Textured Surfaces Patterns and raised treads increase friction underfoot. Staff gain more secure footing, even in wet areas.
Drainage Channels Holes and channels guide fluids away from the walking surface. Liquids drain underneath the mat, reducing pooling.
Material Composition Rubber and specialised polymers resist oil and heat. These materials maintain grip without breaking down under pressure.
Bevelled Edges Tapered edges reduce trip risk and allow wheeled carts to cross smoothly.
Anti-slip mats also offer flexibility. They can be moved or replaced without major installation work. For operations that lease premises or need adaptable layouts, mats provide immediate protection without permanent modification.
Benefits Beyond Safety
Safety remains the core benefit of anti-slip mats, but there are other positive effects that support kitchen performance.
Fatigue Reduction
Standing for hours on hard surfaces leads to foot pain and lower back problems. Cushioned mats distribute weight more evenly. Staff report less discomfort, which can improve concentration.
Productivity Gains
A comfortable team works faster and makes fewer mistakes. Reduced fatigue supports better performance during peak service times.
Lower Absenteeism
Improved comfort and safety help reduce sick days caused by musculoskeletal issues and minor injuries.
Regulatory Compliance
Workplace safety laws require employers to address known hazards. Anti-slip mats support compliance by providing a clear protective measure.
Cleaner Floors
Drainage and containment features help control spills. Less liquid spreads across the floor, reducing cleaning frequency and improving hygiene.
In combination, these advantages reinforce the return on investment. Businesses spend less on injury claims, staff replacement, and deep cleaning.
Selecting the Right Anti-Slip Mats for Your Kitchen
Choosing mats involves more than picking any rubber surface. Each kitchen has different requirements based on workflow, cleaning routines, and equipment layout.
Key Considerations:
Size and Coverage Measure high-traffic areas near cooklines, sinks, and dishwashing stations. Mats should cover the full walking path to avoid exposed gaps.
Material Look for mats that resist grease, chemicals, and heat. Nitrile rubber often performs well in demanding environments.
Thickness and Cushioning Balance comfort with practicality. Very thick mats provide good cushioning but can create height differences that interfere with carts or trolleys.
Edge Design Bevelled edges help prevent trips. They also allow smooth movement of equipment over the mat.
Ease of Cleaning Select mats that can be removed and hosed down. Surfaces should tolerate sanitising chemicals without damage.
Certifications and Compliance Check slip resistance ratings and confirm mats meet Australian safety standards.
Mats that meet these criteria offer better performance and longer service life. Spending time on selection can prevent replacement costs and dissatisfaction later on.
Installation and Maintenance Best Practices
Even the best mat needs correct placement and care to remain effective. Clear procedures help maintain safety and hygiene standards.
Installation Tips:
Position mats to cover the entire work area, including zones near fryers and preparation benches.
Keep mats flush with flooring edges to avoid raised corners.
Allow space for cleaning under and around the mat.
Maintenance Routine:
Shake out dry debris each day.
Wash mats with warm water and mild detergent at least weekly.
Inspect for wear, curling edges, or surface damage.
Replace mats showing signs of deterioration.
Regular attention prevents mats from becoming hazards themselves. A clean, well-fitted mat retains its grip and remains compliant with workplace safety expectations.
Training Staff on Safe Practices
Mats alone will not eliminate every accident. Staff training plays an important role in creating a safe environment.
Consider these training priorities:
Recognising Hazards Encourage staff to report spills or worn mats immediately. Fast action reduces risk to others.
Cleaning Procedures Train employees on correct cleaning methods, including when to remove mats for deep cleaning.
Footwear Standards Reinforce the importance of wearing appropriate slip-resistant shoes. Even the best mat cannot compensate for poor footwear.
Safe Lifting and Carrying Show staff how to lift mats without straining their backs. Assign this responsibility to designated team members if needed.
Training creates accountability. Employees who understand safety protocols help maintain consistent standards.
Why Invest in Anti-Slip Mats for Your Kitchen?
Anti-slip mats deliver practical protection in commercial kitchens. They reduce accidents, improve staff comfort, and help businesses comply with safety regulations. For operators looking to cut costs and injuries, reviewing floor safety makes good sense. A careful approach to selection, installation, and staff training can transform a hazardous workspace into a safer, more productive environment. Investing in high-quality mats supports every person who walks across the kitchen floor.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
Those words, first spoken by Casey Kasem on July 4, 1970, would go on to define generations of pop culture and radio history. For over five decades, American Top 40 has counted down the biggest hits across the globe—bridging the vinyl era to the streaming age, from Elvis and The Beatles to Olivia Rodrigo and The Weeknd.
As the show celebrates its 55th anniversary, we’re turning the spotlight back on AT40 itself with 55 facts—from unforgettable dedications and chart milestones to behind-the-scenes trivia and unforgettable hosting eras. Whether you grew up with Kasem’s warm storytelling, Shadoe Stevens’ booming presence, or Ryan Seacrest’s sleek countdowns, American Top 40 has always had its finger on the pulse of pop. Now, on with the countdown…
American Top 40 debuted on July 4, 1970, on just seven stations.
The show’s first host was Casey Kasem, who remained the voice of the show until 1988 and again from 1998 to 2004.
The first #1 song ever played on AT40 was “Mama Told Me (Not to Come)” by Three Dog Night.
The inaugural episode included both The Beatles and Elvis Presley in the Top 10—one of the last times they shared the charts.
AT40 was co-created by Casey Kasem, Don Bustany, Tom Rounds, and Ron Jacobs.
The show was originally produced by Watermark Inc., later acquired by ABC Radio.
The original show used Billboard’s Hot 100 as its source for chart data.
“Shuckatoom” became the show’s signature theme music from 1975 to 1984.
In 1978, AT40 expanded from three hours to four hours due to the longer average length of singles.
Kasem’s signature sign-off: “Keep your feet on the ground, and keep reaching for the stars.”
The popular “Long Distance Dedication” segment debuted on August 26, 1978.
The first LDD was Neil Diamond’s “Desiree”, dedicated to a girlfriend moving to Germany.
The show had “number jingles” for each chart position, like “Number 17!”—a fan-favorite feature.
AT40 mentioned great affiliate stations each hour, like “American Top 40 is heard coast-to-coast on great stations like…”
By the early 1980s, AT40 was airing on over 1,000 stations in more than 50 countries.
In 1982, Watermark was sold to ABC, and AT40 became part of the ABC Contemporary Radio Network.
The show aired in mono until 1973 when it began being distributed in stereo vinyl.
AT40 began international syndication early on, including the UK, Australia, and Canada.
Shadoe Stevens replaced Kasem as host on August 13, 1988.
During Stevens’ era, AT40 switched from Billboard to other charts like Hot 100 Airplay and Mainstream Top 40.
In 1995, the original AT40 ended, but it continued internationally via Radio Express.
Casey’s Top 40, launched in 1989, was Kasem’s competitor show after leaving AT40.
In 1998, AT40 was revived with Casey Kasem returning as host, using the Radio & Records chart.
AT40 switched to Mediabase as its chart source after 2009.
In 2004, Ryan Seacrest took over as host and remains today.
The first #1 song of the Seacrest era was “Hey Ya!” by OutKast.
The show introduced new features under Seacrest, like AT40 Extra, listener shoutouts, and social media interaction.
Taio Cruz’s “Dynamite” holds a longevity record, spending 72 weeks on the chart.
That record was broken in 2024 by “Calm Down” by Rema & Selena Gomez, with 75 weeks.
On the Hot AC version, “Use Somebody” by Kings of Leon spent 117 consecutive weeks on the chart.
American Top 40: The 70s and The 80s air digitally remastered reruns of Kasem’s original shows each weekend.
XM Satellite Radio began airing classic shows in 2006.
SiriusXM’s “70s on 7” and “80s on 8” feature archived AT40 episodes weekly.
In 2024, a digital stream titled American Top 40 with Casey Kasem: 90s and 2000s launched on iHeartRadio.
AT40 sometimes compiled its own year-end charts, independent of Billboard’s official lists.
The show had a TV spinoff, America’s Top 10, hosted by Kasem from 1980 to 1989 and again from 1991 to 1992.
The country music version, American Country Countdown, launched in 1973 and is still on the air.
AT40 Flashback, airing 1980s reruns, ran from 2000 to 2002.
The longest AT40 show ever was the two-part Top 100 of the 1980s countdown.
In 2020, Seacrest hosted AT40 from home during the COVID-19 pandemic.
AT40’s 50th anniversary in 2020 included a new vinyl-style logo and special tributes.
Seacrest’s AT40 includes “AT40 Breakout” songs and “AT40 on the Verge” picks.
The show has two versions: one for CHR/Top 40, and another for Hot Adult Contemporary stations.
No distinction is made on-air between the CHR and Hot AC editions.
AT40’s iconic chart countdown format has been widely copied by other shows, including Rick Dees Weekly Top 40.
AT40 has been broadcast in more than 150 countries.
In Canada, more than 50 stations currently air AT40, often through iHeartRadio Canada.
AT40 is syndicated by Premiere Networks, a division of iHeartMedia.
In the show’s early days, California strawberry farmer Tom Driscoll helped fund its launch.
Kasem was inspired by the Make Believe Ballroom radio show from the 1940s.
Guest hosts were never allowed to use Kasem’s sign-off line.
Casey Kasem passed away in 2014, but his legacy continues through classic show rebroadcasts.
The show continues to celebrate musical milestones, artist anniversaries, and chart trivia on air.
Seacrest also produces a daily AT40 Top 5 mini-countdown as part of On Air with Ryan Seacrest.
More than five decades later, American Top 40 remains the world’s most iconic countdown show, still starting every week with the simple phrase: “Now, on with the countdown.”
As a frontrunner to the 50th Anniversary for Rock & Roll Hall of Famers FOREIGNER, the band is excited to announce the September 12, 2025 release of extensive super deluxe editions of its 1981 smash multi-Platinum album4. Pre-order HERE.
Recorded at the famed Electric Lady Studios in New York City alongside respected music producer Mutt Lange (Def Leppard, AC/DC), FOREIGNER 4 Deluxe Editions will be available in black vinyl and various other formats on September 12 via Rhino. The release will encompass newly remastered Stereo and ATMOS versions, and a five-disc CD/Blu-ray package that includes a booklet containing over 60 exclusive photos, five previously unreleased songs, 14 early and alternate versions of various songs, 15 instrumentals, and 15 live performances from across the globe, spanning the band’s 1981 and 1982 “4” World Tour. The digital deluxe release will also contain alternate versions, instrumentals, and live performances from the era, including a previously unfinished track from the original F4 recording sessions that features the original band with a newly written and recorded verse by Lou Gramm. As the first single off of the project, “Fool If You Love Him” is available now digitally. Listen HERE.
Originally released July 2, 1981, 4 spent more weeks at #1 on the Billboard charts than any artist in the history of Atlantic Records, including AC/DC, The Rolling Stones and Led Zeppelin, and went on to sell more than ten million albums worldwide. 4is certified 6x Platinum in the U.S. (RIAA), 4x Platinum in Canada (Music Canada), Platinum in Australia (ARIA) and Germany (BVMI), and Gold in 7 additional countries. It spawned three Billboard Hot 100 singles:“Waiting For A Girl Like You”, “Urgent”, and “Juke Box Hero.” “Foreigner 4”, as it’s often referred to, is the fourth studio album by the legendary British-American rock band released during a time of transition as they famously went from six members to four.
To coincide with the deluxe package release, FOREIGNER—Luis Maldonado (lead vocals/guitar), Jeff Pilson (bass), Michael Bluestein (keyboards), Bruce Watson (guitars), Chris Frazier (drums) will celebrate half a century of music with a new round of headlining tour dates which will include original lead singer Lou Gramm guesting on some of the songs he helped create almost forty five years ago. The upcoming “Foreigner 4 Deluxe” Tour signals yet another important transition for the band as these new dates will be the first major US shows featuring FOREIGNER’s Luis Maldonado on lead vocals. On the season finale of The Voice, it was announced that this year’s Summer tour would be the last for Kelly Hansen. You can view their showstopping live performance and Kelly’s heartfelt farewell message HERE. Tickets for the “Foreigner 4 Deluxe” Tour are available HERE.
Of the transition, Luis Maldonado had this to say: “Earlier this year, we toured Mexico and South America with the incredible Lou Gramm. We all had such a fantastic time performing and being together, and it’s with that same excitement I look forward to working with Lou again. He was an integral part of the writing and recording of the Foreigner 4 album and his presence will add a historic dimension to our forthcoming tour.”
Released in 1977, FOREIGNER‘s debut album produced the hits “Feels Like The First Time,” “Cold As Ice” and “Long, Long Way From Home.” The albums Double Visionand Head Gamesfollowed with more hits including “Hot Blooded”, “Blue Morning, Blue Day” and “Dirty White Boy”. Then came “Urgent,” “Juke Box Hero” and “Waiting For A Girl Like You.” Those songs helped give FOREIGNER‘s next album, 4, its impressive 10-week run at #1 on the Billboardchart. At the zenith of ‘80s sound, FOREIGNER‘s fifth album, Agent Provacateur, gave the world the incredible #1 global hit,” I Want To Know What Love Is.” This musical milestone followed the record-breaking song “Waiting For A Girl Like You.”
Check out the FOREIGNER 4 DELUXE show at any of the following tour stops:
December 3 Port Chester, NY – Capitol Theatre
December 4 Port Chester, NY – Capitol Theatre
December 6 Staten Island, NY – St. George Theatre
December 7 Bethlehem, PA – Wind Creek Event Theater
December 9 Wallingford, CT – Oakdale Theatre
December 11 Montclair, NJ – Wellmont Theater
December 12 Montclair, NJ – Wellmont Theater
December 13 Williamsport, PA – Community Arts Center
FOREIGNER 4 DELUXE
Track Listing
1LP STEREO REMIX
Side 1
Night Life
Juke Box Hero
Break It Up
Waiting For A Girl Like You
Luanne
Side 2
Urgent
I’m Gonna Win
Woman In Black
Girl On The Moon
Don’t Let Go
5 DISC CD/BLU-RAY
DISC 1: “4” STEREO REMIX
Night Life
Juke Box Hero
Break It Up
Waiting For A Girl Like You
Luanne
Urgent
I’m Gonna Win
Woman In Black
Girl On The Moon
Don’t Let Go
DISC 2:
UNRELEASED SONGS / ALTERNATIVE VERSIONS
Fool If You Love Him
Love So Much Better
Knockout Power
Don’t Say No (Don’t Let Go early version)
Jealous Lover
EARLY VERSIONS & ALTERNATIVE MIXES
Night Life
Take One Guitar (Juke Box Hero early version)
Juke Box Hero
Waiting For A Girl Like You (vocal & piano)
Waiting For A Girl Like You (early version)
Luanne (early version)
Urgent (vocals on chorus only)
I’m Gonna Win
I’m Gonna Win (early version)
Woman In Black (early version 1)
Woman In Black (early version 2)
Alone Again (Girl On The Moon early version)
Girl On The Moon (early version)
Don’t Let Go
DISC 3: INSTRUMENTAL ROUGH MIXES
Night Life
Juke Box Hero
Break It Up
Waiting For A Girl Like You
Luanne
Urgent (bass version 1)
Urgent (bass version 2)
I’m Gonna Win (version 1)
I’m Gonna Win (version 2)
Woman In Black (with intro)
Woman In Black (version 2)
Girl On The Moon
Don’t Let Go
Fool If You Love Him
Love So Much Better
DISC 4: “4” LIVE TOUR 1981-82
Long, Long Way From Home (Live in Birmingham 1981)
Dirty White Boy (Live in Anaheim 1982)
Blue Morning, Blue Day (Live in Anaheim 1982)
Luanne (Live in Anaheim 1982)
Cold As Ice (Live in Germany 1981)
Waiting For A Girl Like You (Live in Germany 1981)
Head Games (Live in Germany 1981)
Starrider (with Prelude) (Live in Anaheim 1982)
Woman In Black (Live in Anaheim 1982)
Urgent (Live in Birmingham 1981)
Double Vision (Live in Anaheim 1982)
Juke Box Hero (Live in Anaheim 1982)
Feels Like The First Time (Live in Anaheim 1982)
Hot Blooded (Live in Anaheim 1982)
Night Life (Live in Anaheim 1982)
DISC 5: BLU-RAY
FOREIGNER “4” ATMOS
Night Life
Juke Box Hero
Break It Up
Waiting For A Girl Like You
Luanne
Urgent
I’m Gonna Win
Woman In Black
Girl On The Moon
Don’t Let Go
FOREIGNER “4” STEREO REMIX
Night Life
Juke Box Hero
Break It Up
Waiting For A Girl Like You
Luanne
Urgent
I’m Gonna Win
Woman In Black
Girl On The Moon
Don’t Let Go
Fool If You Love Him BONUS STEREO TRACK
DIGITAL DELUXE ALBUM
STEREO REMIX
Night Life (Stereo Remix)
Juke Box Hero (Stereo Remix)
Break It Up (Stereo Remix)
Waiting For A Girl Like You (Stereo Remix)
Luanne (Stereo Remix)
Urgent (Stereo Remix)
I’m Gonna Win (Stereo Remix)
Woman In Black (Stereo Remix)
Girl On The Moon (Stereo Remix)
Don’t Let Go (Stereo Remix)
Fool If You Love Him
Love So Much Better
Knockout Power
Don’t Say No (Don’t Let Go early version)
Jealous Lover
Night Life
Take One Guitar (Juke Box Hero early version)
Juke Box Hero
Waiting For A Girl Like You (vocal & piano)
Waiting For A Girl Like You (early version)
Luanne (early version)
Urgent (vocals on chorus only)
I’m Gonna Win
I’m Gonna Win (early version)
Woman In Black (early version 1)
Woman In Black (early version 2)
Alone Again (Girl On The Moon early version)
Girl On The Moon (early version)
Don’t Let Go
Night Life (Instrumental)
Juke Box Hero (Instrumental)
Break It Up (Instrumental)
Waiting For A Girl Like You (Instrumental)
Luanne (Instrumental)
Urgent (bass version 1)
Urgent (bass version 2)
I’m Gonna Win (version 1)
I’m Gonna Win (version 2)
Woman In Black (with intro)
Woman In Black (version 2)
Girl On The Moon (Instrumental)
Don’t Let Go (Instrumental)
Fool If You Love Him (Instrumental)
Love So Much Better (Instrumental)
Long, Long Way From Home (Live in Birmingham 1981)
Dirty White Boy (Live in Anaheim 1982)
Blue Morning, Blue Day (Live in Anaheim 1982)
Luanne (Live in Anaheim 1982)
Cold As Ice (Live in Germany 1981)
Waiting For A Girl Like You (Live in Germany 1981)
thiarajxtt – one of the most in-demand Punjabi artists and super-producers – releases his new single ”Jogi” featuring Bir today.
The new release blends Afrobeat with R&B and marks thiarajxtt’s latest collaboration with Bir. The two artists have worked together frequently over the years, including on the hit track “Afterhours,” which has amassed hundreds of millions of streams across platforms.
“Jogi” is a Punjabi ballad, wherein Bir is deeply captivated by his beloved’s beauty and divine aura. He frames his emotions as all-consuming and destined, making references to the tragic love story Heer Ranjha. His partner’s charm is so intense that Bir sings it could drive him to become a jogi – a wandering ascetic – leaving the material world behind.
About the new single, thiarajxtt says, “’Jogi’ is special – it’s a romantic, soulful vibe. It’s one of those essentials for my listeners who’ve been riding with me for the Punjabi-Afrobeat sound. I wanted to give my fans something smooth and meaningful for the summer. This one just feels right.”
“Jogi” is thiarajxtt’s second official release of 2025, following his Coke Studio India collaboration “Punjab Vekh Ke” with Gulab Sidhu, Jassa Dhillon, and Raaginder, which has surpassed 21 million views on YouTube alone. Given thiara’s proven track record with Bir, the summer smash is sure to make waves across the globe.
ast year, thiarajxtt began his new chapter with Universal Music Canada, releasing his debut EP If The Sun Had A Dark Side, featuring tracks with his twin brother Irman, close collaborator Indrr Bajwa, and others. Previously, the super-producer made his mark on the industry via his contributions to Diljit Dosanjh’s album Ghost, of which he produced 17 songs. Ghost peaked at #3 on the Top Albums Debut Global Spotify chart, and at #5 on Billboard’s Top 100 Albums chart in Canada.A global hitmaker with over 575 million streams to his name, thiarajxtt is revolutionizing the Punjabi music industry one song at a time, sharing the stage with legendary and emerging artists alike. He is twice Gold-certified for “Kinni Kinni” with Diljit Dosanjh and “SPAIN” with Jassa Dhillon, and has co-produced chart-topping hits for Shubh, Jerry, Channi Nattan, and more. He is poised to continue his takeover all throughout 2025. Photo credit: Irman Thiara
Legendary art-synth auteurs Propaganda return with Remix Encounters, for release on Bureau B on September 19th. Remix Encounters is a thrilling reimagining of the band’s latest work, reflecting enthusiasm for their return after three decades of silence. Featuring contributions from Moby, Tangerine Dream, Rhys Fulber, Schiller and others, the album is a celebration of Propaganda’s enduring influence and the vibrant, evolving electronic landscape they helped shape.
Since breaking new ground with their seminal 1985 debut A Secret Wish and its pioneering remix companion Wishful Thinking, Propaganda have thrived on transformation. Yet rather than revisiting the past, Remix Encounters looks forward, building on the vitality of last year’s album and celebrating its widespread critical and fan acclaim.
What began as a remix request from Finnish electronic maestro Jori Hulkkonen, returning the favour after Ralf Dörper’s contribution to his last album, quickly blossomed into an international collaboration, drawing in luminaries such as Moby, Tangerine Dream, Rhys Fulber (Front Line Assembly, Delerium), and Schiller.
A thrilling journey through electronic subgenres Embracing openness, Propaganda spent the fourth quarter of 2024 encouraging the wide range of musicians inspired by their triumphant return to offer their own interpretations. Each brought their distinctive voice to the material, resulting in a thrilling journey through electronic subgenres, from EBM and industrial to rave, ambient, house, and beyond.
Rhys Fulber opens the album with a brooding, machine-funk reinvention of “They Call Me Nocebo,” evolving from a sleek, sinuous introduction into a relentless pneumatic stomp. Next, Schiller offers a powerful remix of “Distant” that balances raw electro-house and techno energy with the emotional depth of EBM, before Moby transforms “Purveyor of Pleasure” into a furious early-’90s rave anthem, fusing breakbeats and rolling basslines that pulse with nostalgic urgency yet feel unmistakably modern
Elsewhere, Finnish polymath Jimi Tenor infuses “Vicious Circle” with cosmic jazz and dub textures, while Pyrolator, a key figure in Düsseldorf’s avant-garde scene, delivers a shadowy reinterpretation of “LoveCraft.”
Cult With No Name also contribute a brooding electro-ballad version of the same track. Propaganda’s own Michael Mertens teams up with longtime collaborator Hans Steingen to re-envision “Dystopian Waltz,” shifting its time signature to a gripping 4/4 and intensifying its ominous mood for darker dance floors. The range of remixers speaks volumes: from industrial punks Gewalt and synth purists Metroland to ambient pioneers Tangerine Dream, Remix Encounters unites an eclectic group of electronic artists bound by a shared reverence for innovation and Propaganda’s distinctive voice.
Recorded and remixed across creative hubs from Düsseldorf to Los Angeles, Helsinki to Paris, Remix Encounters is far more than a companion piece. It is a celebration of Propaganda’s enduring influence and the vibrant, evolving electronic landscape they helped shape. Each artist engaged deeply with the band’s richly textured and cinematic sound world, reinterpreting it with enthusiasm and respect, producing a collection as diverse as it is cohesive.
2-LP Tracklist
A1 – Purveyor Of Pleasure (Moby Remix)
A2 – Distant (Schiller Remix)
A3 – Dystopian (Steingen & Mertens Remix)
B1 – They Call Me Nocebo (Rhys Fulber Remix)
B2 – They Call Me Nocebo (Metroland Remix)
B3 – They Call Me Nocebo (Tangerine Dream Remix)
C1 – Tipping Point (Jori Hulkkonnen Remix)
C2 – Love:Craft (Cult With No Name Remix)
C3 – Vicious Circle (Jimi Tenor Remix)
D1 – Distant (Gewalt Remix)
D2 – Love:Craft (Pyrolator Remix)
D3 – Vicious Circle (Thunder Bae Remix)
CD Tracklist
01 – They Call Me Nocebo (Rhys Fulber Remix)
02 – Distant (Schiller Remix)
03 – Purveyor Of Pleasure (Moby Remix)
04 – Tipping Point (Jori Hulkkonnen Remix)
05 – Love:Craft (Pyrolator Remix)
06 – Vicious Circle (Jimi Tenor Remix)
07 – They Call Me Nocebo (Tangerine Dream Remix)
08 – Distant (Gewalt Remix)
09 – Dystopian (Steingen & Mertens Remix)
10 – Love:Craft (Cult With No Name Remix)
11 – They Call Me Nocebo (Metroland Remix)
Bureau B is platform for exciting varieties of electronic, free-spirited music. The spectrum ranges from pop to avant-garde, and the label has amassed an impressive catalogue of reissues and new productions in recent years, including classics from the genre of electronic music in the 1970s and early 1980s popularly classified as Krautrock (Cluster, Roedelius, Moebius, Plank, Schnitzler), alongside new recordings by such formative artists as Faust, Kreidler, Roedelius, Tietchens, Moebius, to name just a few. Bureau B is based in Hamburg, Germany.
NPG Records and Paisley Park Enterprises, in partnership with Warner Records and Legacy Recordings, are pleased to announce the first-ever digital release of the newly remastered extended version of “America” taken from Prince And The Revolution’s groundbreaking Billboard #1 album Around The World In A Day, which celebrates its 40th anniversary this year.
Originally released in October 1985, “America”, which Prince described as “straightforwardly patriotic”, was the fourth and final single to be taken from Around The World In A Day, released five months earlier. The 12” version of the track weighs in at 21 minutes 41 seconds and has been newly remastered in stereo by Bernie Grundman for its first-ever streaming release. The single and album versions of the song were edited down from this epic performance, which was only cut short as the tape ran out.
“America” has also been meticulously mixed in a new Dolby Atmos presentation from the original multi-track master tapes by Prince’s protege and Best Engineered Grammy nominee Chris James.
“America” was recorded in the Summer of 1984, before the Purple Rain Tour, and made its live debut in February 1985 at The Forum in Los Angeles as the final song of the night. The song would regularly return to Prince’s shows throughout the 1990s and the 2000s.
In addition, at Paisley Park (Prince Museum), there will be a special spotlight exhibit that highlights the single “America” from Prince’s Around The World In A Day album. This Paisley Park spotlight exhibit will be on display from July 4th until July 10th.
Bold, iconic, and unmistakably Prince. In conjunction with the music release, the Prince team also offers new merchandise with The America Tee featuring artwork inspired by the original single from Around the World In A Day. Order yours exclusively at the Official Prince Store.
Prince was an iconic American musician, singer, songwriter, bandleader, performer, multi-instrumentalist, record producer, actor, and a pioneer in artists’ rights and freedoms. Born Prince Rogers Nelson in Minneapolis, Minnesota, he released his debut LP, For You, in 1978 and went on to become one of the most successful recording artists of all time, eventually selling more than 150 million albums.
Over his 40-year career, his work received unprecedented critical praise as well as official recognition of his achievements including seven Grammy Awards, seven Brit Awards, six American Music Awards, four MTV Video Music Awards, NAACP Awards, a Grammy President’s Merit Award, a Billboard Icon Award, a Golden Globe, and an Academy Award (for Best Original Song Score for the film Purple Rain). His albums, 1999 (1982), Purple Rain (1984), and Sign O’ The Times (1987) frequently appear in rankings of the greatest albums of all time. He was inducted into the Grammy Hall of Fame, the Rock & Roll Hall of Fame, the U.K. Music Hall of Fame, the Rhythm and Blues Music Hall of Fame, and more.
Prince was a leader in philanthropy, giving privately and without fanfare to countless charities and causes that he championed, and a trailblazer in music, fashion, art, and practically all forms of entertainment. Prince is considered by many to be the greatest artist of all time.
Paul Weller releases a fourth track from his hotly anticipated new album Find El Dorado. Featuring none other than Robert Plant, “Clive’s Song” reflects Paul’s escalating fascination with the vanguard of folk and blues artists who emerged in Britain and Ireland in the 1960s and early 1970s. Clive Palmer – founding member of Incredible String Band – wrote “Clive’s Song” for Hamish Imlach, who recorded it on his 1971 album Old Rarity.
Though the song remains relatively undiscovered, avowed folk and blues aficionado Robert Plant didn’t need persuading when Paul invited him to Black Barn Studio for the resulting session. For fellow West Midlander, Steve Cradock, it all amounted to an indisputable highlight.
Plant is a walking treasury of tales that stretch way back before Led Zeppelin. He regaled everyone present with tales of going to see Son House and Sonny Terry & Brownie McGhee when the American Folk Blues Festival reached Birmingham Town Hall in 1967. And then when the music started, he and Paul swapped between harmonies and lead vocals, pausing only for Robert to grab one of many harmonicas he had brought with him and unleash a solo that billows through the song like a gust front through a wheat field.
“Clive’s Song” follows the release of “I Started A Joke” and “Lawdy Rolla”/ “Pinball,” available now on limited edition 7″ vinyl. Click HERE to order.
Find El Dorado is a bold and personal collection of reinterpretations that shine new light on some of the songs that have shaped Paul Weller. It isn’t just a covers album – it’s a tribute to the music that’s guided Weller through his life and career. Revisiting songs that have long lived in the corners of his memory, he infuses each one with fresh meaning, reverence, and emotional insight.
