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5 Surprising Facts About The Smashing Pumpkins’ ‘Siamese Dream’

When Siamese Dream dropped on July 19, 1993, it skyrocketed The Smashing Pumpkins to fame, forever marking their place in the alternative rock scene. But beyond the massive hits like “Cherub Rock” and “Today,” there are deeper, lesser-known stories behind the making of this masterpiece. Let’s explore five surprising facts about the album that might make you appreciate it even more.

1. Billy Corgan’s Most Personal Album to Date
Though Corgan’s lyrics have always been emotionally charged, Siamese Dream saw him pour his most vulnerable feelings into his songwriting. At the time of recording, Corgan was battling severe depression, suicidal thoughts, and writer’s block. “Today” is one of the clearest examples of this, as its upbeat sound contrasts with the dark, personal lyrics that reflect a day when Corgan felt completely disconnected and overwhelmed. For many, the juxtaposition of tone and lyrics is what makes this song resonate so deeply.

2. A Monumental Recording Process
Recording Siamese Dream was an intense process, filled with both creative brilliance and chaos. Billy Corgan and Butch Vig, who co-produced the album, had very high expectations, pushing themselves to create a unique sound. As a result, the album became a sonic masterpiece, with some songs having up to 40 guitar tracks layered on top of each other. Corgan’s pursuit of perfection led to grueling 16-hour workdays, where sometimes the band spent days on a 45-second section of a song. This attention to detail paid off, giving Siamese Dream its richly layered sound that’s hard to find in rock records from that era.

3. Jimmy Chamberlin’s Struggles and Genius
Despite being a key figure in Siamese Dream’s success, drummer Jimmy Chamberlin was going through severe heroin addiction during the recording. At one point, after Chamberlin went missing for several days, Corgan demanded that he perform his parts until his hands bled. The urgency was rooted in the dire need to get the record finished, but Chamberlin’s powerful drumming is undeniable, and his work on tracks like “Cherub Rock” stands as one of his finest contributions.

4. Corgan’s Isolation Led to Overdubbing
While the band was struggling with internal tensions and personal issues, Corgan took control of much of the album’s production. He overdubbed guitar and bass parts that were originally meant for James Iha and D’arcy Wretzky. Corgan himself admitted to taking over because he could lay down tracks more quickly and with fewer takes. This decision further highlighted the already-growing rift within the band, with Corgan’s obsession with perfectionism taking precedence over collaboration at times.

5. Siamese Dream’s Enduring Impact
Released during the grunge era, Siamese Dream carved out its own space in the alternative rock landscape. It’s often considered one of the greatest albums of the ’90s and has stood the test of time, influencing countless bands and artists. From its lush, ambient textures to the raw emotion behind Corgan’s songwriting, the album’s legacy continues to live on in its influence on modern alternative and indie rock. Songs like “Disarm” and “Today” became anthems for the generation, and the album’s sound became synonymous with the alternative movement.

In Conclusion
Siamese Dream was an emotionally charged and sonically complex record that reflected the inner turmoil of its creator, Billy Corgan, and the band’s tumultuous experience during the recording process. Nearly three decades later, Siamese Dream still resonates, standing as one of the defining albums of its era. These lesser-known stories remind us that beneath the iconic singles and legendary performances, this album’s creation was anything but simple. It was a battle, both for the music and for the artists behind it.

Bandcamp Launches Playlists: A Digital Mixtape Made for Real Fans

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Create playlists from the music you own. Personalize them. Share them.

It’s like a mixtape—but digital, and powered by real support for artists.

More Than Just a Playlist 

Bandcamp Playlists capture the spirit of a mixtape—personal, intentional, and built from music that means something.

Every playlist is crafted from your own collection—tracks you’ve chosen to support.
It’s not passive streaming. It’s real curation, rooted in ownership and connection.

Think of it as a modern mixtape: handmade, shareable, and designed to help others discover the artists you love.

How It Works

  • Create and edit playlists using the Bandcamp mobile app
    Available now on iOS and Android.
    (Web-based editing is coming soon.)
  • Share with a public link
    Fans must be logged in to listen, keeping playlists rooted in real fandom and support.
  • Play limits apply to unowned tracks
    Fans can play tracks they haven’t purchased a limited number of times—three by default, unless the artist sets a different limit. After that, they’ll be prompted to purchase in order to keep listening.

What Artists Should Know

Bandcamp playlists are powered by ownership, not passive streaming. Fans can only add tracks to their playlists if they’ve purchased them. Meanwhile, listeners who haven’t purchased your music can only stream it a limited number of times (three by default, unless you’ve set a different cap). After that, they’re directed back to your album page to explore further, make a purchase, and support your work directly.

This is a tool for fans, built with artists in mind.

Ready to Make Your First Mixtape? 

If you’ve ever wanted to flex your great taste, curate a mix, or showcase your collection—this is your moment.

Start with the music you own.
Give it a name, a cover, and a description that tells its story.
Share it with the world—and help someone else find their next favorite track.

Create Your First Playlist →

Badflower Unleashes ‘Snuff’ Ahead of New Album ‘No Place Like Home’

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Platinum-selling rock band Badflower delivers a pulsing new blow with “Snuff,” their seductive and searing new single out today via Big Machine Rock. The provocative track is the latest tease from the band’s forthcoming third studio album, No Place Like Home, arriving June 20. Listen to “Snuff” HERE.

Blurring the lines between pleasure and pain, “Snuff” dismantles conventional ideas of romance in favor of something far more twisted. The track pulls listeners into a darkly alluring headspace, where suffering takes center stage—until a jaw-dropping musical intermission flips the script entirely. As always, Badflower keeps fans guessing, making one thing clear: nothing about No Place Like Home is predictable.

Written entirely sober for the first time by frontman Josh Katz, the new album finds the Los Angeles-bred, Nashville-based band at their most vulnerable and self-reflective. From emotional isolation to fading identities, the album is a brutal yet honest excavation of self—anchored in the band’s signature mix of gritty rock, emotional depth, and psychological exploration.

Snuff” follows previous singles “London” and “Paws,” further setting the tone for an album that aims to push boundaries both sonically and thematically.

Since their formation in 2011, Badflower has released two EPs, their hit full-length debut Ok, I’m Sick via Big Machine Label Group, and their sophomore record, This Is How The World Ends. With a unique blend of raw rock and introspective storytelling, the band have earned critical acclaim from outlets like Billboard, Alternative Press, and Nylon. Their hit single “Ghost” went Platinum, received “Rock Song of the Year” honors at the iHeartRadio Awards, and has amassed over 700 million streams, all while captivating audiences across the globe, playing major festivals like Kaboo Del Mar and Sonic Temple, and sharing stages with bands such as Incubus, Shinedown, and Ghost. 

Four years in the making, No Place Like Home marks a turning point for Badflower — Josh Katz (vocals/guitar), Joey Morrow (lead guitar), Alex Espiritu (bass), and Anthony Sonetti (drums) — as they confront the disillusionment that comes after achieving their lifelong dreams. From the biting commentary of the music industry on “Number 1” to the heartbreaking future regrets of “Don’t Be a Stranger” and “Paws,” the album weaves together themes of mental health, self-doubt, and existential dread with an unflinching honesty that’s become Badflower’s signature. No Place Like Homedoesn’t offer easy answers — instead, it invites listeners to sit with their discomfort, to feel seen, and maybe, to feel less alone. With the album’s release, the band shifts gears as they embark on their 2025 Unity Tour alongside 311, from June 20 to August 30. 

No Place Like Home is available June 20. Pre-save the album HERE.

Upcoming Tour & Festival Dates:

June 20 – Unity Tour 2025 with 311 – Ovation Hall at Ocean Casino Resort, Atlantic City, NJ

June 21 – Unity Tour 2025 with 311 – Freeman Arts Pavilion, Selbyville, DE

June 24 – Unity Tour 2025 with 311 – Skyla Credit Union Amphitheatre, Charlotte, NC

June 25 – Unity Tour 2025 with 311 – Red Hat Amphitheater, Raleigh, NC

June 27 – Unity Tour 2025 with 311 – The Anthem, Washington, DC

June 28 – Unity Tour 2025 with 311 – Wind Creek Event Center, Bethlehem, PA

June 29 – Unity Tour 2025 with 311 – The Rooftop at Pier 17, New York, NY

July 1 – Unity Tour 2025 with 311 – Stage AE, Pittsburgh, PA

July 2 – Unity Tour 2025 with 311 – Iroquois Amphitheater, Louisville, KY

July 3 – Summerfest 2025 – American Family Insurance Amphitheater, Milwaukee, WI

July 5 – Unity Tour 2025 with 311 – Back Waters Stage, Dubuque, IA

July 6 – Unity Tour 2025 with 311 – Hard Rock Live, Rockford, IL

July 7 – Unity Tour 2025 with 311 – Agora Theatre, Cleveland, OH

July 9 – Unity Tour 2025 with 311 – Vibrant Music Hall, Waukee, IA

July 11 – Unity Tour 2025 with 311 – Grinders KC, Kansas City, MO

July 13 – Unity Tour 2025 with 311 – WAVE, Wichita, KS

July 15 – Unity Tour 2025 with 311 – Rio Rancho Events Center, Rio Rancho, NM

July 16 – Unity Tour 2025 with 311 – Pepsi Amphitheater, Flagstaff, AZ

August 8 – Unity Tour 2025 with 311 – Yaamava’ Theater, Highland, CA

August 9 – Unity Tour 2025 with 311 – The Mountain Winery, Saratoga, CA

August 10 – Unity Tour 2025 with 311 – Grand Theatre at Grand Sierra Resort, Reno, NV

August 12 – Unity Tour 2025 with 311 – The Cuthbert Amphitheater, Eugene, OR

August 13 – Unity Tour 2025 with 311 – Marymoor Park Concerts, Redmond, WA

August 15 – Unity Tour 2025 with 311 – Great Falls Voyagers Stadium, Great Falls, MT

August 16 – Unity Tour 2025 with 311 – Portneuf Health Trust Amphitheatre, Pocatello, ID

August 17 – Unity Tour 2025 with 311 – Sandy Amphitheater, Sandy, UT

August 19 – Unity Tour 2025 with 311 – Ford Amphitheater, Colorado Springs, CO

August 22 – Unity Tour 2025 with 311 – Hard Rock Live Northern Indiana, Gary, IN

August 23 – Unity Tour 2025 with 311 – MegaCorp Pavilion, Newport, KY

August 24 – Unity Tour 2025 with 311 – KEMBA Live!, Columbus, OH

August 26 – Unity Tour 2025 with 311 – The Pinnacle, Nashville, TN

August 27 – Unity Tour 2025 with 311 – Avondale Brewing Company, Birmingham, AL

August 29 – Unity Tour 2025 with 311 – Cadence Bank Arena, Tupelo, MS

August 30 – Unity Tour 2025 with 311 – Ozarks Amphitheater, Camdenton, MO

FLETCHER Announces Bold New Album ‘Would You Still Love Me If You Really Knew Me?’

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Critically acclaimed Queer artist FLETCHER announces the forthcoming release of her third studio album, Would You Still Love Me If You Really Knew Me? Out July 18th, the platinum-selling singer/songwriter’s latest full-length features her brand-new single “Boy,” out today accompanied by the official visual.  Listen to “Boy” HERE, watch the official visual HERE and the album trailer HERE.    

As she gets set to deliver her most emotionally daring work to date, FLETCHER shares a note to fans about the making of and meaning behind Would You Still Love Me If You Really Knew Me?

A handwritten note expressing personal thoughts and emotions, dated June '25, reflecting on the making of FLETCHER's album and exploring themes of vulnerability and self-acceptance.

A gorgeous introduction to the unvarnished emotion of Would You Still Love Me If You Really Knew Me?, “Boy” opens on a stripped-back arrangement of piano and acoustic guitar as FLETCHER begins to tell her story: “I’ve been sitting on a secret/And I don’t think I can keep it anymore.” With both aching sensitivity and assured determination, FLETCHER shares a soul-baring chorus: “I kissed a boy/And I know it’s not what you wanted to hear…I fell in love/And it wasn’t with who I thought it would be/And I’m scared to think of what you’ll think of me.”

Co-produced by FLETCHER and longtime collaborator GRAMMY®Award-winning producer/songwriter Jennifer Decilveo as well as co-written with GRAMMY®Award-winning artist and songwriter Shane McAnally (nominated for more CMA Awards than any other songwriter in history and known for his work with Kacey Musgraves, H.E.R., Maren Morris and more), “Boy” moves along at its own unhurried pace, gently enveloping the listener in its delicate guitar tones, bittersweet melodies, and beautifully layered vocal work. True to the raw transparency that illuminates every song on Would You Still Love Me If You Really Knew Me?, the track reveals all of FLETCHER’s worries and fears while reinforcing her refusal to be anyone but herself. The result: a powerful new chapter in her journey as a Queer person and musical artist, affirming her commitment to sharing the full spectrum of her truth.  See below for the full tracklist to Would You Still Love Me If You Really Knew Me?.

Both produced and executive-produced by FLETCHER and Decilveo, Would You Still Love Me If You Really Knew Me? marks FLETCHER’s first studio album since In Search Of The Antidote: an early-2024 release that debuted at No. 3 on Billboard’s Top Album Sales chart and earned praise from the likes of Rolling Stone (who stated that “FLETCHER has established herself as one of pop’s most versatile stars,”) The Line of Best Fit (“once again proves that nobody does heartbreak anthems quite like FLETCHER”) and Clash (“each track on this album is ridiculously strong in its own right. Much like the artist behind them”). After completing the In Search of The Antidote Tour — a massive global headline run with sold-out stops at historic venues like New York City’s Radio City Music Hall and the Greek Theatre in Los Angeles— FLETCHER released the 21-song double LP THE ANTIDOTE: FLETCHER LIVE. With her catalog also including you ruined new york city for me (a 2019 EP featuring her platinum-certified breakthrough smash Undrunk”) and THE S(EX) TAPES(a 2020 EP that shot to No. 1 on iTunes across all genres), FLETCHER made her full-length debut with 2022’s critically lauded Girl Of My Dreams (a No. 15 debut on the Billboard 200, featuring her iconic hit Becky’s So Hot). FLETCHER’s music has amassed over 2.5 billion streams worldwide.

A woman in a flowing, light-colored dress stands with her arms outstretched against a bright blue sky, surrounded by green hills and flowers, with the text 'WOULD YOU STILL LOVE ME IF YOU REALLY KNEW ME?' artistically overlayed.

Tracklist for Would You Still Love Me If You Really Knew Me?

SIDE A
1. Party
2. Hi, Everyone Leave Please
3. Don’t Tempt Me…
4. The Arsonist
5. Boy
6. Chaos

SIDE B
7. D i s t a n c e
8. Good Girl / Gone Girl
9. All of the Women
10. Congratulations!
11. Would You Still Love Me?
12. Hail Mary (Bonus)

One of the most vital Queer voices in pop, FLETCHER is a one-of-a-kind artist fiercely devoted to fully expressing her truth. After exploding onto the scene with her platinum-certified breakthrough smash “Undrunk” (a Billboard Hot 100 hit that reached No. 1 on Spotify’s Viral Chart), FLETCHER went on to build an ardent global following thanks to her unbridled storytelling, unapologetic presence, and endlessly thrilling live show. Praised by leading outlets like Rolling Stone, TIME, Interview Magazine, and more, the acclaimed singer-songwriter hails from Asbury Park, New Jersey, where she cultivated her passion for music and her unforgettably candid storytelling.  With over 2.5 billion streams to date, her catalog includes powerhouse EPS like 2019’s you ruined new york city for me and 2020’s THE S(EX) TAPES (a deeply intimate project that shot to No. 1 on iTunes across all genres and featured her hit single “Bitter”).  Released in 2022, FLECHER’s acclaimed debut album Girl Of My Dreams  delivered the smash single “Becky’s So Hot” which earned raves from NYLON, Billboard, Vulture and more, landed on Billboards Hot Rock and Alternative Songs chart and garnered nominations from the MTV Video Music Awards and MTV Europe Music Awards. In support of the LP, FLETCHER performed on The Tonight Show Starring Jimmy Fallon.” As she cemented her status as a cultural force, FLETCHER won the 2023 GLAAD Media Award for Outstanding Music Artist and founded her own “FLETCHER & Friends” festival in Asbury Park in addition to launching the hugely popular Meet Her At The Bar: Pride Month Experience (a series of pop-ups in support of women-owned Queer bars across America). On her 2024 sophomore album In Search Of The Antidote (a No. 3 entry on Billboard’s Top Album Sales chart), she doubled down on her music’s soul-searching honesty and quickly drew praise from top publications like them.The Line of Best Fit and Rolling Stone (who stated that “FLETCHER has established herself as one of pop’s most versatile stars. She can pen a heartbreak ballad or craft a raucous dance hit and have tens of thousands sing the words back at her“).  After embarking on the In Search of The Antidote Tour — a blockbuster global headline run featuring sold-out dates at famed venues like Radio City Music Hall in New York City and the Greek Theatre in Los Angeles, as well as stops in major cities across the U.S., Europe, Australia, and New Zealand — she released the 21-song double album THE ANTIDOTE: FLETCHER LIVE. Continuing her commitment to constant evolution in her artistry, FLETCHER will release her forthcoming third album Would You Still Love Me If You Really Knew Me? on July 18th via Capitol Records. 

renforshort Releases Reflective and Raw EP ‘a girl’s experience’

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Canadian alt-pop star renforshort unveils her highly anticipated EP, a girl’s experience, a four-track project that captures the complexities of modern womanhood through a tapestry of raw emotion, vibrant production, and lyrical vulnerability. Leading the release is renforshort’s brand new single, “you’re the one” – an atmospheric, sultry track marked by her partly spoken-word narration and simmering sense of intimacy.

Speaking on the story behind the EP, renforshort shares, a girl’s experience is a project about exactly what the title infers. It’s not about a specific experience, it’s about the uniqueness of every person and how, with that individuality, there are always things that bring us together and allow us to understand each other through shared experiences. I wrote this project when I was feeling very unsure, confused, and frankly unsettled with my life. I think writing this project forced me to disconnect from those thoughts. I wanted to step outside of my head for a bit every day and make music that explained how I felt without harping on it. I love the duality of some of the songs on the project, like “feeling good” and “pretend to like me.”

She adds, “The lyrics are quite melancholic and reflective; however, the music feels like a juxtaposition of the content of the song. They all feel like songs you can sing with your friends without feeling those things, or you could listen to them alone with headphones on a walk, and really resonate with the lyrics.”

a girl’s experience dives into universal themes of love, self-discovery, independence, and the nuanced highs and lows of navigating life as a young woman. Inspired by ren’s personal experiences, the EP is both intimate and relatable, set to resonate with her youthful audience who are living through many of the same emotional experiences in today’s world.

Romantic and pop-infused while retaining her signature edge, “you’re the one” showcases a more refined, mature sound. It draws from her indie-rock roots but leans into playful, flirty pop sensibilities, marking an evolution in both renforshort’s sound and storytelling.

The new single follows a string of previously released tracks from the project, including “on my way!,” “feeling good,” and “pretend to like me,” each adding a unique chapter to the story. Since the rollout began in late 2024, the EP has garnered praise for its nostalgic yet forward-thinking sound – cementing renforshort’s place as one of alt-pop’s most compelling voices.

a girl’s experience follows her critically acclaimed EP clean hands dirty water and 2022 debut album dear amelia. Building on the foundations of these earlier works, renforshort’s latest project represents a confident step forward, showcasing her growth as a songwriter and her ability to blend emotional honesty with sonic experimentation.

Raissa Releases Bold New Single “DO U RIDE,” Announces ‘Desire Path’ EP

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The multilingual, multinational world-pop artist Raissa announces her new track “DO U RIDE” which is co-written by Raissa herself and Evan Voytas. Along comes the announcement of her new DESIRE PATH EP coming out this summer, following the release of the Spanish-language heater, “MANZANA”“GUAPA,” and her EP, Cute Threat

Raissa adds: “In “DO U RIDE” I’m flexing with things I can back up. Flaunting yourself to the point of taunting your detractors, but always all in good fun, I was really inspired by the rhythms of Soca for this track.”

Raissa embodies the kind of bold contradictions that make for truly transcendent pop: she’s wildly inventive yet refined in musicality, sensitive yet self-possessed, fiercely intelligent yet deeply attuned to the sensory pleasures of melody and groove.

Earlier, she released the music video for the track “Cute Threat” on Neon Gold Records. Born in Spain, Raissa inherited a mastery of French and Spanish from her parents and a love of songwriting from Leonard Cohen. She spent her childhood between Beijing, Sydney, Kuala Lumpur, and London – as a result, she draws from a deep well of creative influences, everything from antique Gothic literature to vintage anime.

Last year, Raissa released “No Genius” featuring her close friend and collaborator Rahim Redcar aka Christine and the Queens. The collaboration is the latest in a long line of meaningful collabs and co-signs, including Mark Ronson, Mura Masa, and more. A singular pop storyteller whose honest lyrics, vibrant soundscapes, and unique visual storytelling exhibit her artistry.

The promotional artwork for Raissa's single "DO U RIDE," featuring vibrant yellow and blue colors, a figure in oversized blue boots with a playful pose, and the title prominently displayed at the top.



A creative force unlike any other in music today, Raissa embodies the kind of bold contradictions that make for truly transcendent pop: she’s wildly inventive yet refined in musicality, sensitive yet self-possessed, fiercely intelligent yet deeply attuned to the sensory pleasures of melody and groove. Not only the outcome of her global upbringing—a journey that includes being born in Spain, then spending her childhood in Beijing, Sydney, and Kuala Lumpur—the Los Angeles-based singer/songwriter/producer’s potent originality stems from her limitless imagination and eclectic mix of influences (early-millennium hip-hop, ’80s art-pop, tropicália, West African dance music, and much more). Newly signed to Neon Gold Records, Raissa is now set to deliver a new body of work affirming the depth and power of her one-of-a-kind vision.

“In the past I’ve felt frustrated with the fact that I don’t fit neatly into any type of box—I belong to so many things, but at the same I belong to nothing,” says Raissa. “Now I’m finally starting to see that as a strength, and maybe the most important thing about me as a person and an artist.”

A multilingual talent whose lyrics shift from English to Spanish to French, Raissa partly attributes her near-encyclopedic knowledge of music to her parents, who raised her on pop iconoclasts like Prince and David Bowie and songwriter/poets like Leonard Cohen—an essential catalyst for her own musical development. “When I was 12 I watched a documentary about Leonard Cohen, and he talked about how he’d started writing songs after learning to play just a few chords on guitar,” she recalls. “I thought, ‘That doesn’t sound so hard,’ and then I started writing songs too.” After teaching herself GarageBand at age 14, Raissa began self-recording and quickly amassed a sizable but entirely secret stash of songs. “At the time I was living in Malaysia and didn’t know anyone who’d even attempted to make music, so the idea of turning it into something bigger seemed impossible,” she explains. Upon heading to London for art school at 19, however, Raissa felt an overwhelming need to take her music to the next level. “I was alone in this big city and felt really low, and music became a lifeline,” she says. “I started making music with a friend just for fun, and then one day I randomly uploaded a song to SoundCloud.” By the next morning, that track had surpassed 20,000 streams—a turn of events that caught the attention of several established producers looking to collaborate, and soon found her flying out to L.A. to set her music career in motion.

Since making her debut with the tender but unapologetic 2020 single “BULLYING BOYS,” Raissa has continually turned out songs that match their exquisitely detailed and high-energy sound with lyrics that subtly transform our perception of the world—a dynamic in full effect on her latest EP Cute Threat. Mainly co-produced by Raissa and her longtime creative partner Evan Voytas, her debut project for Neon Gold encompasses everything from the tongue-in-cheek swagger of its title track to the raw catharsis of “No Genius”: a galvanizing collaboration with Rahim Redcar (aka Christine and the Queens), built on gorgeously strange beats and Raissa’s hot-tempered but hypnotic outpouring of frustration. “That song came from thinking about how the most powerful entities in the world profit from creating division among the most vulnerable,” says Raissa, who refers to “No Genius” as “some tough love for myself and my fellow human.”

Ana Luna Dances With the Past in Haunting “Dance in a Trance” Video

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Emerging singer and songwriter Ana Luna returns today with the music video for her latest single, “Dance in a Trance.”

Co-directed by Noah Hoffman, Will Curtis, and Ana Luna, the video takes place in a surreal bedroom set within a vast warehouse, blurring the lines between reality and inner emotional space. At its core is a masked man and a masked woman—representing Ana’s ex-lover and her past self—locked in a dance that unfolds as Ana (present-day, unmasked) watches, intervenes, and ultimately confronts her past. The masks serve as a powerful symbol of emotional distance and anonymity, allowing viewers to project their own stories onto the characters.

“I chose to keep their faces hidden because it’s not about any one person—it’s about the emotion,” Ana explains. “I want viewers to project their own stories onto the characters, not be told who they are.”

The visual expands on the track’s themes of memory, identity, and the ache of trying to reach someone who’s right in front of you but never truly sees you. The video renders that internal duality in physical form: the masked dance as a representation of the past, the surreal setting as a reflection of Ana’s emotional world—a vast, empty space with a single bed at its center, highlighting how small one can feel beneath the weight of unresolved feelings—and her final kiss to the masked man as an act of closure, not reconciliation.

Born in Ukraine, raised in Paris, and now based in Los Angeles, Ana Luna is a natural-born storyteller whose music is as cinematic as it is emotionally raw. Though she’s always known she was destined to be an artist, Ana initially led with acting and kept her songwriting close to the chest. It wasn’t until college, after years of emotional growth and inner work, that she finally gave herself permission to stop overthinking and dive fully into music. Over time, she’s shaped a signature sound that moves effortlessly between dream pop, alt-rock, and moody ballads, creating songs that feel celestial, sultry, and reflective.

Ana approaches music as a form of therapy and storytelling, using it to process wounds, examine behavior, and carve out space for healing. Her songs explore the complex emotional layers beneath the surface, asking where our feelings come from, what they reveal, and how they shape the way we see the world. As she readies her debut album, Ana Luna is channeling her voice into songs that invite connection, introspection, and healing.

Bella Litsa Unveils Mystical Art-Pop Single ‘Never Ending Movie’

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Brooklyn-based Cypriot singer-songwriter Bella Litsa is an artist in every sense of the word. Raised in a household steeped in classical music, she began studying piano at the age of seven and quickly discovered her deep love for singing. Her creative world is shaped by both the intimate and the infinite, blending personal experience with a fascination for the surreal, the philosophical, and more. Whether immersed in the surrealism of Tarkovsky, Bergman, and Lynch, or delving into the mysteries of quantum physics, Litsa’s artistry is fueled by passion and mysticism. Today, she unveils her new single, “Never Ending Movie,” via Records Man, Records—a track written as an ode to Rachmaninoff.

Marrying vintage romance with cerebral textures, Litsa’s lush and distinct vocals are the star of the show, accented by soft percussion and choral echoes billowing in the background. What started as an exercise in songwriting quickly became one of Litsa’s most fun songs to make. 

Of the song’s meaning, Litsa shares, “Rachmaninoff’s music for me has always transcended the cerebral, making my life and what it comes with, feel like a fantasy, like a movie. I wanted to celebrate that feeling of eternity in a song. Music is a miracle, art is a miracle, and it’s miraculous because it is a mystery, and yet there’s no need to question it. The chorus is an interpolation of the B section from Rachmaninoff’s Prelude in G minor. And somehow, even though this is a piece over 100 years old, the chorus manages to really strike people in modern times. I think that’s all Rachmaninoff though, his music transcends time, feeling always from the future.”

Bella Litsa is the solo project of cinematic art-pop artist Isabella Komodromos. Crafting intimate, lush, and emotionally potent songs that echo with dreamlike intensity, she draws comparisons to artists like Lana Del Rey, Fiona Apple, and Weyes Blood. Her sound, blending vintage romance with experimental textures, where haunted Americana meets minimalist futurism, is a vessel for connection and catharsis. “Bella Litsa is my sadness personified. It feels like the closest I can get to my shadow, consciously.” Litsa’s music is a search for stillness, beauty, and peace in an ever-shifting world. 

The Pretty Wild Drop Fierce New Video ‘OMENS’ Ahead of Major Summer Tour

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Rising metaphysical metalcore powerhouse The Pretty Wild have released the official music video for their latest offering “OMENS“ (via Sumerian Records). Having recently making their live debut at Welcome To Rockville, the band has previously shared the official sLeepwALKeR music video, which climbed the TikTok Viral Music Charts to #43 with 22.6k organic creations on the platform. The sister duo next shared Button Eyes which is climbing the ranks at Active Rock radio. Together, the tracks have already amassed a staggering 15 million streams across streaming platforms with over 821k views on YouTube.

The Pretty Wild will be embarking on the Hell Hath No Fury tour kicking off next month in support of In This Moment, Wargasm and Kat Von D, while also making a pit stop at Inkcarceration 2025 on Saturday, July 19. For ticket information, please click here.

The Pretty Wild Upcoming Tour Dates:

Wed Jul 16 – Green Bay, WI – Epic Events Center

Fri Jul 18 – Cadott, WI – Rock Fest*

Sat Jul 19 – Mansfield, OH – Inkcarceration Festival +

Tue Jul 22 – Nashville, TN – Marathon Music Works

Wed Jul 23 – Chattanooga, TN – The Signal

Thu Jul 24 – Chesterfield, MO – The Factory

Sat Jul 26 – Council Bluffs, IA – Harrah’s Stir Cove

Sun Jul 27 – Denver, CO – Unhinged Fest*

Tue Jul 29 – Springfield, MO – Gillioz Theatre

Wed Jul 30 – Memphis, TN – Graceland Sound Stage

Fri Aug 01 – Dubuque, IA – Q Casino – Back Waters Stage

Sat Aug 02 – Grand Rapids, MI – GLC Live at 20 Monroe

Sun Aug 03 – Wheeling, WV – Capitol Theatre

Tue Aug 05 – Rochester, NY – Kodak Center Theater

Wed Aug 06 – Schenectady, NY – Proctors Theatre

Fri Aug 08 – Detroit, MI – Masonic Temple Theatre

Sat Aug 09 – Hammond, IN – The Venue at Horseshoe

Sun Aug 10 – Indianapolis, IN – Egyptian Room at Old National Centre

Tue Aug 12 – Richmond, VA – The National

Thu Aug 14 – Worcester, MA – Palladium

Fri Aug 15 – Hanover, MD – The Hall at Live!

Sat Aug 16 – Atlantic City, NJ – Tropicana Showroom at Tropicana Atlantic City

+Festival Date

*No The Pretty Wild

Promotional poster for the 'Hell Hath No Fury' tour featuring In This Moment, Wargasm, Kat Von D, and The Pretty Wild, listing tour dates and venues.

The Pretty Wild is a genre-bending, boundary-breaking powerhouse fusing rebellious spirit with raw, heartfelt lyricism that speaks to a generation craving authenticity. Refusing to be confined by the rules and expectations of traditional society, The Pretty Wild embrace their relentless pursuit of truth beyond societal expectations, all while making music for everyone brave enough to break free. With already amassing over 37 million all-time streams and planned performances this year at major national festivals such as Welcome To Rockville and Inkcarceration 2025, as well as the hotly-anticipated Hell Hath No Fury tour with In This Moment, Wargasm, and Kat Von D, the sky is the limit for the sister duo who are further solidifying themselves as a force to be reckoned with in modern heavy music.

Laraw Unveils Nostalgic Summer Single ‘Milk and Sugar’

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Breakout alt-pop artist Laraw returns with a shimmering new single, Milk and Sugar, now available (via Bravo) on all major streaming and download platforms. Following the release of her French-language EP J’ai quitté le Heartbreak Club, Laraw shifts back to English for this warm, nostalgic track – just in time for summer.

Milk and Sugar is a tender, hook-filled ode to rediscovered love – one that captures the sweetness of shared memories and the thrill of falling all over again. With her signature emotional honesty, the Montreal-born singer of Moroccan and Lebanese heritage blends vulnerability with breezy alt-pop sensibility:

I know it’s been so long
Since I cared for
Somebody else but myself
Oh, I’m sure
You must’ve felt it
When you asked me for a cigarette

Oh, uh—here we go again
Oh no—is it in my head?

Laraw co-wrote the song with Jeremy Lachance and long-time collaborator Tim Buron. Buron also handled the mix, while mastering was completed by Gabriel Meunier. The result is an intimate, immersive single that continues to build Laraw’s reputation as one of Canada’s most compelling new voices.

Laraw’s momentum has only grown since the release of her 2024 debut album Quarter Life Crisis. Her single Standby Baby was featured on SiriusXM The Verge and Stingray Canadian Indie, while Beaux yeux climbed to No. 1 on CISM and held a spot in Stingray’s Top 5 for several weeks. The album also broke into Earshot’s National Top 30.

A young woman lies on a blanket, looking up at the camera with a relaxed expression. She wears a pink floral tank top and blue jeans. Surrounding her are other people partially visible, enjoying a casual outdoor gathering.

She has shared the stage with artists like Pomme and Jonathan Roy, and performed at leading festivals including Santa Teresa, Festival d’été de Québec, POP Montréal, and M for Montréal.

This summer, Laraw will hit the road for a Canadian tour, with confirmed stops at:

NXNE (Toronto) – June 13

Sled Island (Calgary) – June 18–19

Francos de Montréal – June 21

International Hot-Air Balloon Festival (Saint-Jean-sur-Richelieu) – August 10

With Milk and Sugar, Laraw continues to cement her place in the indie-pop landscape – just in time to soundtrack your summer.