Today, multi-platinum producer Pitt Tha Kid releases his latest single, “Drill To Dubai.” Listen here.
On “Drill To Dubai,” Pitt Tha Kid is introducing himself as a culture conduit by bringing together sounds from across the world through his 4 featured artists.
“The idea behind this record was to pull different cultures together and create a sound that hasn’t been heard before,” says Pitt. “It combines the NY, Arabic and Indian hip hop scenes for an anthem we can all vibe to.”
From the United States, Pitt brings in New York City’s heavy hitter DD Osama. DD began his music career in 2021, and quickly rose to fame with his music video for “40s N 9s” amassing over 28 million views on YouTube, contributing to his growing popularity. From the bubbling South Asian music scene, Pitt brings in Big Boi Deep, a Punjabi singer and lyricist known for blending traditional Punjabi lyrics with modern Western beats. From Egypt, Pitt has brought on FL EX, a prominent rapper and singer who has significantly influenced the Egyptian drill and North African hip-hop scenes. Last, but not least, Pitt has enlisted Tayeb Santo – a rising rapper and hip-hop artist born and raised in the United Arab Emirates (UAE), known for his unique ability to blend multiple Arabic dialects into his music. Tayeb is fluent in several Arabic dialects—Arabic Fusha, Emirati, and Egyptian, to name a few—allowing him to connect with audiences across different Arab communities, giving his music a distinctive, relatable edge.
The track arrives alongside a high energy music video which features footage from each artist, shot in their respective cities, with Pitt at the centre bringing together sights and sounds from across the world.
In only five years since carving his own path in the industry, Pitt’s versatile creativity and natural skill has earned him three #1 albums (Shoot For The Stars, Aim For The Moon by Pop Smoke, So Much Fun by Young Thug, Los Dioses by Latin superstars Anuel AA & Ozuna, 11:11 by Chris Brown, and pink tape by Lil Uzi Vert) and production credits for some of the hottest names in music (Coi Leray, Lil Wayne, EST Gee, NAV, Big Sean, Bryson Tiller, Chlöe Bailey, Mike WiLL Made-It, ScHoolboy Q, 2 Chainz).
Today, GRAMMY-nominated breakout superstar Teddy Swims releases “God Went Crazy,” a rich and soulful tribute to finding “the one.”
Listen HERE, which made its broadcast premiere on MTV Live, MTVU, MTV Biggest Pop and on the Paramount Times Square billboards.
The brand new single is also the first official taste of the 32-song set I’ve Tried Everything But Therapy (Complete Edition), arriving June 27, with six new tracks including a feature from BigXthaPlug and Raiche. Pre-order the album HERE. The (Complete Edition) will gather up new music alongside all of the songs from Swims’ record-breaking first two albums, I’ve Tried Everything But Therapy (Part 1) and (Part 2), which included the powerful singles, “Bad Dreams,”“Guilty,”“Are You Even Real” with GIVĒON, “The Door,” and “Lose Control.” The latter has become a 6x Platinum hit with nearly 4 billion global streams and, as of last week, holds the record for the longest Hot 100 run in history. “Lose Control” is currently #8 with 93 weeks on the chart and counting.
“God Went Crazy” is yet another reminder of Swims’ powerful voice, vision, and charisma. Over a dreamy score rich with warm bass, chiming keys, and soaring strings, Swims captures the feeling of being totally awestruck by love: “God went crazy when he painted you, ain’t seen nothing like this before / Took a little extra time on you, before he let you walk out the door.”
“I hope fans hear ‘God Went Crazy’ and it makes them think about that special person in their lives,” says Swims. “I’m lucky enough to have found a sweet, sweet love who, when I look at her, I just know there was some extra time spent on her. I know perfection is subjective, but she’s pretty damn close. ‘God Went Crazy’ is about the indescribable feeling you have when you know you’ve met your person. It is my way of trying to put into words what a soul mate means to me. When you find that special person in your life, they just feel like home.”
Swims is in the middle of an already monumental year. After releasing I’ve Tried Everything But Therapy (Part 2) — which includes cameos from GIVĒON, Muni Long, Coco Jones, and GloRilla — he performed “Lose Control” at the GRAMMY Awards, where he was nominated for Best New Artist. He then launched a sold-out UK/European arena tour, did a festival sweep through South America, and is currently in the midst of his biggest headlining North American tour yet. He was recently nominated for 3 BET Awards including Best New Artist, Best Collaboration and Best Male R&B/Pop Artist. This fall, Swims and his band Freak Feely head overseas for a run of arena dates in Australia and New Zealand. See the full list of dates below and click HERE for ticket info.
All of that followed a banner 2024 fueled by the incredible success of I’ve Tried Everything But Therapy (Part 1), which shot “Lose Control” to #1 on not only the Hot 100, but also five radio airplay charts (Radio Songs, Pop Airplay, Adult Pop Airplay, Adult Contemporary Airplay, Adult R&B Airplay). Swims also delivered thrilling performances at the 2024 MTV VMAs, where he received three nominations, and the 2024 Billboard Music Awards, where he received eight nominations and won two awards: Top Hot 100 Song and Top Radio Song of 2024.
Putting in work for years on a quiet-yet-steady grind, Swims arrived at the forefront of popular culture as a tried-and-true star without comparison. He stirred up attention after posting covers online in 2019 — including Michael Jackson’s “Rock with You” and Shania Twain’s “You’re Still the One” — gaining hundreds of millions of views and leading to his signing to Warner Records in 2020. He tirelessly honed his voice and songwriting across a series of EPs — Unlearning (2021), Tough Love (2022), and Sleep Is Exhausting (2022). And he showcased his sky-high range by recording with artists as diverse as Maren Morris, Meghan Trainor, Orville Peck, Jessie Murph, X Ambassadors, ILLENIUM, Tiësto, Armin Van Buuren, and Matoma.
Now, Swims shows no signs of slowing down as he continues on his most ambitious global headlining tour to date and prepares for the release of I’ve Tried Everything But Therapy (Complete Edition) — a worthy culmination of his world-conquering run thus far.
I’ve Tried Everything But Therapy (Complete Edition) TRACKLIST
Disc 1
1. Need You More
2. God Went Crazy
3. Free Drugs
4. Small Hands (feat. Raiche)
5. Dancing With Your Ghost
6. All Gas No Brakes (feat. BigXthaPlug)
Disc 2
1. Not Your Man
2. Funeral
3. Your Kind of Crazy
4. Bad Dreams
5. Are You Even Real (feat. Giveon)
6. Black & White (feat. Muni Long)
7. Northern Lights
8. Guilty
9. It Ain’t Easy
10. If You Ever Change Your Mind
11. She Got It (feat. Coco Jones & GloRilla)
12. Hammer to the Heart
13. She Loves the Rain
Disc 3
1. Apple Juice
2. Tell Me
3. Growing Up is Getting Old
Disc 4
1. Some Things I’ll Never Know
2. Lose Control
3. What More Can I Say
4. The Door
5. Goodbye’s Been Good to You
6. Last Communion
7. You Still Get to Me
8. Suitcase
9. Flame
10. Evergreen
Teddy Swims 2025 Tour Dates:
Jul 5 – Sioux City, IA @ Saturday in the Park at Grandview Park
Jul 6 – Minneapolis, MN @ Armory
Jul 8 – Chicago, IL @ Huntington Bank Pavilion at Northerly Island
Jul 9 – Indianapolis, IN @ Everwise Amphitheater at White River State Park
Jul 11 – Cincinnati, OH @ Icon Music Center Festival Stage
Jul 12 – Pittsburgh, PA @ Stage AE
Jul 14 – Richmond, VA @ Virginia Credit Union
Jul 16 – Washington, DC @ The Anthem
Jul 17 – Washington, DC @ The Anthem
Jul 19 – Boston, MA @ Fenway Park (with Thomas Rhett)
Jul 21 – Erie, PA @ Erie Insurance Arena
Jul 31 – San Diego, CA @ Sycuan Stage at Gallagher Square Petco Park
Aug 1 – Las Vegas, NV @ Bakkt Theater at Planet Hollywood
Aug 3 – Phoenix, AZ @ Arizona Financial Theatre
Aug 6 – Austin, TX @ Moody Amphitheater
Aug 7 – Irving, TX @ The Pavilion at Toyota Music Factory
Aug 9 – Houston, TX @ 713 Music Hall
Aug 10 – New Orleans, LA @ Champions Square
Aug 12 – Atlanta, GA @ Cadence Bank Amphitheatre at Chastain Park
Aug 13 – Atlanta, GA @ Cadence Bank Amphitheatre at Chastain Park
Aug 15 – Birmingham, AL @ Birmingham Amphitheater
Aug 16 – Southaven, MS @ BankPlus Amphitheater at Snowden Grove
Aug 18 – Huntsville, AL @ The Orion Amphitheater
Aug 20 – Nashville, TN @ Ascend Amphitheater
Aug 21 – Nashville, TN @ Ascend Amphitheater
Aug 23 – Kansas City, MO @ Starlight Theatre
Aug 24 – Oklahoma City, OK @ Zoo Amphitheatre
Aug 26 – Morrison, CO @ Red Rocks Amphitheatre
Aug 28 – Sandy, UT @ America First Field Plaza
Aug 30 – Vancouver, BC @ Doug Mitchell Thunderbird Centre
Aug 31 – Seattle, WA @ WaMu Theater
Sep 3 – Troutdale, OR @ Edgefield Concerts on the Lawn
Sep 5 – Berkeley, CA @ Greek Theatre
Sep 6 – South Lake Tahoe, NV @ Harveys Lake Tahoe Outdoor Arena
Sep 9 – Los Angeles, CA @ Greek Theatre
Sep 10 – Los Angeles, CA @ Greek Theatre
Sep 26 – Honolulu, HI @ Waikiki Shell
Sep 27 – Honolulu, HI @ Waikiki Shell
Oct 7 – Christchurch, New Zealand @ Wolfbrook Arena
Oct 9 – Auckland, New Zealand @ Spark Arena
Oct 14 – Sydney, Australia @ Qudos Bank Arena
Oct 15 – Sydney, Australia @ Qudos Bank Arena
Oct 16 – Sydney, Australia @ Qudos Bank Arena
Oct 18 – Brisbane, Australia @ Brisbane Entertainment Centre
Oct 19 – Brisbane, Australia @ Brisbane Entertainment Centre
Oct 22 – Melbourne, Australia @ Rod Laver Arena
Oct 23 – Melbourne, Australia @ Rod Laver Arena
Oct 24 – Melbourne, Australia @ Rod Laver Arena
Oct 27 – Hindmarsh, Australia @ Adelaide Entertainment Centre
Four-time Juno Award winner TOBi returns to the spotlight, launching his independent chapter, with the release of “Life is a Jungle” via ADA. The hip-hop track, produced by platinum-selling producer Nick Lobel (known for work with Harry Styles, Stephen Sanchez, and Halsey), marks TOBi’s first release from the upcoming album ELEMENTS Vol. 2—the follow-up to the critically acclaimed ELEMENTS Vol. 1, which earned several JUNO Awards, and was shortlisted for the 2024 Polaris Prize. Steam “Life is a Jungle” here.
With lyrics that speak to raw and unfiltered emotions, of the release TOBi says “This is one of those songs where I needed to say exactly what was in my heart. No second draft. Just raw expression at 4 in the morning.”
The single, which was shared with fans exclusively through TOBi’s site PANIC.FM, is a dynamic hiphop track that blends intricate rhythms with atmospheric synths, creating an immersive soundscape that mirrors the complexities and unpredictability of life’s journey. This track is the first new music from TOBi’s forthcoming ELEMENTS VOL. 2 album, due out on July 9, 2025. “Life is a Jungle” arrives with an official music video directed by Marissa Blair.
Since his 2021 debut release, TOBi has cemented his status as an icon in Toronto’s rap and music scene, with the release of his critically acclaimed ELEMENTS Vol. 1 (2020) album, a genre-defying project that won the 2021 JUNO Award for Rap Recording of the Year and was shortlisted for the Polaris Music Prize. As TOBi enters a new independent era driven by the intention to create purposeful music, fans can expect a project that builds new musical memories—one that centers on his community and roots while embracing the many layers within us all.
Credit: Marissa Blair
TOBi is a Nigerian-born, Brampton-raised rapper and singer whose genre-blending sound fuses hip hop, R&B, neo-soul, and Afrobeats. His music is deeply introspective, exploring themes of identity, vulnerability, and the immigrant experience. TOBi’s artistry has garnered critical acclaim, with Complex Magazine naming him a “top artist to watch,” and features in Billboard, Rolling Stone, i-D, COLORS, and PAPER.
His discography includes the debut album STILL (2019), which delves into post-traumatic growth and self-reflection; ELEMENTS Vol. 1 (2020), a genre-defying project that won the 2021 JUNO Award for Rap Recording of the Year and was shortlisted for the Polaris Music Prize; and PANIC (2023), which earned him two 2024 JUNO Awards for Rap Album/EP of the Year and Rap Single of the Year for “Someone I Knew.”
TOBi’s work resonates with audiences seeking authenticity and emotional depth, solidifying his place as a transformative voice in contemporary music.
Billy Preston could have easily been the “Fifth Beatle” but he was a radiant thread woven through the fabric of modern music. Whether laying down grooves in soul, funk, gospel, or rock, Preston brought magic to every record he touched. Check out his joy, his jaw-dropping list of collaborations—each one a gift to music lovers everywhere.
Sam Cooke – Night Beat (1963) Billy played keys on this late-night R&B classic, helping lay the foundation for modern soul with his gospel-rich touch.
Little Richard – I Don’t Know What You Got (But It’s Got Me) (1965) He backed the rock ’n’ roll pioneer with simmering keyboard lines—and later co-wrote the joyous “Great Gosh A’Mighty.”
Ray Charles – In the Heat of the Night (1967) Billy contributed his elegant, bluesy piano playing to this soulful soundtrack.
Ike Turner – A Black Man’s Soul (1969) He brought signature organ grooves to this explosive funk instrumental collection.
The Beatles – “Get Back” / “Don’t Let Me Down” (1969) He became the only artist credited alongside the Beatles on a single, earning “The Beatles with Billy Preston” billing.
The Beatles – Abbey Road (1969) Billy added swirling keys to the band’s final masterpiece, coloring tracks like “Something” with warmth.
The Beatles – Let It Be (1970) He’s all over the record, his organ lifting songs like “I’ve Got a Feeling” to spiritual heights.
George Harrison – All Things Must Pass (1970) He played throughout this sprawling triple album, adding gospel fire and soul to Harrison’s solo debut.
John Lennon – Plastic Ono Band (1970) Billy played piano on “God,” providing the minimalist support Lennon needed to deliver raw, personal truths.
The Rolling Stones – Sticky Fingers (1971) He helped carve out the gritty, blues-drenched atmosphere with unmistakable flair.
George Harrison & Friends – The Concert for Bangladesh (1971) He played live at this historic show, helping bring spiritual and musical force to the stage.
Sly and the Family Stone – There’s a Riot Goin’ On (1971) Billy lent moody, textured keys to one of funk’s most essential albums.
King Curtis & Aretha Franklin – Live at Fillmore West (1971) Preston backed Aretha and Curtis on this electrifying soul concert.
Barbra Streisand – Barbra Joan Streisand (1971) He played keyboards and drums, showing his flexibility in pop and theatrical arrangements.
The Rolling Stones – Exile on Main St. (1972) Billy’s organ lines gave weight and punch to this classic double album.
Peter Frampton – Wind of Change (1972) He contributed piano, harpsichord, accordion, and more—demonstrating his range and sensitivity.
Ringo Starr – Ringo (1973) Played organ on “I’m the Greatest” and “Oh My My,” adding depth to Starr’s breakout solo LP.
The Rolling Stones – Goats Head Soup (1973) Preston’s grooves added a psychedelic soul to the Stones’ funkier leanings.
George Harrison – Dark Horse (1974) He played electric piano on the title track and beyond, keeping the grooves tight.
Ringo Starr – Goodnight Vienna (1974) He returned with clavinet and electric piano contributions, especially on the title track and “Only You.”
The Rolling Stones – It’s Only Rock ’n Roll (1974) Billy added raw, rhythmic texture to the Stones’ glam-rock era.
Joe Cocker – “You Are So Beautiful” (1975) Co-wrote one of the most moving love ballads of the decade.
George Harrison – Extra Texture (1975) Contributed electric piano on the funky “His Name Is Legs (Ladies And Gentlemen).”
Little Richard – “Steal Miss Liza (Steal Liza Jane)” (1975) Collaborated again with the architect of rock ’n’ roll.
George Harrison – Thirty Three & 1/3 (1976) His keyboard flourishes supported Harrison’s late-’70s rebirth.
Eric Clapton – No Reason to Cry (1976) Billy lent keyboard work to this bluesy, laid-back album recorded in The Band’s studio.
The Rolling Stones – Black and Blue (1976) Played funky clavinet and organ on tracks that experimented with reggae and disco.
The Rolling Stones – Love You Live (1976) His live contributions captured the Stones’ swagger in real time.
Sgt. Pepper’s Lonely Hearts Club Band (Film) – (1978) Played and acted as “Sgt. Pepper” in this Beatles-inspired cinematic spectacle.
The Rolling Stones – Tattoo You (1981) Added organ to an album built from a decade of vault material.
George Harrison – Gone Troppo (1982) Billy’s electric piano grounded Harrison’s breezy pop explorations.
Luther Vandross – “Til My Baby Comes Home” (1985) Brought a gospel touch on organ to this sultry R&B hit.
Little Richard – “Great Gosh A’Mighty” (1986) Co-wrote this joyful return to form for Little Richard.
Hank Crawford & Jimmy McGriff – Steppin’ Up (1987) Played piano on this rich, swinging soul-jazz collaboration.
Ringo Starr – Ringo Starr and His All-Starr Band (1990) Joined the tour as keyboardist and vocalist.
Jovanotti – Giovani Jovanotti (1990) Added keys and Fender Rhodes to this energetic Italian pop album.
Red Hot Chili Peppers – “Show Me Your Soul” (1990) Joined the Chili Peppers on this rare groove track.
Mick Jagger – Wandering Spirit (1993) Featured on five tracks including “Sweet Thing” and “Use Me,” giving Jagger’s solo effort serious soul.
Jephté Guillaume – Voyage of Dreams (1996) Played organ and strings on several tracks, blending Afro-Caribbean grooves with funk.
Donnie McClurkin – Donnie McClurkin (1996) Brought his gospel organ back to church for this Grammy-winning artist.
Helen Baylor – Love Brought Me Back (1996) Played soulful organ on this gospel return album.
Jaguares – El Equilibrio de los Jaguares (1996) Added Hammond B3 to “Detrás de los Cerros,” bringing warmth to Latin rock.
Me’shell Ndegeocello – Peace Beyond Passion (1996) Played keys on “Deuteronomy: Niggerman,” fusing funk and spoken word.
The Rolling Stones – Bridges to Babylon (1997) Laid down organ on “Saint of Me,” deepening the groove.
Juana La Loca – Estas en mí (1997) Contributed piano to this atmospheric Argentinian rock album.
Richie Sambora – Undiscovered Soul (1998) Provided support on this introspective solo effort by the Bon Jovi guitarist.
Fastball – The Harsh Light of Day (2000) Played keys on “You’re An Ocean,” giving it bounce and swing.
Elton John – Songs from the West Coast (2001) Played Hammond organ on several tracks including “I Want Love.”
Nikka Costa – Everybody Got Their Something (2001) Played clavinet on this funk-fueled breakthrough.
Eric Clapton – Reptile (2001) Continued their long collaboration with lush keyboard work.
Eric Clapton – One More Car, One More Rider (2001) Live DVD featured Billy’s own “Will It Go Round in Circles.”
Joni Mitchell – Travelogue (2002) Played Hammond B3 on “You Dream Flat Tires,” adding subtle resonance.
Johnny Cash – American IV: The Man Comes Around (2002) Played piano on “Tear Stained Letter” and “Personal Jesus.”
George Harrison – Concert for George (2002) Performed live on “Isn’t It a Pity” and “My Sweet Lord.”
Donnie – The Colored Section (2003) Played Hammond B3 on the album’s final track.
Jet – Get Born (2003) Contributed keyboard textures to this breakout rock debut.
Eric Clapton – Me and Mr. Johnson (2004) Backed Clapton on this tribute to blues legend Robert Johnson.
Eric Clapton – Crossroads Guitar Festival (2004) Played and appeared in this historic guitar showcase.
Ray Charles – Genius Loves Company (2004) Joined Charles for a heartfelt collaboration on this Grammy-winning record.
Julia Fordham – That’s Life (2004) Added depth and texture with tasteful keys.
Neil Diamond – 12 Songs (2005) Helped bring Rick Rubin’s minimalist vision to life with rich keyboard tones.
Eric Clapton – Back Home (2005) Returned again for another round of soul-stirring session work.
Ringo Starr – Choose Love (2005) Contributed keys to this optimistic, pop-leaning record.
George Harrison – The Concert for Bangladesh (2005 Remaster) Featured again in the remastered version of the historic live album.
Various Artists – I Believe to My Soul (2005) Performed alongside Mavis Staples, Ann Peebles, and Allen Toussaint.
Rebecca Pidgeon – Tough on Crime (2005) Added keyboard flourishes to this moody, literate album.
Red Hot Chili Peppers – Stadium Arcadium (2006) Played on “Warlocks,” giving the track vintage swagger.
Eric Clapton & J.J. Cale – The Road to Escondido (2006) Played soulful keys on this rootsy collaboration.
Sam Moore – Overnight Sensational (2006) Played Hammond B3 and sang on a version of “You Are So Beautiful.”
Is’real Benton – Reach (2007) Played organ on “Have a Good Time.”
Howard Hewett – Imagine (2007) Brought his unmistakable organ tone to this smooth R&B effort.
The Rolling Stones – Brussels Affair (Live 1973) (2011) Live recordings showcased his funky, hard-driving keys.
The Rolling Stones – L.A. Friday (2012) Featured in another live vault release full of soul and swagger.
The Rolling Stones – Goats Head Soup (Deluxe) (2020) Reintroduced with remastered grooves from his original 1973 sessions.
The Rolling Stones – El Mocambo 1977 (2022) Unearthed live show captures Billy’s tight chemistry with the Stones.
Billy Preston was a collaborator’s dream—supportive, expressive, and endlessly creative. From soul to rock, gospel to funk, his fingerprints are on the music that shaped generations. This is a tribute to every note, every groove, and every grin he brought to the studio.
Dr. John was a walking, talking, piano-playing embodiment of New Orleans—funky, mystical, and full of heart. With a career that spanned decades and genres, he gave us so much more than “Right Place, Wrong Time.” He was a storyteller, a healer, a Night Tripper, and a king of cool. Here are five lesser-known facts about the man born Malcolm John Rebennack Jr. that’ll make you love him even more.
1. He Wanted a Friend to Be Dr. John First Before he ever wore the feathered headdress or conjured swampy magic on stage, Dr. John wasn’t supposed to be Dr. John. The persona was originally dreamed up for his friend Ronnie Barron. Barron was going to be the frontman of a wild new stage show inspired by New Orleans voodoo legends. But when Barron dropped out, Rebennack stepped in and the Night Tripper was born. He didn’t just take on the character—he became it.
2. He Once Got Kicked Out of Choir—Then Played With the Greats As a kid, Dr. John didn’t exactly fit into choir robes. He was kicked out of choir early on, but that didn’t stop him. By his teens, he was jamming with local legends in clubs and learning from the likes of Professor Longhair. Soon enough, he was recording music professionally, working alongside the likes of Little Richard and Guitar Slim. The kid who got tossed out of school ended up becoming one of the most respected musicians in the world.
3. He Lost a Finger—but Found His Sound A teenage Dr. John made his name on guitar, not piano. That changed one night during a scuffle at a gig in Florida when he was shot in the hand. The injury made it impossible to keep playing guitar the same way. Instead of quitting, he switched instruments—first to bass, and then to piano. That’s when the Dr. John style we know today began to bloom: funky, fluid, and deeply New Orleans.
4. His Tribute to Louis Armstrong Came to Him in a Dream In 2014, Dr. John released Ske-Dat-De-Dat: The Spirit of Satch, a joyful and heartfelt tribute to Louis Armstrong. The inspiration? According to Dr. John, Satchmo himself came to him in a dream and said, “Do my music your way.” And he did. The album reimagined Armstrong’s classics with gospel, funk, and jazz flourishes, all stamped with that unmistakable New Orleans groove.
5. He Made the Bonnaroo Festival Name Famous Before the Festival Did Before 80,000 people were dancing in the Tennessee dust each summer, Desitively Bonnaroo was a 1974 album by Dr. John, produced with Allen Toussaint and backed by The Meters. The name “Bonnaroo” comes from Creole slang meaning “the best on the street,” and it perfectly summed up the vibe. When the modern Bonnaroo Festival launched in 2002, they named it in honor of that album and that spirit. Dr. John wasn’t just part of history—he helped name it.
Dr. John left us on June 6, 2019, but his music, his magic, and his message live on. He brought New Orleans to the world, not with fireworks, but with a funky shuffle and a knowing grin. Whether you first heard him on The Last Waltz, spinning Gris-Gris on vinyl, or singing in The Princess and the Frog, there’s always more to discover in his musical gumbo. Laissez les bons temps rouler, Mac.
Gambling can be an exciting and entertaining activity, but for some, it can turn into a serious addiction with financial and emotional consequences. Understanding the risks and recognizing the signs of gambling addiction is crucial to promoting responsible gaming and preventing harmful behaviors.
How Gambling Addiction Develops
Gambling addiction, also known as compulsive gambling, occurs when a person loses control over their betting habits. This condition is often fueled by psychological factors such as the thrill of winning, the desire to recover losses, or the false belief that luck will eventually turn in their favor.
Over time, compulsive gamblers may experience financial difficulties, strained relationships, and emotional distress. The inability to stop betting, even when facing negative consequences, is a clear indicator of addiction.
Signs of Gambling Addiction
Some common signs of gambling addiction include:
Loss of control: Inability to limit betting amounts or stop gambling.
Financial problems: Borrowing money or selling possessions to continue gambling.
Neglecting responsibilities: Ignoring work, family, or social obligations due to gambling.
Emotional distress: Anxiety, depression, or frustration linked to betting outcomes.
The Role of Responsible Gambling Platforms
Many betting platforms are taking steps to promote responsible gambling and provide support for those struggling with addiction.La Tri Ecuador, for example, encourages users to set betting limits and access resources for responsible gaming. These initiatives help create a safer environment for players while minimizing the risks associated with compulsive gambling.
How to Prevent Gambling Addiction
To avoid falling into harmful betting habits, consider the following strategies:
Set limits: Establish a budget and stick to it.
Recognize warning signs: Be aware of behaviors that indicate loss of control.
Seek support: If gambling is affecting your life, reach out to professionals or support groups.
Take breaks: Avoid excessive gambling sessions and engage in other activities.
Conclusion
Gambling addiction is a serious issue that requires awareness and preventive measures. By recognizing the risks and promoting responsible gaming, individuals can enjoy betting as a form of entertainment without falling into harmful patterns. Platforms like La Tri Ecuador play a crucial role in fostering a safe and responsible gambling environment.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
When Eminem released The Slim Shady LP in 1999, he changed the sound and attitude of mainstream rap forever. With dark humor, brutally honest lyrics, and wild imagination, Eminem introduced the world to his alter ego Slim Shady and never looked back. This album gave hip-hop a jolt of energy, shock, and talent that no one saw coming.
1. “My Name Is” was finished in one hour On Eminem’s very first day working with Dr. Dre, the two created “My Name Is” in about 60 minutes. Dr. Dre built the beat, Eminem freestyled over it, and the song came together almost instantly. This fast-paced collaboration showed how naturally they worked together. The song became Eminem’s first Billboard hit and introduced Slim Shady to the world.
2. Hailie’s voice was recorded without Kim knowing Eminem’s daughter Hailie appears on the track “’97 Bonnie & Clyde.” At the time, Eminem was not on good terms with Kim. He told her he was taking Hailie to Chuck E. Cheese, but instead brought her to the studio to record vocals. Kim only found out after the song was finished. Eminem later said he planned to explain everything to Hailie when she got older.
3. A prank call turned into the Ken Kaniff character The skit featuring Ken Kaniff started as a prank call recorded by Detroit rapper Aristotle. After a falling out between the two, Eminem took over the Ken Kaniff role himself on future albums. The character became a recurring part of Eminem’s storytelling. Ken Kaniff appeared again in Eminem’s 2024 album, showing just how long the joke lasted.
4. Zoe Winkler’s voicemail became a skit One of the skits on the album features a voicemail from Zoe Winkler, daughter of actor Henry Winkler. She was upset by Eminem’s music and left a message for her friend about it. Instead of being offended, Eminem asked her for permission to use the message on the album. She agreed, and it became part of the final tracklist.
5. The bassline in “My Name Is” nearly got scrapped The famous bassline in “My Name Is” comes from Labi Siffre’s 1975 song “I Got The.” Siffre only allowed it to be used after Eminem agreed to remove homophobic and sexist lyrics from the song. Without that approval, the song might have been completely different. Eminem’s team re-recorded the riff with musicians to meet the request, keeping the heart of the sample intact.
The Slim Shady LP became a cornerstone of hip-hop and launched one of the most unique voices the genre has ever heard. These stories behind the music show just how raw, strange, and brilliant that breakthrough moment really was.
Fresh off the release of his new single, “Seventeen,” impacting country radio July 14, gale force vocalist and Columbia Nashville singer-songwriter Kameron Marlowe announces today his headline Seventeen Tour.
With support from country upstarts Lauren Watkins and Dalton Davis, the trek goes coast – to Canada – to coast, with festival stops in Virginia and Pennsylvania to headline shows in Charleston, Fayetteville, Calgary, Vancouver, Albuquerque, Los Angeles, and more.
“I am so excited to be back out west and in Canada this fall. The last time we were in Canada, we were out with Thomas Rhett in below freezing temperatures. Now, we are back with new music and hopefully some better weather,” says Marlowe. “We’ve really been looking forward to these shows and I can’t wait to meet y’all soon!”
Tickets for Kameron Marlowe’s headline Seventeen Tour go on-sale this Friday, June 6, at 10 A.M. local time, with select pre-sales launching throughout the week.
On Friday (5/30), Marlowe released the tour’s namesake single, “Seventeen” – a dose of carefree nostalgia with “a catchy hook and killer production that will undoubtedly rip at festivals this summer” (Country Central).
Country Now praises how “Marlowe effortlessly captures the feeling of being young and carefree at 17 years old while exploring a coming-of-age story with a touch of bittersweet realization,” and Entertainment Focus calls out how “Marlowe says this summer is all about fun, and ‘Seventeen’ delivers just that.”
FALL 2025 SEVENTEEN TOUR DATES
8/16: Baton Rouge, LA – Texas Club^
8/28: Woodstock, VA – Shenandoah County Fair 2025+
8/30: Meshoppen, PA – Wyoming County Community Fair+
9/12: Franklin, OH – JD Legends^
10/5: Charleston, SC – The Refinery Charleston^
10/19: Billings, MT – Pub Station – Ballroom^
10/21: Edmonton, AB – Midway Music Hall^
10/22: Calgary, AB – The Palace Theatre^
10/24: Vancouver, BC – Vogue Theatre^
10/26: Garden City, ID – Revolution Concert House*
10/28: Sacramento, CA – Channel 24*
10/30: San Diego, CA – Humphreys Concerts by the Bay*
Today, two-time GRAMMY Award-winning record-breaking global superstar Sabrina Carpenter ushers in a new chapter with her single “Manchild” via Island Records – listen here. Sabrina wrote “Manchild” alongside her frequent collaborator, Amy Allen and also joined forces once again with Jack Antonoff for the single. Both GRAMMY Award winners, Amy and Jack previously worked with Sabrina on Short n’ Sweet.
This new single and chapter follow a revolutionary year for Sabrina, which saw unparalleled success. Sabrina released her groundbreaking album last August, Short n’ Sweet, which topped the charts worldwide and had one of the biggest global debuts of 2024. Upon release, the album’s opening track, “Taste,” captured #1 on Spotify’s US chart, dethroning Sabrina’s own “Please Please Please” and making it the 3rd song off her album to hit #1. ‘Short n’ Sweet also became the 1st album with 4 Pop Airplay No. 1’s since Taylor Swift. In addition to topping the charts, all three singles off the album, “Espresso” (2.2 billion), “Please Please Please” (1.4 billion), and “Taste” (1 billion) entered the coveted Billions Club on Spotify. The album as a whole garnered Sabrina six GRAMMY nods as a first-time GRAMMY nominee and won two awards for her GRAMMY debut. Sabrina took home the “Best Pop Vocal Album” award for Short n’ Sweet along with “Best Pop Solo Performance” for the album’s lead single, “Espresso.” She also made her debut on the GRAMMY’s stage with a medley of her smash singles “Espresso” and “Please Please Please.” Following the GRAMMYs, Sabrina released Short n’ Sweet (Deluxe), which featured five additional songs, including a duet with global icon Dolly Parton on “Please Please Please” and “Busy Woman” which Sabrina debuted live on her sold-out headlining arena tour.
On a global scale, Sabrina made history by becoming the first-ever female artist to occupy the entire top three of the UK Singles Chart, with “Taste,” “Please Please Please,” and “Espresso” holding the top positions concurrently. She also set a new record for the most weeks at #1 by a female artist in a single year on the Official UK Singles Chart, amassing 21 weeks at the top spot. To add to the trend of setting unprecedented milestones, she also became the first international artist to receive the Global Success award at The BRITs.
This fall, Sabrina will return with a second sold-out North American leg for her highly acclaimed Short n’ Sweet Tour, which kicks off October 23rd in Pittsburgh and will hit arenas in New York, Nashville, Toronto, and Los Angeles. Sabrina will have a five-night run at Madison Square Garden in New York and a six-night run at Crypto.com Arena in Los Angeles, where the tour will wrap on November 23rd. The second leg follows the incredibly successful 33-date sold-out North American leg, which wrapped last November, and the sold-out European leg, where additional shows were added in four cities due to demand.
Last month, Sabrina attended her third MET Gala in a custom Louis Vuitton look. She also appeared on SNL earlier this year for their 50th anniversary special, where she sang “Homeward Bound” with Paul Simon and starred in a remake of the fan favorite “Domingo” sketch. Sabrina made her SNL debut as the musical guest for the season finale last May. She recently graced the cover of Vogue US for the first time – see the cover/read the feature here.
Two-time GRAMMY award winner, Sabrina Carpenter, has enchanted an audience of millions as a singer, songwriter, actress, and style icon. With her music, she has delivered one anthem after another on stage and in the studio, earning multiple gold and multi-platinum certifications, and performing to sold-out crowds worldwide. On-screen, she has generated mega-fandom through starring roles on television and film. She is signed to Island Records, where she debuted her acclaimed Gold-certified fifth studio album, emails i can’t send, which appeared on many “Best Of 2022” lists, including Rolling Stone and Billboard. The album features her hit single “Feather,” which went #1 at Top 40 Radio, earning Sabrina her first #1. Her sold-out emails i can’t send tour took her to North America, Europe, Asia and Brazil, and she recently served as direct support for Taylor Swift in Latin America, Australia, and Singapore on the Eras Tour. In April, Sabrina made her Coachella debut and was one of the most talked-about artists of the festival. Ahead of her Coachella debut, she released her single “Espresso,” which quickly climbed the charts. Upon release, Pitchfork declared “Espresso” as “in pole position to be this year’s song of the summer,” and The New York Times heralded the single as the song ready to “propel her to the next level”. Since its release, “Espresso” has gone on to reach #1 on the UK & Australian singles charts, Top 5 in the US, and #1 on Spotify globally, where it reached over 200M streams within its first month. Her second single, “Please Please Please,” was released in June and shot straight up to the top of the charts. The single hit #1 on Spotify’s Global and US charts, #1 on Apple Music, and debuted at #2 on the Billboard Hot 100 before claiming the #1 spot a week later and went #1 at US Pop Radio. Sabrina made her Saturday Night Live debut in May on the season finale where she performed “Espresso” and “Feather/Nonsense.” In August, she released her highly anticipated sixth studio album, Short n’ Sweet. The album was instantly met with an outpouring of critical acclaim from the likes of the New York Times, Rolling Stone, Pitchfork, Variety, and many more. The album debuted at #1 on the Billboard 200, making it the 3rd biggest first week debut in the US in 2024, and became only the second album that year to spend its first three weeks atop the list. Short n’ Sweet also topped the charts around the world, reaching #1 in UK, Canada, Australia, Spain, and France. The album earned Sabrina an impressive six GRAMMY nominations as a first-time nominee. Short n’ Sweet took home the GRAMMY Award for Best Pop Vocal Album and Sabrina also won the “Best Pop Solo Performance” GRAMMY Award for the album’s lead single “Espresso.” She made her debut at the 67th GRAMMY Awards with a captivating performance of “Espresso/Please Please Please.” Last Fall, Sabrina wrapped the 33 date North American leg of her monumental sold-out Short n’ Sweet Tour and recently wrapped the sold-out European leg. Later this year, Sabrina will return for a second North America leg that includes six shows at Crypto.com Arena in Los Angeles and five shows at Madison Square Garden in New York.
Continuing a banner year earmarked by breakout moments and critical acclaim, Platinum-certified Cuban-American singer, songwriter, and producer Gigi Perez will hit the road this fall on her “At The Beach, In Every Life” Tour. The announcement includes dates in Boston, Philly, Charlotte, Oakland, and will conclude on October 21 in Los Angeles, CA at The Wiltern. Presale tickets and VIP packages go live on Wednesday, June 4 at 10am local time with all tickets going on sale Friday, June 6 at 10am local time. Sign up for early access to presale tickets at https://shop.gigiperezmusic.com/pages/tour
Upholding her commitment to mental health, Gigi has pledged $1 dollar from every ticket sold to support Backline- a non-profit that connects music industry professionals and their families with mental health and wellness resources.
Perez will be touring in support of her unanimously praised debut album, At The Beach, In Every Life, available now via Island Records. At The Beach, In Every Life has accelerated her rapid rise. Beyond major pieces in Rolling Stone and more, The New York Times recently profiled her in an extensive feature and spotlighted the LP as “a tribute to her lost sister, and an attempt to make sense of a few rudderless years.” Billboard noted the record “finds Perez navigating love, grief, and self-possession.” People spoke to her and raved, “Within the album’s 12 poetic tracks, Perez-who came out as a lesbian at 17- explores her relationship with sexuality, religion, and love with a Jeff Buckley-meets-Alanis Morissette-like flair.” It’s no wonder Holler called her a “folk-leaning prodigy,” and Variety attested, “She’s a versatile and powerful singer,” going on to predict, “With that kind of range in songwriting and sound, it seems Gigi Perez is just getting started.”
These twelve tracks traverse a living and breathing soundscape stitched together by unfaded memories and true confessions of loss, lust, heartbreak, sorrow, anxiety, joy, and, ultimately healing. Among many highlights, upbeat strumming flows through “Sugar Water” with wavy strings and swooning harmonies. Reaching for emotional clarity, she proclaims, “It’s hard to ever feel intact. It’s hard to never want it back.” On “Normalcy,” guitar comes into focus out of the haze as her high register warbles, “I guess it’s been nice hearing from you.”
A pulsating beat evocative of old-school industrial surges on the interlude “Survivor’s Guilt.” Echoes of minor chords boost her vocals during “Please Be Rude.” Bringing the audience into the moment, she recalls, “I stared at you the way I do when I want something else from you.” The title track, “At The Beach, In Every Life,” encapsulates all of these feelings-like tucking away a message in a bottle and waiting for it to find its island. A swinging rhythm seethes, and she promises, “If my dreams come up empty and I wash up on the shore. You would find me at the beach in every life, through every door.”
This passionate, poetic, and powerful body of work opens up her world; holding nothing back, she processes the aftermath of losing her beloved sister, nostalgically recalls her childhood by the beach in Florida, wrestles with faith, belief, and religion, and grows accustomed to love. She not only recorded the album in the cozy confines of her home studio in Royal Palm Beach, but she also served as its Executive Producer, helming the entire vision. Providing a sense of cohesion, real voice memos from Gigi’s late sister Celene thread together the record’s themes and stories.
The buzzing singer-songwriter, a New York/New Jersey native raised in West Palm Beach, Florida, made her debut on the Billboard Hot 100 with “Sailor Song.” The single made its debut on the chart in August, where it continued to climb for a total of 39 weeks and global streams have surpassed 1 billion. The song has also reached Top 5 on Spotify’s US charts, Top 10 on Spotify’s Global chart, and TOP 5 at AAA Radio.
In less than a year, Gigi is at the forefront of culture on her own terms. Rolling Stone touted her among “2025 Pop Acts to Watch,” asserting, “Gigi Perez is on track to become a household name this year.” Billboard chronicled her rise, placing her among its “10 LGBTQ+ Artists to Watch in 2025,” going on to predict, “Perez is on the precipice of having an even bigger breakthrough in 2025,” while BBC put it best, “And with that ability to reach people in their most vulnerable moments, it won’t be long before Gigi sees her name tattooed on many more arms.” In February, Gigi made her debut on The Tonight Show Starring Jimmy Fallon on NBC with a stunning rendition of “Sailor Song.” HOLLER. professed, “Gigi Perez’s captivating performance on The Tonight Show Starring Jimmy Fallon consolidates her position as one of the most exciting new voices in the folk-pop genre, with the sense of anticipation continuing to sky-rocket…” She also took the TODAY Show stage, leading up to the album release, to perform “Sailor Song” once again.
Impressively now averaging over 30 million monthly listeners on Spotify, inciting tastemaker applause, and selling out shows, it’s just the beginning for Gigi Perez.
PREVIOUSLY ANNOUNCED TOUR DATES
6/10 Camden, NJ Freedom Mortgage Pavilion* 6/12 Ridgedale, MO Thunder Ridge Nature’s Arena* 6/14 Manchester, TN Bonnaroo Music and Arts Festival 6/18 Columbus, OH Historic Crew Stadium* 6/20 Milwaukee, WI Summerfest 2025 6/21 Saratoga Springs, NY Broadview Stage at SPAC 6/23 Boston, MA Fenway Park* 6/24 Boston, MA Fenway Park* 7/2 Gdynia, Poland Open’er 7/4 London, UK British Summer Time w/ Noah Kahan 7/6 Finland Ruisrock Festival 7/18 St. Paul, MN Minnesota Yacht Club 7/20 Denver, CO Dick’s Sporting Goods Park* 7/24 Tinley Park, IL Credit Union 1 Amphitheatre* 7/25 Tinley Park, IL Credit Union 1 Amphitheatre* 7/27 Fargo, ND Fargodome* 8/1 Chicago, IL Lollapalooza Festival 8/2 St.Charles, IA Hinterland Music Festival 8/3 Montreal, QC Osheaga Festival 8/7 South Lake Tahoe, NV Lake Tahoe Outdoor Arena at Harveys* 8/8 South Lake Tahoe, NV Lake Tahoe Outdoor Arena at Harveys* 8/12 Portland, OR Moda Center* 8/14 Seattle, WA T-Mobile Park* 9/10 Toronto, ON Rogers Stadium* 9/13 Asbury Park, NJ Sea Hear Now Festival 9/16 Bristow, VA Jiffy Lube Live* 9/17 Bristow, VA Jiffy Lube Live* 9/19 Hershey, PA Hersheypark Stadium* 9/21 St Augustine, FL Sing Out Loud Festival 9/23 New Orleans, LA Smoothie King Center 9/26 Queens, NY All Things Go NYC Festival 9/27 Columbia, MD All Things Go DC Festival 9/28 Bridgeport, CT Soundside Festival 10/5 Austin, TX Austin City Limits 10/12 Austin, TX Austin City Limits *Supporting Hozier
AT THE BEACH, IN EVERY LIFE TOUR 10/15 Boston, MA Citizens House of Blues 10/16 Philadelphia, PA Franklin Music Hall 10/18 Charlotte, NC The Fillmore Charlotte 10/20 Oakland, CA Fox Theater 10/21 Los Angeles, CA The Wiltern
