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Irish Blues-Rock Artist Gráinne Duffy Releases Powerful New Album ‘What Am I Supposed To Do’

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Gráinne Duffy has released ‘What Am I Supposed To Do,’ her new album, alongside the title track and its accompanying video. The Irish blues-rock artist recorded the album at 64 Sound Studio in Los Angeles, co-produced by Justin Stanley and Marc Ford of The Black Crowes, and the results are the most expansive work of her career.

The title track sets the tone immediately. Built on a driving guitar riff and emotionally charged lyrics, the song moves between personal unrest and the chaos of the wider world. Duffy explains the duality directly: “There is a sense of reflection here between the madness outside in the world and something that is also in flux or in need of repair on the inside emotionally.” The opening line, “Whole world is crazy, fallin’ down outside,” was written while wildfires swept through Los Angeles during the January 2025 sessions. Context shaped the song in real time.

Legendary drummer Kenny Aronoff, whose credits include John Mellencamp, Bob Dylan, Bruce Springsteen, and Paul McCartney, performs on the record and described the title track as “a mix of U2 and The Rolling Stones.” That framing captures the album’s ambition: expansive rock energy rooted in genuine blues and soul. The full lineup is formidable, with bassist Jørgen Carlsson of Gov’t Mule, keyboardist Peter Levin, Ford, and Duffy’s longtime collaborator Paul Sherry all contributing.

Raised in County Monaghan, Ireland, Duffy came up on Johnny Cash, Dolly Parton, B.B. King, and Fleetwood Mac. Those influences don’t compete in her music; they coexist naturally, which is what makes her sound so difficult to replicate. She released her debut ‘Out of the Dark’ in 2007, with The Sunday Times calling her “a blues singer of real integrity.” Subsequent albums ‘Test of Time’ (2011) and ‘Where I Belong’ (2017) built her following across Europe and North America.

Her 2020 release ‘Voodoo Blues’ broke into the UK IBBA Top 10 and the U.S. Roots Music Report Top 50, earning her the Independent Blues Award for Best Modern Roots Artist in 2021. ‘Dirt Woman Blues’ (2023) went to number 1 on the U.S. Roots Music Report and held that position for 7 consecutive weeks. The trajectory has been consistent and deliberate.

‘What Am I Supposed To Do’ is the natural next step from an artist who has never chased trends or reinvented herself for the sake of it. Duffy follows instinct, emotion, and song. The album is out now.

Polaris Music Prize Teams With NXNE to Reveal 2026 Album Long List for the First Time Ever

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The Polaris Music Prize is doing something it has never done before. For the first time in the award’s history, the 2026 Album Long List reveal will take place as part of a festival, with Polaris teaming up with NXNE to announce the 40 nominated records on Thursday, June 11 at NXNE’s Artist House at Toronto’s Centre for Social Innovation, 192 Spadina Avenue. The event is open to NXNE artists and VIP and Platinum pass holders based on capacity.

The Long List announcement kicks off a full season of key Polaris dates running through September, culminating in the Polaris Concert & Award Ceremony on September 22 at Massey Hall, returning to that stage for the fourth consecutive year. The night will feature a genre-spanning, one-night-only lineup of performers, to be announced in July. Tickets are on sale now through the Massey Hall box office, with 15% off available using the promo code POLARIS15.

The Polaris Prize has a track record that speaks for itself. Past Album Prize winners include Yves Jarvis (2025), Jeremy Dutcher (2024), Debby Friday (2023), Pierre Kwenders (2022), Cadence Weapon (2021), Backxwash (2020), Haviah Mighty (2019), Lido Pimienta (2017), Kaytranada (2016), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), and Patrick Watson (2007), among others. The list maps twenty years of the most vital Canadian music made.

Pop Montreal has also dropped its first wave of 2026 performers, with Polaris alumni and community members well represented, including Think About Life, Chad VanGaalen, Plants and Animals, Spencer Krug, La Sécurité, Charlotte Cornfield, Julie Doiron, Klô Pelgag, Basia Bulat, Shad, and more. With NXNE running June 10 to 14 across 30-plus Toronto venues and Pop Montreal to follow, the argument for a Toronto-to-Montreal road trip this summer is strong.

Key 2026 Polaris Dates:

Thursday, June 11 – 40 Album Long List announced at NXNE

Wednesday, June 24 – 20 Song Long List announced

Thursday, July 9 – 10 Album Short List announced

Wednesday, July 29 – 5 Song Short List announced

Wednesday, August 5 – Heritage Prize nominees announced, public voting opens

Friday, August 21 – Heritage Prize public voting closes

Tuesday, September 22 – Polaris Concert & Award Ceremony at Massey Hall

Throughout September – Polaris Festival (programming to be announced)

Rhiannon Giddens Launches Biscuits & Banjos Foundation to Champion African Diaspora in American Culture

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Rhiannon Giddens has announced the Biscuits & Banjos Foundation, a new nonprofit organization celebrating the African diaspora’s role in creating American identity and culture through music, literature, food, and community. The Foundation envisions a world where the full story of American music, literature, food, and culture is told—and where the communities that created it are resourced, visible, and thriving.

Giddens revealed the Foundation during her sold-out hometown performance at DPAC in Durham, NC on April 27—a concert that also marked the one-year anniversary of the Biscuits & Banjos festival, which brought thousands to Durham in 2025 for a citywide celebration of Black music, art, and culture.

Building on the mission-oriented work that has defined Giddens’ career, the Biscuits & Banjos Foundation will serve as a long-term home for cultural work that is too often unpaid or underfunded—investing in Black-led traditions and the artists, culture bearers, educators, and communities who sustain them.

The Foundation curates programming that traces the roots of American music and culture back to the people and communities of the African diaspora—contributions that have been erased, exploited, or forgotten. Through concerts, community gatherings, educational projects, funding initiatives, and partnerships with artists and organizations across the country, the Biscuits & Banjos Foundation creates opportunities for audiences to engage with a fuller, more honest history of American culture, while taking meaningful action to support the communities it comes from.

As an initial initiative, the Foundation will provide Black music education organizations with banjos, expanding access to instruments and supporting the next generation of players and tradition-bearers; invest directly in Black-led artistic programming, with a focus on traditions rooted in folk, old-time, country, and roots music; support cultural education through grants, sponsorships, and partnerships with mission-aligned artists and teachers; produce and support community engagement events that pair music with food, storytelling, and dialogue—experiences rooted in place and designed to strengthen connections between audiences and local communities; partner with organizations doing parallel work in cultural preservation and community resourcing.

Biscuits & Banjos traces back to the 2005 Black Banjo Gathering in Boone, NC—the event that led to the origin of the Carolina Chocolate Drops and where Giddens met and learned from legendary fiddler Joe Thompson, who passed down songs, traditions, and stories he received from elders before him.

That gathering underscored the vital contributions of Black voices in American roots music—contributions that have long been subject to attempts at erasure. Combating that erasure has been central to Giddens’ work from the beginning, honoring and uplifting Black artists, storytellers, authors, and culture bearers.

For the twentieth anniversary of the Black Banjo Gathering, Giddens curated the inaugural Biscuits & Banjos Festival in Durham in 2025. Over three days, the city hosted performances, workshops, jam sessions, culinary events, films, readings, square dances, and panels—with the centerpiece being a reunion of the Carolina Chocolate Drops for the first time in over a decade. The Biscuits & Banjos Foundation carries that spirit forward year-round.

The Biscuits & Banjos Foundation was launched with the generous support of partners who believe in this work and helped make the 2025 founding event possible. Major support for the launch of Biscuits & Banjos was provided by WMG BFF Social Justice Fund, Ford Foundation, North Carolina Department of Natural and Cultural Resources, Duke Arts and Duke Community Affairs, Tejemos Foundation, Harper House Music Foundation, Red Light Management, Smithsonian Folklife Festival, Danielle Rose Paikin Foundation, Mary Duke Biddle Foundation, City of Durham, and Durham County, along with a host of additional generous individual donors, foundations, sponsors, and civic partners.

TikTok’s Add to Music App Hits 6 Billion Track Saves With Sienna Spiro Leading the Way

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TikTok’s Add to Music App has crossed 6 billion track saves in the past 12 months, and the numbers behind that milestone tell the story of how music discovery actually works in 2026. The feature, which allows users to save songs discovered on TikTok directly to streaming services including Spotify, Apple Music, and Amazon Music, has become one of the most consequential tools in the modern music industry.

Topping the global list of most-saved tracks over the past year is “Die On This Hill” by Sienna Spiro, a full-scale phenomenon driven entirely by the TikTok community. The track generated over 6 million user creations, 16 billion video views, and 385 million streams on Spotify. It charted at number 9 on the UK Official Singles Chart and number 19 on the Billboard Hot 100, with high-profile covers from P!nk and Demi Lovato, and a duet with Sam Smith adding further reach.

At number 2 is “Raindance” by Dave featuring Tems, one of the defining UK tracks of the past year with over 475 million Spotify streams. The track reached number 1 in the UK, made Dave the UK rapper with the most number ones this decade, and broke into Brazil’s Spotify Top 100, making him the first UK rapper to ever accomplish that. It’s also climbing the Billboard Hot 100 while Dave is currently on tour in the US.

The full Top 20 list spans BTS, Taylor Swift, Radiohead, Frank Ocean, Sabrina Carpenter, Tyler the Creator, Dominic Fike, and more, a cross-genre snapshot of how discovery on TikTok translates directly into mainstream chart performance and streaming revenue.

Tracy Gardner, Global Head of Music Business Development at TikTok, framed the milestone plainly: “Generating over 6 billion track saves, and many multiples more in streams, in a single year shows how powerful our platform is at driving music discovery among our community, and how seamlessly we are converting intent into streaming, chart success, and revenue for artists and their partners.”

TikTok Add to Music App, Global Top 20 Most-Saved Tracks (April 2025 to April 2026):

  1. Die On This Hill – SIENNA SPIRO
  2. Raindance – Dave (ft. Tems)
  3. SWIM – BTS
  4. The Fate of Ophelia – Taylor Swift
  5. I Thought I Saw Your Face Today – She & Him
  6. So Far So Fake – Pierce The Veil
  7. Shake It to The Max – MOLIY & Skillibeng & Shenseea
  8. What You Saying – Lil Uzi Vert
  9. Love Me Not – Ravyn Lenae
  10. Babydoll – Dominic Fike
  11. Let Down – Radiohead
  12. White Keys – Dominic Fike
  13. You Stole The Show – SIENNA SPIRO
  14. Sugar On My Tongue – Tyler, The Creator
  15. Stateside – Zara Larsson & PinkPantheress
  16. Nights – Frank Ocean
  17. Iloveitiloveitiloveit – Bella Kay
  18. So Easy (To Fall In Love) – Olivia Dean
  19. Tears – Sabrina Carpenter
  20. What’s Up? – 4 Non Blondes

South Korean Indie Rockers Wave to Earth Announce Global “The Pieces Tour” and New Album

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resh off the heels of their new song “heaven and hell,” South Korean indie rock band wave to earth confirms an extensive global tour and album are on the way.

the pieces tour,” promoted by Live Nation, will begin September 4 in Vancouver, with stops in 21 cities across North America including Chicago, Boston, Minneapolis, Seattle, San Francisco, Atlanta, Austin and more, with stops at New York City’s iconic Radio City Music Hall and Los Angeles’ Greek Theatre.


The tour will also see shows in Bangkok, Hong Kong, Singapore, Tokyo and more across Asia this November. Complete list of dates below.

Fans can sign up now HERE to access the Seated registration pre-sale beginning on Wednesday, May 20 at 10am local time. The general on-sale will begin Thursday, May 21 at 10am local time at livenation.com.

The acclaimed band—a trio of Daniel Kim, John Cha, Dong Q—confirm a new album is on the way this summer. Stay tuned for further details.

The trio debuted in 2019 and have gone on to captivate a global audience—selling out shows across North America, Europe, and Asia. Their latest single “heaven and hell” is the first taste of new music since play with earth! 0.03 (2024). The EP debuted at #5 on Spotify’s Top Albums Debut Global Chart and found the band on a fully sold-out tour across North America.

They have released EPs wave 0.01 (2020) and summer flows 0.02 (2020), and their first full-length album, 0.1 flaws and all (2023) arrived following signing to independent label, WAVY. The much-lauded album included breakout single “bad” which soared to #1 on Spotify’s Viral 50 Global Chart. The band has gone on to accumulate over 7 million monthly listeners on Spotify, more than 500 million streams of their hit “seasons,” and perform hundreds of shows around the world, including Lollapalooza in Chicago, Chile and India.

WAVE TO EARTH
the pieces tour

September 4 /// Doug Mitchell Thunderbird
Sports Centre /// Vancouver, BC
September 5 /// WAMU Theater @ Lumen Field /// Seattle, WA
September 8 /// The Theater at Bill Graham
Civic Auditorium /// San Francisco, CA
September 9 /// Greek Theatre /// Los Angeles, CA
September 12 /// Arizona Financial Theatre /// Phoenix, AZ
September 15 /// Pepsi Center WTC /// Mexico City, MX
September 18 /// The Union Event Center /// Salt Lake City, UT
September 19 /// Fillmore Auditorium /// Denver, CO
September 21 /// The Armory /// Minneapolis, MN
September 22 /// Aragon Ballroom /// Chicago, IL
September 25 /// The Theatre at Great
Canadian Toronto /// Toronto, ON
September 26 /// MTELUS /// Montreal, QC
September 27 /// MGM Music Hall at Fenway /// Boston, MA
September 29 /// Radio City Music Hall /// New York, NY
October 2 /// The Anthem /// Washington, D.C.
October 3 /// The Met Philadelphia presented
by Highmark /// Philadelphia, PA
October 6 /// Coca-Cola Roxy /// Atlanta, GA
October 7 /// Skyla Credit Union Amphitheatre /// Charlotte, NC
October 9 /// 713 Music Hall /// Houston, TX
October 10 /// ACL Live at the Moody Theater /// Austin, TX
October 11 /// The Pavilion at Toyota Music Factory /// Dallas, TX
November 12 /// UOB Live /// Bangkok
November 15 /// SM Mall of Asia Arena /// Manila
November 18 /// AsiaWorld-Expo Hall 10 /// Hong Kong
November 20 /// Singapore Indoor Stadium /// Singapore
November 22 /// Idea Live Arena /// Kuala Lumpur
November 24 /// Taipei International
Convention Center (TICC) /// Taipei
November 26 /// BIGCAT /// Osaka
November 27 /// Zepp DiverCity /// Tokyo

James Marsden Stars as a Fired CIA Officer Hunting a $15 Million Bounty in Apple TV’s “Disavowed”

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Apple TV has ordered “Disavowed,” a new action thriller starring and executive produced by Emmy and Golden Globe nominee James Marsden. Created by Art Marcum and Matt Holloway, the writing team behind “Iron Man” and “Uncharted,” the series follows Brad Griffin, a legendary CIA Case Officer who gets fired mid-mission during a global hunt for an assassin who killed his colleague. Disgraced and cut off from the intelligence world, Griffin goes rogue and chases the $15 million federal bounty on the assassin himself. Marcum, Holloway, Tom Spezialy, and Marsden executive produce, with Blue Marble Pictures (Apple’s critically acclaimed “Pachinko”) producing alongside executive producers Theresa Kang and Caroline Garity. No premiere date has been announced.

Husband-and-Wife Blues Rockers When Rivers Meet Drop Hypnotic New Video “Caught In The Middle”

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When Rivers Meet have released the video for “Caught In The Middle,” the third single from their forthcoming album ‘Rhythm Rust & Static,’ due June 19, 2026. The husband-and-wife duo of Grace and Aaron Bond have built a track that lives exactly where its title suggests, caught between knowing better and doing it anyway.

Grace explains the lyric directly: “It’s about being pulled between knowing you should walk away from something and still feeling drawn back to it. It sits right in that tension between your head and your heart.” Aaron adds that the music mirrors that feeling deliberately: “The groove keeps pulling you back in, almost like you can’t quite escape it. It feels dark and hypnotic at the same time.” Both descriptions are accurate.

“Caught In The Middle” follows “The Script,” which won Classic Rock Magazine’s Track of the Week, and “The Tide Is Turning,” named Red Hot Track of the Week by Rushon Rock. ‘Rhythm Rust & Static’ has already earned a 5/5 from Music-News, which called it “ragged and glorious. Absolutely essential.” The album arrives June 19 due to a brief vinyl manufacturing delay, a decision the band made to ensure everything arrives exactly as it should.

Three-time UK Blues Awards Band of the Year winners, When Rivers Meet go their own way and always have. A full UK tour runs through the summer and fall. Tickets are available at whenriversmeet.co.uk/tour.

2026 Rhythm Rust & Static Tour:

23rd July, Arts Centre, Colchester

24th July, Forum, Tunbridge Wells

7th August, The Witham, Barnard Castle

8th August, The Cluny 2, Newcastle

21st August, Acapela, Cardiff

22nd August, The Boileroom, Guildford

3rd September, The Parish, Huddersfield

4th September, MacArts, Galashiels

5th September, Voodoo Rooms, Edinburgh

6th September, Lemon Tree, Aberdeen

17th September, The Fleece, Bristol

18th September, Norwich Arts Centre

1st October, Arlington Arts, Newbury

2nd October, Black Prince, Northampton

Paul McCartney Brought “Help!” to SNL and Will Ferrell Brought the Cowbell

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Sir Paul McCartney took the SNL stage for the Season 51 finale as musical guest, delivering a live performance of “Help!” that became an instant highlight, and not just for the song. Will Ferrell, hosting the episode, joined in on cowbell, prompting McCartney to break into genuine laughter mid-performance, a moment that sent the internet into full meltdown. Red Hot Chili Peppers drummer Chad Smith anchored the whole thing on drums, and the result was exactly the kind of unrepeatable live television that SNL was built for.

Video: How Tom Scholz Fooled the World With “More Than A Feeling”

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In 1976, Boston released one of the most iconic debut singles in rock history, but Boston wasn’t really a band. As Music Mongoose breaks down in their viral video essay, “More Than A Feeling” was almost entirely the work of one man, MIT-educated engineer Tom Scholz, who spent five years building the track in his basement, played most of the instruments himself, and convinced Epic Records they were signing a full group. Brad Delp’s soaring vocals completed the illusion, and the result became one of the fastest-selling debut albums in history. It’s one of rock’s great origin stories.

GRAMMY Winners Tank and the Bangas Close the Balloon Trilogy With New Album ‘The Last Balloon’

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The Last Balloon, the highly anticipated album from GRAMMY-award winners Tank and the Bangas is out today via Verve Forecast—listen HERE.

The album comes on the heels of singles, “Nighttime,” “No Invite,” and “Move,” which received praise from the likes of Rolling StoneOkayPlayerBETEssence and more, further highlighting the band’s ever-growing musical palette. “We’re working with new people and cultivating new sounds, and it feels like we’re more open than we’ve ever been,” says Tarriona “Tank” Ball on the new album, which features collaborations with the likes of Lucky Daye, Austin Brown, Ledisi and more.

The Last Balloon follows acclaimed albums Green Balloon (2019) and Red Balloon (2022), and marks both the closing chapter of the trilogy. “I called the album The Last Balloon because I didn’t want anyone asking us, ‘When’s Purple Balloon coming?’” adds Tank. “It’s the end of the balloons; we’re moving into a new space now.”

Executive-produced by frequent collaborator Austin Brown and recorded primarily at The Complex Studios in Los Angeles, the band worked alongside a range of artists including the multi-faceted musician Iman Omari, pianist/producer Tane Runo and soul singer Jelly JosephThe Last Balloon finds the band exploring news sounds while contemplating themes of frustration, resilience and self-realization. Moments of vulnerability are met with bursts of joyful energy, as the record balances emotional catharsis and communal uplift.

The band’s live shows served as a blueprint for the creation of the album, with their dynamic performances guiding the songs. “What we’ve learned over the years is that even though people can’t always categorize our sound, they’re always able to describe how the music makes them feel,” explains Tank. “So, we’re gonna keep on changing and evolving, but we’re always gonna give you that same feeling of joy.”

In 2024, Tank and the Bangas released their three-part spoken word project, The Heart, The Mind, The Soul, which won the band a GRAMMY Award for “Best Spoken Word Poetry Album.” Each chapter of the album found Tank working with a different producer: The Soul with Robert Glasper as well as Austin Brown and Brian LondonThe Heart with James Poyser and The Mind with Iman Omari. Listen to the complete project HERE.

New Orleans-based Tank and the Bangas rose to prominence in 2017 following their unanimous NPR Music Tiny Desk Contest victory. Bringing their blend of poetry, R&B, gospel, and pop to a worldwide stage, Tank and the Bangas have been praised as one of the “best live bands in America” by NPR Music. In 2019, the band released their major label debut, Green Balloon, on Verve Forecast to widespread critical praise earning the band a Best New Artist nomination at that years GRAMMY Awards. Their latest third studio album Red Balloon received a nomination for “Best Progressive R&B Album” at the 2023 GRAMMY Awards.

Throughout their career the group has performed on “The Tonight Show Starring Jimmy Fallon,” “Austin City Limits,” “The Late Show with Stephen Colbert” and “The Today Show.” They have consistently sold-out venues both stateside and abroad, with festival appearances at Coachella, Glastonbury, Bonnaroo and the Newport Jazz Festival.

Tank and the Bangas are Tarriona “Tank” Ball (lead), Norman Spence II (Multi- Instrumentalist) with new accompanying members, Deven Trusclair (Drummer), Kenaniah Turner (Bass), Rob Kellner (Keys), and Etienne Stoufflet (Saxophone).

TANK AND THE BANGAS — THE LAST BALLOON
1. Rest (feat. Shirazee)
2. Ain’t That Deep
3. Don’t Count Yourself Out (feat. Dawn Richard)
4. No Invite
5. Move (feat. Lucky Daye)
6. Go Your Own Way (feat. HaSizzle)
7. Is It Over?
8. Interlude
9. Whole World (feat. Ledisi)
10. Jealous (feat. Jelly Joseph)
11. Honeycomb (feat. Akeem Ali)
12. Oh Boy
13. Nighttime (feat. David Shaw & Austin Brown)

TOUR DATES—TANK AND THE BANGAS
May 15 /// New York City, NY /// Rough Trade Below
May 17 /// Cleveland, OH /// Courage and Poetry:
An Afternoon with Tank Ball
May 23 /// Columbus, OH /// Ohio Black Expo 2026
June 2 /// Charlotte, NC /// Visulite Theatre †
June 3 /// Asheville, NC /// The Grey Eagle †
June 5 /// Burlington, VT /// Waterfront Park
June 6 /// Brooklyn, NY /// Brooklyn Bowl †
June 7 /// Boston, MA /// The Sinclair †
June 10 /// Detroit, MI /// El Club †
June 12 /// Kalamazoo, MI /// Bell’s Eccentric
Cafe – Back Room †
June 13 /// Indianapolis, IN /// Rock the Ruins*
June 15 /// East Grand Rapids, MI /// Frederik
Meijer Gardens Amphitheater
June 16 /// Cleveland, OH /// Cain Park – Evans Amphitheater*
June 17 /// Pittsburgh, PA /// Thunderbird Cafe and Music Hall †
June 19 /// Washington, D.C. /// Lincoln Theatre
June 20 /// Carrboro, NC /// Cat’s Cradle Outdoors
July 2 /// Los Angeles, CA /// Skirball Cultural Center
July 4 /// Portland, OR /// Tom McCall Waterfront Park
September 25-27 /// Sandtown, South Africa /// Joy of Jazz 2026
October 15 /// Atlanta, GA /// Terminal West †
October 16 /// Atlanta, GA /// Terminal West †
October 17 /// Nashville, TN /// Brooklyn Bowl †
October 20 /// Madison, WI /// Majestic Theatre †
October 21 /// Iowa City, IA /// Club Hancher †
October 23 /// Minneapolis, MN /// Fine Line †
October 24 /// Chicago, IL /// Thalia Hall †
October 25 /// St. Louis, MO /// Off Broadway †
November 5 /// Kansas City, MO /// The Truman †
November 7 /// Denver, CO /// Gothic Theatre †
November 8 /// Salt Lake City, UT /// The Commonwealth †
November 10 /// Seattle, WA /// The Crocodile †
November 13 /// San Francisco, CA /// August Hall †
November 17 /// Phoenix, AZ /// Crescent Ballroom †
November 19 /// Austin, TX /// Antone’s †
November 20 /// Austin, TX /// Antone’s †
November 21 /// Houston, TX /// Heights Theater †

*w/ Trombone Shorty
†w/Ariel J