Gotye and Kimbra reunited on stage at You Oughta Know to perform “Somebody That I Used To Know,” and the live version is every bit as powerful as the recording that became one of the most streamed songs of its era. The clip has accumulated nearly 32 million views and serves as a reminder of just how extraordinary this song remains in any setting.
Gotye and Kimbra Deliver a Stunning Live Rendition of “Somebody That I Used To Know” at You Oughta Know
Musician Opportunity: VIA Rail Canada Launches Artists on Board Program for Summer 2026
Calling all Canadian musicians, this is your ticket to take your music across the country.
VIA Rail Canada has officially opened applications for its Artists on Board program for summer 2026, offering artists a one-of-a-kind opportunity to perform while travelling through some of Canada’s most breathtaking landscapes.
Selected musicians will perform onboard two of VIA Rail’s most iconic routes, The Canadian and The Ocean, sharing their music with passengers from coast to coast. In return, artists receive complimentary or reduced fare travel, making this as much an adventure as it is a performance opportunity.
It’s a rare chance to trade traditional venues for panoramic views, connect with new audiences, and experience Canada in motion, all while doing what you love.
Applications are open now through April 30, 2026.
Learn more and apply here: https://corpo.viarail.ca/en/community-engagement/artists
Morrissey and The Smashing Pumpkins to Headline Darker Waves 2026
Morrissey and The Smashing Pumpkins will headline Darker Waves Festival on November 14, 2026 in Huntington Beach, CA. Returning to Huntington Beach City Beach at Huntington Street and Pacific Coast Highway, the ocean-side festival will feature legendary performances from over 35 artists across three stages including Simple Minds, Bad Religion, Adam Ant, The Psychedelic Furs, Soft Cell, The Damned, Manic Street Preachers, Gary Numan, Silversun Pickups, Buzzcocks, EMF, Circle Jerks, Spacehog, Marky Ramone and more. Fans can sign up now for the festival SMS list at DarkerWavesFest.com to receive a passcode to the presale beginning Thursday, April 2 at 10am PT with access to the lowest-priced GA tickets from 10am to 11am PT. GA, GA+, VIP, and Ultimate VIP Tickets will be available, with layaway payment plans starting at $19.99 down. Any remaining tickets will go on sale to the public following the presale.
GA+ tickets include access to the exclusive GA+ Lounge with shaded seating and air-conditioned restrooms, plus a dedicated entry lane at the festival main entrance, and more. VIP tickets include unlimited entry into the VIP Lounge with preferred viewing area by the main stage, charging stations, air-conditioned restrooms, dedicated entry lane at the festival main entrance and more. Ultimate VIP tickets feature all amenities of VIP, plus access to elevated and unobstructed views of both main stages with shaded open lounge seating, dedicated VIP concierge team, a complimentary locker to store personal items, three complimentary drinks including choice of craft cocktails, beer, wine or non-alcoholic beverages, a complimentary meal redeemable for exclusive food options in the VIP Lounge and more.
Official Darker Waves vacation packages from Jampack pair GA, GA+, or VIP tickets with beachfront stays at the Hyatt Regency Huntington Beach Resort & Spa or The Waterfront Beach Resort, a Hilton Hotel, and more. Bundles include a dedicated entrance, re-entry access, and commemorative merch.
For tickets and the full list of amenities available in each ticket package, please visit DarkerWavesFest.com.
Christopher North, Founding Keyboardist of Ambrosia and ‘Hammond B3 King,’ Dead at 75
Christopher North, the founding keyboardist of Grammy-nominated rock band Ambrosia and the sonic architect behind some of the most distinctive progressive and soft rock of the 1970s and 1980s, has died. He was 75. The band announced his passing on their Facebook page on March 30. No official cause of death has been confirmed, though North had survived a battle with throat cancer in 2025, was struck by a speeding vehicle outside a Santa Monica restaurant in October of that year, and subsequently developed pneumonia. Bandmate David Pack addressed it directly in his own tribute: “It took him being hit by a car full speed while simply walking into his favorite restaurant in Santa Monica to finally take him out.”
North was born in San Francisco in 1951 and was playing in bands by the age of 13. He co-founded Ambrosia in 1970 alongside Pack, bassist Joe Puerta, and drummer Burleigh Drummond. The discovery story is one of rock’s better ones. Puerta recalled stumbling across North in a backyard shed: “There was a coffin with speakers in it. And at the end of the room, Chris was there, playing the organ with a bottle of wine on the top, smoking a cigarette, and there was a girl massaging his shoulders as he played. So I go, ‘We gotta get this guy in the band.'” Pack put it more succinctly: “He was dark, mysterious, played the hell out of a Hammond B3, and was a bluesman who liked to rock.”
Ambrosia’s self-titled debut arrived in 1975, notable for including “Nice, Nice, Very Nice,” which set a Kurt Vonnegut poem from Cat’s Cradle to music. The band went on to score five Top 40 singles between 1975 and 1980, including “Holdin’ On to Yesterday,” “How Much I Feel,” “Biggest Part of Me,” and “You’re the Only Woman (You & I).” North briefly left the group in 1977 over what Pack described as “serious mental and physical problems,” but returned for the band’s most commercially successful period. All four original members also contributed to The Alan Parsons Project’s landmark debut ‘Tales of Mystery and Imagination’ in 1976. North continued touring with Ambrosia into the 2020s, remaining a ferocious and commanding live presence right to the end. “Most nights he’d bloody his hands on the B3 or break off keys,” Pack said. “Ferocious is an understatement.”
The band’s tribute captured him completely: “A founding member since 1970, he was a keyboard wizard who brought an unmatched intensity and emotional depth to every performance. Christopher North’s work did more than just fill airwaves; it created ‘aural landscapes’ that balanced virtuosity with soulful, radio-friendly hooks. He was truly one of a kind.” He is survived by his brother Richard, son Reed, and daughter Crystal.
Walt Maddox, Leader of Doo-Wop Legends The Marcels, Dead at 88
Walt Maddox, the Pittsburgh-born vocalist who spent more than six decades keeping the spirit of doo-wop alive as the leader of The Marcels, died on March 30, 2026. He was 88. The news was shared via social media by his friend, former KDKA-TV Pittsburgh anchor Paul Martino. No cause of death has been disclosed.
The Marcels formed in Pittsburgh in the late 1950s as one of the era’s rare multi-racial vocal groups, blending traditional doo-wop harmonies with a playful, almost anarchic rhythmic bounce that set them apart from every other act in a crowded field. Their moment arrived in February 1961 when they recorded “Blue Moon” — a Rodgers and Hart standard that had already been a hit for Billy Eckstine, Mel Tormé, and Elvis Presley — at RCA Studios in New York for Colpix Records. What they did to it was something else entirely. Bass vocalist Fred Johnson opened the track with a stuttering, madcap riff, and the group tore through the rest of it like a bouncy castle, mining every hook and treating the song’s romantic gravity as an opportunity for joyful chaos. New York DJ Murray the K famously played it 26 times in a row. It knocked Elvis Presley off the top of the charts and stayed at number one for three weeks.
Maddox joined the group in the summer of 1961 following a lineup shakeup brought on in part by the hostility the multi-racial group faced touring the Deep South. He sang second tenor on their follow-up “Heartaches,” which reached number 7, and as members came and went over the years, Maddox remained a constant. He spent eight years on the road with the group through the 1960s, and when the Marcels split in the mid-1990s and competing versions emerged, Maddox secured the legal rights to the name in 2004, continuing to lead Walt Maddox and the Marcels in multi-act doo-wop shows for decades. The Marcels were inducted into the Vocal Group Hall of Fame in 2002.
Beyond the group, Maddox built a parallel solo career centered on a tribute show to Nat King Cole, performing it with the Pittsburgh Symphony Orchestra, the Wheeling Symphony, and audiences as far as Tokyo. He ran his own studio and label, worked with local artists, and used his platform for community work, most notably his “Wake Up Your Dreams” anti-drug school assembly program, which once featured a young Christina Aguilera as an opener. Pittsburgh Press columnist Phil Musick summed up his stature in the city memorably, writing that “Walt Maddox singing in this town is a lot like hanging a Rembrandt in a garage.”
He is survived by his wife, Terry. Our condolences to his family, his friends, and the doo-wop community that he served faithfully until the very end.
Def Leppard Launch Behind The Tour 2026 Video Series Giving Fans an Inside Look at Their Latest North American Run
Def Leppard have launched Behind The Tour 2026, a new video series documenting their latest North American tour. The opening episode follows Joe Elliott on a road trip through the desert, captures the band in rehearsal for their Las Vegas residency, and gives fans their first look at the new stage show. The series kicks off fresh from the band’s “Live at Caesars Palace” residency at The Colosseum, which ran in February and featured a career-spanning setlist alongside some surprises and the live debut of their latest single “Rejoice.”
Boston Ska-Punk Legends Big D and the Kids Table Return With New Single “Whiplash” and 12th Album ‘The Good Ole American Saturday Night’ Out June 12
Big D and the Kids Table are back. After five years without new music, the Boston ska-punk institution announces their 12th full-length album ‘The Good Ole American Saturday Night’, due June 12 via SideOneDummy Records, and launches it today with new single “Whiplash” and an official music video. Reuniting with producers Joe Gittleman of The Mighty Mighty Bosstones and Matt Appleton of Reel Big Fish, the record pushes forward while doubling down on everything that has defined their sound for more than three decades. Vocalist David McWane sets up the single with characteristic directness: “What would you do if you walked into a room and saw your roommate in bed with your girlfriend? Well, if you want to know the rest of the story, cue up Whiplash.”
The album carries a message that feels almost countercultural right now. At a time when much of the musical landscape leans toward cynicism, ‘The Good Ole American Saturday Night’ is built around a simple but radical idea: love more. McWane explains his philosophy as a lyricist without hesitation: “I like music to take me to a fun place, like the Beastie Boys. I’m a hardcore kid and a Little Richard fan, so I just want to bring the party and wake everybody up.”
Formed at Berklee College of Music in 1995, Big D and the Kids Table have spent more than three decades carrying the horn section into punk, emo, post-hardcore, and beyond, touring relentlessly from massive festival stages to self-booked runs through Asia. Their survival has never been about trends. McWane is clear on what has kept them moving: “One thing that’s really great about Big D and the Kids Table is that we never made it too big, so we have a freedom that many bands don’t. We like being the incorrigible, rabid Anthrax of the ska scene. We don’t want to be Metallica.”
More than 30 years in, that philosophy still fuels them completely. ‘The Good Ole American Saturday Night’ is vibrant, defiant, and built to detonate in packed rooms.
The 46th Festival International de Jazz de Montréal Announces a Landmark Lineup From June 25 to July 4
The Festival International de Jazz de Montréal returns for its 46th edition June 25 through July 4, presenting more than 350 concerts, two-thirds of which are free, across the heart of downtown Montreal. Presented by TD Bank Group in collaboration with Rio Tinto, the Guinness World Records-recognized largest jazz festival on the planet delivers a 2026 program that balances deep historical reverence with genuine contemporary discovery. Director of Programming Maurin Auxéméry frames it well: “Across its many branches, we celebrate the genre’s pivotal moments and living legacy, while introducing the artists shaping its future.”
The centennial birthdays of Miles Davis, John Coltrane, and Tony Bennett, all born in 1926, anchor some of the festival’s most anticipated ticketed events. Marcus Miller, Davis’s final musical director, leads “We Want Miles” at the Maison Symphonique. Isaiah Collier performs ‘A Love Supreme’ in its entirety at Théâtre Jean-Duceppe. John Pizzarelli honors Tony Bennett at Théâtre Maisonneuve. DJ Jazzy Jeff celebrates the 20th anniversary of J Dilla’s ‘Donuts’ with the Montréal Loves Dilla collective at Club Soda, and UZEB marks their 50th anniversary with the premiere of a new documentary and live performances at Le Gesù.
Free programming on the TD Stage brings international draw with Patrick Watson, Willow, Saint Levant, and Angine de Poitrine, while rising stars Mohini Dey, Annahstasia, and Destin Conrad represent the next generation of the form. Main stage highlights include Larkin Poe making their FIJM debut, The Barr Brothers performing from their latest album ‘Let It Hiss’, KOKOROKO, Smino, and Naïka. DOMi and JD Beck return to MTELUS three years after opening for Herbie Hancock, the Louis Cole Big Band brings viral future-sonic-funk to the Rogers Stage, and Christian McBride and Julian Lage pair up at Théâtre Maisonneuve. Lionel Richie and Earth, Wind and Fire will have the Bell Centre on its feet.
TD Bank Group Chair for Quebec Abe Adham puts the festival’s cultural significance plainly: “Every summer, this iconic event transforms the city into a vast open-air stage, bringing together emerging artists, renowned jazz figures, and audiences from all walks of life.” Ten days, 350-plus concerts, and a city that becomes the global meeting point for jazz lovers worldwide. June 25 through July 4 at Festival International de Jazz de Montréal.
Eric Clapton’s Crossroads Guitar Festival Returns to Austin’s Moody Center September 26-27 With Pete Townshend, Trey Anastasio, Joe Bonamassa, and Dozens More
Eric Clapton’s Crossroads Guitar Festival returns for its seventh edition September 26-27 at the Moody Center in Austin, Texas, celebrating the 28th anniversary of the Crossroads Centre Antigua addiction recovery center. Clapton performs both nights alongside a lineup that brings together returning Crossroads veterans Joe Bonamassa, Gary Clark Jr., Billy Gibbons, Buddy Guy, John Mayer, Tedeschi Trucks Band, and Jimmie Vaughan with first-timers Trey Anastasio, Tommy Emmanuel, Julian Lage, and Pete Townshend. The full roster spans blues, jazz, bluegrass, country, and rock in a way that only this festival consistently delivers.
Beyond the main stage performances and all-star collaborations, Guitar Center’s onsite Guitar Center Experience opens two hours before showtime daily, featuring a Legends Collection exhibit showcasing Clapton’s own 1956 Fender Stratocaster and 1964 Gibson ES-335, the latter played during his time with Cream. Guitar Center will also induct a yet-to-be-announced artist into its RockWalk during the festival weekend. Moody Center SVP of Entertainment Michael Owens calls it plainly: “Out of the more than 380 concerts we’ve hosted since opening in 2022, this is poised to be one of the most iconic events ever to take place in our arena.”
Previous editions of Crossroads have taken place in New York, Dallas, and Los Angeles. Austin’s Moody Center, located in the self-proclaimed Live Music Capital of the World, is a natural home for a festival of this scale and significance. Tickets go on sale Friday, April 3 at 10am local time.
Full Lineup (alphabetical):
Trey Anastasio, Joe Bonamassa, Eric Clapton, Gary Clark Jr., Tommy Emmanuel, Billy Gibbons, Buddy Guy, Ben Haggard, Sierra Hull, Marcus King, Sonny Landreth, Julian Lage, Taj Mahal, Pedro Martins, John Mayer, Del McCoury Band, John McLaughlin, Keb’ Mo’, Dirk Powell, Robert Randolph, Kurt Rosenwinkel, Daniel Santiago, Tedeschi Trucks Band, Pete Townshend, Jimmie Vaughan, Bradley Walker & Brothers of the Heart