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Ottawa Guitarist TERRY GOMES Releases Debut Single “Tego Agogo,” A Sun-Drenched Blast Of Go-Go Satire And Vintage Groove

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Ottawa-based composer, guitarist, and one of the capital’s most inventive musical voices – today releases “Tego Agogo,” the first single from his vibrant new EP ‘2 Open 3 Closed,’ out now. Brimming with cha-cha rhythm, vintage rock energy, and a gleeful sense of its own ridiculousness, the track is part satire, part tribute, and entirely fun – an invitation to stop thinking and start moving that arrives wrapped in some of the most infectious grooves Gomes has ever committed to tape.

The title itself tells you everything you need to know about Gomes’s spirit. “TEGO” is a blended word – “Te” from Terry, “go” from his last name, initial “A” from Anthony his middle name, and “Go-Go” of course refers to the clubs and dancers of the 1960s. The result is a word that is simultaneously a self-portrait and a love letter to an era. “You want a banger you can dance to? / One to really shake your pants to / And groove along right in a trance too,” Gomes sings, before the track pivots into a roll call of 1960s dances – the Watusi, the Frug, the Swim, the Mashed Potatoes, the Peppermint Twist, the Stroll, the Jerk – each delivered with the comedic timing of a man who has been waiting his whole life to make this particular song.

Musically, “Tego Agogo” is a study in deliberate collision. Gomes intentionally fused cha-cha and rock elements to reflect the dual streams of his musical identity – the Latin and Caribbean influences of his Guyanese heritage running headlong into the 60s rock and roll he has loved for just as long. The track features percussionist Arien Villegas on drums and timbale, giving the rhythm section exactly the kind of bilingual authority the song demands, alongside Alex Mastronardi on bass and Nick Dyson on trumpet. The whole thing was recorded and mixed at Audio Valley Studio by Ottawa Faces award-winning engineer Steve Foley and mastered by Jason Fee at Conduction Mastering.

The accompanying music video – a month in the making, involving all the footage, creative decisions, and editing Gomes could throw at it – features the composer himself dancing. “The dancing was a blast to do but took some practice before it was shot,” he admits. That willingness to be genuinely, unguardedly playful is characteristic of an artist who spent 26 years as an elementary school teacher before fully committing to music – and who brings to everything he makes both the discipline of a lifelong craftsman and the irreverence of someone who knows that fun is its own kind of art form.

“Tego Agogo” opens ‘2 Open 3 Closed,’ a five-track EP whose title refers simply to the fact that two pieces are sung and three are instrumentals – a ratio that reflects Gomes’s long career as a primarily instrumental composer. Having earned an Honours Music degree at the University of Ottawa in classical guitar and composition, he went on to release three singer-songwriter albums before pivoting in 2012 into the intricate, evocative instrumental music that has since earned him airplay on CBC across Canada, steady rotation on Stingray’s Smooth Jazz and JAZZ.FM91, and positive press in Exclaim!, Cashbox Canada, The Whole Note, The Daily Vault, and FYI/Billboard. “Tego Agogo” marks his first vocal recording in 14 years – and he sounds like he never stopped.

Singer-Songwriter Syd Taylor Steps Out Solo With Raw, Self-Produced Debut ‘After the Fact’

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Syd Taylor spent ten years making music with her twin sister Emilia Paige in Stereo Jane. Then she locked herself in her Los Angeles apartment for three months and made something entirely alone. ‘After the Fact,’ her debut solo album, is the result, twelve tracks written and self-produced from scratch, with no outside direction on genre, production, or presentation.

“It’s the first time I’ve been able to sit down and make something truly for me,” Taylor says. “No one telling me what genre to lean into, what producer to hand my demos to, or even how to present myself. I know I’m not perfect, so why pretend to be some perfectly polished pop version of myself? I wanted to get as far away from that as possible. And in doing that, I made something that feels perfect to me, which is imperfect.”

The album traces a pivotal period of exploring identity and honesty within the kind of isolation that forces real self-examination. Taylor describes it as “a journey of self-discovery and self-understanding,” and the raw, empowering quality of the songwriting reflects exactly how much was at stake in making it. It’s an introduction to her voice as a solo artist, and the vocal ability on display across twelve tracks makes a strong case for where she goes from here.

The Detroit-born, Los Angeles-based singer, songwriter, model, and producer has completed a supporting run with Goldie Boutilier across the US, building her live presence in rooms that rewarded exactly the kind of direct, unguarded performance ‘After the Fact’ calls for.

‘After the Fact’ is out now.

‘After the Fact’ Tracklisting:

  1. After the Fact
  2. Time to Go!
  3. Heaven
  4. Honeycomb
  5. The Wind
  6. Leave Me Out of It
  7. Dream About You
  8. My Man
  9. Love of Your Life
  10. You’re a Woman
  11. La da da dee die
  12. Jane

Chicago Alt-Rock Rising Force Brigitte Calls Me Baby Bring ‘Irreversible’ to Sold-Out Rooms Across North America

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Brigitte Calls Me Baby wrote most of ‘Irreversible’ in transit. Lyrics in hotel rooms, melodies over headphones, voice memos traded while the rest of the world slept. The Chicago alt-rock four-piece spent the years between albums on the road with Morrissey, Muse, and Fontaines D.C., selling out rooms across the US, UK, and Europe, and all of that time moving shaped what the record became.

‘Irreversible’ is out now on ATO Records, produced by Yves Rothman and Lawrence Rothman (Blondshell, Yves Tumor) and recorded live at Lawrence’s home studio across intentionally brief four-hour sessions. The songs arrived at the studio already knowing what they wanted to be. Eleven tracks, more layered and less direct than the debut, with more texture, tension, and room to sit inside emotional extremes.

“Our first album taught me that you’ve got to reach as far down into your soul as possible and be willing to show something real and raw to the world,” says vocalist Wes Leavins. “With this album that felt even easier and more natural. There was a time when I tried to bury the kind of feelings we’re displaying on this record, but now I’m at the point where I don’t feel the need to hold anything back.”

The two singles out ahead of the album make the emotional range of ‘Irreversible’ clear. “Slumber Party” was written about the kind of person who isolates until leaving home becomes a chore. “I Danced With Another Love in My Dreams” started as an attempt to write something happy and ended up about infidelity played out in a dream, leaning into the bright, shiny surface of something that cuts underneath. Both tracks were tested live before they were finished, refined in soundchecks and set lists until the crowd’s reaction confirmed what the band already sensed.

Brigitte Calls Me Baby formed in 2022 and their debut ‘The Future Is Our Way Out’ landed in 2024 to critical acclaim, building a diehard following fast. Television performances at Kimmel, Kelly Clarkson, and CBS followed. The North American headline tour is currently underway with remaining dates running through late May across Texas, the South, the East Coast, and Canada.

‘Irreversible’ is out now on ATO Records.

Upcoming Tour Dates:

4 May — Dallas, TX — Puzzles

5 May — Austin, TX — Antone’s Nightclub

6 May — Houston, TX — White Oak Music Hall (Upstairs)

8 May — Nashville, TN — The Basement

9 May — Atlanta, GA — Vinyl at Center Stage

11 May — Washington, DC — The Atlantis

12 May — Philadelphia, PA — The Foundry at The Fillmore

14 May — New York, NY — Bowery Ballroom

15 May — Boston, MA — The Red Room at Cafe 939

16 May — Uncasville, CT — Wolf Den at Mohegan Sun Resort

19 May — Toronto, ON — Longboat Hall

20 May — Ferndale, MI — The Loving Touch

21 May — Indianapolis, IN — HI-FI

‘Irreversible’ Tracklisting:

  1. There Always
  2. Slumber Party
  3. I Danced With Another Love in My Dreams
  4. The Pit
  5. Truth is Stranger Than Fiction
  6. These Acts of Which Were Designed
  7. Sillage
  8. I Can’t Have You All To Myself
  9. I Can Take the Sun Out of the Sky
  10. The Early Days of Love
  11. Send Those Memories

UK Metal Four-Piece Cage Fight Deliver Their Most Personal Record Yet on Second Album ‘Exuvia’

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Cage Fight’s second album ‘Exuvia’ is out now on Spinefarm, and it’s a different record from anything the UK four-piece have made before. Not because the hardcore foundations have shifted, but because vocalist Rachel Aspe wrote every lyric herself for the first time, and the results are deeply, specifically personal.

The album covers anxiety, assault, grief, toxic manipulation, and the slow process of healing from all of it. “Élégie,” the expansive closing track, addresses the loss of Aspe’s grandfather and the weight of things left unsaid. The title track was written with her grandmother, who is currently battling cancer, and directly shaped its lyrics. The album cover, a radiation mask photographed by Manuel Acquualeni, ties both threads together visually. ‘Exuvia’ as a word means a cast-off skin or outer shell, and the album earns that definition across every track.

Lead single “Un Bon Souvenir” addresses a previous experience in a band controlled by what Aspe describes as “a toxic, manipulative person.” She’s clear about the intent: “Bringing people down won’t elevate you.” The accompanying video, depicting the unraveling of a false world built on manipulation, makes the same point without softening it.

“Pick Your Fighter,” featuring Julien Truchan of Benighted on guest vocals, takes a sharp left turn, inspired by a French pop song, though the result is thoroughly crushing. It’s the kind of move that signals a band comfortable enough in their own sound to play with it.

Recorded by Sam Bloor at Lower Lane Studios and mixed by Jim Pinder (Sleep Token, Malevolence), ‘Exuvia’ keeps the meaty grooves and pummelling rhythms that Cage Fight built their live reputation on, while pushing into broader melodic and atmospheric territory. Their Bloodstock 2025 main stage performance of “Pig” has accumulated 2.1 million Instagram views, a number that reflects exactly how much momentum this band has built through relentless live work alongside Sepultura, Cro-Mags, Napalm Death, and Employed To Serve.

The festival schedule runs from June through August across the Czech Republic, France, and the UK.

‘Exuvia’ is out now on Spinefarm.

‘Exuvia’ Track Listing:

  1. Confined
  2. Oxygen
  3. Pig
  4. Pick Your Fighter
  5. Un Bon Souvenir
  6. Deathstalker
  7. Le Déni
  8. Exuvia
  9. The Hammer Crush
  10. IHYG (I Hate Your Guts)
  11. Élégie

Upcoming Festival Dates:

27 Jun — Basinfire Festival, CZ

26 Jul — Mozhell Open Air, FR

31 Jul — Radar Festival, UK

1 Aug — Xtreme Fest, FR

2 Aug — Sylak Festival, FR

14 Aug — Motocultor Festival, FR

21 Aug — Furiosfest, FR

Three-Time GRAMMY Winner Victoria Monét Returns With “Let Me” and Joins Bruno Mars Across European Stadiums This Summer

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Victoria Monét has been quiet for two years since ‘JAGUAR II: Deluxe,’ and “Let Me” is how she breaks the silence. Out now via Lovett Music/RCA Records, the single is produced by Camper with co-production from Jeff “Gitty” Gitelman, Branden “B Mack” Rowell, and Cashmere Brown. It’s the first look at a new era, and the timing couldn’t be sharper.

The JAGUAR chapter earned Monét three GRAMMYs in 2024, including Best New Artist, Best R&B Album, and Best Engineered Album, Non-Classical, making her the first Black woman to win that last category. ‘JAGUAR II’ crossed one billion streams worldwide. “On My Mama” alone sits at over 123 million streams with 69 million video views and viral content reaching 804 million. That’s the platform “Let Me” is launching from.

The new single marks a deliberate step forward. The JAGUAR era closed with ‘A Jaguar II Christmas: The Orchestral Arrangements’ in December 2024, transforming fan favorites into live orchestral pieces alongside holiday classics. What comes next is what Monét has been building toward, and “Let Me” opens that door.

This summer, Monét joins Bruno Mars as special guest on ‘The Romantic Tour’ across Europe and the UK, starting June 20 in Paris. The run covers stadium dates in Berlin, Amsterdam, Madrid, Milan, and six dates at Wembley Stadium in London. Anderson .Paak appears as DJ Pee .Wee across all dates.

Beyoncé, Janet Jackson, Adele, SZA, and Anita Baker are among the artists who have publicly praised Monét’s work. Rolling Stone named ‘JAGUAR II’ one of the top 10 albums of its year. TIME named her to the Time 100 list as one of the most influential figures of 2024. The critical and commercial record behind her is substantial. “Let Me” signals she’s ready to add to it.

“Let Me” is out now on Lovett Music/RCA Records.

2026 Tour Dates (w/ Bruno Mars and Anderson .Paak as DJ Pee .Wee):

18 Jun — Paris, FR — Stade de France

20 Jun — Paris, FR — Stade de France

21 Jun — Paris, FR — Stade de France

26 Jun — Berlin, DE — Olympiastadion

28 Jun — Berlin, DE — Olympiastadion

29 Jun — Berlin, DE — Olympiastadion

2 Jul — Amsterdam, NL — Johan Cruijff ArenA

4 Jul — Amsterdam, NL — Johan Cruijff ArenA

5 Jul — Amsterdam, NL — Johan Cruijff ArenA

7 Jul — Amsterdam, NL — Johan Cruijff ArenA

10 Jul — Madrid, ES — Riyadh Air Metropolitano

11 Jul — Madrid, ES — Riyadh Air Metropolitano

14 Jul — Milan, IT — Stadio San Siro

15 Jul — Milan, IT — Stadio San Siro

18 Jul — London, UK — Wembley Stadium

19 Jul — London, UK — Wembley Stadium

22 Jul — London, UK — Wembley Stadium

24 Jul — London, UK — Wembley Stadium

25 Jul — London, UK — Wembley Stadium

28 Jul — London, UK — Wembley Stadium

Rosalía Drops Desert-Filmed Video for “Sauvignon Blanc” From Landmark Album ‘LUX’

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Rosalía’s ‘LUX’ arrived as one of the most ambitious pop albums in recent memory, recorded with the London Symphony Orchestra conducted by Daníel Bjarnason, and the new video for “Sauvignon Blanc” captures exactly what makes the record worth that level of attention. Directed by Noah Dillon, who also shot the album cover, the visual is stripped back and spare, a quiet love story played out against a desert backdrop with an invisible partner.

The song itself sits at the center of ‘LUX’s emotional architecture. Rosalía describes it as exploring the release of material things in favor of deeper connection, where emotional and spiritual intimacy become the currency. The visual mirrors that thesis without overselling it. Dillon keeps the frame open and the performance unguarded.

Rolling Stone called ‘LUX’ “her most astonishing offer yet.” Pitchfork described it as “a heartfelt offering of avant-garde classical pop that roars through genre, romance, and religion.” AP News put it plainly: “If there is a single avant-garde saving grace in the pop music landscape, it’s here.” The album opened at No. 1 on Spotify’s Global Top Albums Chart, the biggest streaming debut ever for a female Spanish-language artist on the platform, and the strongest commercial debut of Rosalía’s career.

‘LUX’ features collaborators including Björk, Carminho, Estrella Morente, Silvia Pérez Cruz, Yahritza, Yves Tumor, and the Escolania de Montserrat i Cor Cambra Palau de la Música Catalana. The scale of the project reflects a songwriter who knows what she’s capable of and built the album to match it.

The LUX TOUR 2026 launched in March and is currently running across Europe, North America, and South America. Rosalía is also set to appear in the upcoming third season of Euphoria, her acting debut, and recently appeared as cover star for Vogue U.S.’s Spring 2026 issue.

This is an artist operating at the absolute top of her field across every dimension simultaneously.

Italian Folk Metal Nine-Piece Aexylium Unveil First Italian-Language Track “Eclissi” From ‘Myth of Mankind’

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Aexylium have released a lyric video for “Eclissi,” a track from their 2025 album ‘Myth of Mankind’ on Rockshots Records, and the choice of song is deliberate. It’s the first track in the band’s career written entirely in Italian, a decision that shifts something fundamental in how the music lands.

“Writing in Italian allowed the lyrics to flow more naturally,” the band explains, “strengthening the emotional connection between words and music while the choirs make it especially powerful during live performances.” The result is one of the most distinctive tracks on the album, layered choirs, wide melodic lines, and an orchestral framework that gives the song genuine scale without crowding it.

‘Myth of Mankind’ represents the Italian nine-piece’s most developed work to date. Recorded, mixed, and mastered by Davide Tavecchia at Twilight Studio, with cover artwork by Gustavo Sazes (Arch Enemy, Machine Head, Amaranthe), the album addresses introspective and abstract themes while staying rooted in Aexylium’s core fusion of modern metal and traditional folk instrumentation. Violin, flute, and keyboards sit alongside guitar, bass, and drums without either side of the equation overwhelming the other.

Formed in Italy in 2014, Aexylium have built their reputation across European festivals including Dong Open Air, Tanzt!, and Montelago Celtic Festival, sharing stages with Blind Guardian, Elvenking, Wind Rose, and TYR. Their debut ‘Tales From This Land’ arrived in 2018 through Underground Symphony Records, followed by ‘The Fifth Season’ in 2021 on Rockshots Records. ‘Myth of Mankind’ is the third chapter and the clearest statement yet of what the band is capable of across eleven tracks.

‘Myth of Mankind’ is out now on Rockshots Records digitally and on CD.

‘Myth of Mankind’ Track Listing:

  1. Fontes et Omnia
  1. The Queen
  1. Hexe
  1. Into Oblivion
  1. In Sorrow
  1. Myth of Mankind
  1. Eclissi
  1. Wild Hunt
  1. Surrender
  1. Northern Lights
  1. Eternity

Thrice Share Audiotree Session From ‘Horizons/West’ With Big Shows Ahead

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Thrice have released their Audiotree From Nothing session, four performances drawn from ‘Horizons/West’ that capture exactly what makes this band worth two decades of attention. “Vesper Light,” “Albatross,” “Holding On,” and “Gnash” each get the full treatment, the kind of live documentation that rewards both longtime listeners and anyone arriving late to the catalog.

‘Horizons/West,’ released in October, is the companion record to 2021’s ‘Horizons/East.’ Frontman Dustin Kensrue describes it as a “direct continuation,” though it stands entirely on its own terms. Eleven tracks moving through personal identity, spiritual reckoning, and the friction of existing inside a technology-saturated world, built on post-rock textures and cinematic production with clear nods to the band’s earlier work.

The Audiotree session is a precise document of where Thrice sit right now, a band that has been mastering the balance between delicacy and force for over twenty years without ever settling into a formula. The four performances here reflect a group that earns every emotional moment they reach for.

The live schedule from here runs through the end of the year with serious intent. Sonic Temple Festival in Columbus, Ohio arrives May 17. June brings three dates supporting Jimmy Eat World in New York, Philadelphia, and Boston. The year closes with a Halloween night supporting My Chemical Romance at the Hollywood Bowl in Los Angeles.

‘Horizons/West’ is out now. The Audiotree From Nothing session is streaming now.

Upcoming Tour Dates:

17 May — Columbus, OH — Sonic Temple Festival

17 Jun — New York, NY — The Rooftop at Pier 17 (w/ Jimmy Eat World)

19 Jun — Philadelphia, PA — Highmark Skyline Stage at Mann (w/ Jimmy Eat World)

20 Jun — Boston, MA — MGM Music Hall at Fenway (w/ Jimmy Eat World)

31 Oct — Los Angeles, CA — The Hollywood Bowl (w/ My Chemical Romance)

Manchester Metallic Hardcore Rising Force Guilt Trip Drop Surprise EP ‘God Forgives’ on Roadrunner Records

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Guilt Trip didn’t announce the ‘God Forgives’ EP. They just dropped it. Three tracks of gritty, groove-driven metallic hardcore from one of Manchester’s most urgent heavy bands, out now on Roadrunner Records, and the response from the moment it landed has been exactly what the band earned.

The EP includes “Dirt,” which premiered on Daniel P Carter’s BBC Radio 1 Rock show, and “Angel Eyes,” which premiered via SiriusXM Liquid Metal, alongside a new mix of previously released track “Burn.” Both new songs arrive with a two-part music video that functions as a single event, the kind of visual that treats the songs as a connected piece rather than two separate promotions.

“God Forgives is a culmination of progress and the embodiment of Guilt Trip’s identity,” says vocalist Jay Valentine. “The songs were written with one thing in mind: ‘Make it better’ and we hope we have hit the mark for every Guilt Trip fan out there.”

The EP is also a preview of the band’s forthcoming debut LP for Roadrunner Records, recorded at StudioOWZ in Clarbeston, Wales with producer Adam “Nolly” Getgood (Periphery) in early 2025. Guilt Trip have been building toward this record the hard way, grinding from sweaty basements to club stages to festival mainstages across a decade of consistent work.

The five-piece, Jay Valentine and Jak Maden on the creative axis since they met at four years old, have accumulated tens of millions of streams, earned KERRANG! praise for their “unique brand of hardcore,” and shared stages with Sylosis and While She Sleeps. Their 2023 album ‘Severance’ featured collaborations with LANDMVRKS and Malevolence and marked a clear turning point in both sound and reach.

The live schedule through summer includes Slam Dunk Festival across two dates in May, Grasspop Metal Meeting in Belgium in June, V and B Fest in France in August, and two US festival appearances in July at Rock Fest and Inkcarceration.

‘God Forgives’ is out now on Roadrunner Records.

EP Track Listing:

  1. Dirt
  1. Angel Eyes
  1. Burn

Upcoming Tour Dates:

23 May — Slam Dunk — Hatfield, ENG

24 May — Slam Dunk — Leeds, ENG

19 Jun — Grasspop Metal Meeting — Dessel, BEL

16 Jul — Rock Fest — Cadott, WI

18 Jul — Inkcarceration — Mansfield, OH

21 Aug — V and B Fest — Chateau Gontier Sur Mayenne, FRA

London Industrial-Goth Duo Saint Agnes Unleash Scathing New Single “Good Boy” Ahead of May 29 Album

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Saint Agnes have never been interested in subtlety, and “Good Boy” makes that clear in the first ten seconds. The London industrial-goth duo’s third single from their forthcoming album ‘Your God Fearing Days Are About To Begin’ arrives with a video and a mission statement that leaves nothing open to interpretation.

Frontperson Kitty A. Austen describes the track as “a scathing critique of obedient, subservient men who uphold the capitalist death cult, feed the machine, and call it a virtue.” The target is specific, the delivery is controlled, and the snarl is genuine. This is a band that means what it writes.

‘Your God Fearing Days Are About To Begin’ arrives May 29, mixed by Jim Pinder, whose credits include Sleep Token and Bring Me The Horizon. Austen describes it as “our best sounding record to date, and the truest to our vision.” The album fuses raw industrial power, dark elegance, and body-moving intensity, drawing influence from Nine Inch Nails, Poppy, and Lorde while landing in a sound that belongs entirely to Saint Agnes.

The creative core of Saint Agnes is Austen on vocals and guitar alongside co-founding member Jon James Tufnell on vocals, guitar, synths, and programming. Both are self-described control freaks who obsessively curate every element of their art. The decision to bring in Pinder for mixing represents a rare and deliberate external collaboration.

Over 12 million Spotify streams, strong BBC Radio 1 support, and mainstage appearances at Download, Hellfest, and 2000trees back the band’s trajectory. Sold-out UK headline shows have consistently demonstrated what Saint Agnes do with a room full of people and nothing held back.

‘Your God Fearing Days Are About To Begin’ is out May 29.

Track Listing:

  1. Good Boy
  2. The Ghost
  3. The Father, The Son and The Holy Beast
  4. The Beast
  5. Song For Mia
  6. Everything You Denied
  7. The Blood Beat (Angel in the Marble)
  8. Gods of War
  9. Get Them Out
  10. Where Do I Begin?