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Journey’s Jonathan Cain Delivers a Message of Hope on New Gospel Single “Only a Prayer Away”

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Jonathan Cain has spent decades writing songs that connect. As a Rock and Roll Hall of Fame inductee and the keyboard force behind Journey, he’s helped craft some of the most enduring anthems in rock history. “Only A Prayer Away” comes from a different place entirely, a deeply personal gospel single that carries the same directness and emotional clarity that has defined his best work, now pointed squarely toward faith and healing.

The song was born from a late-night moment watching pastor and Harvest Crusades founder Greg Laurie on television. “I’m up late one night and I see Greg Laurie walking on the beach sharing the Gospel and proclaiming that ‘God is only a prayer away,'” Cain recalls. “And then I just went, ‘Oh man, that’s a song.'” He shared the newly written track with Laurie at the National Day of Prayer in Washington DC, and Laurie later premiered it on his national radio broadcast, generating an outpouring of listener testimonies. “People were calling in, sharing how their life had changed,” Cain says. “It was phenomenal.”

Produced by Cain himself, mixed by David Kalmusky, and mastered by Grammy Award-winning Adam Ayan, the single was recorded at Addiction Sound Studios in Nashville. A six-song EP followed, and both are out now. Laurie, who contributed to the song’s inspiration, is direct in his endorsement: “It’s a beautiful reminder that no matter where you are or what you’re facing, God truly is only a prayer away.”

The single arrives as Cain continues one of the busiest stretches of his career. Journey’s massive 60-city Final Frontier Tour 2026 is currently underway, running through July 2 in Laredo, Texas. For an artist whose catalog spans rock royalty and personal faith in equal measure, “Only A Prayer Away” is a reminder that the two have never been mutually exclusive.

Virginia Country-Rock Six-Piece 49 Winchester Announce New Album ‘Change of Plans’ and Share “Pardon Me”

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49 Winchester have announced ‘Change of Plans,’ their forthcoming album arriving May 15, and the lead single “Pardon Me” makes an immediate case for why this record matters. The Virginia-based six-piece pair their signature Appalachian grit with a reflective, forward-looking perspective that signals a genuine artistic evolution without losing a single thread of what made them compelling in the first place. This is a band at a creative peak, and they know it.

The album was executive produced by Grammy-winning producer Dave Cobb at his recording studio in Savannah, Georgia. Cobb’s resume, which includes Chris Stapleton and Sturgill Simpson, speaks for itself, and his ear for rooted, authentic American music is exactly the right fit for what 49 Winchester are building here. ‘Change of Plans’ expands their sonic palette while keeping the lived-in storytelling that has defined their career at the centre of everything.

“Pardon Me” balances rugged instrumentation with vulnerability and emotional honesty in a way that feels earned rather than performed. It follows the band’s debut release under Lucille Records/MCA, a powerful cover of Black Sabbath’s “Changes,” which announced the new partnership with real confidence. The Virginia group has been building a dedicated fanbase through relentless road work and electrifying live shows, including two nights at Nashville’s historic Ryman Auditorium last November.

The touring schedule in 2026 reflects how far this band has come. Alongside their own headline run, 49 Winchester will support Eric Church and Tim McGraw throughout the year, putting them in front of some of the largest country audiences in North America. ‘Change of Plans’ arrives May 15, and “Pardon Me” is out now.

Charlie Puth and Kenny G Team Up on the Vulnerable and Deeply Human New Single “Cry”

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Charlie Puth has released “Cry,” and it’s one of the most emotionally direct things he’s put his name to. Featuring the legendary Kenny G on saxophone, the single was written as a reflection on family, growth, and the pressure people put on themselves to hold it all together. “It’s not for nothing, feeling something — you know everybody cries,” the lyric goes, and Puth means every word of it. Kenny G’s saxophone doesn’t decorate the track so much as deepen it, adding a warmth that matches the song’s central message perfectly.

Puth is clear about where the song comes from. “I grew up watching people I admire carry emotional weight quietly,” he explains. “This song is a reminder that expressing emotion is not weakness — it’s human, and sometimes it’s exactly what helps you grow.” That kind of lyrical honesty, grounded in real observation rather than abstract sentiment, is what separates “Cry” from a lesser ballad. It lands because it’s specific.

“Cry” is the third single from his album ‘Whatever’s Clever!,’ which is out now and has already introduced a new chapter in Puth’s catalog. The record arrives as Puth prepares to take the music to arenas across North America and eventually Europe and the UK, beginning with the Whatever’s Clever! World Tour kicking off April 22 at Viejas Arena in San Diego. Thirty-four North American dates with his full band before the overseas run begins. This is a major touring cycle behind a major record.

For an artist who has spent his career demonstrating that technical precision and genuine emotion aren’t mutually exclusive, “Cry” is another strong entry in a catalog that keeps growing in depth and ambition.

Spotify’s New “About the Song” Feature Puts the Story Behind the Music Right in Your Ear

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Spotify has launched a new beta feature called About the Song, and it addresses something every curious listener has felt at one point or another. A track hits you hard, and you immediately want to know where it came from, what inspired it, what was happening in the artist’s life when it was written. Now that context lives directly inside the Now Playing view, no browser tab required.

The feature surfaces short, swipeable story cards while you listen, pulling from third-party sources to deliver behind-the-scenes details and context about the track playing in real time. It’s a lean, well-placed addition to the listening experience, designed to deepen the connection between a song and the person hearing it without interrupting the flow of actually listening.

About the Song is currently in beta for Premium users on iOS and Android in the US, UK, Canada, Ireland, New Zealand, and Australia, with English-language support at launch. Finding it is straightforward: open the Now Playing view while a supported track is playing, scroll down, and the About the Song card appears. Both artists and listeners can submit feedback directly through the card, which means the feature will keep improving as more people use it.

For a platform built on discovery, giving listeners the tools to go deeper on songs they already love is a natural and smart expansion. About the Song is rolling out now.

Spotify Just Made Lyrics Better in Three Ways, and Music Fans Are Going to Notice

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Spotify’s lyrics feature gets hundreds of millions of views every day, and the platform has just made it significantly more useful with three updates rolling out now. For anyone who follows along with words while they listen, these are changes worth knowing about.

First, lyric translations are now available worldwide. After launching in 2022 and expanding to more than 25 markets last year, translations now reach every corner of the globe for both Free and Premium users. Tap the translate icon on the lyrics card and the translation appears beneath the original, based on your device’s language, with the option to switch back anytime. For listeners who’ve ever wanted to understand exactly what they’re singing along to in another language, this is a meaningful upgrade.

Second, offline lyrics. Premium users who download tracks for offline listening will now have the lyrics automatically saved alongside the audio. Underground commute, long-haul flight, dead zone road trip, the words stay with you regardless of signal. It’s a small addition that removes a genuinely frustrating gap in the offline experience.

Third, lyric previews now appear directly beneath the album artwork or Canvas clip as a song plays, bringing the words front and center without requiring an extra tap. Early testing shows the new layout increases engagement with lyrics and helps listeners return to songs they’ve recently discovered. The feature rolls out globally for Free and Premium users on iOS, Android, and tablet, and can be turned off anytime through the three-dot menu if you prefer the original view.

Three focused, practical upgrades to one of Spotify’s most-used features. All rolling out now.

Spotify’s New Page Match Feature Lets You Seamlessly Switch Between Reading and Listening

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Spotify has quietly solved one of the most frustrating problems for book lovers who split their time between print and audio. Page Match, a new feature rolling out now on iOS and Android, lets you switch between a physical book or e-reader and its audiobook counterpart with a single scan of your phone camera. Point, scan, and Spotify drops you exactly where you left off. No hunting through chapters, no guessing at timestamps.

The feature works in both directions. Reading and want to switch to listening? Scan the page you’re on and Spotify matches it to the corresponding moment in the audiobook. Listening and want to pick up the physical book? Scan any page and Spotify tells you exactly where to flip, forward or back, to find the precise passage where your audio stopped. It’s a genuinely elegant solution to a genuinely annoying problem.

Page Match works alongside Spotify’s existing Recap feature on supported titles, which offers short audio summaries tailored to your most recent listening point, useful for jumping back in after a break. Premium subscribers and Audiobooks+ plan members can use Page Match within their monthly listening allocation, while free users can access it on individually purchased audiobooks. Most English-language titles will be supported by the end of February.

Spotify also announced a partnership with Bookshop.org, allowing users to purchase physical books directly through the platform. Together, the two updates push Spotify’s book offering into genuinely useful territory, building an ecosystem where the format you choose at any given moment is simply a matter of convenience, not commitment.

‘A Dozen Loops: The Radical Voice of Woody Guthrie’ Opens Now at Tulsa’s Woody Guthrie Center

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The Woody Guthrie Center in Tulsa has opened its newest exhibition, and ‘A Dozen Loops: The Radical Voice of Woody Guthrie’ arrives at exactly the right moment. Built around twelve songs that confronted some of the most pressing social issues of Guthrie’s time, the exhibit uses archival materials, audio, text, and video interactives to show how one songwriter transformed folk music into a sustained call for awareness and resistance. It’s an exhibition with genuine urgency behind it.

The title comes directly from Guthrie himself: “I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work.” Each of the twelve loops focuses on one song, one topic, one fight, covering racism, labor unions, environmental rights, voting rights, anti-fascism, and immigration. The breadth is as remarkable as the depth.

Cady Shaw, senior director of the Woody Guthrie Center, frames the exhibition’s timeliness plainly. “Woody Guthrie spoke boldly because he knew that silence only protects the status quo,” she says. “People are seeking out Woody’s voice because it reminds us that change begins when we confront uncomfortable truths within ourselves.” Songs written seventy or more years ago are finding new audiences because the questions they ask haven’t been answered yet.

The exhibition concludes with a call to action, inviting visitors to consider how Guthrie’s message resonates today and how they can carry it forward. Special programming continues throughout the run, with an educational workshop scheduled for May 1 among the upcoming events. ‘A Dozen Loops’ is open now at the Woody Guthrie Center in Tulsa.

Genre-Fluid Keys Force Natalie Brooke Hits the Road This Spring Behind Breakout Album ‘Measured in Moments’

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Natalie Brooke had a 2025 that demanded attention, and her Spring 2026 tour is the natural next move. Her studio project ‘Measured in Moments’ was named one of The Baltimore Banner’s Top 10 Albums of 2025, recognized for fearless composition, dynamic arrangements, and a rare ability to bridge improvisation with emotional storytelling. That kind of critical validation doesn’t happen by accident, and the Spring tour is built to show exactly why the praise landed.

Brooke’s live reputation is the engine behind everything. Known for her command of keys and keytar, her performances have increasingly leaned into extended grooves, evolving arrangements, and spontaneous musical dialogue that shifts the setlist from night to night. That improvisational DNA has made her a rising force in the jam circuit, and this Spring run deepens that connection with headline dates alongside select shows supporting Dogs In A Pile, Big Something, and Houseplant.

The routing covers serious ground, spanning the Midwest, East Coast, and Mountain West, including Brooke’s first-ever run through Colorado. One date carries particular weight. Brooke headlines Baltimore’s legendary The 8×10 in April, her final show in the nationally acclaimed room before it permanently closes its doors this summer. For a Baltimore-connected artist, that’s a moment that goes well beyond a regular tour stop.

‘Measured in Moments’ is out now, and the Spring tour brings those songs to life in the way they were always meant to be heard: stretched, transformed, and alive in the room.

Brazilian Indie Rock Breakouts Banda AL9 Make Their US Debut With New Single “She Can Do It All”

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Banda AL9 have made their American entrance, and “She Can Do It All” is the single that opens that door. The Brazilian indie rock outfit, now signed to Little Steven Van Zandt’s Wicked Cool Records, bring their global rock and roll revival to US audiences with a track that carries strong melodies, sharp vocal arrangements, and lyrics about love that sit at the heart of everything this band does. The single also launches the pre-order for their upcoming album ‘Hey! Hey! We’re Banda AL9,’ arriving July 17.

The band’s path to this moment is one of the more compelling stories in recent rock. Starting in 2017 with acoustic covers online, Banda AL9 shifted to original material and went viral on TikTok in 2021 and 2022 with videos surpassing 12 million views. Their 2023 debut album ‘Amor É A Lei’ broke through in Brazil, earning airplay on Little Steven’s Underground Garage and a co-sign from Justin Hawkins of The Darkness. Steve Aoki then covered their hit “Chama de Amor” and invited the band to perform with him live at Tomorrowland Brazil, before they joined him again at São Paulo’s Allianz Parque Stadium for their first-ever stadium appearance in 2025.

The English-language releases have steadily built their international profile. ‘Love Is The Law’ in 2024 introduced Banda AL9 to US and global audiences, followed by sophomore LP ‘O Nono Rei’ and its English counterpart ‘The Ninth King’ in 2025, the latter featuring collaborations with Ruby Leigh and Nasri of MAGIC!. This is a band that has been methodically and successfully expanding their reach at every step, and the Wicked Cool Records signing marks the clearest signal yet that the next phase is fully underway.

“As soon as we heard ‘She Can Do It All,’ it immediately felt like a perfect fit,” the band shares. “The song has strong, memorable melodies, great vocal openings, and lyrics about love that really reflect what the band is all about.” That self-awareness and enthusiasm is exactly what you’d expect from a group that has built this kind of momentum from the ground up across two languages and multiple continents.

‘Hey! Hey! We’re Banda AL9’ arrives July 17 via Wicked Cool Records here. “She Can Do It All” is out now.

21-Year-Old Music Prodigy Sofia Isella Releases Bold New EP ‘Something Is a Shell’ and Launches Massive World Tour

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Sofia Isella is 21 years old and already playing Madison Square Garden. That fact alone tells you something, but the music tells you everything else. Her third EP ‘Something Is a Shell’ is out now independently, arriving alongside lead single “Numbers,” a stripped, percussive reckoning that pairs her unflinching vocal delivery with a track that confronts control, autonomy, and the dark underbelly of institutional power. This is not background music. It demands your full attention and earns it completely.

“Numbers” opens the EP with immediate weight, setting the tone for a project that builds on previously released tracks “Out in the Garden” and “Above The Neck.” Together the three tracks form a cohesive statement from an artist who has moved from viral momentum to sold-out rooms to arena stages in the span of a single banner year. The trajectory here is not gradual. It’s vertical.

The world tour that accompanies ‘Something Is a Shell’ is a serious undertaking. Starting tonight in Washington DC at Capital One Arena with Florence + The Machine in support, the US leg runs through arenas including two nights at Madison Square Garden and Barclays Center before the European headline run takes Isella through Brussels, Berlin, Copenhagen, Oslo, Stockholm, Amsterdam, Paris, Manchester, Dublin, Glasgow, and London’s Roundhouse. A summer festival appearance at Hinterland in Iowa closes things out in July. For a 21-year-old independent artist, this is a genuinely extraordinary itinerary.

Isella’s rise has been built on the kind of creative and commercial independence that makes the scale of this tour even more remarkable. No major label infrastructure behind it, just music that connects hard enough to fill rooms of this size on its own terms. ‘Something Is a Shell’ is the document of where she is right now, and where she is right now is somewhere most artists spend entire careers trying to reach.

2026 Tour Dates:

April 18 – Washington, DC – Capital One Arena*

April 19 – Boston, MA – TD Garden*

April 21 – New York, NY – Madison Square Garden*

April 22 – New York, NY – Madison Square Garden*

April 24 – Brooklyn, NY – Barclays Center*

April 25 – Philadelphia, PA – Xfinity Mobile Arena*

May 5 – Brussels, Belgium – La Madeleine&

May 7 – Zürich, Switzerland – X-TRA&

May 8 – Luxembourg City, Luxembourg – den Atelier&

May 11 – Hamburg, Germany – Docks&

May 12 – Berlin, Germany – Columbiahalle&

May 14 – Copenhagen, Denmark – Vega&

May 15 – Oslo, Norway – Sentrum Scene&

May 16 – Stockholm, Sweden – Fryshuset Arenan&

May 19 – Prague, Czech Republic – SaSaZu&

May 20 – Vienna, Austria – Arena Wien&

May 22 – Munich, Germany – Tonhalle&

May 23 – Cologne, Germany – E-Werk&

May 25 – Amsterdam, Netherlands – Melkweg MAX&

May 26 – Amsterdam, Netherlands – Melkweg MAX&

May 27 – Paris, France – Élysée-Montmartre&

May 29 – Manchester, UK – Albert Hall&

May 30 – Birmingham, UK – O2 Institute Birmingham&

June 1 – Dublin, Ireland – The National Stadium&

June 3 – Glasgow, UK – O2 Academy Glasgow&

June 4 – London, UK – Roundhouse

July 31 – Saint Charles, IA – Hinterland

*Florence + The Machine support &Her Desire, The Nemesis Tour