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The Brian Jonestown Massacre Announce New Single and Fall North American Tour

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The Brian Jonestown Massacre announce a new single, ‘Makes Me Great / Out Of Body’, on red transparent 10″ vinyl, released April 25th via Anton Newcombe’s record label A Recordings.

Following a hugely successful UK and Europe tour earlier this year, the band will return to North America this fall for an extensive run of live shows, including two dates with special guests, Cast, making their first US appearance in nearly 30 years. Tickets on sale now.

It is over 30 years since Anton Newcombe – frontman, songwriter, composer, studio owner, multi-instrumentalist, producer, engineer, father, force of nature – and his band The Brian Jonestown Massacre released their first single She Made Me / Evergreen. Released in 1992, as the British music press descended on the US to anoint the next US guitar band as flavour of the month and major labels were on the hunt for the compliant hopefuls to be their latest quick fix, Anton Newcombe had an idea: say no. As leader of the Brian Jonestown Massacre, Newcombe had already established himself as a visionary songwriter, a man to whom making music wasn’t a lifestyle choice or a hipster haircut but the very fabric of existence itself, and he had observed in silent horror as his peers meekly acquiesced to everything – yes to contracts, yes to management, yes to suggestions, yes to this, yes to that, yes, yes, yes. But he was different. Anton Newcombe was going to say no to everything. “I just knew I would be more successful in a certain way by saying no, just being contrary because I figured that if people liked me they were gonna like me anyway,” he says. “Or dislike me. It doesn’t matter.”

Much of this was documented on the controversial documentary ‘Dig!’, which is still hailed as one of the best rock documentaries ever made, and celebrates its 20th Anniversary this year with the remastered, expanded version “Dig! XX.”

Brian Jonestown Massacre’s shoegazing-tinged debut album Methodrone was released in 1995 and since then numerous band members have joined Newcombe on his sonic escapades, but he has remained the sole constant, the creative mastermind at the centre of one of music’s most fascinating bands. There have been a further 20 albums under the Brian Jonestown Massacre moniker since then, each embarking on their own mind-expanding adventure and exploring the outer realms of rock’n’roll; psychedelic rock, country-blues, snarling rock’n’roll, blissed-out noise-pop and more.

Along the way, Newcombe has established himself as a once-in-a-lifetime talent who saw the direction in which mainstream indie-rock was heading and opted to take the long way round. He’s emerged as a revolutionary force in modern music, an underground hero. There was no other way, this was how it had to be. “My only option with everything in life has always been that you just jump into the fire,” he declared. “It doesn’t matter what it is.”

It’s with that spirit that he’s hopped around the globe, from the West Coast to New York, from Manhattan to Iceland, and then to Berlin, where he’s lived for 15 years and has two flats, one to live in and one that’s been converted into his studio.

After a hugely prolific 2010s that saw the release of eight long-players and one mini-album, Newcombe had been going through a period of writer’s block when one day he picked up his 12-string guitar and The Real (the opening track on previous album Fire Doesn’t Grow on Trees) came out of him. Like the kraken, it was as if he’d summoned it. “All of a sudden, I just heard something,” he says. “And then it just didn’t stop. We tracked a whole song every single day for 70 days in a row.” By the end of it they had 2 albums ready to go. Joining Newcombe in the studio for The Future Is Your Past were Hakon Adalsteinsson (guitar) and Uri Rennert (drums).

Brian Jonestown Massacre released their 20th full-length studio album The Future Is Your Past, in February 2023 on Anton’s record label, A Recordings. In 2022 / 2023, they completed a massive world tour that saw them play 34 dates in North America, 25 dates across Europe and 16 dates in the UK. Towards the end of 2024, they released ‘Don’t Look At Me’ ft. Aimee Nash. It is a delicious slice of hypnotic shoegaze with Nash lyrically casting a spell with the mantra “Do No Harm.”

There is no such thing as a defining statement in Anton Newcombe’s world anymore, just more chapters that contribute to the tale. “Nobody can stop me, I’m not asking somebody, I’m not making the rounds at Warners, saying ‘please put out my record!’. It’s just for me,” he says. He hopes he can be an inspiration to others. “I would love to see more groups, people playing music in the UK and everywhere else because I really enjoy it. That’s the only reason I need. It’s the only reason to do stuff.” That hits to the core of what makes Anton Newcombe and Brian Jonestown Massacre tick. He’ll keep jumping in that fire. That’s how he rolls. Savor it.

LIVE SHOWS:
Sept. 3 – Cat’s Cradle – Carrboro, NC
Sept. 4 – Variety Playhouse – Atlanta, GA
Sept. 5 – Basement East – Nashville, TN
Sept. 6 – Orange Peel – Asheville, NC
Sept. 8 – 9:30 Club – Washington, D.C.
Sept. 9 – Webster Hall – New York, NY – with special guests, Cast
Sept. 10 – Union Transfer – Philadelphia, PA – with special guests, Cast
Sept. 12 – The Sinclair – Cambridge, MA
Sept. 13 – Beanfield Theatre – Montreal, QC
Sept. 14 – Danforth Music Hall – Toronto, ON
Sept. 16 – Globe Iron – Cleveland, OH
Sept. 17 – Majestic Theatre – Detroit, MI
Sept. 18 – Mercury Ballroom – Louisville, KY
Sept. 19 – Hi-Fi Annex – Indianapolis, IN
Sept. 20 – Majestic Theatre – Madison, WI
Sept. 22 – Metro – Chicago, IL
Sept. 23 – Slowdown – Omaha, NE
Sept. 24 – recordBar – Kansas City, MO
Sept. 26 – Studio at The Factory – Dallas, TX
Sept. 28 – White Oak Music Hall – Houston, TX
Oct. 31 – Music Box – San Diego, CA
Nov. 1 – Pappy and Harriet’s – Pioneertown, CA
Nov. 2 – Observatory OC – Santa Ana, CA
Nov. 4 – SLO Brew – San Luis Obispo, CA
Nov. 6 – Swan Dive – Las Vegas, NV
Nov. 7 – The Van Buren – Phoenix, AZ
Nov. 8 – Tumbleroot – Santa Fe, NM
Nov. 10 – Gothic Theatre – Englewood, CO
Nov. 11 – Fox Theatre – Boulder, CO
Nov. 13 – Metro Music Hall – Salt Lake City, UT
Nov. 14 – Shrine Social Club – Boise, ID
Nov. 15 – The Showbox – Seattle, WA
Nov. 16 – The Pearl – Vancouver, B.C
Nov. 18 – Revolution Hall – Portland, OR
Nov. 20 – Regency Ballroom – San Francisco, CA
Nov. 21 – Rio Theatre – Santa Cruz, CA
Nov. 22 – Teragram Ballroom – Los Angeles, CA
Nov. 23 – Teragram Ballroom – Los Angeles, CA

SiriusXM Canada and CCMA Open Public Voting for 2025 Top of the Country Competition

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Today, SiriusXM Canada, in partnership with the Canadian Country Music Association, officially opened public voting for the highly anticipated 2025 SiriusXM Top of the Country competition. The eight semi-finalists have recorded original songs and videos in studio, which are now available at topcountry.siriusxm.ca.

Fans can now choose their country favourite by casting votes daily. Once selected, three finalists will advance to the next phase of the competition, where they will perform on some of Canada’s biggest stages and compete for a $25,000 grand prize and the chance to be crowned the 2025 Top of the Country champion.

This is a moment for Canadians to rally behind homegrown country music and support this year’s eight semi-finalists representing six Canadian provinces:

  • Sully Burrows – Parry Sound, Ontario
  • Annika Catharina – Deroche, British Columbia
  • Allison Daniels – Quebec City, Quebec
  • Noeline Hofmann – Bow Island, Alberta
  • Braden Lam – Halifax, Nova Scotia
  • Brettyn Rose – Okotoks, Alberta
  • Jake Vaadeland – Cut Knife, Saskatchewan
  • Mitch Zorn – Kelowna, British Columbia

“The caliber of Canadian talent grows stronger every year of this competition,” said Michelle Mearns, SVP of Programming & Operations, SiriusXM Canada. “We can’t wait for Canadians to hear these incredible artists, vote for their favourites, and be part of the journey. This year’s competition is shaping up to be one of the most exciting yet!”

Once-in-a-lifetime opportunities await the three finalists, including a summer of showcase opportunities and performances at Montréal’s Lasso festival and CMA Fest in Nashville, along with exclusive workshops and networking sessions.

The competition will wrap up this September in Kelowna, British Columbia, with an exciting finale concert during CCMA’s Country Music Week. Finalists will take the stage to perform, and one will be crowned the 2025 Top of the Country winner. The event will be broadcasted live on SiriusXM’s Top of the Country Radio (ch. 171), so fans from coast to coast can tune in and be part of the action.

SiriusXM’s Top of the Country in partnership with the CCMA is part of SiriusXM’s ongoing tradition of promoting and elevating the best emerging Canadian music. SiriusXM continues to offer a leading platform for Canadian artists through its significant financial contributions and North American-wide reach.

Dua Lipa Announces 2025 Latin America Stadium Tour Dates

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3x GRAMMY and 7x BRIT Award-winning global pop powerhouse Dua Lipa announced the highly anticipated Latin America leg of her global Radical Optimism Tour, with stadium shows across Argentina, Chile, Brazil, Peru, Colombia, and Mexico this fall.

The eight-show run kicks off on Friday, November 7 in Buenos Aires, Argentina at Estadio River Plate, expanding her global tour to an impressive 77 dates across Asia, Australia, New Zealand, Europe, the UK, North America, and Latin America. The Latin America leg will conclude with two massive back-to-back performances in Mexico City, Mexico at Estadio GNP Seguros on December 1 and 2.

TICKETS: Tickets will be available starting with an artist presale beginning Monday, April 7 at 10am local time in all markets. Visa presales in select markets will begin Tuesday, April 8 (details below). Additional presales will run throughout the week ahead of the general onsale beginning Thursday, April 10.

VISA PRESALE: Visa cardholders from select banks in Argentina, Brazil, Chile, Colombia and Peru will have access to an exclusive 2-day presale event to purchase tickets before the general public, in addition to access to world-class innovative experiences. Visa will soon announce promotions, initiatives and activities for music fans and Dua Lipa’s fan base across the five South American countries.

The 2025 leg of Dua’s Radical Optimism Tour launched last month in Melbourne, Australia to critical acclaim, debuting a dreamy new production featuring a dynamic stage design and vibrant visuals. The tour has received glowing reviews from the Herald Sun, who praised the show as “a joyous mixtape of absolute bangers, relentless light shows, and dazzling costume changes,” to Rolling Stone Australia, who gave the show four stars and declared it “a triumph.” Dua’s tour has also featured surprise appearances from special guests like Troye Sivan, Kevin Parker from Tame Impala, and Vance Joy. Each night, she’s been treating fans to a unique cover with a nod to the country she’s performing in, including songs like AC/DC’s “Highway to Hell,” Natalie Imbruglia’s “Torn,” and Kylie Minogue’s “Can’t Get You Out Of My Head.”

The global tour supports Dua’s third studio album, Radical Optimism, which went No. 1 in 12 countries, including the UK where it became the biggest album debut from a UK female artist in 2024 and garnered the highest week one sales from a UK female artist since 2021. In the US, the album debuted at No. 1 on Billboard’s Top Album Sales chart and No. 2 on the Billboard 200 chart, marking Dua’s biggest sales week yet.

Beyond her album release, 2024 was a milestone year for Dua Lipa, featuring headline performances at Glastonbury’s iconic Pyramid Stage in the UK and Austin City Limits in Austin, Texas, as well as her first primetime concert special “An Evening With Dua Lipa” filmed live at The Royal Albert Hall. And in November 2024, she kicked off the Asia leg of her Radical Optimism Tour, with stops in Singapore, Jakarta, Tokyo, Seoul, and more.

DUA LIPA – 2025 RADICAL OPTIMISM TOUR – LATIN AMERICA DATES:
Friday, November 07, 2025 – Buenos Aires, Argentina – Estadio River Plate
Tuesday, November 11, 2025 – Santiago, Chile – Estadio Nacional
Saturday, November 15, 2025 – Sao Paulo, Brazil – MorumBIS Stadium
Saturday, November 22, 2025 – Rio de Janeiro, Brazil – Estadio Nilton Santos
Tuesday, November 25, 2025 – Lima, Peru – Estadio San Marcos
Friday, November 28, 2025 – Bogota, Colombia – Estadio El Campin
Monday, December 01, 2025 – Mexico City, Mexico – Estadio GNP Seguros
Tuesday, December 02, 2025 – Mexico City, Mexico – Estadio GNP Seguros

Watch a 22-Year-Old Bob Dylan Captivate The 1963 Newport Folk Festival In Newly Colorized Footage

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In July 1963, a 22-year-old Bob Dylan walked onto the stage at the Newport Folk Festival and, with a few simple strums and one unmistakable voice, changed everything. On opening night, he delivered “Blowin’ in the Wind” alongside folk royalty Joan Baez, Pete Seeger, and Peter, Paul, and Mary, in front of a crowd of 13,000 people who knew they were witnessing something special.

We’ve always known this moment was historic. But now, thanks to the incredible work of the Toca o Disco YouTube channel, we get to experience it in an entirely new light—literally. The original black-and-white footage has been beautifully colorized, and it breathes fresh life into one of the most important performances in American music history.

Charlotte de Witte Announces Debut Album Charlotte, Shares Acid-Powered Lead Single “The Realm”

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Charlotte de Witte announces her desperately awaited eponymous debut album, out November 7th, on her own imprint KNTXT, after fifteen years of techno charts, performances, and innovation success and a stunning amount of 25 acclaimed EPs.

On April 10th, fans of the Belgian artist / producer can enjoy a taste of the LP with the release of the opening track & acid-drenched, unstoppable lead single “The Realm”, already a staple in her sets, often as a high-impact opener.

“The Realm” is beautifully muscled and put together, skilfully controlled, swift and powerful like a thoroughbred racehorse. The tightly woven techno beats and acid-spiked synth you can feel in your teeth usher in anthemic spoken lyrics packed with promise – “enter the realm of the unknown”.

Charlotte about “The Realm” and her upcoming debut: “The Realm” is a really special track for me. It marks the beginning of a whole new chapter. It’s the first single from my debut album, and it carries the energy and philosophy that inspired the entire record.

The lyrics capture the essence of what I believe music can do. Techno, and by extension clubbing, has always been about more than just dancing for me. It’s about connection, transcendence and exploration. It’s a way of accessing something unseen, something powerful. There’s a tension and release in the structure that mirrors the feeling of letting go, of stepping into something bigger than yourself.”

“After 15 years of DJing, traveling, and living life through music, releasing my debut album feels surreal. This album is the most personal project I’ve ever worked on. It’s not just a collection of tracks; it’s a reflection of who I am, where I come from, and what continues to drive me: the dancefloor.

Across eleven tracks, this album tells the story of my journey in music so far. Every sound, every transition, is intentional. I followed what felt right, what moved me. And that honesty is what makes this album so special to me. It’s raw. It’s real. It’s emotional. It’s who I am.

“The Realm” as an opening track of the album is an invitation. A doorway into the unknown, into this world I’ve been building through sound. I’m so excited to finally share this first glimpse of the album, and I can’t wait for people to step into this next phase with me.”

Pete Droge Announces First Tour in Over 20 Years

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Pete Droge announces a West Coast summer tour, his first time back on the road since touring as part of Americana supergroup The Thorns in 2003. Performing alongside his wife and longtime collaborator Elaine Summers, Pete’s set will include new songs and deep cuts from his celebrated 1994 release Necktie Second. The run of shows kicks off on June 8 in Portland, with stops in Los Angeles, San Francisco, Ojai and more.

Pete will also appear at two benefit shows in Seattle this spring – on April 24 at The Crocodile for a concert benefitting SMASH (Seattle Musicians Access To Sustainable Healthcare), and on May 9 at Moore Theatre for the Dreaming In Analog event in memory of beloved music journalist Charles R. Cross.

“Since my last tour with The Thorns in 2003, Elaine and I have racked up countless hours playing and singing in our living room,” Pete says. “We often say, ‘That sounded pretty darn good. It’s a shame nobody got to hear it.’ So we decided to book a few shows close to home and they went amazingly well. The natural next step is to take the show on the road.”

He continues, “It’s always a thrill to work up the new songs and that is especially true this time, since the songs on my forthcoming record are so deeply personal. We’ll be leaning heavily on songs from my debut album Necktie Second to celebrate the fact that it’s getting the double vinyl deluxe reissue treatment this year.”

“These days, I enjoy performing more than ever. That’s partly due to the fact that I’ve grown as a singer and guitar player, but also due to the whole ‘absence makes the heart grow fonder’ factor. I enjoyed those years off the road. It allowed me to spend more time in my studio and explore working as a producer and film composer. But at this stage of my life, I feel driven to get out there and share the music.”

Born in Eugene, Oregon and raised outside Seattle, Pete Droge rocketed to early acclaim on the strength of his 1994 debut, Necktie Second, which prompted the Los Angeles Times to compare his songwriting to Bob Dylan and Neil Young. The lead single “If You Don’t Love Me (I’ll Kill Myself)” became a radio hit and landed a prominent spot in the iconic Farrelly Brothers comedy Dumb & Dumber, and within a year, Pete was on the road supporting Tom Petty and the Heartbreakers. He would go on to release a series of well-received solo albums, appear in Cameron Crowe’s Almost Famous, team up with Matthew Sweet and Shawn Mullins to form the The Thorns, record three collections with his wife as The Droge and Summers Blend, and compose a variety of works for film and television. Pete recently announced Necktie Second will soon see a deluxe vinyl re-release, and he is gearing up to release a new album later this year (more details to come).

Pete Droge 2025 Tour Dates
April 24 – Seattle, WA @ The Crocodile, A Smash Benefit
May 9 – Seattle, WA @ Moore Theatre, Dreaming in Analog
June 8 – Portland, OR @ Mississippi Studios
June 11 – San Francisco, CA @ Swedish American Hall
June 13 – Santa Monica, CA @ McCabes
June 14 – Ojai, CA @ Ojai Underground Exchange
June 17 – Bend, OR @ Volcanic Theatre Pub

Severance Star Britt Lower Plays Show’s Theme on Trumpet with The Roots on The Tonight Show

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When Britt Lower isn’t unraveling dystopian mysteries on Severance, she’s playing the show’s theme on trumpet with The Roots.

Ministry Revisits “Everyday Is Halloween” With Eerie New Video

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40 years later, Ministry still makes every day feel like Halloween—because true anthems never die, they just get louder (and eerier).

FairCasinos – The Complete Guide to Choosing Online Casino

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By Mitch Rice

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Sunset Blvd. To Release Ruth Brown’s Lost 1970s Recording ‘Secret Love’ On April 25

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Sunset Blvd. to release Ruth Brown’s lost 1970s recordings Secret Love on April 25th. During the 1950s, the record industry called New York-based Atlantic Records “The House That Ruth Built.” That’s how important the many hits of R&B singer Ruth Brown were to the label’s early success. But Ruth cooled off commercially during the ’60s, and there was a long stretch during the ’70s where she threatened to fall off the radar altogether.

As it turned out, Miss Rhythm, as she was nicknamed during her heyday, was still making great records, even if precious few of her fans even knew about them. Sunset Blvd.’s new Secret Love compilation gathers them on the two-CD Secret Love, making it clear that these compelling recordings didn’t deserve their obscurity. The first disc contains the entirety of Brown’s 1976 album Sugar Babe, and it was likely the funkiest set she ever cut. Produced by the legendary Jerry “Swamp Dogg” Williams, its tight, surging backing tracks, punctuated by punchy horns and soaring strings, were laid down in Muscle Shoals, rendering “Brown Sugar” (not the Rolling Stones warhorse; Williams wrote everything on the set), “You’re Gonna See A Lot More Of Me Leaving,” and “Stop Knocking” thoroughly contemporary and soulful.

The second disc, combining material from two subsequent Brown albums done at Hollywood’s Gold Star Studios, is an entirely different aural delight. 1978’s You Don’t Know Me showcased Brown in an after-hours trio setting led by pianist Lou Levy as she caressed the Great American Songbook standards “Willow Weep For Me,” “Smile,” and “Skylark” (one exception, “Miss Brown’s Blues,” is a jumping remake of “Hello Little Boy,” her wild 1953 proto-rock and roller for Atlantic). The following year’s Touch Me in the Morning subtly expanded her combo, producer Herb Jeffries escorting Ruth into more contemporary directions: “Touch Me In The Morning,” “Best Thing That Ever Happened To Me,” “I’ll Never Fall In Love Again.”

Taken together, these three “lost” albums present a new and illuminative side of Ruth’s artistry, showing she was eminently capable of venturing in unabashedly contemporary directions even after close to three decades of recording. The Portsmouth, Virginia native made her recording debut for Atlantic in 1949, entering the studio in crutches after a long hospital stay that was the result of a serious auto accident. She hit her first time out with the smoky torch ballad “So Long,” but her biggest sellers of all were up-tempo jumps: “Teardrops From My Eyes” (1950), “5 – 10 – 15 Hours” (1952), “(Mama) He Treats Your Daughter Mean” (1953). Only Dinah Washington rivaled Brown’s regal status among female singers on the R&B hit parade.

“When people spoke about Atlantic, they kind of automatically spoke about Ruth Brown,” she said. The rise of rock and roll changed that to some degree, though Ruth continued to score hits for Atlantic for the rest of the decade. The ’60s were another story-some fine recordings, but no hits. The gigs dried up too, forcing Brown to take menial jobs to get by. “A lot of people are amazed when I talk about the things that I did to survive,” said the late Brown. “But that’s my privilege to tell it, if nobody knew it when it was going on.”

Fortunately, things eventually turned around for Ruth Brown as she became a star all over again during the ’80s and beyond. But the glorious recordings comprising Secret Love fell through the cracks before that took place. It’s time to embrace these hidden gems at long last!