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Whataburger Teams Up with Lainey Wilson for a Year of Bell-Bottom-Country-Meets-Burger Goodness

Music

Eric Alper

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Jan 25, 2025

Whataburger Teams Up with Lainey Wilson for a Year of Bell-Bottom-Country-Meets-Burger Goodness

Grab your boots and loosen your belts, y’all! Whataburger is keeping its 75^th Anniversary celebration rolling with some extra-spicy news! Today, Whataburger is honored to welcome Grammy Award-winning country music star Lainey Wilson as its official brand ambassador. The collaboration unites two icons known for being BOLD. Lainey’s unmistakable style and authentic charm paired with Whataburger’s unforgettable flavors and welcoming hospitality–it’s a match made in Southern heaven.

“I’ve been rolling through Whataburger drive-thrus since I was just a small-town girl in Louisiana with big dreams,” said Lainey Wilson. “From grabbing Honey Butter Chicken Biscuits with my daddy between horse sales and rodeos to late-night stops on the road playing honky-tonks — Whataburger’s been part of my story every step of the way.”

In a true neighborly fashion, Whataburger and Lainey are treating fans to a taste of Lainey’s favorite post-show tradition. Swing by participating Whataburger locations on Tuesday, January 28, from 6 AM – 11 AM to score a FREE Honey Butter Chicken Biscuit. This mouthwatering deal is up for grabs exclusively for in-store and drive-thru orders only, no purchase necessary. But y’all better hurry – it’s only available while supplies last, and there’s a limit of one Honey Butter Chicken Biscuit per person.

Lainey’s partnership takes center stage during Whataburger’s diamond anniversary celebration, marking 75 years of serving up Goodness 24/7 to fans.

“Lainey Wilson embodies all that we love about our brand. She is genuine, daring and dedicated to delivering unforgettable experiences to fans,” said Debbie Stroud, president and chief executive officer at Whataburger. “Our partnership with Lainey Wilson unites two brands committed to serving up Goodness 24/7 with a side of Texas hospitality, and we can’t wait to share what we’ve got cooking throughout the year. Hang tight, there’s more to come!”

Country music trailblazer Lainey Wilson continues to take over the world, capturing the hearts of music fans, the excitement of the industry and the recognition of her peers while keeping her boots firmly planted on the ground. In just the past year, Wilson was inducted as a member into the Grand Ole Opry, co-hosted the 58th annual CMA Awards alongside Luke Bryan and Peyton Manning and headlined the Dallas Cowboys’ Thanksgiving Halftime Show as part of The Salvation Army’s 134th Red Kettle Campaign. Wilson also earned a nomination for Best Country Album at the upcoming 67th Annual Grammy Awards for her critically acclaimed new record Whirlwind, following her win in the same category last year for Bell Bottom Country.

Hailed by The Tennessean as “the best release of her career,” Whirlwind debuted at #8 on the all-genre Billboard 200 chart and #13 on the U.K. Official Albums Chart, marking Wilson’s first top 10 and top 15 entries, respectively. The album earned spots on several “Best Albums of 2024” lists, including Rolling Stone, Billboard and The Boston Globe. Produced by Jay Joyce, Whirlwind provides a daringly honest exploration of Wilson’s life and journey around the globe. The album features fan-favorite, current radio single, “4x4xU,” and reveals a diverse yet sonically cohesive collection of songs, bending genres while remaining true to her Western roots. Wilson creates narratives that capture life’s highs, lows, and in-betweens, solidifying her role as one of the greatest songwriters of her generation.

The reigning ACM Entertainer of the Year and previous CMA Entertainer of the Year is a prolific, sought-after songwriter who has scored seven No. 1 hits including “Watermelon Moonshine,” and the 2x PLATINUM Certified “Heart Like A Truck,” in addition to award-winning collaborations with Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”) and HARDY (“wait in the truck”). Wilson has become a triple threat within entertainment as a singer, songwriter and actor. She made her acting debut in season 5 of Paramount’s hit series Yellowstone and recently returned for its final episode of the series. She wrote and recorded “Out of Oklahoma,” an original song for Universal’s blockbuster Twisters, which has since earned a spot on the Oscars’ shortlist for Best Original Song. Beyond her artistry, Wilson’s on-stage performances triumph from sold-out tours across America, Australia and Europe to highly coveted music festivals such as Stagecoach, Lollapalooza and Watershed.

Global Events Industry to Surge by $1.07 Trillion by 2029, Driven by Corporate Events and Education Trends

Music

Eric Alper

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Jan 25, 2025

0

Global Events Industry to Surge by $1.07 Trillion by 2029, Driven by Corporate Events and Education Trends

The global events industry market size is estimated to grow by USD 1.07 trillion from 2025-2029, according to Technavio. The market is estimated to grow at a CAGR of 13.5% during the forecast period. Rise in number of corporate events is driving market growth, with a trend towards growing popularity of events in education. However, emerging threat from open-source virtual events solutions poses a challenge. Key market players include Access Destination Services, Anschutz Entertainment Group Inc., ATPI Ltd., BCD Travel Services BV, CL EVENTS AND WEDDINGS, Clarion Events Ltd., CS Ellis, Cvent Holding Corp., DRP Holdings Ltd., Entertaining Asia Ltd., Event Rhythm, Group Seven Events Ltd., Liberty Media Corp., Questex Media Group LLC, Regpack Inc., RELX Plc, Riviera Events, Theism Events, and The Freeman Co..

The Events Industry encompasses a wide range of public gatherings, serving various business objectives and celebrating achievements. This sector includes conferences, exhibitions, corporate events, seminars, promotions, fundraising initiatives, sports events, festivals, trade shows, and more. Corporate organizations, public entities, and non-governmental organizations (NGOs) cater to diverse audiences, addressing societal needs. Business events offer a hands-on learning environment, with discussions, interactions, and knowledge exchange. Entertainment is a significant component, including music concerts, sports, and art performances. Sponsorships, virtual events, and hybrid events are growing trends, with B2B and B2C large enterprises, software organizations, and platform organizations driving the market. Event management companies employ real-time communication tools, ensuring cost-effective, easily accessible digital evolution. Venue costs, on-site fees, event rentals, entertainment expenses, and production costs contribute to the financial burden. Effective communication, registration, ticketing processes, and attendee experiences are crucial for customer satisfaction. International collaborations segment the Events Industry, with corporate events & seminars, music & art performances, and sporting competitions catering to various purposes. Event sponsorships, time, and place play essential roles in business profitability and positive impressions. Overall operational outlay includes intricacies like ticketing sales, entertainment industry collaborations, and customer engagement for brand loyalty and prospective customers.

Virtual events in the education sector are gaining popularity as an effective and cost-efficient method for imparting knowledge. Traditional institutions are adopting this trend by offering virtual classrooms for students. These sessions provide flexibility in terms of time and location. Students can access quality education from qualified instructors, regardless of geographical boundaries. Virtual events also incorporate game dynamics to boost interest and enhance attention span, while improving time management skills. Conferencing features enable interactive sessions between students and faculty members, and social media integration broadens networking opportunities.

The Events Industry encompasses public gatherings for various purposes, including business objectives, celebration of achievements, entertainment, and support for community causes. This industry includes conferences, exhibitions, corporate events, seminars, promotions, and fundraising initiatives. It caters to diverse audiences, addressing societal needs through music concerts, sports events, festivals, trade shows, and conventions. Corporate organizations, public entities, and non-governmental organizations (NGOs) are significant players in this industry. Business events offer a hands-on learning environment, with participants engaging in discussions and interactions. Entertainment industry events, such as music concerts and festivals, attract international music professionals, performing artists, speakers, entrepreneurs, producers, and emerging technologies. Event management companies play a crucial role in organizing these events, ensuring smooth operations and managing significant expenditures. Communication is key, with transactions handled through online booking, phone calls, and emails. Virtual events and hybrid events are gaining popularity due to digital evolution and the ease of access through smartphones, desktop apps, and mobile apps. Event logistics, registration, ticketing processes, and attendee experiences are essential components, aiming for customer satisfaction and positive impressions. Sponsorship opportunities exist for B2B and B2C events, with large enterprises, sports organizations, and telecasting/broadcasting rights holders often involved. Event organization intricacies can be financially burdensome, but effective communication and cost-effective solutions contribute to business profitability.

Open-source virtual events present a significant competition for commercial enterprise virtual solutions in the market. These software can be downloaded and utilized on various platforms, making them an attractive option for micro, small-scale enterprises, and individual users due to their cost-effectiveness. The high purchasing and licensing costs associated with proprietary virtual events are a barrier for many. Open-source alternatives, such as OpenSim, VirtualBox, and Xen Project, offer basic features comparable to commercial events and are freely accessible online. This availability poses a challenge for vendors in the global events industry market who offer proprietary virtual events.

The corporate events and seminars segment of the events industry market is experiencing notable growth due to the digitalization of core processes, customer focus, and an increase in the number of corporate events such as product launches, conferences, seminars, company outings, dinners, and team-building activities. Key end-users include private organizations, businesses, corporations, trading associations, educational institutions, and political parties. These events help control event logistics and improve operational efficiency, resulting in cost savings of nearly 30%. The market’s growth is driven by global transactions from professional development conferences, strategic planning meetings, and annual shareholder meetings. Despite this growth, the market share for corporate events and seminars is decreasing due to the expansion of other industries like corporations, music, and concerts. These factors are expected to fuel the expansion of the global events industry market in the forecast period.

The Events Industry encompasses a vast array of public gatherings, each serving unique business objectives and purposes. From celebrations of achievements and milestones to conferences, exhibitions, seminars, promotions, and fundraising initiatives, events cater to various needs. Entertainment, in the form of music and art performances, adds to the appeal, while sports and festivals engage the populace. Trade exhibits provide opportunities for transactions, and the time and place of an event are crucial in ensuring its success. The purpose of an event can range from business profitability to supporting community causes. Online booking and phone calls facilitate easy registration, making events more accessible to all.

The Events Industry encompasses a vast array of public gatherings, catering to diverse audiences and societal needs. These events serve various business objectives, from celebration of achievements and entertainment, to support for community causes, conferences, exhibitions, corporate events, seminars, promotions, and fundraising initiatives. The industry includes sports events, festivals, trade shows, and various types of business-to-business (B2B) and business-to-consumer (B2C) events. Events can be organized by corporate organizations, public entities, non-governmental organizations (NGOs), and more. They provide a hands-on learning environment for participants, offering discussions, interactions, and knowledge exchange. Entertainment plays a significant role, with music concerts, sports, and art performances, as well as virtual reality encounters and live music experiences. Sponsorship, both for events and organizations, is a crucial aspect, with telecasting/broadcasting rights, sports sponsorship, and hybrid events. Event management companies play a key role, utilizing the latest technologies, social media presence, on-site food options, and real-time communication tools to ensure cost-effective, easily accessible, and digitally evolved events. The industry is segmented into various types, including corporate events & seminars, conferences & exhibition, promotion & fundraising, music & art performances, and sporting competitions. Each event aims to create a positive impression, engage customers, build brand loyalty, and ensure customer satisfaction. Event logistics, registration, ticketing processes, and attendee experiences are all crucial components of a successful event.

The 2025 NAMM Show’s ‘Industry Insights’ Takes Center Stage at World’s Largest Global Gathering of the Music Industry

Music

Eric Alper

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Jan 25, 2025

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NAMM (The National Association of Music Merchants), the largest global not-for-profit music trade organization, presented at The 2025 NAMM Show its premier “Industry Insights” address from NAMM President and CEO John Mlynczak to thousands of attendees. The NAMM Show is the largest global gathering of the music industry, happening at the Anaheim Convention Center in Anaheim, California, now through Saturday, January 25.

At this keynote NAMM Show event, Mlynczak announced a new slate of resources and initiatives that will strengthen the organization’s global membership and set the stage for a successful 2025 for the global music industry.

Announcements at this morning’s “Industry Insights” address Included:

Looking Back on NAMM-Commissioned AI Innovation Study

Throughout 2024, NAMM focused on providing Industry Insights reports as a value member service to help support NAMM members. Thanks to a new relationship with Forrester^®, a leading global research firm, NAMM commissioned a study to provide members with deep insights into customer experience in the age of AI.

New Annual Impact Report

NAMM has announced the formal launch of its Impact Report. This report provides a comprehensive overview of all the ways NAMM has fulfilled its mission in 2024 — and a look ahead to opportunities in 2025. The Impact Report can be downloaded here.

NAMM NeXT is Returning to Nashville

Coming off the success of last year’s inaugural event, NAMM NeXT will return to Nashville from June 30–July 1. This immersive leadership summit gives business and industry leaders deep insight into growth and leadership in a one-of-a-kind curated program. Registration is now officially open and has limited capacity: https://next.namm.org/

The NAMM D.C. Fly-in

For its 19th year, NAMM is proud to lead a delegation of NAMM members back to Washington D.C., from May 5–8, 2025, to advocate for music education and full funding of the federal programs that support music education.

“The NAMM D.C. Fly-in is not only an opportunity to advocate at the federal level; it will also provide training for all delegates in attendance, so they can be leaders at the state level all year round,” Mlynczak said.

Members can find more information and sign up now at www.namm.org/issues-and-advocacy/fly-in. Additional highlights at the “Industry Insights” address included:

NAMM’s Three Policy Priorities

NAMM serves its members by continuously tracking, engaging and educating on matters of public policy. The three priorities include Music Education Advocacy, Workforce Development, and Business Compliance. More information can be found at namm.org/policy

The NAMM Foundation’s Global Grantmaking Program

The NAMM Foundation has increased its efforts to create more music makers. The foundation has invested $750,000 in the global grantmaking program, a 50-percent increase from the past five years, to support programs that create more music makers across all industry segments. This includes an expanded version of the Consider a Career in Music Initiative to ensure the next generation of talent sees the music industry as a vast and exciting career opportunity. The NAMM Show has also increased scholarship efforts by more than 50 percent to bring 152 collegiate students to Anaheim this year.

NAMM Foundation’s Newest Executive Director

In 2024, the NAMM Foundation welcomed new Executive Director Julia Rubio. Under Rubio’s leadership since taking the role in July, The NAMM Foundation has expanded programming and donations, with more than $315,000 in contributions to The NAMM Foundation from companies and individuals in the music industry in 2024.

Special Recognition

The NAMM Foundation made its first disbursement from its LA Wildfires Relief Fund during today’s event, bestowing $10,000 to Lana Negrete and Outreach Through the Arts. Lana, who is also Mayor of Santa Monica, has served on the NAMM Board of Directors and is owner of Santa Monica Music Center. Mayor Negrete has been on the forefront of the neighboring Palisades fire and will utilize this donation to support music students with continued lessons, instruments replacements and the ability for her community to support music programs lost to the Palisades fire.

“I have witnessed the heartbreaking devastation caused by the Palisades fire firsthand as well as the challenges our community faces on multiple levels,” said Lana Negrete, NAMM Board Member, Mayor of Santa Monica and owner of Santa Monica Music Center. “With the support today from The NAMM Foundation, we can begin to provide relief to musicians, students and programs from neighboring communities. This is truly overwhelming, and I am so proud to be an integral part of the NAMM organization.”

Industry Leaders United

The powerhouse lineup of onstage guests included Christine Schyvinck, CEO of Shure; Beth Heidt, CMO of Gibson; Gabe Dalporto, CEO of Guitar Center; Eric Matzat, executive director of the Alliance of Independent Music Merchants; and Dinah Gretsch, executive vice president and CFO of the Savannah, Ga.-based Gretsch Company. At this event, Dinah Gretch was awarded NAMM’s highest honor, the Music For Life Award.

The “Industry Insights” address follows yesterday’s packed NAMM Global Media Day, where iconic brands spanning music, sound and entertainment technology categories announced breaking news to an exclusive media-only audience.

Upcoming highlights for the show include halls showcasing 1,850 exhibitors representing 4,400 brands and more than 250 educational sessions for NAMM member communities, including: retail, brands, professional audio, music technology, live event production and music education, as well as artists nonprofit and community leaders, content creators, college music business students and more.

Also returning are the much-loved industry award events and concerts, including the Parnelli Awards, TEC Awards, She Rocks Awards, live music on the Yamaha Grand Plaza Stage featuring Jon Batiste and CeCe Winans, as well as other event gatherings and networking opportunities.

Qualified members of the media, as well as individuals in the fields of pro audio, lighting, repair, luthiers and music education, may still register on site.

Learn more at namm.org.

About NAMM

The National Association of Music Merchants (NAMM) is the not-for-profit association with a mission to strengthen the $19.5 billion music products industry and promote the pleasures and benefits of making music. NAMM is comprised of over 10,000 global member companies and individual professionals representing a global workforce of over 475,000 employees. In addition to The NAMM Show and NAMM’s member services, The NAMM Foundation advances active participation in music-making across the lifespan of learning. For more information about NAMM, please visit www.namm.org.

Martin Guitar and Billy Strings Team Up for Signature D-28 and X Series Models

Music

Eric Alper

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Jan 25, 2025

0

Martin Guitar and Billy Strings Team Up for Signature D-28 and X Series Models

Martin Guitar is thrilled to unveil two all-new signature models at The 2025 NAMM Show—the D-28 Billy Strings and the D-X2E Billy Strings.

Joining other new releases from Martin, including the refreshed Standard Series, D-3 Millionth milestone acoustics, and more, these guitars are crafted to capture the distinctive sound, style, and electrifying energy of GRAMMY-winning artist Billy Strings. They represent a collaboration that combines Martin’s unparalleled craftsmanship with the innovative artistry of a musician who transcends genre while honoring bluegrass traditions.

“If you think of just the word ‘guitar,’ I think of a Martin D-28,” says Billy. “Some people might think of a Stratocaster or a Les Paul, but to me, it’s just so American—it’s like baseball or something.

“They all have this overall thing that is ‘the Martin sound,’ and that is the sound that has captivated bluegrass guitarists for as long as it’s been around—and every other genre as well. But specifically, these Dreadnought guitars for bluegrass music—you gotta have one.”

These instruments and more will be on display at The 2025 NAMM Show in Anaheim, California, through Saturday, January 25.

D-28 BILLY STRINGS

Inspired by Billy’s prized 1940 D-28, the Martin D-28 Billy Strings brings a modern twist to a classic pre-war design, incorporating features tailored to Billy’s electrifying playing style.

This signature Dreadnought showcases a unique 25″ scale length, reducing string tension for fast, intricate playing and expressive bends—perfectly suited for Billy’s rapid-fire licks. With a custom nut width that’s slightly wider than his pre-war Martin and a modified low oval satin neck, it offers enhanced comfort and speed, ideal for players who crave agility up and down the neck.

The solid East Indian rosewood back and sides and spruce top deliver a full, resonant tone with rich bass, while the bold herringbone trim, antique toner, and antique white binding add vintage flair. Nickel enclosed gear tuners, exclusive to Martin, and an ebony fingerboard with abalone diamond and square inlay round out the guitar’s looks and performance.

It’s an ideal balance of traditional craftsmanship and modern playability, much like Billy’s genre-defying style. Both signature models feature a custom paper label with his pre-printed signature and graphic.

D-X2E BILLY STRINGS

The Martin D-X2E Billy Strings takes inspiration from Billy’s love for his pre-war D-28 while offering a more accessible option for fans and players alike.

It features the same unique 25″ scale length and custom nut width as its high-end counterpart, making it easier to play fast, intricate lines while maintaining a comfortable feel. Built with durable Brazilian rosewood-patterned HPL back and sides and a solid spruce top, this Dreadnought delivers a powerful, booming tone that’s perfect for both traditional and modern acoustic styles.

Nickel open gear tuners, an ebony fingerboard with faux abalone inlay, and a style 28 rosette add a classic touch, while Martin E1 electronics and a built-in tuner ensure it’s ready for the stage. Complete with a hemp softshell case, the D-X2E Billy Strings is a rugged, reliable instrument that reflects his passion for pushing boundaries and blending genres.

“There’s so many kids out there that really want to learn how to pick, and they need access to a good instrument that they don’t have to take out a loan for,” says Billy. “That was important to me—to make sure that there was a guitar that people could get their hands on.

“To have a Martin that you can actually acquire and learn how to pick on… I mean, that’s like the first one I got, and it’s great. It’s a fully badass guitar.”

How To Book Music Festivals: 5 Essentials Every Artist Needs to Know

1-Minute Tips For PR

Eric Alper

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Jan 25, 2025

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How To Book Music Festivals: 5 Essentials Every Artist Needs to Know

Getting booked at a music festival isn’t just about talent—it’s about showing festivals why you’re the perfect act for their stage. Whether you’re dreaming of your first local gig or aiming for the big leagues, these five points will help you stand out and secure your spot.

1. Master Your Live Performance

Festivals are all about live energy, so before you pitch, make sure your live show is unforgettable. Rehearse until your set feels effortless, and hit smaller stages to build your confidence. A polished, high-energy performance will make festival organizers take notice—and if your show has a unique twist, even better. Remember, festivals aren’t just booking artists; they’re curating experiences, so make sure you deliver one that audiences will rave about.

2. Create Compelling Live Videos

A killer live performance video is your calling card. Festival organizers want to see how you engage a crowd and sound on stage, so showcase your best moments with clear audio and dynamic visuals. Capture the energy of your audience if possible—nothing says “book me” like a room full of fans having the time of their lives. If you can’t record at a gig, even an acoustic session or rehearsal clip can help, as long as it’s professional and captivating.

3. Define Your Musical Identity

Festivals want artists with a clear, defined brand that sets them apart. Your music, visuals, and story should all tell the same cohesive narrative. Are you a soulful storyteller or a high-energy party starter? Whatever your style, own it fully. A strong identity makes it easier for festivals to see how you fit into their lineup—and it helps fans connect with you on a deeper level.

4. Build Momentum Before You Pitch

Festivals want to book acts that bring buzz, whether it’s through streaming numbers, press coverage, or social media engagement. Start by building your presence online and connecting with fans consistently. Even small wins, like a local press mention or a viral moment, can make you stand out. The more excitement you generate around your music, the easier it is to show festivals that you’ll bring energy and audiences to their event.

5. Pitch with Precision and Professionalism

Your pitch should be concise, professional, and tailored to the festival. Include links to your music, a standout live video, a short bio, and any press highlights or performance history. Festival organizers are busy, so make your materials easy to access and compelling to read. Bonus tip: If you can pitch a unique idea—like a collaboration, surprise guest, or special performance moment—you’ll stand out even more.

Booking your first music festival might take time, but the effort is worth it. Focus on preparation, presentation, and building relationships in the industry. When you finally step on that stage, the audience will remember the magic you brought—and so will the festival organizers.

For all your publicity needs, feel free to email Eric@ThatEricAlper.com or call me at 647-971-3742. With 25+ years of experience and a deep passion for connecting artists to audiences, I’m here to help you make an impact.

5 Surprising Facts About David Bowie’s “Blackstar”

Eric Alper

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Jan 25, 2025

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5 Surprising Facts About David Bowie’s “Blackstar”

Released on Bowie’s 69th birthday, January 8, 2016, Blackstar stands as a monumental, enigmatic farewell to an unparalleled career. Crafted in secrecy with Tony Visconti and a group of NYC jazz musicians, the album is a fusion of art rock and experimental jazz, marked by themes of mortality, legacy, and artistic freedom. Here are five fascinating details about Blackstar that add to its enduring mystique.

1. Recorded in Secrecy with Jazz Musicians
Bowie intentionally veered away from his usual band for Blackstar, recruiting saxophonist Donny McCaslin’s jazz quartet. Tony Visconti explained the decision, saying that jazz musicians playing rock would “turn it upside down.” The chemistry of the group—Mark Guiliana on drums, Tim Lefebvre on bass, and Jason Lindner on piano—infused the album with a dynamic blend of spontaneity and precision. This unorthodox choice added a fresh, avant-garde texture to Bowie’s final work.

2. Influenced by Kendrick Lamar and Death Grips
While crafting Blackstar, Bowie drew inspiration from unexpected sources, including Kendrick Lamar’s To Pimp a Butterfly and the experimental sounds of Death Grips. Though the album doesn’t mimic their styles, Bowie admired their genre-defying approach and sought to bring a similar openness to his own music. The result is a record that resists easy categorization, blending jazz, hip-hop rhythms, and art rock seamlessly.

3. A Vinyl with Hidden Surprises
The Blackstar vinyl edition holds secrets that fans continue to uncover. Most notably, when the black paper sleeve is removed and held up to light, it reveals a starfield pattern—a subtle nod to Bowie’s cosmic legacy. Designer Jonathan Barnbrook hinted that there are more surprises in the artwork, adding to the mystique of Bowie’s final visual statement.

4. “Lazarus” as a Swan Song
“Lazarus,” one of the album’s standout tracks, is often interpreted as Bowie’s farewell. Lines like “Look up here, I’m in heaven” and the haunting music video, which depicts Bowie in a hospital bed, take on profound meaning in the context of his passing. The song also features in Bowie’s off-Broadway musical of the same name, linking his theatrical and musical worlds in one final bow.

5. A Self-Referential Goodbye
The closing track, “I Can’t Give Everything Away,” directly references Bowie’s own career. The harmonica solo recalls his 1977 track “A New Career in a New Town,” while the lyrics explore themes of revelation and mystery. Bowie grapples with his own legacy, leaving fans with a parting message both cryptic and deeply emotional.

Blackstar is a carefully constructed final act from one of music’s most innovative artists. Bowie used the record to explore his mortality, stretch artistic boundaries, and offer a gift to fans who had followed his career for decades. It’s a haunting, beautiful swan song that cements his place as a creative force who was always one step ahead of his time.

5 Surprising Facts About Rihanna’s “Anti”

Eric Alper

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Jan 25, 2025

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5 Surprising Facts About Rihanna’s “Anti”

Released on January 28, 2016,Rihanna’s genre-defying Anti flipped expectations of what pop music could be and marked a pivotal moment in her career. With its bold artistic risks, introspective themes, and masterful production, Anti has plenty of lesser-known details that make this album extraordinary. Here are five facts about Anti that you might not know.

The Tame Impala Connection:
Rihanna’s “Same Ol’ Mistakes” is a faithful reimagining of Tame Impala’s “New Person, Same Old Mistakes” from their Currents album. Instead of transforming the track, Rihanna kept its dreamy psychedelic essence intact, choosing to enhance rather than alter. This decision shows her respect for the original while adding her unmistakable vocal signature. Tame Impala’s Kevin Parker openly praised her take, calling it a perfect fit for her voice and artistic style.
Whiskey and Vulnerability:
The ballad “Higher” was born out of a late-night studio session fueled by whiskey. Rihanna herself referred to the track as “a drunk voicemail,” and the rawness of her delivery is palpable. Recorded in the early hours of the morning, the song captures a kind of emotional honesty that feels both unpolished and deeply human. It’s a standout moment of intimacy on an album filled with experimental production.
A Record-Breaking Hit:
“Work,” the lead single from Anti, became a cultural phenomenon upon its release. With its hypnotic dancehall rhythm and minimalist production, the track dominated the Billboard Hot 100 for nine weeks. It helped Rihanna achieve her 14th number-one hit, surpassing Michael Jackson in the process. The song’s success reaffirmed Rihanna’s ability to effortlessly blend Caribbean influences with global pop appeal.
A Braille-Infused Cover:
The Anti album cover, designed by Roy Nachum, is as layered as the music it represents. Featuring a childhood photo of Rihanna with a crown covering her eyes, the artwork also includes a poem in Braille. The inclusion of Braille reflects themes of perception and the idea of being misunderstood, a recurring motif in both the album’s lyrics and Rihanna’s career. It’s a visual statement that invites deeper interpretation.
Genre-Defying Eclecticism:
One of Anti’s greatest strengths is its refusal to be boxed into a single genre. The album effortlessly weaves together elements of dancehall, doo-wop, trap, and psychedelic soul. Tracks like “Love on the Brain” nod to 1950s balladry, while songs like “Needed Me” lean into moody, contemporary trap. This diversity not only showcases Rihanna’s vocal range but also her willingness to challenge mainstream expectations.

Anti remains a landmark album that balances experimentation with emotional depth, firmly establishing Rihanna as an artist who thrives on breaking boundaries.

Jay Douglas Documentary Play It Loud! – How Toronto Got Soul Set For VIFF Premiere And Knowledge Network Airings

Music

Eric Alper

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Jan 25, 2025

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Jay Douglas Documentary Play It Loud! – How Toronto Got Soul Set For VIFF Premiere And Knowledge Network Airings

Exclaim: “An entertaining celebration of one of the key architects of the Toronto sound”

JAZZ FM: “Beloved Toronto music legend Jay Douglas is finally getting his flowers! Proud to see his story come to life through this film!”

Reggae North: “A landmark event in Canadian music history!”

Sly Dunbar: “The Lou Rawls of Jamaican music”

For much of the late 1960s and early 1970s, the Caribbean, Jamaican and reggae music scene in Toronto was almost unrivaled in North America in terms of quality and performers. Jay Douglas, lead singer of The Cougars and one of the biggest and brightest talents of that time, is the subject of a fantastic new TVO Original documentary entitled Play It Loud! — How Toronto Got Soul. The documentary, directed by Graeme Mathieson, produced by Andrew Munger (Once Were Brothers: Robbie Robertson and The Band), and Executive Produced by Clement Virgo (Brother, The Wire) will be screening with the Director, Producer and Cast at The VIFF on February 7 at 8:30pmPT – tickets on sale here), followed by television airings across British Columbia starting February 27 at 9:00pmPT via the Knowledge Network.

Play It Loud! — How Toronto Got Soul traces Douglas’ life from a young boy in Jamaica to immigrating to Canada in his teenage years and residing in Toronto with a host of other Jamaica-born artists such as Jackie Mittoo, Leroy Sibbles and Wayne McGhie among others. With Toronto becoming a hotbed of Jamaican music, Douglas established himself as the lead singer of The Cougars, a fabulous group who performed a collage of genres (reggae/Caribbean/soul/ska/funk) wherever and whenever they could.

Whether it was the vibrant clubs on Toronto’s Yonge Street during that era or performing in smaller towns in Northern Ontario or Quebec, the group dazzled fans despite little to no airplay or label support aside from appearing on one album entitled Caribana ’67.

Douglas (born Clive Pinnock), described by legendary reggae producer Sly Dunbar as “the Lou Rawls of Jamaican music,” maintained a music career performing on cruise ships, banquets, and clubs long after The Cougars’ heyday. In 2006, after influential hip-hop artists discovered a drum break from McGhie’s song “Dirty Funk,” that time and place in Canadian musical history was resurrected thanks to Jamaica To Toronto: Soul Funk & Reggae 1967-1974, a now legendary compilation issued by Seattle label Light In The Attic which shone the spotlight on the blazing Jamaican music scene, Douglas (a three-time Juno Award nominee), and this magical era. Play It Loud — How Toronto Got Soul takes the journey with Douglas through the highs and lows, in a way akin to the 2012 critically acclaimed documentary Searching For Sugar Man about the rather obscure musician Rodriguez and one man’s search for the artist.

Featuring interviews with Dunbar, vocalist Jackie Richardson, Cadence Weapon (Rollie Pemberton), former MuchMusic host Michael Williams and many others, and the music of Bob Marley, Bo Diddley, James Brown, The Cougars, Wayne McGhie.

The film was funded by TVO, Canada Media Fund, Telefilm, Ontario Creates, Rogers Documentary Fund, Knowledge Network BC and the Hot Docs–Slaight Family Fund.

For an intriguing, intimate look at an incredibly underrated and then underappreciated era in Canadian music, Play It Loud — How Toronto Got Soul will stir your soul to seek out these artists and this incredible sound while shedding light on one of Canada’s most revered musicians.

98º Brings the Heat with New Single “Got U” and Album ‘Full Circle’

Music

Eric Alper

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Jan 25, 2025

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98º Brings the Heat with New Single “Got U” and Album ‘Full Circle’

98º is back and better than ever with their new single “Got U,” out now, a heartwarming anthem of love, devotion, and connection from their upcoming album Full Circle (May 9th, 2025/ XOXO Entertainment Corp.) Penned by Alex Cantrall (JoJo, Toni Braxton, EXO, SHINee), Carsten Schack (Whitney Houston, 2Pac, Brandy, Usher), Kenneth Karlin (Backstreet Boys, Mary J. Blige, Monica, Sting), and Nick Lachey, the track showcases the group’s signature harmonies and emotional resonance. Produced by Anders Bagge (Celine Dion, Janet Jackson, Madonna, Santana) with polished finishing touches from 5x Grammy Winner, Orlando Calzada (Lady Gaga, One Direction, Beyonce) and mastering by Chris Gehringer (AJR, Dua Lipa, Ed Sheeran, & “APT” by Bruno Mars & Rose), the 27-time Grammy-nominated & 3x winning engineer, “Got U” is a perfect blend of classic 98º and contemporary sophistication.

After two decades of creating unforgettable music, 98º returns with Full Circle, a highly anticipated album that bridges their iconic past with an exciting future. Featuring five brand-new tracks, the album reflects the group’s growth while staying true to the essence that made them pop legends. Collaborations with international sensations Katrina Velarde and Janine Teñoso inject vibrant, dynamic energy into modern pop-soul anthems that fans won’t want to miss.

The album also reimagines five of their biggest megahits, now remastered in stunning 96kHz Stereo and Dolby Atmos, delivering a richer, more immersive listening experience. From soulful ballads to infectious up-tempo tracks, Full Circle is a heartfelt journey through music that celebrates the band’s enduring legacy.

Full Circle is a celebration of connection, nostalgia, and evolution with the group managed by the legendary Johnny Wright and Joe Lilac at Wright Entertainment Group. The title Full Circle symbolizes the group’s journey, bringing their timeless harmonies into the modern era for fans new and old. With their unparalleled vocal blend stronger than ever, 98º proves they are here to stay, creating music that resonates across generations.

98º invites listeners to feel the love, relive the memories, and embrace the future with Full Circle—an album that’s as iconic as their legacy.

Anishinaabe Songwriter Graeme Jonez Blends Roots And Rock in Gritty ‘Ride or Die’

Music

Eric Alper

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Jan 25, 2025

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Anishinaabe Songwriter Graeme Jonez Blends Roots And Rock in Gritty ‘Ride or Die’

The bikers’ famous credo is that we ride to live and live to ride. But Graeme Jonez wants you to know that it runs deeper than that. His new single, “Ride or Die,” raises the stakes of a life on the road to something truly metaphysical—an irresistible rendezvous with the infinite that’s just a full tank of gas away.

A gutsy, gritty piece of latter-day roots rock, the song is sung from the perspective of a rider who’s surrendered to the call of the “great highway,” trusting it to take him wherever it will. That road might even end in death, but he welcomes the chance to one day learn “the kind of things no living man knows.” In the meantime, he harbors “no worries about tomorrow/’Cause tonight it’s ride or die.”

“Shouldn’t we all think this way?” Jonez asks, by way of explaining the mindset he was in when he wrote the song on a 2023 trip to Mexico. “I mean, everyone dies at some point, and we never know when it’s coming. So why not do things that really make you feel alive while you still can?”

Recorded at Toronto’s The Nelson Room by producer Derek Downham and engineer Tim Foy, “Ride or Die” conveys its message with a sound that’s raw, honest and untamed. It blends the influences of country, blues, folk and rock into a contemporary sound that conjures up the feeling of an exhilarating road trip broken up by contemplative nights around a campfire. Jonez has even thrown in some affectionate nods to the 1960s hot-rod music he grew up with, including a shoutout to Jan & Dean’s infamous “Dead Man’s Curve.”

Painting pictures on record comes naturally to this Anishinaabe/English song stylist, whose skills as a writer and performer depend equally on the storytelling traditions of his birth culture and his personal affinity for vintage folk and blues. His Indigenous background has enabled him to infuse an everyday concept like motorcycle riding with a quasi-spiritual significance with the lyrics “My mama swears we all go to heaven,” he sings in the new single’s opening lines, “but everyone I know just turns to bones and dust.”)

A member of the Sheguiandah First Nation on Manitoulin Island, Jonez is an alumnus of Manitoba Music’s Indigenous Music Residency; since then, he’s received grants from the Toronto Arts Council and Ontario Arts Council, and last year participated in a one-week songwriting residency at the SOCAN LA House. High-profile live gigs have included the ReconciliAction Market (Downie Wenjack), Union Summer (Red Music Rising) and Aga Khan Museum (Indigenous Peoples Week). He made his recorded debut with 2023’s full-length album Creatures & Criminals, giving him a foothold that led to the success of singles “100 Days Deep” (which saw rotation on SiriusXM’s Indigiverse) and “The Flood!” (#1 on the Indigenous Music Countdown and ultimately the Merilainen Music Award winner for Single of the Year).

This year will bring the release of his eagerly anticipated second album, with “Ride or Die” its tantalizing opening salvo. As with all of his music, there’s plenty for us to chew over while we wait.

“‘Ride or Die’ was inspired by the motorcycle lifestyle, but it’s really just about our individual relationship with our own mortality,” he says. “Are we all living the life we want to live? What happens when you die? Are you ready to meet your maker if tomorrow is your last day?”

Maybe. But we’d really like to hear that album first.