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Ronnie Schell, “America’s Slowest Rising Comedian” and Gomer Pyle Star, Dies at 94

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Ronnie Schell, the actor, comedian, and voice artist whose warm wit and unmistakable presence made him a fixture of American television for more than six decades, has died. He passed away on June 12, 2026, in Los Angeles of natural causes at the age of 94.

Born Ronald Ralph Schell in Richmond, California, on December 23, 1931, Schell first honed his comedic instincts while serving in the United States Air Force. After developing a stand-up act in San Francisco’s legendary hungry i nightclub scene, he steadily built a career that would span television, film, animation, and live performance.

Schell became a household name as Duke Slater, the wisecracking Marine and best friend of Gomer Pyle on the hit CBS sitcom Gomer Pyle, U.S.M.C. Appearing in 92 episodes, he became one of the show’s most beloved cast members and later returned after starring in his own sitcom, Good Morning World.

Though television audiences knew him best from his live-action work, generations of viewers also heard Schell’s voice in some of animation’s most enduring programs. His credits included Battle of the Planets, Shirt Tales, The Smurfs, DuckTales, Scooby-Doo, Recess, Rugrats, Captain Caveman and the Teen Angels, and countless other animated classics. Hockey fans knew him as the voice of Peter Puck, the animated character who educated viewers about the game during NHL broadcasts in the 1970s.

Over the course of his remarkable career, Schell accumulated hundreds of television and film appearances, including roles on The Andy Griffith Show, Sanford and Son, Happy Days, The Golden Girls, Saved by the Bell, Coach, Phil of the Future, and Jessie. His long and steady rise through the entertainment industry earned him a nickname he wore proudly: “America’s Slowest Rising Comedian.”

Away from the spotlight, Schell was married to Janet Rodeberg for nearly six decades. Together they raised two sons, Greg and Chris.

Even into his later years, Schell remained active as a performer and mentor. In 2019, he served as comedy advisor to Richard Dreyfuss for the Netflix film The Last Laugh, a fitting role for a man whose career had been devoted to bringing laughter to audiences across generations.

From sitcom stages and comedy clubs to cartoon sound booths and hockey broadcasts, Ronnie Schell’s career reflected the golden age of American entertainment. His humor, versatility, and enduring charm left an indelible mark on television history and on the countless fans who grew up watching and listening to him.

NPR Said No. So Alessia Cara Brought Giant Desk Magic To FIFA World Cup Stage

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Alessia Cara is giving fans a fresh look at some of the most beloved songs in her catalog. The GRAMMY Award-winning singer-songwriter has released a captivating Giant Desk Concert performance ahead of her appearance at the FIFA World Cup Opening Ceremony in Toronto today.

The intimate set highlights Cara’s versatility as both a vocalist and interpreter of her own work. Stripped down and reimagined, the performance moves through different chapters of her career while showcasing the warmth and nuance that have become hallmarks of her artistry.

Opening with a jazz-infused version of “Middle Ground,” Cara immediately establishes a relaxed atmosphere before moving into an intimate rendition of “I’m in Trouble” from her latest album ‘Love Or Lack Thereof’. She also revisits “Nighttime Thing” from 2025’s ‘Love & Hyperbole’ and delivers a compelling new take on “Shapeshifter.”

One of the performance’s standout moments arrives with “Here,” the song that introduced Cara to the world. For the Giant Desk Concert, she debuts an entirely new verse written exclusively for the session, adding a fresh perspective to one of the defining songs of her career.

Cara also performs a moving rendition of her global hit “Stay,” offering another reminder of the songwriting and vocal talent that have earned her fans around the world. The performance has already attracted attention from CBC, Vulture, Exclaim!, The Shade Room, iHeart Canada and several other outlets.

The release follows her recent compilation album ‘Love Or Lack Thereof’, a 12-track collection that revisits songs from across her catalog through a jazz and soul lens. The project reimagines familiar material while highlighting the musical growth and artistic evolution that have defined more than a decade of her career.

The collection also features collaborations with fellow GRAMMY Award winners Norah Jones and Nelly Furtado. Accompanying live-in-studio videos continue to expand the project’s intimate and reflective approach.

Later today, Cara returns to one of the biggest stages of her career as she performs at the FIFA World Cup Opening Ceremony in her home province of Ontario. The appearance places one of Canada’s most celebrated voices in front of a global audience as the tournament officially begins.

From “Here” to ‘Love Or Lack Thereof’, Alessia Cara continues to find new ways to connect with listeners. Her Giant Desk Concert is a beautifully crafted reminder of the depth, versatility and emotional honesty that have made her one of Canada’s most enduring musical voices.

Suki Waterhouse Unveils “When I Get Drunk (I Want You Boy)”

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Desire takes center stage on Suki Waterhouse’s latest release. Out today, “When I Get Drunk (I Want You Boy)” arrives as the newest preview of her upcoming album ‘Loveland’, due July 10. Listen here.

Co-written by Waterhouse alongside Raj Jain (noise dept.) and Michael Derenzo, the track explores attraction at its most consuming. Built around longing, chemistry and temptation, the song adds another compelling chapter to the world Waterhouse has been creating around her forthcoming album.

“I’ve been obsessed with this song ever since we made it,” Waterhouse shares. “For me, it’s an ode to an intoxicating kind of love and that feeling of chasing a thrill, and the more you listen to it, the more it pulls you into its spell.”

Released alongside the single is an accompanying music video co-directed by Waterhouse and Tyler Weinberger. Shot inside her home, the visual transforms the song’s themes into a stylized fever dream that mirrors its emotional intensity.

“When I Get Drunk (I Want You Boy)” continues the momentum surrounding ‘Loveland’, a 14-track album arriving July 10 via Island Records. The project has already earned early praise, with Variety recently highlighting the record on its Power of Women UK cover story and describing it as a “sublime new album” that showcases Waterhouse’s artistic range.

Previous singles have offered listeners a glimpse into the album’s many moods. “Back in Love” earned praise from Harper’s Bazaar, while “Tiny Raisin” landed among Billboard’s best new music selections and drew acclaim from Wonderland for its emotionally charged performance.

Waterhouse has also found a creative way to extend the album experience beyond the music itself. The vinyl edition of ‘Loveland’ doubles as the “Game of Loveland,” an interactive board game designed around the album’s themes of romance, heartbreak, connection and self-discovery.

Reflecting on the project, Waterhouse shared, “Writing Loveland was me trying to find myself again. To understand who I was becoming while making this record. The emotions of it all felt like a rollercoaster. A game of winning, losing, longing, choosing, starting over. So inside the vinyl, I made one.”

This summer, Waterhouse will bring the album to audiences across North America on The Loveland Tour. The run includes appearances at Lollapalooza, Hinterland Music Festival, Austin City Limits and All Things Go, alongside headline performances at iconic venues including Hollywood Forever Cemetery and Radio City Music Hall.

“When I Get Drunk (I Want You Boy)” showcases Waterhouse’s ability to blend intimacy, atmosphere and memorable songwriting into something instantly captivating. It’s another strong glimpse into a record that continues to build anticipation with every release.

2026 Tour Dates:

July 22, 2026 – Phoenix, AZ – Arizona Financial Theatre

July 23, 2026 – Los Angeles, CA – Hollywood Forever Cemetery

July 26, 2026 – San Francisco, CA – Stern Grove Festival

July 27, 2026 – Salt Lake City, UT – Twilight Concert Series

July 28, 2026 – Denver, CO – Fillmore Auditorium

July 30, 2026 – Chicago, IL – House of Blues

July 31, 2026 – Chicago, IL – Lollapalooza

August 2, 2026 – St. Charles, IA – Hinterland Music Festival

August 3, 2026 – St. Paul, MN – Palace Theatre

August 6, 2026 – Seattle, WA – Woodland Park Zoo

August 7, 2026 – Portland, OR – The Square

August 8, 2026 – Vancouver, BC – Orpheum

September 18, 2026 – Indianapolis, IN – Egyptian Room at Old National Centre

September 19, 2026 – Toronto, ON – Coca-Cola Coliseum

September 21, 2026 – Philadelphia, PA – The Fillmore Philadelphia

September 22, 2026 – Boston, MA – MGM Music Hall at Fenway

September 24, 2026 – New York, NY – Radio City Music Hall

September 26, 2026 – Washington, DC – All Things Go

September 27, 2026 – Raleigh, NC – The Ritz

September 29, 2026 – Atlanta, GA – Coca-Cola Roxy

September 30, 2026 – Orlando, FL – House of Blues

October 1, 2026 – St. Petersburg, FL – Jannus Live

October 3, 2026 – Austin, TX – Austin City Limits

October 6, 2026 – Oklahoma City, OK – The Criterion

October 10, 2026 – Austin, TX – Austin City Limits

October 12, 2026 – St. Louis, MO – The Pageant

October 13, 2026 – Milwaukee, WI – Landmark Credit Union Live

October 14, 2026 – Nashville, TN – The Truth

October 16, 2026 – Detroit, MI – The Fillmore Detroit

October 17, 2026 – Chicago, IL – Aragon Ballroom

‘Loveland’ Track Listing:

  1. Back in Love
  2. Any Man
  3. Happy With It
  4. Notting Hill
  5. Teardrops
  6. When I Get Drunk (I Want You Boy)
  7. Jukebox
  8. Seasons
  9. Tiny Raisin
  10. Almost
  11. Puppy Dog Eyes
  12. Morals
  13. Loveland
  14. Weirdo

blink-182 Release 25th Anniversary Expanded Edition Of ‘Take Off Your Pants And Jacket’

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History was made on June 12, 2001, when blink-182’s ‘Take Off Your Pants and Jacket’ became the first punk rock album to debut at No. 1 on the Billboard 200. Now, 25 years later, the landmark release returns in an expanded anniversary edition featuring six vault tracks newly available on streaming services for the first time.

Released by Geffen Records, the expanded collection brings together every song from the original album campaign in one place. Alongside the 13 tracks that appeared on the original release are six bonus songs that were previously scattered across limited-edition versions of the album.

When ‘Take Off Your Pants and Jacket’ first arrived, fans could choose between three different CD editions marked by the airplane, pants and jacket symbols featured on the cover. Each version contained its own pair of exclusive hidden tracks, creating one of the most memorable collector campaigns of the CD era.

For the first time, those songs are available together in a single release. The vault tracks, “time to break up,” “mother’s day,” “what went wrong,” “fuck a dog,” “don’t tell me it’s over” and “when you fucked grandpa,” complete the album’s original vision and offer fans a fuller picture of the era.

Written by Mark Hoppus, Tom DeLonge and Travis Barker and produced by Jerry Finn, the album captured the energy and emotion that helped propel blink-182 to another level. Songs like “The Rock Show,” “First Date” and “Stay Together for the Kids” became defining releases of the early 2000s and remain staples of the group’s catalog.

The album’s success extended around the world. In addition to debuting atop the Billboard 200, it reached No. 1 in Canada and Germany and topped the UK’s Official Rock & Metal Albums chart.

Critical acclaim has followed the album for decades. Rolling Stone praised blink-182 as “a significant band,” while later retrospectives from The New Yorker, AbsolutePunk and Reverb celebrated the record’s songwriting, influence and lasting connection with listeners. Billboard described it as “a sonic bible for many millennials.”

The anniversary celebration also includes a newly announced 2-LP black vinyl edition. Each copy will feature a randomly selected airplane, pants or jacket emblem etched onto Side D, recreating the surprise element that helped make the original release so memorable.

Few albums have left a larger mark on modern pop-punk than ‘Take Off Your Pants and Jacket’. Its songs continue to resonate across generations, and this expanded edition shines a fresh light on a record that helped shape the sound of the 21st century.

Track Listing:

Anthem Part Two

Online Songs

First Date

Happy Holidays, You Bastard

Story of a Lonely Guy

The Rock Show

Stay Together for the Kids

Roller Coaster

Reckless Abandon

Every Time I Look for You

Give Me One Good Reason

Shut Up

Please Take Me Home

Vault Tracks:

time to break up

mother’s day

what went wrong

fuck a dog

don’t tell me it’s over

when you fucked grandpa

Jessie Reyez Unleashes ‘A Little Vengeance’ Ahead Of FIFA World Cup Spotlight

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Jessie Reyez opens a powerful new chapter today with the release of her fourth studio album, ‘A Little Vengeance’. Arriving via FMLY and Island Records, the project finds the Grammy-nominated and 6-time JUNO Award winner diving deep into stories of love, heartbreak, self-discovery and emotional reckoning. Listen here.

Built around three interludes that guide listeners through distinct emotional phases, the album balances explosive moments with intimate reflection. Across the tracklist, Reyez channels raw honesty into songs that examine relationships, healing and the lessons left behind.

The album features an impressive lineup of collaborators, including Ty Dolla $ign, Muni Long, D Smoke, Lekan and RAAHiiM, alongside a Bob Marley sample woven into the project. Together, the guests add new dimensions to an album that remains firmly rooted in Reyez’s unmistakable voice and songwriting.

Reyez shared a characteristically candid message about the album’s themes, encouraging listeners to properly process heartbreak rather than revisit relationships that belong in the past. It’s the kind of unfiltered honesty that has become one of her defining strengths as a songwriter and storyteller.

Today also marks another major moment in Reyez’s career as she performs in her hometown of Toronto as part of the FIFA World Cup 2026 Opening Ceremony. Joining Palestinian singer-songwriter Elyanna, she’ll perform their collaborative anthem “Illuminate” for a global audience as Canada welcomes the world.

The release follows a remarkable run of music that offered listeners a preview of the album’s emotional range. Recent singles including “UR HEARTBEAT (WHO DO U THINK ABOUT AT 2AM?)”, “AIN’T U TIRED?” featuring Muni Long, and “N.Y.F.F.” showcased the many sides of Reyez’s songwriting, from vulnerability and longing to sharp-edged reflection.

Beyond the music, Reyez is launching the Jessie Reyez Fund in partnership with PLUS1. The initiative aims to create greater access to opportunities within the music industry for women and historically underrepresented communities while supporting programs focused on education, wellbeing and cultural connection.

The foundation for this work is already underway. Early initiatives have included tour and partnership activations, including a collaboration with Nando’s that helped provide 500 donated meals. The fund expands Reyez’s commitment to using music as a tool for community-building and meaningful change.

The release also builds on the momentum of ‘$TILL PAID’, her March EP celebrating the success of her acclaimed 2025 album ‘PAID IN MEMORIES’. That project featured a remix with Stormzy and followed a sold-out world tour and the release of the second volume of her bestselling poetry series, ‘Words of A Goat Princess II: The People’s Purge’.

With ‘A Little Vengeance’, Reyez continues to push her artistry forward while staying true to the fearless storytelling that has made her one of Canada’s most influential contemporary voices. The album moves confidently between genres, emotions and experiences, delivering some of her most compelling work to date.

Canadian Voices Shine As Dominique Fils-Aimé And Jahson Paynter Lead Spotify Playlists

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Two distinct voices, two unique musical journeys, and one shared spotlight on the depth of Canadian music. Dominique Fils-Aimé and Jahson Paynter have been announced as Spotify Canada’s latest EQUAL and RADAR playlist ambassadors.

The monthly ambassador program highlights artists shaping the country’s musical identity while creating space for new voices to be discovered. As part of the initiative, both artists will be featured on Toronto’s iconic Sankofa Square billboard and curate playlists celebrating fellow Canadian musicians and emerging talent.

Dominique Fils-Aimé takes the reins as this month’s EQUAL Canada ambassador. The Montreal-based singer-songwriter and JUNO Award winner has earned widespread acclaim for her rich blend of jazz, soul and blues, creating music that explores identity, resilience and collective healing.

Drawing inspiration from her Haitian heritage and the legacy of African American music, Fils-Aimé has built a body of work defined by powerful storytelling and remarkable vocal expression. Her curated playlist reflects the soulful and genre-spanning sounds that continue to inspire her creative path.

Representing RADAR Canada this month is Jahson Paynter, a rising singer-songwriter whose music merges alternative R&B, folk and bedroom pop into a sound uniquely his own. His breakout singles “Maple Brown” and “Genny, Please!” introduced listeners to an artist with a strong songwriting voice and a gift for atmosphere.

Paynter’s music combines intimate storytelling with textured production, helping establish him as one of Canada’s emerging talents to watch. His RADAR playlist offers a glimpse into the artists and sounds that have influenced his evolving musical identity.

Together, these selections showcase the breadth of Canada’s contemporary music community. From award-winning artistry to exciting new discoveries, the playlists celebrate the creativity, diversity and innovation driving Canadian music forward.

Both Dominique Fils-Aimé and Jahson Paynter are available for select interviews to discuss their ambassador roles, creative influences and artistic journeys.

Southern Rock Hitmaker Colin Stough Turns Up The Heat On Raw New Single “Trippin'”

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A cloud of guitar smoke, Southern swagger and classic rock energy rolls through Colin Stough’s latest release. Out now, “Trippin'” finds the Mississippi singer-songwriter digging deeper into the sound that’s been part of him since day one. Listen here.

Written by Bryan Simpson, Brent Rupard and Anthony Olympia, and produced by Phillip White alongside Stough, the new single leans hard into vintage rock textures, ringing guitars and a groove inspired by the great records of the ’70s and ’80s. It’s a bold step forward from one of country music’s most distinctive young voices.

Driven by Stough’s gravel-lined vocal, “Trippin'” captures the dizzying feeling of becoming completely consumed by attraction. Psychedelic imagery, swampy attitude and a memorable hook keep the song moving from start to finish.

“‘Trippin” is about when your mind gets all tangled up over a good-looking woman,” says Stough. “I really leaned into the rock side on this one thanks to my band and the guys down at Muscle Shoals. I love how raw and alive it feels, and I hope everybody else feels that too.”

That raw energy runs through every second of the track. The drums punch, the guitars roar and the performance feels fully locked into the moment. “Trippin'” stands tall as an exciting blend of Southern rock muscle and country storytelling.

The release follows “21 Year Old Man Blues,” another powerful showcase of Stough’s Delta-rooted sound and hard-earned perspective. Together, the songs continue building a catalog that stays true to his roots while expanding his musical reach.

Born and raised on the Mississippi-Alabama line, Stough first connected with audiences nationwide during Season 21 of American Idol, where he finished in third place. Since then, he’s earned a devoted following of more than 800,000 across social platforms and delivered standout releases including “Sober,” “‘Til The Day One Does,” “White Trash,” “20 Bucks” and “Best For You.”

His EPs ‘Promiseland’ and ‘Lookin’ For Home’ introduced listeners to a songwriter unafraid to tell the truth about where he’s been and where he’s headed. “Trippin'” adds another compelling chapter, fueled by Muscle Shoals grit, rock and roll spirit and a voice that immediately commands attention.

The song lands with urgency and rugged charm, another strong entry in Colin Stough’s growing catalog.

Monsters Of Rock Cruise Returns To Hollywood With Tesla, Extreme, And Queensrÿche In 2027

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The high seas are about to get a whole lot louder. Monsters of Rock Cruise sets sail for its fifteenth year in 2027, and the lineup reads like a hard rock fever dream. More than 45 acts. Three full days of sun and sea. One ship packed wall to wall with riffs.

The voyage departs May 6-11, 2027, from the Port of Los Angeles aboard Norwegian Joy®, with a stop in Ensenada, Mexico. Cabins start at $2,099 per person (double occupancy, excluding taxes and fees). General on-sale begins today (6/12) at 11:00 am PT/2:00 pm ET.

The headliners alone justify the booking. Tesla, Extreme, KK’s Priest, Sebastian Bach, Winger, Queensrÿche, and Y&T anchor a roster that runs deep into both legacy and new-school hard rock. Slaughter, L.A. Guns, Vixen, Faster Pussycat, and Armored Saint keep the Sunset Strip spirit alive, while H.E.A.T, Eclipse, Shiraz Lane, and Chez Kane bring serious melodic firepower from across the Atlantic.

The music is relentless, loud, and built for fans who never stopped believing in big choruses and bigger solos. Across multiple stages, the sound rarely lets up.

This is more than concerts. Attendees get artist Q&A sessions, photo experiences, and themed events all voyage long. Karaoke, “So You Think You Can Shred,” Cooking with Rock Stars, Rockstar Paint Classes, and Comedy Punchlines and Backlines round out the schedule. An optional pre-cruise party in the heart of Hollywood is planned for May 5th, with details to come.

The 2027 sailing brings back “Monsterwood,” MORC’s theme when it departs from Los Angeles. A blend of “Monsters” and “Hollywood,” the name marks the cruise’s West Coast return after more than a decade of Miami-to-Caribbean voyages. It’s a tribute to the Sunset Strip and the artists who built ’80s hard rock from the ground up.

For the third time, MORC takes over Norwegian Joy®, one of Norwegian Cruise Line’s flashiest ships. There’s a two-level onboard racetrack (the first of its kind at sea), a 180-degree Observation Lounge, specialty dining from Q Texas Smokehouse to Cagney’s Steakhouse, and décor inspired by legendary music venues.

When the ship docks in Ensenada, fans can swap stage lights for street tacos, cold cervezas, and waterfront strolls. Nearby attractions include La Bufadora and the Valle de Guadalupe wine country, a chance to recharge before another round of late-night rock mayhem.

MORC has carried over 30,000 passengers across fourteen years, setting the standard for themed music cruises. For booking and full details, visit MonstersofRockCruise.com.

Noah Kahan Launches His Stadium-Sized ‘The Great Divide Tour’ In Orlando. Here’s What He Played.

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Noah Kahan has hit the road in a big way. The folk-pop sensation launched his Great Divide Tour on Thursday, June 11, at the Kia Center in Orlando, treating fans to a setlist packed with hits, from “Hurt Somebody” to selections from his latest album. The trek marks a major step up in scale for Kahan. The 23-date tour is playing stadiums and ballparks across North America, from a two-night hometown stand at Boston’s Fenway Park to Chicago’s Wrigley Field, Toronto’s Rogers Stadium, and the Rose Bowl in Los Angeles.

The tour shares its name with the source material. It takes its title from Kahan’s fourth album, ‘The Great Divide,’ which topped the Billboard album chart while managing the best first-week sales for a rock release in more than a decade. Gigi Perez, known for her single “Sailor Song,” opened the Orlando show.

The opening night leaned heavily on the new record, with several songs getting their live debut, including “Downfall,” “Dashboard,” and “Orbiter.” Kahan rewarded longtime fans too, closing the main set with “New Perspective” before an encore that ended on the one-two of “Homesick” and his breakthrough smash “Stick Season.” There was even a little post-show signal that things might shift night to night. After the opener, Kahan took to Instagram to tell fans, “I hear you Orlando. See you tonight,” suggesting the setlist could get tweaks as the run rolls on.

After North America, the tour heads overseas through the fall, with arena dates across Australia, New Zealand, the UK, Ireland, and mainland Europe stretching into December.

Noah Kahan Great Divide Tour Setlist (Orlando, June 11):

American Cars

Doors

All My Love

Deny Deny Deny

Everywhere, Everything

Haircut

Downfall

She Calls Me Back

Dashboard

Dial Drunk

We Go Way Back

Porch Light

Orbiter

Paid Time Off

The View Between Villages

Northern Attitude

The Great Divide

Orange Juice

New Perspective

Encore:

End of August

Homesick

Stick Season

5 Surprising Facts About Olivia Rodrigo’s ‘You Seem Pretty Sad for a Girl So in Love’

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Olivia Rodrigo’s third studio album landed today, June 12, 2026, and it’s already drawing some of the best reviews of her career. Out via Geffen and produced once again by Dan Nigro, ‘You Seem Pretty Sad for a Girl So in Love’ marks a real stylistic shift for the pop star. Here are five things about it that might catch you off guard.

It’s her first album with a guest feature, and it’s a Cure legend

After three records flying solo, Rodrigo finally opened the door to a collaborator, and she went straight for an icon. Robert Smith of The Cure appears on “What’s Wrong with Me,” playing vocals, bass, guitar, and piano. The two debuted it together during a surprise set at Primavera Sound with only a few hours’ notice.

It’s secretly a concept album in two halves

The tracklist splits into two distinct acts. Tracks 1 through 7 fall under the heading “Girl So in Love,” capturing the euphoric rush of infatuation, while tracks 8 through 13 sit under “You Seem Pretty Sad,” charting the heartbreak that follows. The full title only makes sense once you see both sides.

London shaped the whole thing

Rodrigo has said the album drew heavily from her time in London and called it her “most experimental” yet. Critics agree she moved well away from the pop-rock of ‘Sour’ and ‘Guts,’ with reviewers pointing to late-80s college rock, new wave, and even Devo and The Human League as touchstones.

One song references Sex and the City

Among the album’s sad love songs is a track said to nod to the on-and-off relationship of Sex and the City characters Miranda Hobbes and Steve Brady, a very specific reference point for a record full of romantic push and pull.

Critics are calling it her best work

The reviews have been glowing. The album holds an 88 on Metacritic for “universal acclaim,” with five-star ratings from DIY, The Independent, and The Irish Times. Pitchfork called it her most sophisticated release yet, and Rolling Stone dubbed it her “most complete, musically adventurous album yet.”