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Tony Wilson, Hot Chocolate Co-Founder and ‘You Sexy Thing’ Co-Writer, Dies at 89

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Tony Wilson, the Trinidadian bassist, vocalist, and songwriter who co-founded the British soul band Hot Chocolate and helped craft some of the most joyful, enduring pop songs of the 1970s, died on April 24, 2026, at his home in Trinidad. He was 89. No cause of death was given. His family confirmed the news on social media with a message that was as simple and powerful as any lyric he ever wrote: “Dad left us today. He left a lot of music behind… forever and ever.”

Wilson was born in Trinidad on October 8, 1936, and came to music early, cycling through a series of local bands — The Flames, The Souvenirs, The Corduroys — before making his way to London, where the city’s churning, competitive music scene would eventually deliver him to the doorstep that changed everything. His neighbor across the hall was a young man named Errol Brown. The two began writing together almost immediately, and Hot Chocolate was born.

Their first break arrived in characteristically audacious fashion. They recorded a reggae version of John Lennon’s “Give Peace a Chance” — without permission — and sent it directly to Lennon himself. Lennon not only approved it, he signed the band to Apple Records on the spot. It was a beginning that announced Hot Chocolate’s confidence and creativity in equal measure, and it set the template for everything that followed: bold ideas, executed with charm, landing exactly where they needed to land.

What followed was one of the most consistent commercial runs in British pop history. The band scored at least one hit every year for fifteen consecutive years from 1970 — a record at the time — and became the first predominantly Black British group to achieve major chart success in America. The songs Wilson co-wrote with Brown were deceptively sophisticated: “Love Is Life,” “Brother Louie,” “Emma,” and the track that would outlive every era and every decade it passed through, “You Sexy Thing.” Released in 1975, it reached number three on the Billboard Hot 100, found a second life in 1997 when it anchored the film The Full Monty, and has never really left the cultural conversation since. It is one of the most recognizable opening bars in the history of pop music.

Behind that success was a tension that would ultimately cost Wilson his place in the band he helped build. He had been Hot Chocolate’s original frontman, but producer Mickie Most gradually pushed Errol Brown forward as the lead voice, a shift that sat uneasily with Wilson even as his bandmates acknowledged he had the stronger singing voice. The breaking point came in an argument over royalties for “You Sexy Thing” — at the time just a B-side — and Wilson walked away in 1975. Brown later reflected with candor on what that departure meant financially: “That one argument must have cost him millions of pounds.”

Wilson’s solo career produced two albums, I Like Your Style (1976) and Catch One (1979), neither of which made a significant commercial impact. He released a final compilation in 1988 and then stepped back from the music industry, eventually returning to Trinidad. The songs, of course, kept going without him — through films, through television, through every generation of listeners who discovered “You Sexy Thing” as if for the first time and felt the same thing everyone always felt: pure, uncomplicated delight.

When Brown died in 2015, Wilson paid quiet tribute on social media. A bass guitar he had owned was lovingly restored on the BBC programme The Repair Shop in 2022, a small reminder that the instruments of a life in music outlast almost everything else.

His son Danny, reflecting on old diaries his mother had unearthed from 1970 and 1971, offered perhaps the most honest and moving summation of his father’s life: the staggering work, the knock-backs, the meticulous documentation of record sales, the sheer determination to make the world hear the songs he had written. “He meant so much to so many people,” Danny wrote. “Many posts make reference to how overlooked and underrated his music was — and although totally biased, I have to agree.”

Tony Wilson is survived by his children, including his son Danny and his daughter, whose words announced his passing to the world.

Video: 1971 German Talk Show Clip Where a Music Producer Destroys the Table With an Axe

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In 1971, German music producer Rolf-Ulrich Kaiser appeared on a West German talk show opposite Nikel Pallat, decided mid-argument that his point could best be made by taking an axe to the studio table, did exactly that, then calmly collected the microphones on his way out, while two guests quietly pulled their chairs back up to the wreckage to continue the discussion.

Video: Suzanne Ciani’s 1980 David Letterman Appearance Is Nine Minutes of Electronic Music History

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Originally broadcast on NBC on August 14, 1980, Suzanne Ciani’s nine-minute appearance on the David Letterman Show is a genuinely remarkable document, the pioneering electronic musician and synthesizer innovator demonstrating her specialized sound-processing equipment live on late-night television, explaining how she created sound effects for commercials, and performing with the orchestra in a segment that remains one of the more quietly influential appearances in the history of the format.

Video: This Rare 1969 VHS Footage of John Fahey on ‘Guitar Guitar’ Is an Absolute Treasure

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Found on a VHS tape in a Chicago record shop in the late 1990s and now uploaded in the best quality available, this 1969 appearance by John Fahey on ‘Guitar Guitar’ with host Laura Weber is the kind of footage that reminds you why archival preservation matters, a loose, genuinely transfixing conversation and performance session featuring Fahey playing “Red Pony,” “The Death of the Clayton Peacock,” and more, complete with the moment he ashes his cigarette directly into the body of his guitar and sends the host into a complete tizzy.

Video: Ace Frehley Steals the Room in This Remastered KISS Interview on The Tom Snyder Show, Halloween 1979

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Halloween night, 1979, and KISS sat down with Tom Snyder for one of their most memorable television appearances, and as the comments make perfectly clear, it’s Ace Frehley who makes the whole thing worth watching, loose, funny, and completely himself in a way that lights up the screen every time the camera finds him. This remastered first segment captures exactly why the Spaceman was so beloved, and why this interview has been revisited by KISS fans for over four decades.

Get Verified on LinkedIn. Here’s Why It Matters More Than You Think.

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There’s a small thing you can do on LinkedIn right now that takes less than five minutes, costs nothing, and will quietly change the way people perceive you before they’ve read a single word of your profile. Most people haven’t done it. You probably haven’t either. It’s identity verification, and I think about it the same way I think about showing up on time — it’s a small signal that tells people something much larger about who you are.

We’ve all spent real time on our LinkedIn profiles. We’ve rewritten the headline three times. Agonized over the summary. Gone back and forth on whether to list that contract job from 2019. And yet most of us leave one of the easiest credibility signals on the table, completely untouched, because we either didn’t notice it or assumed it was meant for someone else. It isn’t. It’s meant for you.

The verification badge — that small checkmark that appears on your profile — does something deceptively powerful. It tells every recruiter, journalist, potential client, or collaborator who lands on your page that LinkedIn itself has confirmed you are who you say you are. That’s not a small thing. In a world overrun with fake profiles, AI-generated identities, and people who’ve learned to be deeply skeptical of anyone they haven’t met in person, a verified badge cuts through all of that noise before you’ve even said hello.

Think about what your LinkedIn profile actually does in the world. It’s the first result when someone Googles your name. It’s the page a reporter checks before deciding whether to quote you. It’s what a potential business partner pulls up while you’re still on the phone with them. Every signal on that page matters, and the verification badge is one of the loudest quiet signals available to you.

Getting it is genuinely straightforward. Open the LinkedIn app, go to your profile, and look for the option to verify your identity. LinkedIn works with two methods — one through a service called CLEAR, which uses a quick face scan, and one through a standard government-issued ID. Neither takes long. Your personal information isn’t stored by LinkedIn directly; the verification is handled by third-party partners who exist specifically for this purpose. You can remove the verification at any time if you ever change your mind. It’s free.

What strikes me most about verification is what it represents beyond the checkmark itself. It’s an act of accountability. It says you’re not hiding. It says you stand behind your name, your history, your work. In industries built on relationships and trust — music, media, marketing, any field where your reputation is your currency — that kind of transparency is worth more than most people realize.

I’ve seen profiles with impressive titles and long lists of accomplishments get scrolled past in seconds. And I’ve seen simpler profiles with a verification badge earn an extra moment of attention, a second look, a message that turns into an opportunity. People are busy. They make fast decisions. Give them every reason to trust you quickly, because you rarely get a second chance to make that first impression land.

If you’re reading this and you haven’t verified your LinkedIn profile yet, close this and go do it now. Seriously. Whatever you were planning to do next can wait five minutes. This one’s easy, and easy wins are rare enough that you should take every one you can find.

Video: MTV’s Rare ‘Total Woodstock Live’ Broadcast From 1999 Is an Incredible Time Capsule of the Festival’s Chaos

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This is genuinely rare footage. The complete MTV ‘Total Woodstock Live’ broadcast from Woodstock 1999, hosted by Carson Daly and including original commercials, captures the full surreal experience of one of the most chaotic and culturally loaded festival weekends in music history, from the Limp Bizkit set that became infamous in real time to performances from Rage Against the Machine and Alanis Morissette, all filtered through the specific lens of late-90s MTV at peak cultural influence.

Video: David Letterman’s GE Headquarters Remote Collection Is a Masterclass in Fearless Corporate Satire

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When General Electric acquired RCA and with it NBC in 1985, David Letterman did what no late night host before or since has done quite so effectively: he spent years making his new corporate overlords the butt of the joke, on their own network, to their faces. This compilation from Don Giller collects the full arc of Letterman’s GE remote segments from 1985 through his final Late Night broadcast in 1993, from his first furious reaction to the merger announcement through the legendary GE headquarters visit and the unforgettable corporate handshake sequence that remains one of the most perfectly observed comedy bits in late night history.

Video: Gong’s “I Never Glid Before” Live in 1973 Is a Gateway Drug to One of Rock’s Most Gloriously Unhinged Bands

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Pulled from ‘Angel’s Egg’ and captured live in 1973, Gong’s “I Never Glid Before” is exactly the kind of performance that turns casual curious viewers into lifelong devotees, a swirling, space-jazz, psychedelic free-for-all anchored by Daevid Allen’s unclassifiable energy and Pierre Moerlen’s extraordinary drumming, and with 1.7 million YouTube views the comments section alone tells the whole story: people keep stumbling onto this and immediately losing their minds in the best possible way.

Video: Evergreen High School’s Instrumental Department Takes Dennis Coffey’s “Scorpio” to Another Level

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Evergreen High School’s Instrumental Department just delivered one of the more genuinely thrilling cover performances you’ll find on YouTube right now, tearing through Dennis Coffey’s 1971 funk classic “Scorpio” with raw, uninhibited energy that goes well beyond what anyone has a right to expect from a high school ensemble, complete with a wild drum solo that earns every second of its spotlight.