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Pink Floyd’s ‘The Dark Side Of The Moon’ Is Getting A 50th Anniversary Box Set

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One of the most iconic and influential albums ever, Pink Floyd’s The Dark Side Of The Moon celebrates its 50th Anniversary.

The album was partly developed during live performances, and the band premiered an early version of the suite at London’s Rainbow Theatre several months before recording began. ‘The Dark Side Of The Moon’ is the eighth studio album by Pink Floyd, originally released in March 1973. The new material was recorded in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London. The iconic sleeve, which depicts a prism spectrum, was designed by Storm Thorgerson of Hipgnosis and drawn by George Hardie. ‘The Dark Side Of The Moon’ has sold over 50 million copies worldwide.

A new deluxe box set has been created to include CD and gatefold vinyl of the newly remastered studio album and Blu-Ray + DVD audio featuring the original 5.1 mix and remastered stereo versions. The set also includes additional new Blu-ray disc of Atmos mix plus CD and LP of ‘The Dark Side Of The Moon – Live At Wembley Empire Pool, London, 1974’.

Simultaneously, on 24th March, the CD and first ever vinyl issue of Pink Floyd’s ‘The Dark Side Of The Moon – Live At Wembley Empire Pool, London, 1974’ will be released independently. It was originally recorded in November 1974 as part of the band’s winter tour and this is the first time it will be available as a stand-alone album, with artwork featuring an original 1973 line-drawn cover by George Hardie.

The book Pink Floyd – The Dark Side Of The Moon: 50th Anniversary, part of the deluxe box offering, will also be published separately by Thames & Hudson on March 24, 2023 to coincide with the box set release. Curated by photographer Jill Furmanovsky and art directed by Hipgnosis co-founder Aubrey Powell, this LP-sized volume showcases rare and previously unseen photographs taken during The Dark Side Of The Moon tours of 1972-1975 and was created with the involvement of the band members.

In celebration of the 50th Anniversary release, Pink Floyd also invite a new generation of animators to enter a competition to create music videos for any of the 10 songs on the iconic 1973 album. Pink Floyd has a rich history of collaborating with animators from the beginnings of the band (Ian Emes, Gerald Scarfe, etc.), and in some cases the visuals that accompany the songs have become synonymous with the music itself. The 50th Anniversary will be no exception. The band would like to give all animators an opportunity to present a fresh take on these timeless aural works. Animators can enter up to 10 videos, one per song on the album. A winner will be selected from a panel of experts which will include Pink Floyd’s Nick Mason, Aubrey ‘Po’ Powell (Pink Floyd’s creative director) and the BFI (British Film Institute). The deadline for submissions is November 30th 2023. To enter and for more information go to https://pinkfloyd.com/tdsotm50/.

On February 27th 1973, EMI Records held a press conference for the debut presentation of Pink Floyd’s new album The Dark Side Of The Moon at the London Planetarium. Although, the Planetarium dome could only show an array of stars, constellations and images of the cosmos whilst the music played, it was an unprecedented success. Fifty years on, in recognition of the iconic album and with the help of huge strides in technology, an official full dome experience with stunning visuals of the solar system and beyond and played out to 42 minutes of The Dark Side Of The Moon, will be released in Planetariums around the world in March. Contact your local Planetarium for any screening details.

The show itself will be divided between the 10 tracks off the album, in chronological order, each having a different theme; some futuristically looking forward and some a retro acknowledgment to Pink Floyd’s visual history, all relating to a time and space experience, embracing up to the minute technology that only a Planetarium can offer. It promises to be immersive; an all-encompassing surround sound and visual treat that will transcend reality and take you way beyond the realms of 2D experience.

THE DARK SIDE OF THE MOON

Speak To Me
Breathe (In The Air)
On The Run
Time
The Great Gig In The Sky
Money
Us And Them
Any Colour You Like
Brain Damage
Eclipse

Produced by Pink Floyd

The Deluxe Box Set includes:

CD1 – THE DARK SIDE OF THE MOON (50th Anniversary)
Remastered by James Guthrie
in gatefold sleeve with 12-page booklet

CD2 – THE DARK SIDE OF THE MOON
LIVE AT WEMBLEY EMPIRE POOL, LONDON, 1974

Mixed by Andy Jackson
in gatefold sleeve with 12-page booklet. Cover design by Aubrey Powell/Hipgnosis and Peter Curzon/StormStudios. Original 1973 line drawn cover artwork by George Hardie

LP1 – THE DARK SIDE OF THE MOON (50th Anniversary) [2023 Master]
Remastered original studio album
180g heavyweight vinyl, in gatefold sleeve, with original posters and stickers

LP2 – THE DARK SIDE OF THE MOON
LIVE AT WEMBLEY EMPIRE POOL, LONDON, 1974

180g heavyweight vinyl, in gatefold, with 2 posters featuring design by Ian Emes and Gerald Scarfe. Cover design by Aubrey Powell/Hipgnosis and Peter Curzon/StormStudios. Original 1973 line drawn cover artwork by George Hardie

BLU-RAY 1 (AUDIO)
Original album 5.1 and high-resolution remastered stereo mixes,

1. 5.1 Surround Mix – 24bit/96kHz Uncompressed
2. Stereo Mix – 24bit/192kHz Uncompressed
3. 5.1 Surround Mix – dts-HD MA
4. Stereo Mix – dts-HD MA

BLU-RAY 2 (AUDIO)
Original newly remastered album Atmos and high-resolution stereo mixes,

1. Dolby Atmos Mix
2. Stereo Mix – 24-bit/192kHz Uncompressed
3. Stereo Mix – dts-HD MA

DVD (AUDIO)
Original album 5.1 and remastered stereo mixes,

1. 5.1 Surround Mix – Dolby Digital @448 kbps
2. 5.1 Surround Mix – Dolby Digital @640 kbps
3. Stereo Mix (LPCM) – 24-bit/48 kHz Uncompressed

160-PAGE THAMES & HUDSON HARDCOVER BOOK
with rare black and white photographs from the 1972 – 1975 tours of the UK and the USA taken by Jill Furmanovsky, Peter Christopherson, Aubrey Powell, Storm Thorgerson

76-PAGE MUSIC BOOK
Complete songbook of original album

REPLICAS OF 2×7″ SINGLES
7″ Single 1 Money/Any Colour You Like
7″ Single 2 Us And Them/Time

REPLICA OF PAMPHLET AND INVITATION TO THE PREVIEW OF THE DARK SIDE OF THE MOON AT THE LONDON PLANETARIUM ON 27TH FEBRUARY 1973

Studio album recorded at Abbey Road Studios, London, between May 1972 and January 1973. Produced by Pink Floyd. Engineer Alan Parsons. Assistant Peter James. Mixing supervised by Chris Thomas.

Remastered by James Guthrie and Joel Plante at das boot recording. 5.1 and Atmos mixes by James Guthrie.

Live At Wembley Empire Pool, London, 1974
recorded at the Empire Pool, Wembley, London, November 1974
Engineers: Brian Humphries with Phill Brown.
Audio Mixing by Andy Jackson, assisted by Damon Iddins. Mastered by Andy Jackson at Tube Mastering.
Creative Director 2023: Aubrey Powell/Hipgnosis
Design and Art Direction: Peter Curzon/StormStudios
50th Anniversary Concept and Design: Pentagram

Kate Bush Is Re-Releasing “How To Be Invisible: Selected Lyrics” With Invisible Ink In Some Copies

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aber are publishing the paperback edition of ‘How To Be Invisible: Selected Lyrics’, by Kate Bush. Officially released 6th April in the UK and 9th May in the USA.

The new paperback edition features a brand new introduction from Kate and a new cover design by Jim Kay.

The book will be available to pre-order from today (18th January). A very limited number of signed copies will be released and can be pre-ordered from selected bookshops and record shops, from 9am on Friday 20th January (UK only).

Kate has also written a message in invisible ink in a very small number of the signed copies, which will be distributed at random: the notes will be revealed to the lucky recipients when they place the signature page under an ultraviolet light.

Air Celebrates 25th Anniversary Of Moon Safari

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By Gabriel Szatan

Two students of astrophysics and architecture walk into a bar on the moon. This sounds like the beginning of a joke — but in the waning light of the 20th century, it really happened, leaving a serious imprint on pop culture.

On January 16th 1998, Air released Moon Safari, an album which catapulted Nicolas Godin and Jean-Benoît Dunckel to the uppermost rung of electronic music’s ladder. Their sound — Fender Rhodes trills, loping basslines and sensual-yet-playful vocal hooks, all woven into a texture as fine and luxe as chiffon — conjured the sensation of a space-age cocktail designed to be supped at leisurely pace. It’s not challenging to see how this curious little record became a global sensation.

“The hype was a violent experience,” reflects Jean-Benoît Dunckel, 25 years later. “Air’s music is not accessible or easy to discern: The format is strange, the voices are strange, the subjects are strange. Even ‘Sexy Boy’ sounds strange. We were a duo doing some electronic thing, dreaming of selling 10,000 copies and being recognised by other musicians as cool. Then suddenly, we met the world. Personally, it took me time to see that we could be a big, important band.”

Formed in 1995 from the remnants of prior rock outfit Orange, Air’s debut album was a paradox made flesh. Here were two 20-somethings with just a single prior EP under their belts, yet they exuded on tape the confidence and pedigree of seasoned pros. The English press deemed them acutely French; meanwhile, the French press pondered if they might actually be English. Although their influences were unusual and ambitions they were avowedly anti-commercial, Godin and Dunckel were blessed with the ability to intuit pop songcraft which could, and did, captivate mass media.

In short, Moon Safari was a nest of contradictions. Today, the record’s legacy is canonical, but at the time of release, its multi-million success was far from assured.

“This kind of bedroom music was all about fantasy,” says Nicolas Godin. “In my mind, I was picturing myself at Capitol Records, surrounded by all the best musicians, feeling like Burt Bacharach. In reality, I was in the fucking 18th arrondissement of Paris, with a sampler, singing into one microphone. But when your fantasy is so strong, I think it goes in the wires and through the speakers. The power of Moon Safari was to make people believe in what we believed in.”

During Moon Safari’s gestation in 1996-97, a “new wind of freedom and creativity was carrying through the same creative part of Paris,” recalls Dunckel. “And it was not only in music — graphic design, cinema and fashion were alive.” This spark of youthfulness and sense of renewed pride in French creation encouraged Air to push beyond the proggy Moog-fixation exhibited by stars of the previous generation, such as Jean-Michel Jarre and Magma, while also simultaneously avoiding the aromanticism of cheap, raved-up synthesiser zaps.

Instead, according to Godin, Air’s own mirepoix boiled down to a few core ingredients. Ravel and Debussy informed the “dreaminess, floating chords and heritage of pre-rock music” you might be able to detect. That sense of silver-screen flair came from the grooves of John Barry and Ennio Morricone. As for the tempo? Portishead.

“Suddenly, all the things I liked and was good at — slow, downtempo soundtrack music — could bring success. We were not formulating success itself. But until 1994, I was listening to the radio and thinking, ‘There’s no way I will make it; whatever this sound of today is, it is not me.’ But then, I heard Portishead’s Dummy on the radio — and thought to myself: ‘…I can make that.’”

Though far from club hounds, Godin and Dunckel were still attuned to the sensation of riding out a night’s highs into the vaporous sprawl of mid-morning. Moon Safari found as much purchase as the comedown record du jour as it did for any other function. In no time at all, Air’s downtempo influence was easy to detect all around.

From the mellowed-out sketches of late-period Stereolab and departure- lounge exotica of The Avalanches to — at the other end of the valorous scale — ten-a-penny chillout compilations, the relative peace which marked the late 1990s and early 2000s offered a moment to slow down and reflect; to lean into a sonic mode which Dunckel now summarises as “a deep, universal spell, full of love and mystery.”

While Air’s precise alchemy and absence of geographical anchoring placed Moon Safari outside the grip of temporality or trend, the album happened to be an orbiting satellite which intersected with the world below’s revolutions at precisely the right moment.

Through Moon Safari, Air transfixed some of the great visionaries of the late 20th century — David Bowie, Madonna, Beck — as well as influencing preeminent aesthetes of the incoming age — including Charlotte Gainsbourg, Kevin Parker and Sofia Coppola, whose creative relationship with Air became as synergetic as that of Angelo Badalamenti and David Lynch (another fan, while we’re here.)

Air helped fan the flames of a rare Francophilia which surging through the typically nativist British charts in 1998. Moon Safari birthed three hit singles in “Kelly Watch The Stars,” “All I Need” and “Sexy Boy,” shifted over half a million copies in the UK, and pushed Air into headline contention at banner festivals such as Glastonbury. This in turn brought American, European and even hesitant French audiences and critics in line, a ripple effect which continued into the mid-2000s, with a string of successive top 10 albums for Air, at home and abroad.

It also bundled Air into a promotional game they were, by their own accounts, rather unequipped for. Enlisting a young Phoenix to thrash around as their backing band for TV appearances was, with the benefit of a quarter-century’s wisdom, perhaps an unwise decision. This moment of vibe vandalism, Thomas Mars has since said with impish delight,“kind of ruined Air…we destroyed their sound.” (Smiles on both Dunckel and Godin’s faces confirm there are no hard feelings.)

25 years on, it’s not hard to alight upon why Moon Safari has stood the test of time. Air’s unique grasp of pace and mood, surety of direction, and earworm hooks compelled the world toward it, and in turn propelled Air on toward posterity.

The duo’s early surprise that their outerzonal fantasies might capture international hearts and minds has since melted into a sense of deep gratification. Unbeknownst to them, millions stood by their televisions, radios and record players, waiting to receive this particular longwave transmission from somewhere in the cosmos.

But moreover, the satisfaction arises from executing such a precise studio vision with zero concessions. On an artistic level, Air achieved exactly what they set out to do; their mission was a resoundingly successful one.

“To me,” Godin concludes, “Moon Safari is perfect.”

Ron Sexsmith Shares “When Our Love Was New” From Forthcoming Album ‘The Vivian Line’

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Internationally acclaimed singer-songwriter Ron Sexsmith has returned to share “When Our Love Was New,” a gentle ballad and heartfelt reflection upon an undying love. “We were old souls from the start. Although our love was new, it was ancient in our hearts” says Sexsmith of the song. Subtly embellished by woodwinds and strings, this exemplifies the vision of “baroque pop” Ron and producer Brad Jones had for the album. “When Our Love Was New” is the last single before Ron’s forthcoming album The Vivian Line, which will be released on February 17th, 2023.

The Vivian Line is the 17th album entry in Ron Sexsmith’s compelling discography, one matched by very few contemporary singer-songwriters. His catalogue has earned him immense peer respect and a loyal international following, and this new release captures Ron at the top of his creative game. The Vivian Line is named after a rural route near Ron’s house, and he views it as “representing a sort of portal between my old life in Toronto and my new life here.”

Almost entirely written during a short period of 2021 during COVID, The Vivian Line was recorded in Nashville with producer and multi-instrumentalist Brad Jones at Alex The Great recording studio. The result is a beautifully rich and evocative sounding album. The vast array of instrumentation plus female harmony and backing vocals are employed subtly and judiciously, and Sexsmith is at the top of his game with his vocal performance. The Vivian Line is guaranteed to delight the Sexsmith faithful out there and deserves to attract new fans to the fold.

Ron Sexsmith is one of Canada’s most accomplished singer-songwriters. He has collaborated with the likes of Daniel Lanois, Mitchell Froom, Ane Brun, Tchad Blake, and Bob Rock. His songwriting appears on albums from Rod Stewart, Michael Bublé, k.d. lang, Emmylou Harris and Feist. His inimitable work has drawn praise from the likes of Paul McCartney, Elvis Costello and Chris Martin to name just a few. He has been awarded 3 Juno Awards, having been nominated 15 times including eight nods for Songwriter of the Year.

Fall Out Boy Announce New Album ‘So Much (For) Startdust’ Arriving March 24

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Today, GRAMMY Award-nominated and multi-platinum selling rock band Fall Out Boy announced that their eighth studio album So Much (For) Stardust will arrive March 24, 2023 and provided the first glimpse of the new music with the release of the record’s first single “Love From The Other Side.”

“Technology has made it really easy to make records much more quickly these days. There’s nothing wrong with that, and that spontaneity can be exciting,” shares FOB’s Patrick Stump. “But we wanted to get back to the way we used to work. We wanted to make a record that was really lovingly crafted and deliberate and patiently guided – like someone cooked you a delicate meal. I’m not a very proud guy, but I’m pretty proud of this record.”

So Much (For) Stardust marks a homecoming for the band on multiple fronts; the first of which found the band reuniting with renowned producer Neal Avron, whom they’ve worked with on three previous albums (From Under the Cork Tree, Infinity on High, Folie à Deux). On working with Avron for this record, Stump notes: “Neal not only taught us how to make records, but has a unique capacity to really take time and focus on a record. We thought it was a no-brainer to work with him again, on a record where that was very important to us, and he was gracious enough to agree to work with us.”

Additionally, So Much (For) Stardust will be released on Fueled By Ramen/Elektra – Fall Out Boy’s first album with the label since their 2003 debut album Take This to Your Grave, which celebrates its 20th anniversary on May 6.

“Our band has been an ongoing art project for twenty years and we know there have been many inception points along that journey,” says FOB’s Pete Wentz. “We wanted to create an album that merged those points together – something new, but carved from our foundation. Fueled By Ramen and Elektra seemed like the perfect home for this.”

“We’re incredibly excited to welcome back Fall Out Boy to the Fueled By Ramen family. It’s been twenty years since the release of their debut album on Fueled By Ramen, and it’s a true pleasure to be working together again. Growing up in Chicago, I had the privilege of watching Fall Out Boy play DIY venues around the city, eventually growing into the global superstars we know them as today,” says Johnny Minardi, VP of A&R for Fueled By Ramen/Elektra. “They are a truly special band that has altered the landscape of rock music and who continually evolve with each new release. They have made an incredible album and we can’t wait for the world to hear it.”

Anticipation for the record started brewing in November, after a mysterious ad appeared in the Chicago Tribune and continued building with multiple teaser sites in December, the latter of which featured a clay animation video titled “A Claymation Fall Out Boy Celebration” on Christmas that included a quick audio preview of “Love From The Other Side” for eagle-eared fans. On January 11, the band officially revealed the single’s release date just days before they took the stage at the 2023 iHeartRadio ALTer EGO on Saturday in Los Angeles, CA.

So Much (For) Stardust is Fall Out Boy’s first new studio album since 2018’s M A N I A, which garnered a GRAMMY nomination for Best Rock Album and marked their third consecutive and fourth overall #1 album.

Most recently, Fall Out Boy embarked on THE HELLA MEGA TOUR in July 2021 alongside Green Day & Weezer, playing live in front of over 1 million fans on a sold-out global stadium tour. The U.S. leg included numerous sold out stadium gigs – including renowned venues like Chicago’s Wrigley Field, Boston’s Fenway Park and Los Angeles’ Dodger Stadium. Critical and fan acclaim poured in, with USA Today hailing it “the most stacked line-up of any rock tour in 2021,” Billboard noting that each night was “serving up a buffet of hits in front of one of the largest concert crowds,” and Rolling Stone calling it “wildly entertaining.” The tour was nominated for both Major Tour of the Year and Best Rock Tour at the Pollstar Awards in 2021. The international leg of the tour took place throughout the summer of 2022.

Fall Out Boy have cemented their position as one of rock music’s biggest-selling bands. In January 2023, Fall Out Boy announced that their eighth studio album So Much (For) Stardust will be released March 24, 2023 on Fueled By Ramen/Elektra. The album marks the band’s first new album in more than five years. In July 2021, Fall Out Boy embarked on THE HELLA MEGA TOUR alongside Green Day & Weezer, playing live in front of over 1 million fans on a sold-out global stadium tour and marking the first time the three bands had headed out on the road together. The U.S. leg included numerous sold out stadium gigs – including renowned venues like Chicago’s Wrigley Field, Boston’s Fenway Park and Los Angeles’ Dodger Stadium. Critical and fan acclaim poured in, with USA Today hailing it “the most stacked line-up of any rock tour in 2021,” Billboard noting that each night was “serving up a buffet of hits in front of one of the largest concert crowds,” and Rolling Stone calling it “wildly entertaining.” The tour was nominated for both Major Tour of the Year and Best Rock Tour at the Pollstar Awards in 2021. The international leg of the tour took place throughout the summer of 2022. Fall Out Boy’s seventh studio album M A N I A debuted at #1 on the Billboard 200 in January 2018 and garnered a GRAMMY nomination for Best Rock Album. The record marked the band’s third consecutive and fourth overall #1 album respectively and featured the global smash “The Last of the Real Ones. In 2015, Fall Out Boy released their platinum, sixth studio album AMERICAN BEAUTY/AMERICAN PSYCHO, which debuted at #1 on the Billboard 200 and peaked at #1 on iTunes in more than 22 countries upon its January 2015 release. The album’s first two singles “Centuries” and “Uma Thurman” have been RIAA-certified 4x and 2x platinum, respectively. AMERICAN BEAUTY/AMERICAN PSYCHO followed the GRAMMY-nominated band’s gold-certified album SAVE ROCK AND ROLL, which debuted at #1 on the Billboard 200 and #1 on iTunes in 27 countries upon its April 2012 release and features the multiplatinum hit “My Songs Know What You Did In The Dark (Light Em Up)” and hit “Alone Together.” SAVE ROCK AND ROLL was the band’s second #1 debut; Platinum selling “Infinity On High” topped the chart in 2007 which followed multi-platinum breakthrough album “From Under The Cork Tree” released in 2005. They were most recently nominated for a 2019 MTV Video Music Award for BEST ROCK VIDEO (“Bishops Knife Trick”) and have won FAVORITE ARTIST: ALTERNATIVE ROCK at the 2015 American Music Awards, BEST ROCK VIDEO at the 2015 MTV Video Music Awards and BEST ALTERNATIVE BAND at the 2014 People’s Choice Awards. Fall Out Boy has also written the song “Immortals,” featured in the Oscar®-nominated Disney hit movie Big Hero 6, which topped the box office upon its November 2014 release and has already surpassed $222 million at the domestic U.S. box office and topped $650 million globally. Hailing from Chicago, Fall Out Boy—Patrick Stump (vocals/guitar), Pete Wentz (bass), Joe Trohman (guitar) and Andy Hurley (drums)—has appeared on the cover of Rolling Stone and other prestigious publications. They have performed on Saturday Night Live, The Tonight Show Starring Jimmy Fallon, The Today Show, America’s Got Talent, The Voice, Late Night with Jimmy Fallon, The Tonight Show with Jay Leno, Conan, The Late Show with David Letterman, Jimmy Kimmel Live!, Good Morning America and many more. More information can be found at www.falloutboy.com.

Madonna Adds New Dates To The Celebration Tour Due To Overwhelming Demand

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Due to overwhelming demand, Madonna today announced the addition of 13 new dates in North America across The Celebration Tour. Produced by Live Nation, the 35-city global tour now includes second shows in Seattle, Chicago, Toronto, Montreal, Boston, Miami, Houston, Dallas, Austin, Los Angeles, San Francisco and Las Vegas along with a third show in New York. Tickets for the newly added performances go on sale tomorrow – FRIDAY, JANUARY 20TH at 10am Local Time alongside the shows already announced in each respective city.

The highly anticipated tour will kick off on Saturday, July 15th at Rogers Arena in Vancouver, BC with stops in Phoenix, Chicago, Los Angeles, and more before making its way to Europe where she will perform in 11 cities throughout the fall, including London, Barcelona, and Stockholm, among others. The Celebration Tour will wrap on Friday, December 1st in Amsterdam, NL at Ziggo Dome.

Following Madonna’s viral video that announced the tour earlier this week, the response has been incredible, with fans looking forward to seeing the best-selling female solo touring artist of all time perform her unmatched catalog of music from the past 40 plus years in a live setting. The tour toasts to the incomparable movement of individualistic celebration, creativity and cutting-edge innovation Madonna has created over the course of her career.

The Celebration Tour will offer a one-of-a-kind experience with special guest Bob the Drag Queen a.k.a. Caldwell Tidicue across all dates on the global tour.

THE CELEBRATION TOUR NORTH AMERICAN DATES:
Sat Jul 15 – Vancouver, BC – Rogers Arena
Tue Jul 18 – Seattle, WA – Climate Pledge Arena
Wed Jul 19 – Seattle, WA – Climate Pledge Arena – JUST ADDED
Sat Jul 22 – Phoenix, AZ – Footprint Center
Tue Jul 25 – Denver, CO – Ball Arena
Thu Jul 27 – Tulsa, OK – BOK Center
Sun Jul 30 – St. Paul, MN – Xcel Energy Center
Wed Aug 02 – Cleveland, OH – Rocket Mortgage Fieldhouse
Sat Aug 05 – Detroit, MI – Little Caesars Arena
Mon. Aug 07 – Pittsburgh, PA – PPG Paints Arena
Wed Aug 09 – Chicago, IL – United Center
Thu Aug 10 – Chicago, IL – United Center – JUST ADDED
Sun Aug 13 – Toronto, ON – Scotiabank Arena
Mon Aug 14 – Toronto, ON – Scotiabank Arena – JUST ADDED
Sat Aug 19 – Montreal, QC – Bell Centre
Sun Aug 20 – Montreal, QC – Bell Centre – JUST ADDED
Wed Aug 23 – New York, NY – Madison Square Garden
Thu Aug 24 – New York, NY – Madison Square Garden
Sat Aug 26 – New York, NY – Madison Square Garden – JUST ADDED
Wed Aug 30 – Boston, MA – TD Garden
Thu Aug 31 – Boston, MA – TD Garden – JUST ADDED
Sat Sep 02 – Washington, DC – Capital One Arena
Tue Sep 05 – Atlanta, GA – State Farm Arena
Thu Sep 07 – Tampa, FL – Amalie Arena
Sat Sep 09 – Miami, FL – Miami-Dade Arena
Sun Sep 10 – Miami, FL – Miami-Dade Arena – JUST ADDED
Wed Sep 13 – Houston, TX – Toyota Center
Thu Sep 14 – Houston, TX – Toyota Center – JUST ADDED
Mon Sep 18 – Dallas, TX – American Airlines Center
Tue Sep 19 – Dallas, TX – American Airlines Center – JUST ADDED
Thu Sep 21 – Austin, TX – Moody Center
Fri Sep 22 – Austin, TX – Moody Center – JUST ADDED
Wed Sep 27 – Los Angeles, CA – Crypto.com Arena
Thu Sep 28 – Los Angeles, CA – Crypto.com Arena – JUST ADDED
Wed Oct 04 – San Francisco, CA – Chase Center
Thu Oct 05 – San Francisco, CA – Chase Center – JUST ADDED
Sat Oct 07 – Las Vegas, NV – T-Mobile Arena
Sun Oct 08 – Las Vegas, NV – T-Mobile Arena – JUST ADDED

THE CELEBRATION TOUR EUROPE DATES:
Sat Oct 14 – London, UK – The O2
Sun Oct 15 – London, UK – The O2 – JUST ADDED
Sat Oct 21 – Antwerp, BE – Sportpaleis
Tue Oct 24 – Copenhagen, DK – Royal Arena
Sat Oct 28 – Stockholm, SE – Tele2 Arena
Wed Nov 01 – Barcelona, ES – Palau Sant Jordi
Mon Nov 06 – Lisbon, PT – Altice Arena
Sun Nov 12 – Paris, FR – Accor Arena
Mon Nov 13 – Paris, FR – Accor Arena
Wed Nov 15 – Cologne, DE – Lanxess Arena
Thu Nov 23 – Milan, IT – Mediolanum Forum
Tue Nov 28 – Berlin, DE – Mercedes-Benz Arena
Fri Dec 1 – Amsterdam, NL – Ziggo Dome

Building a Guitar Out of 700 Sheets of Newspaper

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Burl’s Art took a bunch of newspapers and attempt to build a guitar out of it.

This Is What Hip Hop And Dr. Seuss Sounds Like

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Dr. Seuss Hip Hop NEEDS to be a thing 1 and thing 2, thanks to Drummer Drew Caballero, bassist Bret Crowe and vocalist Jordan Simons who rapped the classic Dr. Seuss book I Can Read With My Eyes Shut.

The National Announce New Album “First Two Pages of Frankenstein” And North American Tour

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Today, The National has announced the release of its ninth studio album, First Two Pages of Frankenstein, due April 28, 2023 via 4AD. Anchored by evocative melodies and an enthralling lyrical narrative, First Two Pages of Frankenstein signals a new chapter in the band’s beloved discography. The 11-song album was produced by The National at Long Pond Studios in upstate New York and features guest appearances by Taylor Swift, Phoebe Bridgers and Sufjan Stevens. Pre-order for the album is available now HERE and at americanmary.com.

After two back-to-back albums and several busy years of touring, First Two Pages of Frankenstein was initially stalled while lead singer Matt Berninger navigated, “a very dark spot where I couldn’t come up with lyrics or melodies at all. Even though we’d always been anxious whenever we were working on a record, this was the first time it ever felt like maybe things really had come to an end.” Instead, The National “managed to come back together and approach everything from a different angle, and because of that we arrived at what feels like a new era for the band,” according to guitarist/pianist Bryce Dessner, whose bandmates also include his brother Aaron (guitar/piano/bass) as well as brothers Scott Devendorf (bass, guitar) and Bryan Devendorf (drums).

The band has also shared the first single off the album, the deceptively upbeat “Tropic Morning News.” Partly recorded live in Hamburg, the song merges its mercurial textures and kinetic rhythms with a lush yet subtle grandeur achieved through Bryce Dessner’s work with the London Contemporary Orchestra. “When Matt came in with that song in the depths of his depression, it felt like a turning point for us,” says Aaron Dessner. “It’s almost Dylan-esque in its lyrics and it’s so much fun to play; everything suddenly felt like it was coming alive again.”

Co-written with Berninger’s wife Carin Besser, “Tropic Morning News” takes its title from a phrase Besser invented to describe the regrettably routine practice of doomscrolling. “The idea of referring to the darkness of the news in such a light way unlocked something in me,” says Berninger. “It became a song about having a hard time expressing yourself, and trying to connect with someone when the noise of the world is drowning out any potential for conversation.”

First Two Pages of Frankenstein channels the group’s revitalized chemistry into a body of work that beautifully balances elegant musicality with The National’s more idiosyncratic impulses. Tracks such as “Grease in Your Hair” and “Ice Machines” were road-tested in 2022 before they were recorded, allowing the band to hone the material in real time (another song, “Weird Goodbyes” featuring Bon Iver’s Justin Vernon, was released as a standalone track last August). “To me the power of this record has to do with the intentionality and structure of the music meeting with a lot of accidental magic,” says Aaron Dessner.

The band has also today announced 2023 tour dates including a show at NYC’s Madison Square Garden with very special guest Patti Smith and her band. Other shows feature opening sets from Soccer Mommy, The Beths and Bartees Strange. Tickets go on sale Friday, January 27th at 10:00AM local time. Ticket info can be found at AmericanMary.com.

Formed in New York in 1999, The National has scored five top 10 albums on The Billboard 200, with 2017’s Sleep Well Beast earning the Grammy for Best Alternative Album.

First Two Pages of Frankenstein track list:

1. Once Upon A Poolside (feat. Sufjan Stevens)
2. Eucalyptus
3. New Order T-Shirt
4. This Isn’t Helping (feat. Phoebe Bridgers)
5. Tropic Morning News
6. Alien
7. The Alcott (feat. Taylor Swift)
8. Grease In Your Hair
9. Ice Machines
10. Your Mind Is Not Your Friend (feat. Phoebe Bridgers)
11. Send For Me

The National on tour:

US
May 20 – Chicago, IL – Auditorium Theatre *
May 21 – Chicago, IL – Auditorium Theatre *
May 24 – Washington, DC – The Anthem *
May 26 – Boston, MA – Boston Calling Festival
May 28 – Napa, CA – Bottlerock Festival
May 30 – Los Angeles, CA – Greek Theatre *
June 2 – Troutdale, OR – McMenamins Edgefield *
June 3 – Troutdale, OR – McMenamins Edgefield *
June 4 – Redmond, WA – Marymoor Park *
June 5 – Burnaby, BC, Canada – Festival Lawn at Deer Lake Park *
August 1 – Philadelphia, PA – The Met Philadelphia ~
August 3 – New Haven, CT – Westville Music Bowl ~
August 7 – Detroit, MI – The Fillmore Detroit ~
August 8 – Madison, WI – The Sylvee ~
August 9 – Minneapolis, MN – The Armory ~
August 11 – Denver, CO – Mission Ballroom ~
August 15 – Nashville, TN – Ascend Amphitheater ~
August 16 – Atlanta, GA – Cadence Bank Amphitheatre at Chastain Park ~
August 18 – New York, NY – Madison Square Garden with very special guest Patti Smith and her band

UK/EU
September 21 – Dublin, IRE – 3 Arena *
September 23 – Leeds, UK – First Direct Arena *
September 24 – Glasgow, UK – OVO Hydro Arena *
September 26 – London, UK – Alexandra Palace *
September 29 – Amsterdam, NL – Ziggo Dome ^
September 30 – Berlin, DE – Max-Schmeling-Halle ^
October 1 – Munich, DE – Zenith ^
October 4 – Madrid, ES – WiZink Center ^
October 5 – Porto, PT – Super Bock Arena ^
October 6 – Lisbon, PT – Campo Pequeno ^

Support:
*Soccer Mommy
~The Beths
^ Bartees Strange

Burt Bacharach And Elvis Costello Celebrate 3 Decades With Lavish New Box Set

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The Songs of Bacharach & Costello, personally compiled by Elvis Costello, brings together all of the published songs that Costello has written with the legendary Burt Bacharach, one of the great composers of popular music in the 20th and now 21st Century.

Releasing March 3 via UMe, The Songs of Bacharach & Costello, celebrates a collaboration which began in 1995 and which continues to this day.

Those who were surprised by the writers of “I’m Not Angry” and “What’s New Pussycat?” working together perhaps overlooked that Bacharach was engaging in musical collaboration for only the second time in his storied career – the first resulting in just a handful of songs musically written with Neil Diamond.

It was Costello who wrote the first musical draft of “God Give Me Strength,” communicating from Dublin to Los Angeles by fax – back in the 20th Century – and far from being offended by this presumption, Bacharach sent back an amended copy, laying out the signature intro motif for flugelhorn, adding the expansive bridge section and making all sorts of subtle but crucial amendments to the melodic and rhythmic phrasing of Costello’s first draft.

This song was a commission for the Allison Anders’ motion picture, “Grace Of My Heart,” and though both song and movie were overlooked by the Academy Awards, the song did place in the GRAMMY nominations of the following year, as Costello remarked in his book “Unfaithful Music & Disappearing Ink”: “To have written a song like “God Give Me Strength” and simply stopped would have been ridiculous.”

So began a series of face-to-face songwriting sessions in both California and New York City.

Their working methods ranged from one writer responding to the other’s opening musical statement to Costello trying to put lyrical substance and definition to a complete Bacharach composition that did not need any such musical reply. By the end of their initial sessions, there were occasions when they were seated across the room at two pianos, writing successive bars of the new tune.

Recorded in Hollywood in 1998, the album, Painted From Memory – orchestrated by Bacharach with the exception of the title track which was arranged by the great Johnny Mandel – has gone on to capture an appreciative worldwide audience far beyond its initial release. The song “I Still Have That Other Girl” even managed to wrestle a GRAMMY away from both Celine Dion and Van Morrison – no easy task in the crowded field of the “Best Collaboration With Vocals” category of the 41st Awards.

The idea that the songs and lovelorn themes of Painted From Memory might be realized on the Broadway stage were perhaps an unlikely prospect, given that, as Costello puts it in his essay, such a show might feel, “Like Eugene O’Neill’s “Long Day’s Journey Into Night” only with less tap-dancing.”

Nevertheless, this was the belief of dedicated Painted From Memoryaficionado and television comedy mogul, Chuck Lorre, who together with Tony Award-winning writer, Steven Sater, set about threading a story through the original folio of songs, creating a tale and set of characters who demanded that Bacharach and Costello write more than a dozen additional songs.

Writing the lyrics of these new songs, Costello told us, “These reflect the stories and impulses of a group of people who are, obsessive and vain, who are betrayed and become disappointed in life but long tenderly for a happier time, who are unfaithful, dishonest, destructive and turn out to be the inventors of a dangerous past, who are guilty, haunted and romantically deluded, desperate, vengeful and even cruel.”

“In their musical form they are different kinds of dark love songs that anyone might sing if they happened to be an artist, his model, a wife, a fantasist, a lover, a philanderer or disillusioned daughter. You know, fun for all the family.”

These songs are all found on Taken From Life, opening and closing with “You Can Have Her” and “Look Up Again,” arranged by Vince Mendoza and recorded at Capitol Studios, Hollywood in September 2021 under the direction of Bacharach.

The Taken From Life collection also brings together performances on which Bacharach led The Imposters for the GRAMMY winning album, Look Now, and songs from the proposed score from the E.P. Purse and the Decca Records release, The Sweetest Punch, on which guitarist Bill Frisell arranged the then brand new Bacharach/Costello songs for the voice of Cassandra Wilson and the clarinetist, Don Byron.

The Taken From Life title track is a 2022 recording with The Imposters produced by Sebastian Keys and the collection is completed by startling and beautiful vocal performances of other songs from the “Painted From Memory” musical score by Audra Mae and Jenni Muldaur with the piano accompaniment of Jim Cox and Thomas Bartlett, including the tragic, “I Looked Away” and the deranged catalogue song, “Shameless,” just two of the 19 previously unreleased tracks included in the set.

Along with multiple lyrical drafts of “This House Is Empty Now” which reveal the harrowing disillusionment beneath the more measured tone of the finished lyric, pages from the draft script are also reproduced with pencil annotations proposing lyrical changes and even other unwritten songs.

Opportunities to see Bacharach and Costello perform on stage were rare. Their 1998 tour opened at Radio City Musical Hall, NYC and closed five shows later at the Royal Festival Hall, London, after just a handful of television and radio appearances.

However, Costello and Steve Nieve began the “Lonely World Tour” – taking its title from a line in the Painted From Memory song, “What’s Her Name Today?” – opening with an appearance with the Swedish Radio Symphony Orchestra at Berwaldhallen in Stockholm on the Feast Of The Epiphany, 1999 and proceeded to place the Bacharach/Costello songs central to their concert repertoire from Toronto to Tokyo, and closing in Osaka on December 18th, in a concert in which forty songs were performed.

A selection of these performances can be heard on the third disc of the box set: “Because It’s A Lonely World – Live.”

Bacharach’s songs written with his greatest lyricist, Hal David (as well as those written with Bob Hilliard and Mack David) were heard on English radio and television from his latter collaborator’s earliest memories.

Costello’s 10,000 word essay is illustrated by a number of photographs including detail from a shot of the entire company of the Royal Variety Performance of 1963, in which The Beatles – who had recently recorded Bacharach’s “Baby It’s You” – are seen flirting with Marlene Dietrich, whose accompanist, Bacharach can be found in the third row back, just four places along from Costello’s father, Ross MacManus, who was also heard at the famous “rattle yer jewelry” show, singing with The Joe Loss Orchestra.

Aside from this strange coincidence that his father appeared on the bill with two songwriters with whom “Elvis Costello” would write more than thirty songs, Declan MacManus’ upbringing was like anyone else who grew up in England during the early 1960s in that he lived in the shadow and under the spell of BBC Light Entertainment on which Bacharach/David songs were first heard sung by Cilla Black, Dusty Springfield or Zoot Money and The Big Roll Band before these renditions were chased up the hit parade by the “original” recordings by Dionne Warwick and many other great American vocal artists.

From his first concert hall dates with the Attractions as part of the “Live Stiffs” package tour in 1977, Costello turned to the Bacharach/David songbook for “I Just Don’t Know What To Do With Myself,” the first performance of a tune other than his own to make it on to vinyl.

The fourth disc of the box set, “Costello Sings Bacharach/David,” traces the singer’s relationship from that date through a duet with Nick Lowe on “Baby It’s You,” a version of “Please Stay” recorded in Barbados, all the way to a trio of Bacharach/David classics performed at the Royal Festival Hall in 1999, including “Make It Easy On Yourself,” “My Little Red Book,” and “Anyone Who Had A Heart.”

Another studio collaboration yielded a rendition of “I’ll Never Fall In Love Again” recorded for the Austin Powers – The Spy Who Shagged Me soundtrack, in which both artists made a cameo appearance.

Indeed this in turn led to exploratory workshops with Mike Myers for a possible stage adaptation of “Austin Powers” and further songwriting sessions with the Bacharach/Costello team completing or sketching up to fifteen more songs, one of which would have been a “secret track” back in this collection in the carefree days before algorithms ruled the waves but which is tucked on the end of the Taken From Life album, in the form of Bacharach’s tender and intimate vocal and piano performance of one of the more unexpected drafted subplots – the song of a disillusioned spy entitled: “Lie Back And Think Of England.”

Painted From Memory has been newly remastered for its 25th anniversary from the original tapes by Bob Ludwig at Gateway Mastering Studios. The new remaster is presented on CD as well as 140-gram 2LP black vinyl. Side D of the double vinyl showcases six songs from Taken From Life, including the three newly recorded compositions.

The comprehensive 45-song set also includes live performances of Bacharach and Costello performing several of the songs from Painted From Memory, as well as other beloved Bacharach numbers, with orchestras in New York and London; Costello performing stripped down versions of the songs on his “Lonely World Tour” with Nieve (the classically trained pianist and keyboard player in both The Attractions and The Imposters); and a selection of Bacharach and Hal David songs Costello has performed and recorded over the years, including “I’ll Never Fall In Love Again,” which Bacharach and Costello famously performed together on screen in “Austin Powers: The Spy Who Shagged Me.” Housed in a lavish 12.75” x 12.5” box, the expansive set features a 20-page booklet with photography from William Claxton and Rankin, in and out of the studio, early drafts of lyrics, studio notes, pages from the “Painted From Memory” musical script, and a newly written 10,000-word essay by Costello that beautifully details his nearly three-decade long friendship and prolific musical partnership with Bacharach, and how influential the legendary songwriter has been throughout his life.

The Songs of Bacharach & Costello is being previewed today with the release of three rare and unreleased live performances from 1998 and 1999, including a stark and gripping “In The Darkest Place,” recorded as a duo with Nieve at the piano in Australia on the Lonely World tour, and an arresting performance of “Painted From Memory,” recorded in Stockholm, Sweden with Nieve and The Swedish Radio Symphony Orchestra. Finally, we hear Costello and Bacharach live with an orchestra at London’s Royal Festival Hall, performing a sensational version of the latter’s 1963 Dionne Warwick (and Cilla Black’s) 1963 smash, “Anyone Who Had A Heart.“ Listen to the live tracks here: https://elviscostello.lnk.to/TSOBACPR

In addition to the Super Deluxe Edition box set, which will also be available digitally for streaming and download, The Songs of Bacharach & Costello will also be available in a variety of abbreviated formats, including on 2CD, which features both the newly remastered Painted From Memory and the entirety of Taken From Life; and on 2LP, with Painted From Memory and selections from Taken From Life, available with an exclusive lithograph or without. Additionally, Painted From Memory has been mixed in immersive Dolby Atmos. For more information about the formats and to pre-order visit: https://elviscostello.lnk.to/TSOBACPR

Of Painted From Memory, Pitchfork raved, “The album’s second and most lasting surprise is the quality of the teamwork. This project is obviously not hurried studio time aimed at selling scads of records, but rather the very precise, determined work of two gifted artists,” adding, “As a result, trying to decipher and describe where one’s contribution begins and the other’s influence ends is a nearly impossible task– Painted from Memory’s most outstanding tales of loss and bitterness, ‘I Still Have That Other Girl,’ ‘Toledo, ‘The Sweetest Punch,’ and the album’s title track are reminiscent of Costello’s most clever and haunting work, and Bacharach’s memorable piano melodies stretch the old punk’s voice to new limits.”

Entertainment Weekly exclaimed, “neither their checkered histories nor that initial duet are preparation for the sublime and subtle beauty of much of Painted From Memory,” while the New York Times hailed it as “a finely crafted collection of lovelorn ballads in which Mr. Costello flaunts his gift for quirky imagery,” and “finds Mr. Bacharach returning enthusiastically to the hyper-romantic signature style of the 1960’s hits he wrote, arranged and produced with the lyricist Hal David for Dionne Warwick.”

The Los Angeles Times enthused that the “Costello-Bacharach synergy sparkles, and demands a sequel.” Bacharach and Costello capped off a thrilling year with the GRAMMY Award for “Best Pop Collaboration With Vocals” for “I Still Have That Other Girl.”

Meticulously compiled and thoughtfully sequenced with the invaluable help of compilation producer, Steve Berkowitz, The Songs of Bacharach & Costello is the complete picture of the two songwriters enduring partnership and friendship.

THE SONGS OF BACHARACH & COSTELLO – SUPER DELUXE EDITION TRACKLISTING
CD1 – Painted From Memory
1. Elvis Costello & Burt Bacharach – In The Darkest Place (2023 Remaster)
2. Elvis Costello & Burt Bacharach – Toledo (2023 Remaster)
3. Elvis Costello & But Bacharach – I Still Have That Other Girl (2023 Remaster)
4. Elvis Costello & Burt Bacharach – This House Is Empty Now (2023 Remaster)
5. Elvis Costello & Burt Bacharach – Tears At The Birthday Party (2023 Remaster)
6. Elvis Costello & Burt Bacharach – Such Unlikely Lovers (2023 Remaster)
7. Elvis Costello & Burt Bacharach – My Thief (2023 Remaster)
8. Elvis Costello & Burt Bacharach – The Long Division (2023 Remaster)
9. Elvis Costello & Burt Bacharach – Painted From Memory (2023 Remaster)
10. Elvis Costello & Burt Bacharach – The Sweetest Punch (2023 Remaster)
11. Elvis Costello & Burt Bacharach – What’s Her Name Today? (2023 Remaster)
12. Elvis Costello & Burt Bacharach – God Give Me Strength (2023 Remaster)

CD2 – Taken From Life
1. Elvis Costello – You Can Have Her *
2. Cassandra Wilson & Bill Frisell – Painted From Memory
3. Elvis Costello & The Imposters – Don’t Look Now
4. Elvis Costello & The Imposters – Everyone’s Playing House
5. Audra Mae – I Looked Away *
6. Elvis Costello & The Imposters – Taken From Life *
7. Don Byron & Bill Frisell – My Thief
8. Jenni Muldaur – Shameless *
9. Elvis Costello & The Imposters – Photographs Can Lie
10. Audra Mae – In The Darkest Place *
11. Elvis Costello & The Imposters – Why Won’t Heaven Help Me?
12. Jenni Muldaur – Stripping Paper *
13. Elvis Costello & The Imposters – He’s Given Me Things
14. Audra Mae – What’s Her Name Today? *
15. Elvis Costello – Look Up Again *
16. Burt Bacharach – Lie Back & Think Of England *

CD3 – Because It’s A Lonely World – Live
1. Elvis Costello & Steve Nieve – Toledo (Live In Tokyo, Japan, Nakano Sunplaza Hall – February 8, 1999) *
2. Elvis Costello & Steve Nieve – In The Darkest Place (Live In Melbourne, Australia, Athenaeum Theatre – February 16, 1999)
3. Elvis Costello & Steve Nieve – My Thief (Live In Tokyo, Japan, Shibuya Hall – February 10, 1999) *
4. Elvis Costello & Steve Nieve – I Still Have The Other Girl (Live In Tokyo, Japan, Shibuya Hall – February 10, 1999)
5. Elvis Costello & Steve Nieve – I’ll Never Fall In Love Again (Live In Toronto, Ontario, Massey Hall – June 16, 1999) *
6. Elvis Costello & Steve Nieve – God Give Me Strength (Live In Toronto, Ontario, Massey Hall – June 16, 1999) *
7. Elvis Costello, Stee Nieve & The Swedish Radio Symphony Orchestra – Painted From Memory (Live In Stockholm, Sweden, Berwaldhallen – January 5, 1999) *
8. Elvis Costello, Stee Nieve & The Swedish Radio Symphony Orchestra – What’s Her Name Today? (Live In Stockholm, Sweden, Berwaldhallen – January 5, 1999) *
9. Elvis Costello & Burt Bacharach – This House Is Empty Now (Live In New York City, Late Night with Conan O’Brien – Nov. 27, 1998) *

CD4 – Costello Sings Bacharach & David
1. Elvis Costello & Th Attractions – I Just Don’t Know What To Do With Myself (Live in Norwich, UK, University of East Anglia – October 17, 1977)
2. Elvis Costello & Nick Lowe – Baby It’s You
3. Elvis Costello – Please Stay
4. Elvis Costello & Burt Bacharach – I’ll Never Fall In Love Again
5. Elvis Costello & Burt Bacharach – Make It Easy On Yourself (Live in London, UK, Royal Festival Hall – October 29, 1998) *
6. Elvis Costello & Burt Bacharach – My Little Red Book (Live in London, UK, Royal Festival Hall – October 29, 1998) *
7. Elvis Costello & Burt Bacharach – Anyone Who Had A Heart (Live in London, UK, Royal Festival Hall – October 29, 1998) *
8. Elvis Costello & But Bacharach – I Just Don’t Know What To Do With Myself (Live In New York City, Sessions at West 54th – October 18, 1998) *

2LP – Painted From Memory

Side A
1. Elvis Costello & Burt Bacharach – In The Darkest Place (2023 Remaster)
2. Elvis Costello & Burt Bacharach – Toledo (2023 Remaster)
3. Elvis Costello & Burt Bacharach – I Still Have That Other Girl (2023 Remaster)
4. Elvis Costello & Burt Bacharach – This House Is Empty Now (2023 Remaster)

Side B
1. Elvis Costello & Burt Bacharach – Tears At The Birthday Party (2023 Remaster)
2. Elvis Costello & Burt Bacharach – Such Unlikely Lovers (2023 Remaster)
3. Elvis Costello & Burt Bacharach – My Thief (2023 Remaster)
4. Elvis Costello & Burt Bacharach – The Long Division (2023 Remaster)

Side C
1. Elvis Costello & Burt Bacharach – Painted From Memory (2023 Remaster)
2. Elvis Costello & Burt Bacharach – The Sweetest Punch (2023 Remaster)
3. Elvis Costello & Burt Bacharach – What’s Her Name Today? (2023 Remaster)
4. Elvis Costello & Burt Bacharach – God Give Me Strength (2023 Remaster)

Side D – Selections From Taken From Life
1. Elvis Costello – You Can Have Her *
2. Audra Mae – Don’t Look Now *
3. Audra Mae – I Looked Away *
4. Elvis Costello & The Imposters – Taken From Life *
5. Audra Mae – What’s Her Name Today? *
6. Elvis Costello – Look Up Again *
* Previously unreleased