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BBC Radio 2 launches Piano Room Month With Ed Sheeran, Tears For Fears, David Gray And More

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In what will be Radio 2’s biggest celebration of live music in a decade, 20 of pop’s best-loved artists will be performing for Radio 2’s Piano Room Month – accompanied by the BBC Concert Orchestra – live from London’s BBC Maida Vale studios from Monday 31 January to Friday 25 February.

The gigs will be broadcast live in Ken Bruce’s Radio 2 show (Monday to Friday, 9.30am-12pm) and on BBC Sounds. Each artist will perform three tracks – a new song, a classic, and a cover – with members of the BBC Concert Orchestra accompanying alongside them. Following the live shows, each performance will be available to watch live on BBC iPlayer then on demand from 6pm that day and available for 30 days afterwards. Ken’s PopMaster quiz – which sees two contestants compete in a pop quiz – remains daily at 10.30am.

In addition to the live broadcasts, an hour-long special will be broadcast on Radio 2 each Sunday (7pm-8pm) featuring highlights from the previous week’s performances (Sunday 6, 13, 20 and 27 February).

Jeff Smith, Radio 2’s Head of Music, says: “At Radio 2 we pride ourselves on providing our music-loving listeners with the widest range of songs and live music to be heard anywhere on UK radio. We worked hard to offer incredible performances to our audience throughout the past two years, and I’m thrilled to bring 20 live sessions to each of Ken’s weekday shows next month.

“I’d like to thank all of the artists, most of whom will be performing their first live session of 2022, as well as the BBC Concert Orchestra, who have been busy rehearsing a vast range of different songs. Tune in live, watch them all on BBC iPlayer or listen on BBC Sounds.”

The artists performing are:

Monday 31 January: David Gray
Tuesday 1 February: Jack Savoretti
Wednesday 2 February: Stereophonics
Thursday 3 February: Anne-Marie
Friday 4 February: Katie Melua
Monday 7 February: Clean Bandit
Tuesday 8 February: Joy Crookes
Wednesday 9 February: Will Young, performing on the anniversary of him winning Pop Idol in 2002
Thursday 10 February: Rebecca Ferguson
Friday 11 February: Tom Odell
Monday 14 February: James Morrison
Tuesday 15 February: Ella Henderson
Wednesday 16 February: Craig David
Thursday 17 February: Natalie Imbruglia
Friday 18 February: James Blunt
Monday 21 February: Tears For Fears
Tuesday 22 February: Simple Minds
Wednesday 23 February: Emeli Sandé
Thursday 24 February: Jamie Cullum (pre-recorded)
Friday 25: February Ed Sheeran (pre-recorded)

Elvis Costello Teaches You How to Play the Guitar and Y (That’s Not A Misprint)

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How to Play the Guitar and Y, Costello’s new entry into Audible’s Words + Music series, combines recitation, impersonation, and musical illustration to show you how to turn a three-chord trick into a four-chord caper and let your curiosity take you where it will.

Part madcap musical method, part comic chronicle, How to Play the Guitar and Y is accompanied by the author throughout on a number of different instruments with his 10 wandering fingers.

So gather round your favorite listening device to hear a storyteller and musician at his most captivating as he reminds you not to be afraid to fail and to never forget to play.

You can get it for free here.

Canadian Christian Singer-Songwriter Ileen Laura Celebrates Music with “Sit Beside Me”

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No stranger to the struggle of how to balance work and family, Canadian Christian artist Ileen Laura’s hopeful and inspiring new single “Sit Beside Me” documents the process she and her husband went through as they figured out how to prioritize her music career amid their family responsibilities.

“Back in 2020, the pandemic had just become a reality,” the Toronto-based singer/songwriter recalls. “Schools were shut down and, as a high school music teacher, this meant planning for school music concerts and festivals was put on pause.”

Within quarantine, time became all Ileen Laura’s for a moment, and she began to consider her life and her purpose — concluding that something was missing.

During one of the first evenings in the stay-at-home order, she and her husband were discussing why she stopped writing music after they got married, and got into huge disagreements. “I had been blaming him for missed opportunities,” she shares. With previously released offerings including “Letters To My Daughter” in 2013, and “Joy” in 2010, as well as having opened for Walk Off The Earth, Justin Nozuka, and at the Scene Music Festival, she had also just assumed her music career was now behind her — despite her husband’s willingness to support it.

“I wrote ‘Sit Beside Me’ after hearing my pastor speak one Sunday at our church on the subject of ‘Spiritual Gifts,’” she says. “He spoke about the fact that, as Christians we are all given these gifts, but it is up to us to use our gifts to glorify God.

“It was as if he wrote the sermon just for me. I realized I hadn’t been using my gift at all.”

A year later, she had written a full-length album, fully recommitting herself to her craft and higher power; I Am Yours is set for release this Spring 2022.

For its part, “Sit Beside Me” begins with a tinkling piano that gradually becomes richer and more full-bodied throughout the song’s progression. Punctuated by moments of dramatic percussion, Laura’s voice is clear and soaring as she sings with fondness and conviction about the church sermon that finally brought her back to her music.

Let’s take a minute to find the words before
Things just get out of our hands and we shut the door.

I’m going to the church steps where I’ll hear him preach,
You can sit beside me and we can hear him teach.

Sing with all of your might,
Let all of the words fall out of your mouth,
Hear the bells let them ring for all of the lost, lost souls.

“Sit Beside Me” is available now.

1-minute tip for artists stuck on social media ideas: Your song is never finished

1-minute TikTok lip sync videos, an acoustic version, instrumental, loud version, soft version, ballad, an hour-long version of your song are all options for you to create something fun as your ‘finished’ song never be done in your – or your audience’s eyes.

Tears For Fears Release New Single ‘No Small Thing’

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Today, iconic British duo Tears For Fears have released “No Small Thing,” the second single off their highly anticipated first studio album in seventeen years, THE TIPPING POINT, arriving February 25th, 2022 via Concord Records. Written by both band members, Roland Orzabal and Curt Smith, the guitar strums pull you in with its folk-like tone, but slowly morphs into controlled chaos, as Roland and Curt push the song’s sonics as far as they can go.

“In early 2020, Curt and I sat down together with just a couple of acoustic guitars. The first time in decades. We needed a meeting of minds, a coming together psychically. We were literally going back to the drawing board looking for some depth, heart and soul with which to complete our album. Curt came up with this simple folk/country riff, a little bit Dylan, a little bit Johnny Cash, and then we were off. It was the complete opposite of what we had been trying to do for many years – searching for the elusive, modern hit single. We felt suddenly unencumbered, free if you like, no longer worrying about the market, about success, but drawing on influences from our childhoods. It was at this point that the whole album started opening up. ‘No Small Thing’ was the key, the thing that turned a red light green,” Roland said.

Inspired by Koyaanisqatsi, the “No Small Thing” music video was made using solely found footage showing the conflict between individual freedoms and collective responsibility.

In November, the band also announced THE TIPPING POINT WORLD TOUR, with support from Garbage on the U.S. leg. Kicking off in Cincinnati, OH on May 20th, 2022, these dates will see the band performing in over twenty cities across North America before capping off with their last show in Wantagh, NY on June 25th, 2022. These dates will mark the band’s first U.S. tour since 2017.

Interscope Records Kicks off 30th Anniversary Celebration

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 Interscope Records is proud to kick off its 30th anniversary celebration today. To coincide with the anniversary, the Los Angeles County Museum of Art (LACMA) will display over 50 artworks in an exhibition called Artists Inspired by Music: Interscope Reimagined. This exhibition will feature new works by a diverse group of visual artists who have responded to the groundbreaking music of some of Interscope’s most influential and iconic recording artists. Cecily BrownJulie Curtiss, Shepard Fairey, Lauren HalseyDamien HirstRashid JohnsonTakashi MurakamiRichard PrinceEd RuschaKehinde Wiley, and many other notable visual artists have created an original work of art inspired by albums and songs from 2Pac, Billie Eilish, Dr. Dre, Eminem, Gwen Stefani, Juice WRLD, Kendrick Lamar, Lady Gaga, Mary J. Blige, MGK, Nine Inch Nails, No Doubt, Olivia RodrigoSelena Gomez, Snoop Dogg and U2 and to name a few. A complete list of visual artists and the music creators they are paired with is below.

Interscope Records announces a groundbreaking exhibit at the Los Angeles County Museum of Art – “Artists Inspired by Music: Interscope Reimagined.” Pictured is visual artist Kehinde Wiley’s “Still Dre Everywhere,” inspired by Dr. Dre’s iconic album The Chronic 2001.
Pictured is visual artist Cecily Brown’s original work inspired by Billie Eilish’s EP “dont smile at me”
Pictured is visual artist Rashid Johnson’s original work inspired by Kendrick Lamar’s album “Good Kid M.A.D.D. City”

Today three artist images have been revealed: Kehinde Wiley has created a work inspired by Dr. Dre’s The Chronic 2001. Cecily Brown has created a work inspired by Billie Eilish’s EP dont smile at me, and Rashid Johnson has created a work inspired by Kendrick Lamar’s Good Kid M.A.A.D. City album. Artists Inspired by Music: Interscope Reimagined will be on view Sunday, January 30 through February 13, 2022, in LACMA’s Resnick Pavilion. The installation foregrounds the creative pairings, visually reflecting on a history of musical innovation and powerful performances across genres. In some cases, multiple artists responded to the same musician, offering different interpretations of their work through the years. High resolution photos of the three pieces unveiled today are available HERE.

The ambitious project was organized by Interscope Records Co-founder Jimmy Iovine, current Chairman, John Janick, music executive Josh Abraham, along with Interscope Vice Chairman Steve Berman, who worked closely with all of the music and visual artists. The team also worked with LACMA Associate Curator of Decorative Arts and Design, Staci Steinberger, to collectively organize the exhibition. The scope and size of the selection of music recognizes the profound impact that Interscope artists have had on global culture in the past three decades.

“Interscope’s original mission was to find the most profound artists, empower their creativity and watch what happens,” said Iovine.  “For the 30th, we wanted to continue that vision by assembling the most admired visual artists and empower them with that same creative license to honor the musical artists we have worked with over three decades.”

John Janick, Chairman, Interscope Geffen A&M commented: “From its earliest days, Interscope’s roster has included one-of-a-kind artists who clearly moved culture, and that’s something that we work to honor every single day in our current work at the label.  In conversation with one of our label partners Justin Lubliner, he sparked this idea. As Jimmy, Berm, Josh Abraham and I reached out to the visual artist community, we realized that having them create a lasting visual legacy that honors our artists’ music would be a hugely powerful tribute. The fact that so many of the world’s most acclaimed fine artists came together so eagerly to contribute to this project, and the fact that our own recording artists were as equally enthusiastic, is a deeply meaningful tribute to Interscope and one that we are immensely grateful for. Having these artworks debut at LACMA, one of the world’s most prestigious museums, is hugely gratifying for all of us who have been connected with Interscope over these past three decades. Sir Lucian Grainge’s enduring support of Interscope’s unique voice and vision over the years has helped make it possible for Interscope to foster an ambitious artistic endeavor of this magnitude.”

Sir Lucian Grainge, Chairman and CEO of Universal Music Group said, “I’m so proud that Interscope’s culture of boundless creativity provides its artists with the widest palette possible with which to express themselves.  As a result, Interscope and its artists have not only consistently delivered some of the world’s most influential music, but also created groundbreaking visual media.  It is fitting that the great work of Interscope’s artists be reinterpreted by leading visual artists in a way that celebrates their unique visions as well as three decades of this iconic label.”

“There is a long history of record album covers being designed by visual artists,” said LACMA CEO and Wallis Annenberg Director Michael Govan. “As an institution that has long explored the intersection of art and other sectors, including design and music, LACMA has been collecting record album designs over the past several years, and it’s inspiring to see these artists reinterpret three decades of iconic contemporary music.”

Snap Inc. will collaborate in the exhibition and deepen the viewing experience by adding the dimension of sound. Through Snapchat’s augmented reality (AR) technology, visitors will be able to listen to music from each of the iconic albums by Scanning Snapcodes placed on the gallery walls. For more information on the exhibition, please visit HERE. Timed-entry general admission tickets will be released on Thursday, January 20, 2022, at 10 am on the museum’s website and will include access to Interscope Reimagined. Visit lacma.org/gettickets.

Artists Inspired by Music: Interscope Reimagined

VISUAL ARTISTS

MUSICAL ARTISTS

Adam Pendleton

Dr. Dre – The Chronic

Amoako Boafo

6LACK – FREE 6LACK

Anna Park

Billie Eilish – When We All Fall Asleep Where Do We Go?

Anna Weyant

 Gwen Stefani – The Sweet Escape

Burnt Toast

Timbaland – Shock Value*

Burnt Toast

N.E.R.D. – Seeing Sound*

Cecily Brown

Billie Eilish-dont smile at me

Chloe Wise

Yeah Yeah Yeahs – It’s Blitz!

Damien Hirst

Eminem – Entire Catalogue

Derrick Adams

Mary J. Blige – The Breakthrough

Ed Ruscha

2Pac – All Eyez On Me

Emily Mae Smith

Nine Inch Nails – Broken

Ferrari Sheppard

Blackstreet – “No Diggity”

Genesis Tramaine

Summer Walker – Over It

Henni Alftan

Olivia Rodrigo – SOUR

Henry Taylor

Kendrick Lamar – DAMN. (“DNA”)

Hilary Pecis

Selena Gomez – Rare

Issy Wood

Gwen – Love. Angel. Music. Baby. (“Cool”)

Jenna Gribbon

Lana Del Rey – Born To Die

Jennifer Guidi

BLACKPINK – THE ALBUM

John Currin

U2 – “Beautiful Day”

Jordy Kerwick

MGK- Tickets to My Downfall (“My Bloody Valentine”)

Julie Curtiss

No Doubt – Tragic Kingdom (“Just a Girl”)

KAWS

Dogg – Doggystyle

Kehinde Wiley

Dr. Dre – The Chronic 2001

Lauren Halsey

Kendrick Lamar – To Pimp a Butterfly

Lisa Yuskavage

Billie Eilish – Happier Than Ever

Loie Hollowell

Lady Gaga – Fame Monster

Lucy Bull

No Doubt – Tragic Kingdom (“Spiderwebs”)

Mark Quinn  

MGK – Tickets to My Downfall

Matthew Wong

Lana Del Rey – Paradise

Fulton Leroy Washington AKA Mr. Wash

The Game – The Documentary

Nicolas Party

Lady Gaga – Joanne

Nina Chanel Abney

2Pac – The Don Killuminati: The 7 Day Theory

OSGEMEOS

Black Eyed Peas – The E.N.D

Rashid Johnson

Kendrick Lamar – Good Kid MAAD City

Raymond Pettibon

Lana Del Rey – Norman Fucking Rockwell

Reggie Burrows Hodges

Kendrick Lamar – Good Kid M.A.A.D City (“Swimming Pools” (Drank))

Richard Prince

Nine Inch Nails – The Downward Spiral

Sayre Gomez

50 Cent – Get Rich or Die Tryin’

Shepard Fairey

Yeah Yeah Yeahs – Fever To Tell

Stanley Whitney

Kendrick Lamar – To Pimp A Butterfly (“King Kunta”)

Takashi Murakami

Juice WRLD – Goodbye and Good Riddance

Titus Kaphar

Eve – Scorpion

Toyin Ojih Odutola

Kendrick Lamar – DAMN

Umar Rashid

Tupac – Me Against The World

Will Boone

Helmet – Meantime

* NFT

Launched as an independent, A&R-centered label three decades ago by Jimmy Iovine and Ted Field, Interscope Records has had a track record that rivals any company in the modern record business. Since its formation, Interscope has only had two leaders, Iovine and John Janick, another highly successful entrepreneur handpicked by Iovine to succeed him as Chairman in 2014. This continuity of leadership is an important factor in the label’s enduring success. Interscope, which became part of Universal Music Group in 1998, was merged with A&M and Geffen Records a year later. Interscope Geffen A&M was the Number One label in the United States in 2020 and 2021. Interscope Geffen A&M is a Universal Music Group company, which is led by Sir Lucian Grainge.

Interscope will present a series of events planned over the coming months to celebrate Interscope’s legacy and to pay homage to the artists who made the label one of the most successful and enduring in the world.

SiriusXM Acquires Cloud Cover Media, Inc.

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SiriusXM Holdings Inc. announced today that its subsidiary, Sirius XM Radio Inc., has acquired Cloud Cover Media, Inc.  Cloud Cover Media offers Cloud Cover Music, a music for business service, and employs business management, music programming, licensing, and software development teams.  Cloud Cover Music’s easy-to-use solutions and robust tech platform allow businesses to deliver music, with customized audio messaging if desired, to create the desired atmosphere for their prospects, customers, and clients.

Cloud Cover Music’s combination of an intuitive online platform and experienced large enterprise account team offers organizations of any size in any industry a robust selection of ad-free music for their business with full control over what their customers and employees will hear.  Cloud Cover Music’s self-service solutions and dedicated staff offer a wide range of features and options that can be tailored for each business’ needs.  Cloud Cover Music provides the soundtrack for a wide variety of commercial locations across the United States and Canada.

Cloud Cover Music joins SiriusXM Music for Business and Pandora for Business in SiriusXM’s commercial music portfolio.  Together these services provide comprehensive and complementary offerings for businesses of all sizes.

The Cloud Cover Music team will continue to be led by Vice President and General Manager Mark Lehman.

“We are thrilled to become part of the SiriusXM family,” stated Lehman.  “As one of the fastest growing music for business services, we’re proud of the track record that Cloud Cover Music has achieved with our tens of thousands of customers.  We’re excited to have the brand recognition and strength of SiriusXM and Pandora behind us as we continue to focus on delivering the best music and messaging products for businesses.”

“Cloud Cover Music has built an advanced tech platform with a host of features that are very attractive to businesses who want an easy-to-install solution, want to be fully covered on licensing, and also want to be able to create a tailored soundtrack for their business,” said Joe Verbrugge, Executive Vice President, SiriusXM.  “SiriusXM and Pandora have always offered a unique blend of great content and great technology. The addition of Cloud Cover Music to our commercial music portfolio is expected to help propel us forward and contribute to the growth of our business.”

Frank Zappa’s Legendary 1971 Fillmore East Shows Get 8-Disc Boxed Set

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Released in August 1971 just two months after it was recorded, Fillmore East – June 1971 was Frank Zappa and The Mothers’ masterstroke conceptual live album, a well-oiled and well-edited aural treatise chronicling the prurient feast and famine of a certain band’s somewhat salacious life on (and off) the road. In effect, it was the seemly predecessor to October 1971’s expansive, groundbreaking magnum opus, 200 Motels, the surrealistic documentary and soundtrack which ultimately took on a life of its own. Even so, Fillmore East – June 1971, the landmark live recording with the scrawled “penzil” cover art made to resemble a bootleg of the day, managed to capture its own level of then-modern zeitgeist in patented Zappa-reconstructed form.

The ever-touring Mothers closed out 1971 with a European jaunt that saw them hitting DenmarkGermanyThe Netherlands, and Austria before rolling into Switzerland for a December 4, 1971 show at the Montreaux Casino that will forever live in infamy in both song and legend. This was due to an errant fan setting off a flare gun and burning the place to the ground – along with destroying all The Mothers’ gear and equipment, sans one solitary cowbell.

Thankfully, the band and audience were relatively unhurt, but subsequent shows in France and Belgium were cancelled and The Mothers had to resort to wrestling with rented equipment for a planned pair of shows slated for December 10-11, 1971 at the Rainbow Theatre in London, England. Only the December 10th show came to pass, however, due to an event that changed the course of Zappa’s life forever. After the band played a cover of The Beatles’ “I Want To Hold Your Hand,” a crazed fan attacked him by violently shoving him off the stage into the orchestra pit 12 feet below. For some time, nobody knew whether Zappa was alive and there was complete confusion inside and outside the theater. As Zappa recounted in his 1989 autobiography, “The Real Frank Zappa Book:” “My head was over on my shoulder and my neck was bent like it was broken. I had a gash in my chin, a hole in the back of my head, a broken rib and a fractured leg. One arm was paralyzed.” Once he could finally leave the hospital and be returned to the States, he spent the better part of a year in a wheelchair and a leg brace. When all was said and done, he permanently sustained a lower pitched voice, one leg shorter than the other and chronic back pain. The Rainbow Theatre show would end up being the last ever performed by the Flo and Eddie lineup as the group disbanded while Zappa was in the hospital as they needed to continue to work while he recuperated. Once Zappa recovered from his injuries he ventured into other musical territories.

It’s these intriguing, intertwining roads that will be explored, examined, and celebrated like never before with the monumental and definitive new eight-disc/digital collection, The Mothers 1971, a new Super Deluxe Edition boxed set due March 18 via Zappa Records/UMe that showcases these special 1971 lineups and commemorates these storied chapters in Zappa’s legacy. Overseen by the Zappa Trust and produced by Ahmet Zappa and Zappa Vaultmeister Joe Travers, the 100-track, nearly 10-hour set brings together every note of the fabled four shows that closed down the vaunted Fillmore East in New York City on June 5-6, 1971, including the entire John Lennon and Yoko Ono encore, along with the full Rainbow Theatre performance in London, England, on December 10, 1971. Also included is an unreleased hybrid concert culled from June 1 and June 3, 1971 performances in Scranton and Harrisburg, Penn., which denote the first time Mothers shows were recorded on Zappa’s preferred, then-newly purchased ½-inch 4-track tape machine (throughout the ’70s, this was the main tape recorder used to document shows if the budget allowed). The extensive collection is rounded out with the original rare single for “Tears Began To Fall” and its non-album-track B-side “Junier Mintz Boogie,” signifying the single’s first re-release in 50 years and digital debut, as well as a homemade radio spot and its related outtakes. This release is significant for marking the first time the complete back-to-back double-header Fillmore East concerts have been released in their entirety, allowing fans to hear the full performances that Zappa edited the album from, and for the very first time anywhere, contains the official audio of the Rainbow Theatre show’s truly shocking ending which was thought to have not been recorded until recently discovered while putting this project together.

The Mothers 1971 will also be available digitally for streaming and download, in both standard and hi-res audio (96kHz/24-bit). Pre-order is available here: http://frankzappa.lnk.to/themothers1971PR

The majority of the box set’s unedited live tracks have been newly mixed from scratch by longtime Zappa Trust associate Craig Parker Adams at Winslow Ct. Studios and mastered by John Polito at Audio Mechanics. The complete historical Rainbow Theatre concert was newly mixed by legendary producer/engineer Eddie Kramer (his first Zappa Trust project to date) and mastered by Bernie Grundman. All recordings included on The Mothers 1971 were sourced from their original 2-inch, 16-track, 1-inch 8-track, and ¼-inch 2-track stereo analog master tapes discovered in The Vault and digitally transferred and compiled by Joe Travers in 2020, who then supervised the mixes in early 2021.

The Mothers 1971 boxed set comes in a CD size slimcase with all eight discs residing in their own respective mini-jackets, which are collectively housed within an inner slipcase, along with a comprehensive 68-page booklet showcasing a quite revealing, in-depth interview with key Mothers 1971 bandmember Ian Underwood as conducted by Ahmet Zappa, in addition to separate recollections and learned musings from Eddie Kramer and then-bassist Jim Pons alongside detailed, tape-by-tape liner notes from the ever-irrepressible Joe Travers, and historical photos from famed photographer Henry Diltz.

The Mothers lineup that ruled the Fillmore East roost in New York City for four extraordinary sets across two back-to-back nights on June 5-6, 1971 consisted of Ian Underwood (winds/keyboards), Aynsley Dunbar (drums), Jim Pons (bass/vocals/dialog), Bob Harris (keyboards/vocals) and was rounded out by Howard Kaylan (lead vocals/dialog) and Mark Volman (lead vocals/dialog), aka Flo & Eddie of The Turtles, with special guest Don Preston. It was a fitting Mothers collective chosen to close the renowned NYC venue, and they performed such iconic tracks like “The Mud Shark,” “Bwana Dik,” and the groupie routine labeled as “Do You Like My New Car?” (For his part, Don Preston provided Mini-Moog at Fillmore East, then rejoined The Mothers fulltime to take over for Bob Harris on keyboards and vocals for the band’s ensuing summertime dates and onward, through that December.)

The June 1971 Fillmore East finale was made even more special thanks to John Lennon and Yoko Ono appearing alongside Zappa and The Mothers to perform a final encore for the unsuspecting crowd, including a red hot version of Walter Ward’s “Well” led by John on vocals (an old Beatles live favorite from the Cavern Club in Liverpool) with two solos by Zappa, a seminal reading of “King Kong” that soon enough metamorphosized into an extended jam ultimately called “Scumbag” as well as further improvisational vocal ululations from Yoko with guitar feedback by John and backing from The Mothers.

Zappa had plans to release this historical encore in its entirety after mixing it in 1971, but shelved it after John and Yoko released their own encore mixes on Side 4 of June 1972’s Sometime in New York City. Zappa eventually released his version of the encore as part of October 1992’s Compact Disc, Playground Psychotics.

After being awarded the rights to his back catalogue in the early 1980s, Zappa mulled other plans for releasing the encore, but upon inspection of the returned Fillmore East masters, it was discovered the Lennon encore tape was missing from its master tape box. In 2021 following a request via Universal, the Lennon Estate kindly provided the Zappa Trust and UMe with a high-resolution transfer of the multi-track safety reel (which FZ had made for them in 1971), thus ensuring that, for the first time in 50 years, the full encore performance could be heard, remixed, in its entirety.

Vinyl lovers will also be able to get their fill via a pair of concurrently released individual 3LP configurations. First, the expanded 50th anniversary 3LP vinyl edition of Fillmore East – June 1971 will have a remaster of the original 1971 live album on LP1 along with 2 LPs of bonus tracks, including the John Lennon and Yoko Ono encore and the complete masterpiece “Billy The Mountain,” plus liner notes by Joe Travers. Significantly, the vinyl version of Fillmore East has been expanded to include vintage, period-perfect Zappa mixes, some of which are not included in the CD box set and can’t be found anywhere else. The original album appears on Sides 1 and 2, while Sides 3, 4, 5, and 6 contain the original “Billy The Mountain” as well as Zappa’s original version of the John & Yoko encore along with other material from the original mix sessions of the Fillmore East album. The Fillmore East 50th Anniversary Edition 3LP set was cut by Chris Bellman at Bernie Grundman Mastering.

Second, Rainbow Theatre is the 3LP vinyl equivalent to the CD box’s contents, featuring a brand new 2021 mix and liner notes by Eddie Kramer. The Rainbow Theatre 3LP set was cut by Bernie Grundman at Bernie Grundman Mastering. Both vinyl sets were pressed on 180-gram high-grade vinyl by Optimal: Media in Germany.

As Travers keenly confirmed in his always enlightening liner notes, the Fillmore East 1971 tapes were “the first time that The Mothers were recorded live on 16-track analog tape. Previously, all live recordings were captured on 1-inch 8-track or lower.” Barry Keene, the recording engineer for these dates, also used a ¼-inch 2-track machine to capture a line mix. Though not all of the 16-track tapes have survived over the years, Travers and company were able to utilize the 2-track board tapes to fill in any missing gaps.

In his truly illuminating interview with Ahmet Zappa in The Mothers 1971 booklet, Ian Underwood zeroed in on Frank’s inherent talent for writing out all his original music perfectly, note for note, a la Mozart – music Underwood was always more than happy to play for its originator. “He knew what he wanted. He didn’t have to worry about mistakes,” marveled Underwood in the Ahmet Q&A. “Frank had a clear idea and he could just write it down. That is an amazing thing to be able to do.”

For his part, bassist Jim Pons synopsized the crux of Zappa’s creative biscuit. “Frank himself always seemed carefully guarded but I found he was an astute observer of the human condition – something I really admired,” Pons wrote in his portion of the liners.

Though it all came crashing down to an untimely end, The Mothers’ masterful musicianship that was on full display during multiple critical junctures in the latter half of 1971 has now been brought together for the first time in this riveting new collection, The Mothers 1971.

THE MOTHERS 1971 – SUPER DELUXE EDITION (8CDs) / SUPER DELUXE DIGITAL EDITION (8 CDs EQUIVALENT)

CD 1: FILLMORE EAST, NEW YORK CITY, NY, JUNE 5, 1971 – SHOW 1
1. Peaches En Regalia
2. Tears Began To Fall
3. Shove It Right In
4. Status Back Baby
5. Concentration Moon – Part 1
6. The Sanzini Brothers (Sodomy Trick)
7. Concentration Moon – Part II
8. Mom & Dad
9. Intro To Music For Low Budget Orchestra
10. Billy The Mountain
11. King Kong
TOTAL TIME: 79:00

CD 2: FILLMORE EAST, NEW YORK CITY, NY, JUNE 5, 1971 – SHOW 2
1. Peaches En Regalia
2. Tears Began To Fall
3. Shove It Right In
4. Intro To Music For Low Budget Orchestra
5. Billy The Mountain
6. Little House I Used To Live In
7. The Mud Shark
8. What Kind Of Girl Do You Think We Are?
9. Bwana Dik
10. Latex Solar Beef
11. Willie The Pimp
TOTAL TIME: 74:13

CD 3: FILLMORE EAST, NEW YORK CITY, NY, JUNE 5, 1971 – SHOW 2 (CTD; TRACKS 1-6)
1. Do You Like My New Car?
2. Happy Together
3. “Any Chord Of Your Choice”
4. King Kong – Part I
5. Lonesome Electric Turkey
6. King Kong – Part II
FILLMORE EAST, NEW YORK CITY, NY, JUNE 6, 1971 – SHOW 1 (TRACKS 7-15)
7. Fillmore Improvisation
8. Peaches En Regalia
9. Tears Began To Fall
10. Shove It Right In
11. Status Back Baby
12. Concentration Moon – Part I
13. The Sanzini Brothers (Sodomy Trick)
14. Concentration Moon – Part II
15. Mom & Dad
TOTAL TIME 70:44

CD 4: FILLMORE EAST, NEW YORK CITY, NY, JUNE 6, 1971 – SHOW 1 (CTD; TRACKS 1-4)
1. The Story Of Billy The Mountain
2. Intro To Music For Low Budget Orchestra
3. Billy The Mountain
4. Chunga’s Revenge
FILLMORE EAST, NEW YORK CITY, NY, JUNE 6, 1971 – SHOW 2 (TRACKS 5-8)
5. “Herd Of Cattle”
6. Peaches En Regalia
7. Tears Began To Fall
8. Shove It Right In 
TOTAL TIME: 70:48

CD 5: FILLMORE EAST, NEW YORK CITY, NY, JUNE 6, 1971 – SHOW 2 (CTD)
1. The Story Of Billy The Mountain
2. Intro To Music For Low Budget Orchestra
3. Billy The Mountain
4. “Conglomerate Assembly”
5. Little House I Used To Live In
6. The Mud Shark
7. What Kind Of Girl Do You Think We Are?
8. Bwana Dik
9. Latex Solar Beef
10. Willie The Pimp
11. Do You Like My New Car?
12. Happy Together
TOTAL TIME: 74:39

CD 6: FILLMORE EAST, NEW YORK CITY, NY, JUNE 6, 1971 – SHOW 2 (CTD)
JOHN & YOKO ENCORE SET (TRACKS 1-6)
1. Well
2. Say Please
3. King Kong
4. Aaawk
5. Scumbag
6. A Small Eternity With Yoko Ono
RADIO SPOT, SINGLE VERSION, B-SIDE & OUTTAKES (TRACKS 7-10)
7. Homemade Radio Spot
8. Tears Began To Fall – Single Version
9. Junier Mintz Boogie – Single B-Side
10. Homemade Radio Spot Outtakes
BONUS HYBRID CONCERT: HARRISBURG/SCRANTON, PA 1971
STATE FARM SHOW ARENA, HARRISBURG, PAJUNE 3, 1971 (TRACKS 11-20)
11. Peaches En Regalia
12. Tears Began To Fall
13. Shove It Right In
14. Status Back Baby
15. Concentration Moon – Part I
16. The Sanzini Brothers (Burning Hoop Trick)
17. Concentration Moon – Part II
18. Mom & Dad
19. My Boyfriend’s Back
20. Tiny Sick Tears
TOTAL TIME: 70:19

CD 7: BONUS HYBRID CONCERT: HARRISBURG/SCRANTON, PA 1971
STATE FARM SHOW ARENA, HARRISBURG, PAJUNE 3, 1971 (CTD; TRACKS 1-3)
1. Call Any Vegetable
2. The Story Of Billy The Mountain
3. Intro To Music For Low Budget Orchestra
STATE FARM SHOW ARENA, HARRISBURG, PAJUNE 3, 1971 & WATRES ARMORY, SCRANTON, PAJUNE 1, 1971 (TRACK 4)
4. Billy The Mountain
WATRES ARMORY, SCRANTON, PAJUNE 1, 1971 (TRACKS 5-6)
5. Willie The Pimp
6. King Kong (Outro)
RAINBOW THEATRE, LONDON, ENGLANDDECEMBER 10, 1971 (TRACKS 7-9)
7. Zanti Serenade
8. Peaches En Regalia
9. Tears Began To Fall
TOTAL TIME: 77:25

CD 8: RAINBOW THEATRE, LONDON, ENGLANDDECEMBER 10, 1971 (CTD)
1. Shove It Right In
2. “Pain In The Ass”
3. Divan: Once Upon A Time
4. Divan: Sofa #1
5. Pound For A Brown – Part I
6. Super Grease
7. Pound For A Brown – Part II
8. Sleeping In A Jar
9. Wonderful Wino
10. Sharleena
11. Cruising For Burgers
12. “That’s Your Tough Luck”
13. King Kong
14. I Want To Hold Your Hand
TOTAL TIME: 75:19

LIVE AT FILLMORE EAST, JUNE 1971 – 50TH ANNIVERSARY (3LP)

LP 1: SIDE A
1. Little House I Used To Live In
2. The Mud Shark
3. What Kind Of Girl Do You Think We Are?
4. Bwana Dik
5. Latex Solar Beef
6. Willie The Pimp – Part I

LP 1: SIDE B
1. Willie The Pimp – Part II
2. Do You Like My New Car?
3. Happy Together
4. Lonesome Electric Turkey
5. Peaches En Regalia
6. Tears Began To Fall

LP 2: SIDE C
1. Well – featuring John Lennon and Yoko Ono
2. Say Please – featuring John Lennon and Yoko Ono
3. Aaawk – featuring John Lennon and Yoko Ono
4. Scumbag – featuring John Lennon and Yoko Ono
5. A Small Eternity With Yoko Ono – featuring John Lennon and Yoko Ono

LP 2: SIDE D
1. King Kong – Solos

LP 3: SIDE E
1. Billy The Mountain: Billy The Mountain, Phase One of “The Plot,” Phase Two & Newscast, The Legendary Low Budget Hero, The Flies

LP 3: SIDE F
1. Billy The Mountain (Ctd): Studebacher Hoch, The Conclusion
2. Homemade Radio Spot
3. Tears Began To Fall
4. Junier Mintz Boogie

RAINBOW THEATRE (3LP)

LP 1: SIDE A
1. Zanti Serenade
2. Peaches En Regalia
3. Tears Began To Fall

LP 1: SIDE B
1. Shove It Right In
2. “Pain In The Ass”
3. Divan: Once Upon A Time
4. Divan: Sofa #1

LP 2: SIDE C
1.Pound For A Brown – Part I
2. Super Grease
3. Pound For A Brown – Part II
4. Sleeping In A Jar

LP 2: SIDE D
1. Wonderful Wino
2. Sharleena
3. Cruising For Burgers

LP 3: SIDE E
1. “That’s Your Tough Luck”
2. King Kong – Part I

LP 3: SIDE F
1. King Kong – Part II
2. I Want To Hold Your Hand

The Musical Instrument Market Size to grow by USD 807.99 million

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According to the research report “Musical Instrument Market by Product and Geography – Forecast and Analysis 2021-2025“, the market will witness a YOY growth of 2.11% in 2021 at a CAGR of almost 2% during the forecast period. Furthermore, this report extensively covers market segmentation by product (string instruments, pianos and keyboards, drums and percussion instruments, and others) and geography (North AmericaEurope, APAC, South America, and MEA).

The musical instrument market is fragmented and the vendors are deploying growth strategies such as product portfolio expansions and product innovations to compete in the market. The market has international and domestic marketers spread across different regions.

To stay ahead of the competition, prominent industry players offer cheap office stationery and supplies through various distribution channels. Leading vendors in this market offer customized stationery products and sell in bulk via e-auctioning to increase their revenue share. Vendors create value by taking advantage of their competitive advantages. Market participants are focusing on improving their key competencies as well as implementing various methods.

The report analyzes the market’s competitive landscape and offers information on several market vendors, including:

  • C. F. Martin & Co. Inc.
  • Casio Computer Co. Ltd.
  • Fender Musical Instruments Corp.
  • Gibson Brands Inc.
  • HOSHINO GAKKI Co. Ltd.
  •  Kawai Musical Instruments Mfg. Co. Ltd.
  • KORG Inc.
  • Roland Corp.
  • Steinway Inc.
  • Yamaha Corp.

Blue’s Clues’ Steve Burns Filmed A 17-Minute Video On Fame

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The star of a children’s television show grapples with the meaning of fame.

Steve Burns is best known for playing ‘Steve’ on Nickelodeon’s Blue’s Clues from 1996-2002. Since then, he has released a rock record for grown ups that received pretty good reviews, toured with The Flaming Lips, made an album of music for children, and appeared in strange plays, mostly in Brooklyn.