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NYC Singer/Songwriter Lara Taubman Releases Groovy, Funk-Inspired Single in “Hookup”

Eric Alper
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NYC Singer/Songwriter Lara Taubman Releases Groovy, Funk-Inspired Single in “Hookup”

While the term “Hookup” is 21st-century parlance for fleeting romance, singer-songwriter Lara Taubman’s new single of the same name — available now — wastes little time evoking the groovy ‘60s and ‘70s with a funk-infused bassline and crystal vocals reminiscent of Grace Slick.

The song opens with a question: “Was it just a hookup, didn’t you feel my heart” that then becomes a harmonizing hook — taking us on a psychological journey of the morning after.

Free love, in this case, isn’t so freeing. The narrator’s lover assures her there will be no regrets, and then she, presumably, never hears from him again. The song is personal, inspired by a time when Lara was waiting for a text from a man she had recently hooked up with. “It’s about the risky high dives I took in my intimate relationships, gambling with hope as my best hand,” she said.

As Lara sat facing the dread that this particular hookup wasn’t what she had hoped it was, she decided to use it as creative inspiration. “I wrote the song in one sitting,” she said. “Driven by that first line and a mountain of yearning, despair and anxiety.”

Lara performed the song over and over on her acoustic guitar at gigs in New York City and Nashville before her producer Hugh Christopher Brown of Wolfe Island Records added the funk arrangements. The song is a change from her more typical folk and country-inspired music.

She knew “Hookup” would eventually be a video, and one where she appears alone. ”I had a flash of a vision of me naked with all my guitars on my bed,” she said of the video’s concept. “My bed is where the song was conceived and it’s also where I came back to life from all of my bad decisions.”

“Hookup” appears on Lara’s first album, 2020’s confessional Revelation. A performing singer-songwriter in New York City, Lara often migrates north to her home in Wolfe Island, Canada, to enjoy the beauty of nature.

However, it was in her original home of southern Virginia where Appalachian music first stirred her and inspired her to make music. It was a long and winding road to eventually recording music, and she enjoyed prior careers as an art critic and curator, as well as an academic.

She currently hosts a podcast called Graveyard Sessions, available on Apple podcasts and Spotify, whereby she hosts conversations with creatives from all disciplines. Lara’s highly awaited second album and EP will be released this fall on Wolfe Island Records.

“Hookup” and Revelation are available now.

My Next Read: “ROCK CONCERT: An Oral History as Told by the Artists, Backstage Insiders, and Fans Who Were There” by Marc Myers

Eric Alper
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My Next Read: “ROCK CONCERT: An Oral History as Told by the Artists, Backstage Insiders, and Fans Who Were There” by Marc Myers

Music historian, critically acclaimed author, and regular Wall Street Journal contributor Marc Myers announces his new book, ROCK CONCERT: An Oral History as Told by the Artists, Backstage Insiders, and Fans Who Were There out November 9th, 2021 via Grove Press.

Decades after the rise of rock music in the 1950s, the rock concert retains its allure and power as a unifying generational experience—and as an influential multi-billion-dollar industry. With ROCK CONCERT, Myers presents a 360-degree account of live rock’s emergence by weaving together ground-breaking stories from those who were on stage, in the wings, behind the scenes, and in the audience.

ROCK CONCERT provides a fascinating, intimate look at rock ‘n’ roll’s evolution through the lens of live performances — beginning with the blossoming of R&B concert circuits in the 1950s, through the hippie gatherings of the ’60s, to the growing arena tours of the ’70s and ’80s. Elvis Presley’s superstardom, the British Invasion that brought the Beatles in the ’60s, the Grateful Dead’s free-flowing psychedelic jams, and Pink Floyd’s operatic, live production of The Wall are just a few of the defining musical acts that drive this rich, 35-year narrative. In an appendix, Myers includes lists of the fifty best live albums, concert films, and rock documentaries, each broken out by decade for readers interested in taking a deeper dive into the milestone performances across the era covered in the book.

Drawn from his original in-depth interviews with 94 wide-ranging sources, Myers combines tales from iconic performers like Joan Baez, Bob Weir, Todd Rundgren, Tina Weymouth, Ian Anderson, Alice Cooper, Steve Miller, Roger Waters, Daryl Hall, John Oates, and Angus Young; stories about the disc jockeys who first began playing rock on the radio, like Alan Freed in Cleveland and New York; promoters such as Don Law in Boston; the audio innovators who developed new technologies to accommodate ever-growing rock audiences and venues; music journalists, like Rolling Stone’s Cameron Crowe; and of course the roadies, tour managers, regional promoters, and festival organizers who orchestrated concerts, like Michael Lang of Woodstock fame, to create a rounded and vivid account of live rock’s stratospheric rise from 1950 to 1985.

Just as Myers’ previous oral history of hitmakers, Anatomy of a Song, was hailed by Goldmine as “the most revealing and entertaining compilation of short stories on popular music we have seen this decade,” ROCK CONCERT features dozens of key players in rock ‘n’ roll history and is filled with colorful anecdotes that will speak to anyone who has experienced the transcendence of live rock.

Lady Gaga Returns to Park MGM for Nine Performances October 2021

Eric Alper
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Lady Gaga Returns to Park MGM for Nine Performances October 2021

Academy Award, Golden Globe and 12-time GRAMMY Award-winner superstar Lady Gaga today announced she will return to Park MGM in Las Vegas October 2021. Presented in partnership by MGM Resorts International and Live Nation, Lady Gaga will take the Park Theater stage for nine performances of her critically acclaimed LADY GAGA JAZZ & PIANO show. The shows will celebrate her forthcoming collaborative album with Tony Bennett, Love For Sale, which will be released on October 1.
October 2021 Dates
Thursday, Oct. 14
Saturday, Oct. 16
Sunday, Oct. 17
Thursday, Oct. 21
Saturday, Oct. 23
Sunday, Oct. 24
Thursday, Oct. 28
Saturday, Oct. 30
Sunday, Oct. 31

Members of Lady Gaga’s Little Monsters fan community will receive access to an exclusive presale beginning Tuesday, Aug. 24 at 10 a.m. PT. For more information, visit GagaVegas.com.

This show will require fans to provide either proof of a negative COVID-19 test result within 72 hours of the event OR full vaccination for entry. More information can be found at parkmgm.com.

Multi-award-winning entertainer Lady Gaga is a one-of-a kind artist, performer and a trailblazer in beauty and fashion. She has amassed an outstanding 35 million global album sales, 42 billion streams and 321 million in song consumption, making her one of the best-selling musicians of all time. In 2008, Gaga released her first album The Fame swiftly followed by The Fame Monster (2009). Gaga then went on to release Born This Way (2011), ArtPop (2013), her collaborative album with Tony Bennett Cheek to Cheek (2014), Joanne (2016), A Star is Born (2018) and her sixth solo studio album Chromatica (2020). Chromatica marks Gaga’s 6th consecutive #1 album on the Billboard 200 chart, making her the first female artist to do so over a ten-year period (2011-2020). In June 2021, Gaga celebrated the 10-year Anniversary of Born This Way with an album reissue Born This Way The Tenth Anniversary, that featured reimagined versions of her classic songs from prominent LGBTQIA+ musicians and advocates. Gaga recently announced her 8th studio album, Love For Sale, her second collaborative album with Tony Bennet set for release on October 1, 2021.

In October 2018, Gaga starred alongside Bradley Cooper in the Warner Brothers remake of the classic film, “A Star is Born.” Her performance led her to an Oscar Nomination for Best Actress, a Golden Globe nomination for Best Performance by an Actress in a Motion Picture, a Critics’ Choice Award and National Board of Review Award for Best Actress in a Motion Picture. Gaga also co-wrote, produced and performed the song “Shallow,” for the film, for which she has won an Oscar, a Golden Globe and a Critics’ Choice award for Best Original Song, as well as a British Academy Film Award for Best Original Music. Other credits include, the 2017 Pepsi Zero Sugar Super Bowl LI Half Time show which amassed 117.5 million viewers, her Netflix documentary Lady Gaga: Five Foot Two (2017), and American Horror Story: Hotel (2015), for which she won a Golden Globe for Best Actress in a Limited Series. Next up, Gaga will star in Ridley Scott’s House of Gucci as Patrizia Reggiani, the ex-wife of Maurizio Gucci, who was tried and convicted of orchestrating his assassination set to hit theaters on November 24, 2021.

Lady Gaga is also an outspoken activist, philanthropist and supporter of many important issues including mental health, LGBTQ+ rights, HIV/AIDS awareness and body image issues. In 2012, she launched Born This Way Foundation, a non-profit organization dedicated to empowering youth, embracing differences, and inspiring kindness and bravery. Through the years, they’ve collected stories of kindness, bravery and resilience from young people all over the world, proving that kindness truly is the universal language. These stories have been collected, along with personal notes of empowerment from Lady Gaga, in her new book, “Channel Kindness: Stories of Kindness and Community,” available now.

About Park MG

Judy Collins’ “Live At The Town Hall, NYC” Is Now Out

Eric Alper
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Judy Collins’ “Live At The Town Hall, NYC” Is Now Out

Judy Collins has released her new album Live At The Town Hall, NYC, today. She recorded it live at the Town Hall in New York City with a full band in February of this year, when she hosted a livestream concert from the historic and otherwise empty venue due to the pandemic. This new live recording revisits her legendary 1964 performance at the Town Hall, which was her solo concert debut in NYC. In February, Collins revisited nearly the same setlist as her 1964 concert, including “Winter Sky,” “My Ramblin Boy,” “Coal Tattoo” and “Cruel Mother.” Collins’ setlist reflected the need for comfort and protest in light of the turmoil that beset the nation, both then and now. New additions to the setlist include longtime standards in her repertoire including “Both Sides Now” and “Send In The Clowns.”

In July, Collins also premiered Since You’ve Asked, her very own podcast series. Hosted by Collins, it features some of her favorite musicians, artists and luminaries from her colorful life including Jeff Daniels, Julia Cameron, Ben Harper, Arlo Guthrie, Clive Davis, Molly Jong Fast, Christiane Amanpour, Jac Holzman, Betty Buckley and Pat Allerton. Several episodes have aired, with the remainder of the season posting every other Thursday into October. The most recent episode features London’s “portable priest” and Vicar Pat Allerton, who broadcast Collins’ famous 1970 recording of “Amazing Grace” onto the streets and outside of hospitals in London during his sermons as the pandemic first unfolded in spring of 2020. The next episode will feature Betty Buckley on September 9th.

The podcast is available on all major platforms and distributed by SIMPLECAST here.
Collins has also returned to the road this summer and fall, see below for tour dates:

JUDY COLLINS – LIVE AT THE TOWN HALL, NYC tracklist:
1. Winter Sky
2. My Ramblin’ Boy
3. Anathea
4. Me And My Uncle
5. Wild Rippling Water
6. Tambourine Man
7. Both Sides Now
8. Cruel Mother
9. Coal Tattoo
10. Last Thing On My Mind
11. John Riley
12. Send In The Clowns

2021 Tour Dates
http://www.judycollins.com/concerts
Fri – September 17 – Humphreys Concerts By the Bay – San Diego, CA
Mon – September 20 – Yoshi’s Oakland – Oakland, CA
Tue – September 21 – Yoshi’s Oakland – Oakland, CA
Wed – September 22 – Yoshi’s Oakland – Oakland, CA
Fri – September 24 – Uptown Theatre Napa – Napa, CA
Sat – September 25 – Golden State Theatre – Monterey, CA
Sun – October 3 – Clayton Center for the Arts – Maryville, TN
Thu – October 7 – Hangar Theatre – Ithaca, NY
Sun – October 10 – The Academy of Music Theatre – Northampton, MA
Tue – October 12 – State Theatre – Portland, ME
Sun – October 17 – Birchmere – Alexandria, VA
Thu – October 21 – The Colonial Theatre – Phoenixville, PA
Fri – October 22 – Scottish Rite Auditorium – Collingswood, NJ
Sun – October 24 – Mayo Performing Arts Center – Morristown, NJ
Thu – October 28 – Plymouth Memorial Hall, Plymouth, MA
Fri – October 29 – Jonathan’s, Ogunquit, ME
Wed – November 10 – Mabel Tainter Center for the Arts, Menomonie, WI
Thu – November 11 – Thrasher Opera House, Green Lake, WI
Mon – November 18 – Fox Theatre – Hutchinson, KS
Fri – December 3 – The Cabot – Beverly, MA
Sat – December 4 – Weinberg Center for the Arts, Frederick, MD
Fri – December 10 – Cary Memorial Hall, Lexington MA
Fri – December 17 – Town Hall, New York, NY
Sat – January 16 – Bilheimer Capitol Theatre, Clearwater, FL
Tue – January 18 – Florida Theatre, Jacksonville, FL
Fri – February 11 – Carriage House Theater, Saratoga
Sat – February 12 – Carriage House Theater, Saratoga
Tue – February 15 – Lobero Theatre, Santa Barbara, CA
Fri – February 18 – Blue Note, Honolulu, HI
Sat – February 19 – Blue Note, Honolulu, HI
Fri – February 25 – Washington Center for the Performing Arts, Olympia, WA
Sat – February 26 – Admiral Theatre, Bremerton, WA
Mon – February 28 – Alberta Rose Theatre, Portland OR
Tue – March 1 – Alberta Rose Theatre – Portland OR
Wed – March 2 – Tower Theatre – Bend, OR
Tue – March 8 – Fox Tucson Theatre, Tucson, AZ
Thu – March 10 – Celebrity Theatre – Phoenix, AZ
Fri – March 11 – McCullum Theatre for the Performing Arts, Palm Desert, CA
Tue – March 29 – Schermerhorn Symphony Center – Nashville, TN
Thu – March 31 – Grand Theatre – Frankfort, KY
Sat – November 5 (2022) – DE ROMA – Borgerhout, Belgium

Aerosmith and Universal Music Group Announce Historic Strategic Global Alliance

Eric Alper
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Aerosmith and Universal Music Group Announce Historic Strategic Global Alliance

Aerosmith, the best-selling American hard rock band of all time, and Universal Music Group (UMG), the world leader in music-based entertainment, today announced a new expansive worldwide alliance spanning the iconic group’s entire discography, merchandise and audio-video projects, that marks the beginning of a new era in the band’s celebrated and illustrious career.

For the first time, in 2022 all of Aerosmith’s iconic recordings will be unified in one place ahead of the bands upcoming 50th Anniversary, through a new multifaceted partnership with UMG. In addition to supporting the band’s consolidated catalog, this partnership will also make use of unprecedented access to the storied ‘Vindaloo Vaults’ and personal archives of band members Steven Tyler, Joe Perry, Tom Hamilton, Joey Kramer and Brad Whitford, who will actively help curate their collections of music, photos, video footage, artwork, journals, set lists and memorabilia. Future releases will offer fans access to never-before seen and heard gems, that will further cement the band’s position as one of rock’s most ground-breaking and reverential groups in history.

UMG will also be the home of future music projects, as well as work with the band to develop, produce and distribute new film, television and other audio-visual content projects celebrating Aerosmith’s history and significant cultural impact. The partnership expects to announce details of those new music and audio-visual projects shortly. UMG will work hand in hand with the band to continue to introduce Aerosmith and their rich musical legacy to new generations of fans around the world.

Since Aerosmith’s founding 50 years ago, the group has gone on to sell more than 150 million albums around the world; produced genre-defining music videos such as “Amazing,” “Crazy,” “Janie’s Got A Gun,” “Livin’ on the Edge,” and “Love in an Elevator;” launched extravagant record-shattering global tours, most recently with their ongoing smash hit Las Vegas residency. The band has broken numerous boundaries, including becoming the first rock band with a massive commercially successful hip-hop collaboration with Run DMC on “Walk This Way” and the first hard rock band to appear during a Super Bowl Halftime Show with their 2001 performance, and in 1999, Aerosmith became the first band to have their own themed attraction at Disney World in Florida, and later Paris with the launch of the Rock ‘N’ Roller coaster starring Aerosmith.

With broad cultural influence, Aerosmith has prominently appeared in films, television shows and video games, as well as influencing multiple generations of rock bands, both as style icons and acclaimed multi-instrumentalists. MusiCares honored the band in 2020 as Person of the Year for their many artistic achievements and dedication to philanthropy, including Steven Tyler’s initiative Janie’s Fund initiative, which supports young women who’ve suffered the trauma of abuse and neglect.

Joe Perry, Aerosmith co-founder and lead guitarist, commented, “It’s been a long road but I’m extremely happy and proud to say on behalf of Aerosmith we have been able to bring our 50 years of music under one roof by partnering with UMG. This will allow us to bring our music to our fans in ways we never were able to before. It’s something we’ve dreamed about happening for a long time. It’s a win for Aerosmith, UMG and ultimately our fans. Needless to say we are very excited. It’s an incredible way to celebrate 50 years and the many more years to come.”

Sir Lucian Grainge, Chairman & CEO of UMG, said, “Aerosmith’s global success places them in rarefied air among the all-time greatest rock icons. On the band’s 50th anniversary, Aerosmith continues to influence the course of music not only through their iconic catalog but also through film, television and video games and their inimitable style. On a personal note, I couldn’t be prouder that they have chosen UMG as their global partner. We look forward to building upon their incredible legacy and ensuring their music continues to inspire fans around the world.”

Aerosmith manager Larry Rudolph said, “I couldn’t be happier for the band members and their families. Not only are we bringing together the band’s entire catalog in one place, but we’re entrusting these recordings to the very capable hands of Sir Lucian, Bruce Resnikoff and the incredible UMG system worldwide. I would like to thank Sir Lucian for tirelessly working together to craft perhaps the most unique and mutually beneficial catalog arrangement in history and providing a huge commitment to Aerosmith. The members of Aerosmith and I thank him and we all look forward to many years of successfully continuing to share the catalog of the greatest American rock band in history with the world.” 

The partnership significantly expands Aerosmith’s historic relationship with UMG. The band recorded some of its biggest-selling albums for Geffen Records, including Done with Mirrors (1985), Permanent Vacation (1987), Pump (1989) and Get a Grip (1993). Aerosmith additionally works with Bravado’s Epic Rights for merchandise and has previously released concert films through Eagle Rock Entertainment. Additionally, Aerosmith is part of UMG’s partnership with YouTube bringing music videos into current video and audio standards, with recent releases including “Dude Looks Like a Lady” and “Dream On.”

Inducted into the Rock and Roll Hall of Fame in 2001, Aerosmith is tied for the most RIAA album certifications by an American group with 25 Gold, 18 Platinum, 12 multi-Platinum and one diamond. As the band was founded in Boston in 1970, April 13 has been declared “Aerosmith Day” in Massachusetts by former Governor William Weld.

Sonic Reducers: Why Metallica Are #1 With Their Fans

Eric Alper
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Sonic Reducers: Why Metallica Are #1 With Their Fans

Sonic Reducers: 1 topic. 2 music nerds. 5 minutes.

Listen in as we talk about Metallica’s new Black Album 30th anniversary box set, and share a great backstage story about how incredibly they treat their fans.

The Wiggles Announce Four New Members

Eric Alper
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The Wiggles Announce Four New Members

In an era where diversity and inclusiveness are so vital, The Wiggles have developed a new series dedicated to celebrating and embracing those concepts. Fruit Salad TV is set to premiere on September 4, exclusively on The Wiggles’ YouTube channel and will see the popular children’s group expand their line up to include eight Wiggles.

Fruit Salad TV will feature singing, dancing, storytelling and, of course, the catchiest music that immediately engages children to sing and play along. But Fruit Salad TV will also seamlessly integrate the concept of embracing diversity in multiple forms, including culture, race, age and gender. The introduction of the new Wiggles’ cast aims to better represent the diversity of the world in which we actually live, while Fruit Salad TV delivers content that will engage children of all cultures and make them feel recognized and special.

Joining the much-loved current Wiggles of Anthony, Emma, Lachy, and Simon are a diverse and talented group of dancers and singers from across Australia who each bring something special to the group.  Tsehay Hawkins is an award-winning dancer of Ethiopian descent; Taribelang woman Evie Ferris who is an extremely talented ballet dancer – only the second First Nations woman to have joined The Australian Ballet; John Pearce, of Filipino descent who is known as part of Australian music group Justice Crew; and Kelly Hamilton who is of Chinese/Australian background and was previously a dancer with The Wiggles as well as other children’s shows such as Sesame Street Live, Justine Clarke, and Dora The Explorer.

Fruit Salad TV was written by founding member Anthony Field AM who is an accredited expert in Early Childhood Education and has been awarded an Order of Australia in recognition of his service to the arts through children’s entertainment and the community through his charity work. Since Anthony began The Wiggles 30 years ago, the group has strived to entertain, educate and engage all children to promote a sense of understanding of the world around them and Fruit Salad TV is an important evolution for The Wiggles’ brand to reflect today’s pluralistic society.

“The Wiggles were created during a time when early childhood educational concepts were the focus,” said Anthony Field AM, Blue Wiggle. “As society has evolved, we have embraced the need for diversity and inclusiveness and want children all over the world to see themselves reflected on the screen. It’s so important that The Wiggles continue to evolve along with our society. This is the first step towards shaping The Wiggles for the next 30 years, taking us in a direction that truly represents and serves our community more inclusively.

“We are excited for the next chapter in The Wiggles’ history which will start with Fruit Salad TV and continue on with our other content and our live shows. We can’t wait to introduce our amazing new line up of incredibly talented performers to children around the world.”

The Wiggles are also expanding their characters in the Wiggle Town community. Joining the much-loved Captain Feathersword, Dorothy the Dinosaur, Wags the Dog and Henry the Octopus are three new non-binary characters:  Officer Beaples, a dancing police officer with a big smile and painted on moustache; Shirley Shawn the Unicorn who likes to eat apples and drive around Wiggle Town in a mini red car; and Bok the hand puppet, a timid character who displays emotions for children to empathise with.

Joe Bonamassa Announces Genre Bending New Studio Album ‘Time Clocks’ To Be Released October 29

Eric Alper
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Joe Bonamassa Announces Genre Bending New Studio Album ‘Time Clocks’ To Be Released October 29

Joe Bonamassa has announced the upcoming release of his brand-new studio album ‘Time Clocks’, due out on October 29. ‘Time Clocks’ is a testament to his credentials and a toast to his longtime fans. His new sound has a raw and vital flavor, combined with a resolute skill that can only be gained through years of perseverance and unyielding dedication. It’s Joe Bonamassa at his finest, ready to rock. “What started out with the intentions of being a trio record turned into probably my most adventurous and involved record to date,” explains Bonamassa. His longtime producer Kevin Shirley adds, “I think Joe Bonamassa has made an album that is truly transitional. From a blues musician to a superstar artist, [and] I’m so thrilled to be along for the ride.” Joe and Kevin brought on the legendary Bob Clearmountain to mix the epic tracks, and Bob declares that “This is one of the best albums I’ve mixed in years. Joe is not only one of the finest blues & rock guitarists of our time, he’s also a brilliant songwriter, [which is] impressively apparent on this record.”

Recorded in New York City, the album rediscovers Bonamassa at a newfound peak with heartfelt songwriting and an unparalleled Blues Rock prowess. ‘Time Clocks’ follows Joe’s constant evolution as he continues to forge ahead, bending genres, breaking down walls and defying the odds of the music industry. He’s known as “the man in the suit”, loved by many as the ultimate guitar hero, cited by critics as “the world’s biggest blues guitarist” (Guitar World), and now the music mastermind has found yet another layer of immense new artistry to share with his fans. As one of today’s most in-demand touring acts the road has been long and winding, but the rough journey has molded his craft into gold.

For the album, Bonamassa hit the studio with longtime collaborators Kevin Shirley as producer and manager/business partner Roy Weisman as executive producer. The album was recorded in New York City at Germano Studios/The Hit Factory and mixed by Bob Clearmountain (Bruce Springsteen, The Rolling Stones, Toto, Bon Jovi). The band members include Steve Mackey (bass), Lachy Doley (piano), Bunna Lawrie (didgeridoo), Bobby Summerfield (percussion), and Late Night with David Letterman‘s Anton Fig (drums and percussion), along with Mahalia Barnes, Juanita Tippins, and Prinnie Stevens on backing vocals. The fantastic artwork on the album was created by famous graphic artist Hugh Syme (Rush, Aerosmith, Whitesnake). ‘Time Clocks’ will be available on CD, VINYL and Digital and released on Bonamassa’s own record label, J&R Adventures.

Recently Bonamassa dropped hints of the new album with his reeling anthem “Notches“, and with today’s exciting news he’s revealed the next Blues-heavy single “The Heart That Never Waits,” another instant classic that takes a tale of heartbreak and turns it around into an undeniable showstopper meant for the stadiums. Joe sings compassionately with an air of independence, in a voice that’s only gotten better with time – a rarity for an artist with such longevity in their career. These songs are a collection of stories that shed new light on Joe’s life as a journeyman, constantly creating and always on the run.

Looking back on recording during COVID-19 and the original intention behind the album, Bonamassa reflects, “Twenty years ago, I recorded a record of covers that eventually was called ‘Blues Deluxe.’ It was recorded at Bobby Nathan’s studio in Manhattan. It captured an energy and purpose that always stuck with me as an artist. I lived in New York City at the time and times were pretty tough. My weekly routine was a combination of hustling sessions, gigs, and opportunities that seemed few and far between. I was hungry. Literally and figuratively. The music business is tough, very tough. Especially back in those days when major labels pulled all the strings and, in my case, all the punches. I subsisted on a basic diet of peanut butter and jelly and ramen noodles, purchased at the bodega on the corner of 83rd and Columbus Avenue.

Cut to 2019 and I find myself back in New York and inspired by the city again. My living conditions had changed dramatically in the subsequent 20 years, but the energy that makes New York City great still remained.  

In February 2021, we found ourselves at Germano Studios, cutting music as a trio (but not trio music) and having to invent ways of making records when your lifelong producer is stuck in Australia due to travel restrictions. Kevin Shirley came up with a way of linking continents and consoles to where we had literally zero latency. Add Steve Mackey and Anton Fig to the mix, a few masks and curse words and we have the ‘New York Record’ aka ‘Time Clocks’.”

Now, with an even bolder energy than ever before, Bonamassa holds the power of controlling both his artistry and his business in both hands. With 24 #1 albums, yearly sold-out tours worldwide and custom annual cruises, he’s a hard act to beat. Joe knows his worth, and albeit humble, he plans to continue to beat the odds and exceed the expectations of naysayers. ‘Time Clocks’ will also be Bonamassa’s first album mixed to utilize spatial audio with Dolby Atmos and available for fans on Apple Music. Bob Clearmountain adds, “the Atmos version is simply breathtaking.”

In releasing new music that’s destined for the loudspeakers, Joe is elated to get back to the stage. Recently completing a short summer tour in the US, he’ll be back on tour for the fall season with shows across the country before taking the stage at sea for his sold out Keeping The Blues Alive At Sea VII cruise, sailing from Miami, FL to Ocho Rios, Jamaica on February 21-25, 2022, by way of the Norwegian Pearl. For tickets and full tour dates, visit https://jbonamassa.com/tour-dates/.

As a professional musician for over 30 years, Joe Bonamassa continues to blaze a remarkably versatile artistic trail, and amass an authentic, innovative, and soulful body of work. Bonamassa’s career began onstage opening for B.B. King in 1989 when he was only 12 years old. Today, he is hailed worldwide as one of the greatest guitar players of his generation and is an ever-evolving singer-songwriter with over 40 albums to date all under his own label, J&R Adventures.

Joe’s most recent live album, “Now Serving: Royal Tea Live From The Ryman” is available now for streaming, CD, DVD and Blu-Ray. The DVD includes a film introduction narrated by actor Jeff Daniels. To order, visit shop.jbonamassa.com. The stellar performance from one of the world’s most legendary venues includes 12 incredible live tracks, featuring the best from his latest studio release Royal Tea, Joe’s 24th #1 record on the Billboard Blues chart, which was recorded at Abbey Road Studios in London.

In addition to his music and shows, Joe continues to crank out weekly programming for his radio show “Different Shades Of Blue” for Sirius XM’s Bluesville channel. Last year, he kicked off a new at-home weekly video interview series “Live From Nerdville” which currently has over 60 episodes aired on his Facebook, YouTube, and podcast outlets. With a new episode each week, Joe has featured conversations with Neal Schon of Journey, John Oates of Hall & Oates, Glenn Hughes, Paul Stanley of Kiss, Warren Haynes, Keb’ Mo’, Walter Trout, Steve Lukather of Toto, Todd Rundgren, comedian Jeff Garlin, esteemed singer-songwriter Dion, Peter Frampton, Fantastic Negrito, and is currently booking new guests for his 3rd season.

Last summer, Bonamassa and his manager Roy Weisman debuted their new record label Keeping The Blues Alive Records by releasing music icon Dion’s critically acclaimed latest album Blues With Friends. In February 2021, KTBA Records released Chicago’s reigning Queen of Blues Guitar, Joanna Connor’s new album 4801 South Indiana Avenue, which debuted at #1 on the Billboard Blues chart. Earlier this month KTBA Records released the new single “If That Ain’t A Reason” from Joanne Shaw Taylor’s upcoming new studio album. Dion has just announced a new single with teasing his new album out for late 2021. Stay tuned for future releases at ktbarecords.com

Roger Taylor Featuring KT Tunstall “We’re All Just Trying To Get By” First Single From His ‘Outsider’ Solo Album

Eric Alper
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Roger Taylor Featuring KT Tunstall “We’re All Just Trying To Get By” First Single From His ‘Outsider’ Solo Album

A hymn to simple pleasures and universal emotions, Roger Taylor’s new single “We’re All Just Trying to Get By“ is available now. Building on more than half a century in music, both inside and outside Queen, this achingly beautiful ballad is a classy curtain-raiser for Roger’s first solo album in eight years, Outsider, due for release October 1. The song was conceived in the dark depths of lockdown but taps into brighter feelings, musing on the communal bonds and survival instincts that unite all creatures great and small, even in times of division and isolation.

“We’re All Just Trying to Get By“ is a gorgeous piece of dreamy pop with a sweeping widescreen melody, a radiant glow and a quietly profound, ultimately uplifting message. Couched in luxuriant liquid guitar and ambient seagull effects, Roger’s wry lyric marvels at how every living thing on Planet Earth, from mighty mammals to tiny insects, from humans to microbes, ultimately has the same aim: to survive, to thrive, and to co-exist as harmoniously as possible.

Like a David Attenborough TV series condensed into three transcendent minutes, “We’re All Just Trying to Get By” feels like a healing balm for the senses after more than a year of pandemic anxiety and socially distanced separation. The song’s underlying philosophy is inclusive, humane and quietly optimistic.

“I tried to highlight the great things in life,” Roger explains. “It’s the simplest statement really. It’s what every life force on Earth is doing: just trying to get by and proliferate and exist. That’s all we are trying to do, from plants to animals to humans, trying to survive. For all our troubles and everything, every sort of life is all just trying to get by. Also, of course, we are in the middle of a bloody pandemic.”

Roger’s inspired choice of vocal guest on “We’re All Just Trying to Get By” is KT Tunstall, the much-feted Scottish singer-songwriter whose prize-winning career includes multiple Brits and an Ivor Novello award. A late addition to the song’s recording process, KT adds bluesy, grainy counterpoint to Roger’s soulfully husky sighs, a delicious blend of voices that bridges musical genres and generations.

“The track was all finished and it was suggested it might be nice if we got KT involved,” Roger recalls. “I love what she did, I think it really adds to the track. And she’s very clever. I think people forget that she was really the pioneer as far as I know of looping, the looping technique which obviously Ed Sheeran is brilliant at and has made very popular. But I remember her doing it, what, 15 years ago? Fantastic. She’s a very talented singer and musician and it’s lovely to have her on the track. It’s a very nice partnership.”

For her part, Tunstall was thrilled at the invitation to collaborate with a songwriting legend and inspirational icon. “It was the coolest surprise Roger getting in touch during lockdown and asking me to lend my vocals to this great and meaningful song,” she says. “What a pleasure to work with such a brilliant writer and musical hero.”

Following the single’s release, Roger and his band plan to launch the Outsider album in grand style with a 14-date UK tour in October. Promising a set list of solo career tracks old and new, plus some crowd-pleasing Queen classics, this is great news for the music-starved masses as we finally emerge from enforced hibernation. Nature is healing, the seasons are changing, soon we can come together again in shared celebration. We are all just trying to get by.

“We’re All Just Trying To Get By” – Roger Taylor featuring KT Tunstall is available now on Streaming Services and as a Digital Download.

Roger Taylor Outsider album available October 1 (preorder HERE)

Formats: 1LP 180g Black Vinyl, 1LP 180g Transparent Blue Color Vinyl, 1x Transparent Blue Color Cassette, 1CD, Digital Download and Streaming

Roger Taylor UK tour dates:

Sat 2 October

NEWCASTLE, O2 Academy

Sun 3 October

MANCHESTER, Academy

Tue 5 October

YORK, Barbican

Wed 6 October

CARDIFF, St. David’s Hall

Fri 8 October

LIVERPOOL, O2 Academy

Sat 9 October

NORWICH, University East Anglia (UEA)

Mon 11 October

BATH, Forum

Tue 12 October

BOURNEMOUTH, O2 Academy

Thu 14 October

PLYMOUTH, Pavilions

Fri 15 October

NOTTINGHAM, Rock City

Sun 17 October

BEXHILL, De La Warr Pavilion

Tue 19 October

GUILFORD, G Live

Wed 20 October

COVENTRY, HMV Empire

Fri 22 October

LONDON, O2 Shepherd’s Bush Empire

The Beatles Get Back To ‘Let It Be’ With Special Edition Releases

Eric Alper
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The Beatles Get Back To ‘Let It Be’ With Special Edition Releases

This fall, The Beatles invite everyone everywhere to get back to the chart-topping 1970 album, Let It Be, with a range of beautifully presented Special Edition packages to be released worldwide on October 15 by Apple Corps Ltd./Capitol/UMe. Three tracks from the newly remixed and expanded edition make their digital release debuts with today’s preorder launch: “Let It Be” (2021 Stereo Mix), “Don’t Let Me Down” (first rooftop performance), and “For You Blue” (Get Back LP Mix).

The Let It Be album has been newly mixed by producer Giles Martin and engineer Sam Okell in stereo, 5.1 surround DTS, and Dolby Atmos. The album’s sweeping new Special Edition follows the universally acclaimed remixed and expanded anniversary editions of Sgt. Pepper‘s Lonely Hearts Club Band (2017), The BEATLES (‘White Album’) (2018), and Abbey Road (2019). All the new Let It Be releases feature the new stereo mix of the album as guided by the original “reproduced for disc” version by Phil Spector and sourced directly from the original session and rooftop performance eight-track tapes. The physical and digital Super Deluxe collections also feature 27 previously unreleased session recordings, a four-track Let It Be EP, and the never before released 14-track Get Back stereo LP mix compiled by engineer Glyn Johns in May 1969.

On January 2, 1969, John Lennon, Paul McCartney, George Harrison, and Ringo Starr kickstarted the new year together on a cavernous soundstage at Twickenham Film Studios in London. The Beatles jumped into rehearsals for a project envisioned to get them back to where they once belonged: onstage. For 21 days, cameras and tape recorders documented almost every moment: first at Twickenham and then at The Beatles’ own Apple Studio, where Billy Preston joined them on keyboards. Together they rehearsed brand new originals and jammed on older songs, all captured live and unvarnished.

On January 30, the cameras and recorders were rolling as The Beatles, with Preston, staged what was to be their final concert on the chilly rooftop of their Savile Row Apple Corps headquarters before a small assembly of family and friends, and any others who were within wind-carried range of their amps. The midday performance brought London’s West End to a halt as necks craned skyward from the streets and the windows of neighboring buildings were flung open for better vantage. A flurry of noise complaints drew police officers to the rooftop, shutting the concert down after 42 minutes.

Work to compile an album to be called “Get Back” was carried out in April and May by Glyn Johns, who, for his version, included false starts, banter between songs, early takes rather than later, more polished performances, and even “I’ve Got A Feeling” falling apart with John explaining, “I cocked it up trying to get loud.” The Beatles, however, decided to shelve the project’s copious tapes, film reels, and photos, in order to record and release their LP masterpiece, Abbey Road. Drawn from the tapes made in January 1969, plus some sessions which preceded and followed those recordings, The Beatles’ final album, Let It Be, was eventually issued on May 8, 1970 (May 18 in the U.S.) to accompany the release of the Let It Be film.

The sessions that brought about the Let It Be album and film represent the only time in The Beatles’ career that they were documented at such great length while creating music in the studio. More than 60 hours of unreleased film footage, more than 150 hours of unreleased audio recordings, and hundreds of unpublished photographs have been newly explored and meticulously restored for three complementary and definitive Beatles releases this fall: a feast for the senses spanning the entire archival treasure. The new Let It Be Special Edition is joined by “The Beatles: Get Back”, the hotly-anticipated documentary series directed by three-time Oscar®-winning filmmaker Peter Jackson, and a beautiful new hardcover book also titled The Beatles: Get Back. The raw sources explored for the new projects have revealed that a more joyous, benevolent spirit imbued the sessions than was conveyed in the 1970 Let It Be film’s 80 minutes.

“I had always thought the original film Let It Be was pretty sad as it dealt with the break-up of our band, but the new film shows the camaraderie and love the four of us had between us,” writes Paul McCartney in his foreword for the Let It Be Special Edition book. “It also shows the wonderful times we had together, and combined with the newly remastered Let It Be album, stands as a powerful reminder of this time. It’s how I want to remember The Beatles.”

Let It Be Special Edition (Super Deluxe): 57 tracks
* 5CD + 1Blu-ray (album’s new stereo mix in hi-res 96kHz/24-bit; new 5.1 surround DTS and Dolby Atmos album mixes) with 105-page hardbound book in a 10″ by 12″ die-cut slipcase
* 180-gram, half-speed mastered vinyl 4LP + 45rpm 12-inch vinyl EP with 105-page hardbound book in a 12.5″ by 12.5″ die-cut slipcase
* Digital Audio Collection (stereo + album mixes in hi res 96kHz/24-bit / Dolby Atmos)

  • Let It Be (new stereo mix of original album): 12 tracks
  • Previously unreleased outtakes, studio jams, rehearsals: 27 tracks
  • Previously unreleased 1969 Get Back LP mix by Glyn Johns, newly mastered: 14 tracks
  • Let It Be EP: 4 tracks
    • Glyn Johns’ unreleased 1970 mixes: “Across The Universe” and “I Me Mine”
    • Giles Martin & Sam Okell’s new stereo mixes: “Don’t Let Me Down” & “Let It Be” singles

The Super Deluxe CD and vinyl collections’ beautiful book features Paul McCartney’s foreword; an introduction by Giles Martin; a remembrance by Glyn Johns; insightful chapters and detailed track notes by Beatles historian, author, and radio producer Kevin Howlett; and an essay by journalist and author John Harris exploring the sessions’ myths vs. their reality. The book is illustrated, scrapbook style, with rare and previously unpublished photos by Ethan A. Russell and Linda McCartney, as well as never before published images of handwritten lyrics, session notes, sketches, Beatles correspondence, tape boxes, film frames, and more.

Let It Be Special Edition (Deluxe): 26 tracks
* 2CD in digipak with a 40-page booklet abridged from the Super Deluxe book

  • Let It Be (new stereo mix of original album): 12 tracks
  • Previously unreleased outtakes, studio jams, rehearsals: 13 tracks
  • Previously unreleased 1970 mix for “Across The Universe”

Let It Be Special Edition (Standard): 12 tracks
* 1CD in digipak (new stereo mix of original album)
* Digital (album’s new mixes in stereo + hi res 96kHz/24-bit / Dolby Atmos)
* 180-gram half-speed mastered 1LP vinyl (new stereo mix of original album)
* Limited Edition picture disc 1LP vinyl illustrated with the album art (new stereo mix of original album)

When The Beatles arrived at Twickenham in January 1969, their self-titled album (AKA ‘The White Album’) was still topping charts around the world following its November 1968 release. They had an ambitious plan in mind for a project that would include a stage performance for a “TV spectacular” and a live album. Michael Lindsay-Hogg was hired to direct the concert and document the rehearsals with unfettered “fly-on-the-wall” filming and mono audio recording on two camera-linked Nagra reel-to-reel tape machines. Ethan A. Russell was brought in for exclusive all-access photography. Beatles producer George Martin and engineer Glyn Johns supervised the sound. Johns remembers, “Paul told me he had this idea to do a live concert and he wanted me to engineer it, because I had a reasonably good track record of making live albums.” Impressed by the band’s day-to-day progress with their slate of new songs, Martin later recalled, “It was a great idea, which I thought was well worth working on. A live album of new material. Most people who did a live album would be rehashing old stuff.” After 10 days on the soundstage, The Beatles and the film crew later moved to the band’s more intimate and cozy Apple Studio. There, Johns manned the controls of borrowed equipment from The Beatles’ old stomping ground, Abbey Road Studios, to record on eight-track tape. Billy Preston was invited to play keyboards with the band at Apple, lifting the sessions with his boundless talent and buoyant bonhomie.

In April 1969, The Beatles rush-released their worldwide number one single “Get Back”/”Don’t Let Me Down”. Promoted as “The Beatles as nature intended” and “as live as can be, in this electronic age,” both sides of the disc were credited to “The Beatles with Billy Preston“. “The greatest surprise was when the record came out,” Preston remembered in 2002. “They didn’t tell me they were going to put my name on it! The guys were really kind to me.” The “Let It Be” single produced by George Martin, released March 6, 1970, is different from the album version “reproduced” by Phil Spector. Exemplifying Spector’s signature Wall of Sound production style on the Let It Be album is his orchestral overdub on “The Long and Winding Road”, which became The Beatles’ 20th U.S. number one single.

Directed by Peter Jackson (“The Lord of the Rings” trilogy, “They Shall Not Grow Old”), “The Beatles: Get Back” takes audiences back in time to the band’s intimate recording sessions during a pivotal moment in music history. Because of the wealth of tremendous footage Jackson has reviewed, which he has spent the past three years restoring and editing, “The Beatles: Get Back” will be presented as three separate episodes. Each episode is approximately two hours in length, rolling out over three days, November 25, 26 and 27, 2021, exclusively on Disney+.

The documentary series showcases the warmth, camaraderie and creative genius that defined the legacy of the iconic foursome, compiled from over 60 hours of unseen footage shot in January 1969 (by Michael Lindsay-Hogg) and more than 150 hours of unheard audio, all of which has been brilliantly restored. Jackson is the only person in 50 years to have been given access to these private film archives. “The Beatles: Get Back” is the story of John Lennon, Paul McCartney, George Harrison and Ringo Starr as they plan their first live show in over two years, capturing the writing and rehearsing of 14 new songs, originally intended for release on an accompanying live album. The documentary features – for the first time in its entirety – The Beatles’ last live performance as a group, the unforgettable rooftop concert on London’s Savile Row, as well as other songs and classic compositions featured on the band’s final two albums, Abbey Road and Let It Be. The music in the series is also newly mixed by Giles Martin (“Rocketman”) and Sam Okell (“Yesterday”).

Ahead of the series’ debut, Apple Corps Ltd./Callaway Arts & Entertainment will release The Beatles: Get Back book worldwide on October 12. Available in English and nine international language editions, The Beatles: Get Back is the first official standalone book to be released by The Beatles since international bestseller The Beatles Anthology. Beautifully designed and produced, the 240-page hardcover complements the “Get Back” documentary series and Let It Be Special Edition with transcriptions of many of The Beatles’ recorded conversations from the three weeks of rehearsals and sessions and hundreds of exclusive, never-before-published images, including photos by Ethan A. Russell and Linda McCartney. The Beatles: Get Back begins with a foreword written by Peter Jackson and an introduction by Hanif Kureishi. The book’s texts are edited by John Harris. Preorder The Beatles: Get Back by The Beatles: https://lnk.to/thebeatlesgetbackbook

Tonight in Las Vegas, The Beatles™ LOVE™ by Cirque du Soleil makes its grand return to The Mirage Hotel & Casino. Celebrating its 15th anniversary, the world-renowned show brings a burst of color to the Las Vegas Strip as a cast of 70 artists celebrates the music of The Beatles with aerial acrobatics, vibrant visuals and high energy choreography on a 360-degree stage. Since opening to rave reviews on June 30, 2006, LOVE has performed to more than 10 million audience members.

thebeatles.com 
#LetItBe
#GetBack 
Facebook│Twitter│Instagram│YouTube│Vevo

LET IT BE SPECIAL EDITION
Tracklists

SUPER DELUXE [5CD+1Blu-ray + 105-page hardbound book in slipcase | digital audio collection]
CD1: Let It Be (new stereo mix of original album)
1: Two Of Us
2: Dig A Pony
3: Across The Universe
4: I Me Mine
5: Dig It
6: Let It Be
7: Maggie Mae
8: I’ve Got A Feeling
9: One After 909
10: The Long And Winding Road
11: For You Blue
12: Get Back
CD2: Get Back – Apple Sessions
1: Morning Camera (Speech – mono) / Two Of Us (Take 4)
2: Maggie Mae / Fancy My Chances With You (Mono)
3: Can You Dig It?
4: I Don’t Know Why I’m Moaning (Speech – mono)
5: For You Blue (Take 4)
6: Let It Be / Please Please Me / Let It Be (Take 10)
7: I’ve Got A Feeling (Take 10)
8: Dig A Pony (Take 14)
9: Get Back (Take 19)
10: Like Making An Album? (Speech)
11: One After 909 (Take 3)
12: Don’t Let Me Down (First rooftop performance)
13: The Long And Winding Road (Take 19)
14: Wake Up Little Susie / I Me Mine (Take 11)
CD3: Get Back – Rehearsals and Apple Jams
1: On The Day Shift Now (Speech – mono) / All Things Must Pass (Rehearsals – mono)
2: Concentrate On The Sound (mono)
3: Gimme Some Truth (Rehearsal – mono)
4: I Me Mine (Rehearsal – mono)
5: She Came In Through The Bathroom Window (Rehearsal)
6: Polythene Pam (Rehearsal – mono)
7: Octopus’s Garden (Rehearsal – mono)
8: Oh! Darling (Jam)
9: Get Back (Take 8)
10: The Walk (Jam)
11: Without A Song (Jam) – Billy Preston with John and Ringo
12: Something (Rehearsal – mono)
13: Let It Be (Take 28)
CD4: Get Back LP – 1969 Glyn Johns Mix
1: One After 909
2: I’m Ready (aka Rocker) / Save The Last Dance For Me / Don’t Let Me Down
3: Don’t Let Me Down
4: Dig A Pony
5: I’ve Got A Feeling
6: Get Back
7: For You Blue
8: Teddy Boy
9: Two Of Us
10: Maggie Mae
11: Dig It
12: Let It Be
13: The Long And Winding Road
14: Get Back (Reprise)
CD5: Let It Be EP
1: Across The Universe (unreleased Glyn Johns 1970 mix)
2: I Me Mine (unreleased Glyn Johns 1970 mix)
3: Don’t Let Me Down (new mix of original single version)
4: Let It Be (new mix of original single version)
Blu-ray: Let It Be Special Edition audio mixes
Dolby Atmos
96kHz/24-bit DTS-HD Master Audio 5.1
96kHz/24-bit High Res Stereo (2019 Stereo Mix)

SUPER DELUXE VINYL [limited edition 4LP+12-inch EP + 105-page hardbound book in slipcase]
LP One: Let It Be (new stereo mix of original album)
Side 1
1: Two Of Us
2: Dig A Pony
3: Across The Universe
4: I Me Mine
5: Dig It
6: Let It Be
7: Maggie Mae
Side 2
1: I’ve Got A Feeling
2: One After 909
3: The Long And Winding Road
4: For You Blue
5: Get Back
LP Two: Get Back – Apple Sessions
Side 1
1: Morning Camera (Speech – mono) / Two Of Us (Take 4)
2: Maggie Mae / Fancy My Chances With You (Mono)
3: Can You Dig It?
4: Don’t Know Why I’m Moaning (Speech – mono)
5: For You Blue (Take 4)
6: Let It Be / Please Please Me / Let It Be (Take 10)
7: I’ve Got A Feeling (Take 10)
Side 2
1: Dig A Pony (Take 14)
2: Get Back (Take 19)
3: Like Making An Album? (Speech)
4: One After 909 (Take 3)
5: Don’t Let Me Down (First rooftop performance)
6: The Long And Winding Road (Take 19)
7: Wake Up Little Susie / I Me Mine (Take 11)
LP Three: Get Back – Rehearsals and Apple Jams
Side 1
1: On The Day Shift Now (Speech – mono) / All Things Must Pass (Rehearsals – mono)
2: Concentrate On The Sound (mono)
3: Gimme Some Truth (Rehearsal – mono)
4: I Me Mine (Rehearsal – mono)
5: She Came In Through The Bathroom Window (Rehearsal)
6: Polythene Pam (Rehearsal – mono)
7: Octopus’s Garden (Rehearsal – mono)
Side 2
1: Oh! Darling (Jam)
2: Get Back (Take 8)
3: The Walk (Jam)
4: Without A Song (Jam) – Billy Preston with John and Ringo
5: Something (Rehearsal – mono)
6: Let It Be (Take 28)
LP Four: Get Back LP – 1969 Glyn Johns Mix
Side 1
1: One After 909
2: I’m Ready (aka Rocker) / Save The Last Dance For Me / Don’t Let Me Down
3: Don’t Let Me Down
4: Dig A Pony
5: I’ve Got A Feeling
6: Get Back
Side 2
1: For You Blue
2: Teddy Boy
3: Two Of Us
4: Maggie Mae
5: Dig It
6: Let It Be
7: The Long And Winding Road
8: Get Back (Reprise)
12-Inch Let It Be EP
Side 1
1: Across The Universe (unreleased Glyn Johns 1970 mix)
2: I Me Mine (unreleased Glyn Johns 1970 mix)
Side 2
1: Don’t Let Me Down (new mix of original single version)
2: Let It Be (new mix of original single version)

DELUXE [2CD in digipak with 40-page booklet]
CD 1: Let It Be (new stereo mix of original album)
CD 2: Outtake Highlights
1: Morning Camera (Speech – mono) / Two Of Us (Take 4)
2: Maggie Mae / Fancy My Chances With You (Mono)
3: For You Blue (Take 4)
4: Let It Be / Please Please Me / Let It Be (Take 10)
5: The Walk (Jam)
6: I’ve Got A Feeling (Take 10)
7: Dig A Pony (Take 14)
8: Get Back (Take 8)
9: Like Making An Album? (Speech)
10: One After 909 (Take 3)
11: Don’t Let Me Down (First rooftop performance)
12: The Long And Winding Road (Take 19)
13: Wake Up Little Susie / I Me Mine (Take 11)
14: Across The Universe (unreleased Glyn Johns 1970 mix)

STANDARD [1CD | digital | 1LP vinyl | limited edition 1LP picture disc vinyl]
Let It Be (new stereo mix of original album)

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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