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Reggae Rock-Pop Duo Black Creek Reign Embrace Escapism & Summer Vibes in Newly Minted Single, “Run Away”

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Reggae rock-pop duo Black Creek Reign continue to ride the wave of recent critical acclaim with this, the release of their newest single, “Run Away.”

Echoing calls to a lover to pick up and take off for a night, and teeming with sweet thoughts and island vibes, the track features Black Creek Reign members Darren Armoogam and Lex Stultz alongside collaborations with fellow Toronto-based crossover group, The Band Destiny, and Caribbean artist, Logun.

“Reggae is a genre that’s been near and dear to our hearts since our inception,” Armoogam shares. “It’s energetic, vibrant, calming, and can even be political at the same time.

“We’re all about creating within a very fluid genre-bending experience, and are influenced by a variety of styles — rock, pop, funk, and everything in between,” he continues. “But with reggae, there’s a sense of authenticity in it with us, too, considering half the band has an origin story there.”

“Our friends The Band Destiny and Logun really hit a home run with their parts, and this song would not be the same without them,” Stultz says, citing the contributions from Trinidad & Tobago’s Logun (Kevin Ramlogan), and Toronto and Trinidad & Tobago’s The Band Destiny’s Stephen Nanan, Celine Nanan, Dylan Harpal, Curtis Bernard, Kamela Singh, Vijai Ramdath, Vikash Ramdath, Kiran Dhindlal, Shrija Srivastava, and Armoogam, who is also a member.

“The Band Destiny have been our friends for years now, and skillfully blend reggae, soca, chutney, and Bollywood-style music in a way that makes it no surprise they’ve won ‘Top Soca Band’ in Toronto three years in a row.

“Logun has shared the stage with the likes of Wayne Wonder and Ludacris, to name a few, and brings his own unique, Island-rooted flair into the genres of hip hop, reggae, roasting, and soca,” Stultz continues. “We’ve also known him for quite some time, and saw this collaboration as the perfect opportunity to incorporate a vibe that only he can execute. Really, we couldn’t have done it without him, he crushed it.”

“In all,” Armoogam adds, “this song is a rare blend of authentic Caribbean vibes that’s edgy and exotic — perfect for Summer!”

Penned and produced by Armoogam and Stultz, Logun joins on songwriting credits, while The Band Destiny’s Stephen Nanan and Global Music Entertainment’s Jovan Jovanov join on production.

Dubbed “a band with a great blend of funk, rock, reggae, and blues” by Canadian Beats, “Run Away” follows close on the heels of Black Creek Reign’s recent release, “You & I” featuring multi-Platinum, multi-award winning and SiriusXM Artist of the Year Danny Fernandes.

These tracks and collaborations are the latest in the band’s steady stacking of successes: Winners of Raising the Roof / Revival Bar’s Battle of the Bands, and runner up in the following year’s Ultimate Champion rematch, songs from their debut EP Excommunicado — not to mention recent singles “All I Ever Wanted (This Year)” and “The Rain” — have been heard across radio stations and playlists nationwide, and heralded by the likes of Canadian Beats, Indie Pulse, Buzz Music, and more.

“(Black Creek Reign) will immediately cause involuntary movement from the waist down,” Bucket List Music Reviews writes. “It doesn’t matter where you are, what mood you are in, or if you possess any dancing abilities, these groovy tunes will have you bouncing around the entire time. Don’t fight it. Just let go and have yourself a grand old time.”

With hundreds of live performances under their belt — including the final show at Toronto’s Hard Rock Cafe, Hollywood’s infamous Pig N’ Whistle, Pearson Airport’s YYZ Live, and the Los Angeles Songwriters Association — the duo has taken the stage from Nashville, to Los Angeles, and back to their hometown of Toronto.

Making Popular Music in the Midst of Change and Transition: PopCon 2021 Keynote Panel

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NPR Music is proud to present the keynote panel conversation for the 2021 Pop Conference, hosted by New York University’s Clive Davis Institute of Recorded Music. The keynote is titled “Fluxed: Making Popular Music in the Midst of Change and Transition.”

To kick off a four-day special “Convergence” version of the annual Pop Conference, the keynote conversation invites a panel of four artists thriving within the highly volatile environment of contemporary popular music to discuss how the spirit and realities of change both challenge and inspire them. From taking on the themes of transformation and precariousness in their own music, to fully exploring what new technologies can communicate, to coping with a radically altered social and economic landscape, musicians must act at the forefront of new 21st-century modes of being. This open-ended conversation connects the transforming craft and business of music-making to the art of capturing musical meanings in a highly turbulent world.

The panel’s participants are leaders in reimagining what music and its cultures can be: singer-songwriter-auteur Devonté Hynes, whose work under many different names (Blood Orange, Lightspeed Champion) exemplifies the refusal to adhere to outdated categories; producer and musician Rostam, who has been instrumental in defining the anti-genre sound of 21st century pop; singer, songwriter and producer Roísín Murphy, whose dance-inspired music finds the point where past meets future, and Tamara Lindeman, who records as the Weather Station and models how the singer-songwriter role is changing in response to both exploding musical categories and a world in crisis. Ann Powers, NPR Music Critic and author of many books, most recently Good Booty: Love and Sex, Black and White, Body and Soul, moderates. The event is produced by Jason King.

Marc Anthony’s New North American Tour Kicks Off In September

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CMN and MAGNUS announced today Marc Anthony’s new U.S. Tour is set to start August 27, 2021 in San Antonio Texas.  The “Marc Anthony Tour” will play in 23 cities and will mark his return to some of the most prestigious arenas in the country and also includes two shows in Canada.

The pre-sale for tour dates is scheduled for Wednesday April 28 at 10am (local time), and tickets for the general public will be available Friday April 30 at 10am (local time).

For fans looking for the VIP experience, VIP packages will be available for purchase. These VIP Packages will allow fans to reserve premium seating, dedicated entrance, merchandise gift, commemorative VIP laminate, parking pass, Etc.

For more information visit www.marcanthonyonline.com

DATE CITY VENUE TICKETING
Friday, August 27, 2021 San Antonio, TX AT&T Center Ticketmaster
Saturday, August 28, 2021 Houston, TX Smart Financial Centre Ticketmaster
Friday, September 3, 2021 Dallas, TX American Airlines Center Ticketmaster
Sunday, September 5, 2021 Atlanta, GA StateFarm Arena Ticketmaster
Friday, September 10, 2021 Washington DC Capital One Arena Ticketmaster
Saturday, September 11, 2021 Charlotte, NC Spectrum Center Ticketmaster
Saturday, September 18, 2021 Uncasville, CT Mohegan Sun Arena Ticketmaster
Sunday, September 19, 2021 New York, NY Barclays Center Ticketmaster
Friday, October 8, 2021 Chicago, IL Allstate Arena  Ticketmaster
Saturday, October 9, 2021 Kansa City, MO T-Mobile Center AXS
Friday, October 15, 2021 Tulsa, OK BOK Center Ticketmaster
Sunday, October 17, 2021 Denver, CO Ball Arena Ticketmaster
Saturday, October 23, 2021 Las Vegas, NV Michelob Ultra Arena AXS
Sunday, October 24, 2021 San Diego Pechanga Arena AXS
Friday, October 29, 2021 Ontario, CA Toyota Center Ticketmaster
Sunday, October 31, 2021 Phoenix, AZ Phoenix Suns Arena Ticketmaster
Friday, November 5, 2021 FT Myers, FL Hertz Arena Ticketmaster
Saturday, November 6, 2021 Orlando, FL Amway Center Ticketmaster
Friday, November 19, 2021 Miami, FL AmericanAirlines Arena Ticketmaster
Friday, December 3, 2021 Montreal, Canada Bell Center Evenko.ca
Saturday, December 4, 2021 Toronto, Canada Scotiabank Arena Ticketmaster.ca
Friday, December 17, 2021 San Jose, CA SAP Center Ticketmaster
Saturday, December 18, 2021 Los Angeles, CA The Forum Ticketmaster

 

Marc Anthony is one of the most influential artists of his time and a true ambassador of Latin music and culture.  He has received countless gold and platinum certifications from the Recording Industry Association of America (RIAA) and has been credited with over 30 Billboard chart hits and over 7.1 Billion views on YouTube.

On May 10, 2019 Marc Anthony released OPUS, his first new studio album in six years on Magnus Media / Sony Latin Music. OPUS is his eighth salsa album in the 26 years since Otra Nota (1993) established him. In addition to winning the 2020 Grammy Best Tropical Album, Opus has earned Marc Anthony a #1 at Billboard’s Tropical Airplay list with “Parecen Viernes”, 4 nominations to Latin American Music Awards for: Favorite Album (OPUS), Favorite Artist Tropical, Favorite Song (Parecen Viernes), and Favorite Tour.  He was a finalist in 4 categories for the 2020 Billboard Latin Music Awards (Tropical Album of the Year – OPUS, Tropical Song of the Year – Parecen Viernes, Tropical Artist of the Year – Solo, and Tour of the Year – OPUS TOUR).

His previous album, Marc Anthony 3.0, released July 23, 2013, received an American Music Award; a GRAMMY® Award nomination; five Premios Lo Nuestro; two Premios Juventud; ten Billboard Latin Music Awards; three Billboard Awards; and special recognitions from the Univision and Telemundo networks.

Anthony has also established a highly credible acting résumé. Besides his music and acting accomplishments, in 2012, the six – time GRAMMY® and Latin GRAMMY® Award winner launched the Maestro Cares Foundation, hosting a series of fundraisers throughout the year to benefit the non-profit organization and build orphanages in Latin America. He also has his own clothing and accessories line for Kohl’s, and he is a minority owner of The Miami Dolphins. His entertainment and sports venture Magnus Media, is the leading Latin artist and athlete representation company in the nation, and focuses on developing new ventures that bridge content creation and commerce.

On November 16, 2016, Anthony received the prestigious “Person of the Year” honors from the Latin Academy of Recording Arts and Sciences. In September of 2017, Marc Anthony and Magnus created the alliance of artists and athletes Somos Una Voz, to help provide humanitarian relief to areas affected by natural disasters throughout the southern United States, Mexico, Puerto Rico and other affected areas in the Caribbean.

His tours “Vivir Mi Vida”, “Cambio de Piel”, “Full Circle”, “Legacy” and The OPUS Tour, have been included in the “Global Top Grossing Concert Tours Lists. His OPUS Tour kicked-off in the United States and other international markets in 2019.  Recently, Marc became the first artist of his genre to receive a 6-time Diamond RIIA Certification” for his album 3.0 and was recognized with his third Guinness Records.

Colorado’s Billboard-Featured RnB Producer & Artist MATELL Makes a Bold Statement in “Fragile (Help Someone)”

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Billboard-featured RnB producer and artist Matell is making a bold statement in this, his new single “Fragile (Help Someone)” — available now.

Heralded for previous releases like “I apologize 2u & u2,” “Quickly,” “Low expectations,” “I said I’m Gonna Go, Oops, Oops Upside Your Head” — and the strong response from the multi-licensed “My conversations with God” — the Colorado-based singer/songwriter aims to leverage “Fragile (Help Someone)” to send a heartfelt, intimate message against the violence that’s become normalized in recent years.

One can assume the track’s crude, bare-bones approach aims at creating a sobering effect to the harsh reality that has become normality throughout Northern America, and the world. When asked, Matell indicated he was intending this piece as a “we are the world meets 2021.”

The minimal beat, which borders between call-and-response, and a much more meditative musical texture, calls to the melancholy of what the two eras shared — a true catastrophe that’s affecting all of humanity in those specific times, and a cry to protect what this world has to offer that’s fragile, but at the very center of humanity itself.

Artistically speaking, Matell shines with sensitivity in this take. The lyricism in this performance underlines a very difficult time, and how fragile our world is, as well as the importance of bonding together through difficult times. The bold arrangement is sparse and translates well to the hardship of both the pandemic, just as Haiti back in the 80’s, while showcasing Matell’s soulful melodies.

Platinum-Selling Hall of Famer MYLES GOODWYN of April Wine Releases “Will The Last Voice I Hear Be An Angel?”

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Award-winning Hall of Famer and multi-Platinum selling producer, songwriter, and April Wine leader Myles Goodwyn asks a tall and transcendental question as he releases this, his first-ever spiritual song, “Will the Last Voice I Hear Be an Angel?” — available now.

Beyond a legendary mainstay of the Canadian music landscape in his own right, Goodwyn is joined on the track with Bruce Dixon (Oakley Band, Rita MacNeil, Roch Voisine) and Jim Henman — the latter with whom he started the iconic rock band, April Wine, alongside David Henman and Ritchie Henman in 1969.

The stunning song arrives ahead of Goodwyn’s forthcoming recording project, Long Pants, set for release this Summer 2021. A collection of his most personal songs to date, the new full-length dives deep into the masterful musician’s extensive and previously unreleased archives, with one song’s origins even dating back 40 years.

“The ‘oldest’ new song on the album, ‘Forever Amber,’ was written four decades ago,” Goodwyn shares. “I wrote it for my daughter, Amber, on the very night she was born.

“The recording will feature a song I’ve written for each of my three children,” he reveals. “‘Talk to Me’ was written for my son, Aaron, and is about love, and the importance of communication between a child and their parents. And ‘Over the Moon’ was written when I learned my younger boy, Cary, was diagnosed with Type 1 Diabetes. It’s a serious and chronic disease, and the song is one of love, understanding, optimism — which is an important message of hope and love to all children and parents dealing with diabetes.”

It’s a robust release traversing Goodwyn’s interests, introspect, and outward observations; there’s a fun song about kittens, plus a rollicking drinking song, to boot. There’s a touching love song, “Princess Rain,” with his lifetime partner, Kim, as its muse, and “Right Myself,” co-written with multi-award winning singer/songwriter, and distinguished member of The Order of Canada, Lennie Gallant.

Also among the 12 tracks are “I Leave Today,” a stirring song about euthanasia, inspired by Dan Hill’s mom choosing the option at the age of 90, and “Darling Where Are You,” a deeply poignant penning expressing concern and compassion for missing Indigenous women.

“This song — ‘Will the Last Voice I Hear Be an Angel’ — is the release’s ‘youngest’ new song; I wrote it this Spring,” he adds. “It’s a tune about life, and reflection, and contemplating one’s mortality.”

Teeming with Goodwyn’s inimitable vocals and distinct, immediately recognizable musicianship, Long Pants lands as yet another top-shelf addition to his extensive discography and career.

The recipient of the prestigious Helen Creighton Lifetime Achievement Award, multi-award winning Myles Goodwyn also recently took both the 2019 and 2020 ECMA Blues Recording of the Year Awards for his solo albums, Myles Goodwyn and Friends of the Blues, and Myles Goodwyn and Friends of the Blues 2.

Upon publishing, his self-penned memoir, Just Between You and Me, hit the 2018 Globe and Mail bestseller list. Detailing the deeply personal tale of his upbringing — from at home in rural Nova Scotia, to the later years as the lead singer of one of Canada’s most popular bands of all time, Canadian Music Hall of Fame inductees April Wine — the book’s special and accompanying Live performance featured the likes of “Fast Train,” “You Won’t Dance With Me,” its title track, “Just Between You and Me,” and more.

Breezy Folk-Rock Duo ROBINSON KIRBY Are Off to “Find A Way” in New Single

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Breezy Canadian folk-rock duo Robinson Kirby are off to “Find A Way” when it comes to lost affections in this, their heartwarming love-quest of a new single and video.

Freshly pressed from their 2021 seven-track album offering, Little Dreams, the rhythm section of “Find A Way” instills a sense of beautiful calm, reminiscent of a gentle stream while the satiny vocal tones send the listener floating through the song with a feeling of warming assurance.

The song features a graceful, echoey twang of the electric guitar, and its solo, along with the slide of the lap steel, tie the instrumentation together seamlessly. These elements combined create a serene audible flow that contrasts the turbulence surrounding the song’s theme based on the uncertainty of lasting love.

Love may be blind, but we can always find our way through. These sentiments are suggested by the lyrics: ‘I don’t look at you the same, since we played the losing game, but I will try and find my way.’

With that in mind, “Find A Way” is a song about revelation, and what we uncover both about ourselves as well as our loved ones during times of uncertainty amidst emotional strife. The overall message is relatable, as those who have felt love dwindle in the past have oftentimes found themselves questioning who they are, what they could’ve done differently and, perhaps, making peace with the circumstance by accepting that their counterparts’ hearts may no longer be aligned with mutual perception of love.

‘Lay me down beside what happened here, wasn’t my love bigger than your fear,’ brings about the suggestion that it may come time for one to accept that, despite their best efforts, the love given may not always be the saving grace we’d like it to be.

When it comes to the single, as well as the Toronto-based band’s Little Dreams EP, Robinson Kirby describes the songs therein by saying, “They reflect a time of growth and change in our lives. Conceptually, the songs are about love, searching for connection, and finding your place in the world.”

The Little Dreams EP, which hosts the lead single, was written between studying at the Berklee College of Music in Boston and while living in Los Angeles. They cite their musical influence as being the spirit of singer-songwriters from the genre’s heyday in the 70s, but with a fresh, modern approach.

Robinson Kirby consists of lead singer-songwriters, Luke Robinson (vocals, guitar, percussion) and Madelyn Kirby (vocal, guitar), as well as Jonathan Elyashiv (bass) and Ross Hodgkinson (drums, percussion). “Find A Way” is backed by the talents of Paul Phelan (lap steel) and Harrison Lenz (backing vocals).

The single was written and composed by Luke Robinson and Madelyn Kirby. The single, as well as the EP, were engineered by Pedro Calloni at the Village Studios, in Los Angeles, California and by Harrison Lenz at Lenz Entertainment in Toronto, Ontario. Mixing was handled by Harrison Lenz. Mastering was handled by Philip Shaw Bova. Photography and design were provided by Madelyn Kirby and Tori Chippindale, respectively.

Vancouver Folk-Roots Rocker CHRIS RONALD Unveils “City Girl” From Emotionally Juxtaposed “Light & Dark” Album

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Top 10 charting Canadian folk-rocker Chris Ronald muses aloud in this, his new single “City Girl” — available now.

Rife with Ronald’s signature sound and Songwriter of the Year-nominated lyricism, the song serves as the first preview for the Vancouver-based artist’s forthcoming emotionally expansive album, Light & Dark (Borealis Records).

His fifth album release, the 11-track LP is steeped in Ronald’s British roots, poetic song craft, and buttery blend of folk and rock instantly reminiscent of 60s-era revivalists and 70s-era singer-songwriters.

Leaning slightly towards a more rootsy sound, powerful vocals and musicianship across the board (guitar, harmonica, and ukulele) offer a well-rounded folk-Americana, roots-rock release that landed just where Ronald — and his long-time collaborator: award-winning, Platinum-selling and chart-topping producer, engineer, songwriter and multi-instrumentalist John MacArthur Ellis — set their sonic sights a few years ago.

“After showcasing at Americanafest in Nashville in 2018 — and really soaking up the vibe of the Americana music scene down there — John and I knew which direction to take this next album,” Ronald recalls. “Where my most recent album, Fragments, was more on the folk-side of Americana, Light & Dark has more of a contemporary roots sound.

“The track listing includes a few rewrites of songs that originally appeared on some of my early demo albums,” he continues. “There are also more recent compositions, including ‘Old Lover,’ which was co-written with my brother shortly after the first COVID-19 lockdown.”

Beyond “Old Lover,” the pandemic played a larger role in shaping the terrain for Light & Dark — from lyrical nuances, to navigating strict restrictions for recording, to the untimely passing of Ronald’s father within it.

“Songs like ‘Please Don’t Come For Me Now’ and ‘Bones’ took on a particularly new poignancy for me,” Ronald shares of the previous year’s series of circumstances. “As the title suggests, the album’s track sequence intentionally alternates between dark and light moods and themes…

“There’s a bit of an emotional rollercoaster ride.”

With the album first laid having just three band members on-hand — Ronald, Ellis, and Chris Nordquist — four songs, including “Pacific Time,” also feature the stunning vocals of Vancouver-based singer-songwriter Natalie Ramsay (nom de plume, Daughter of the Moon).

The collaborative contributions didn’t end there; for the environmentally-themed song “Still Turning,” Ronald increasingly wanted more people singing the chorus to give the impression of a growing movement. “To do so, and to add a youthful touch, I had my children, who were 12 and 14 at the time of recording, join in for the final rousing chorus.”

The album art for Light & Dark was created by JUNO Award-winning designer Michael Wrycraft.

Chris Ronald has four previous album releases, including Pacific Time (2004), Turning Tides (2011), Timeline (2014), and Fragments (2017). He was nominated for Songwriter of the Year at the 2014 Canadian Folk Music Awards, achieved Top 10 artist, song, and album ranking on The Folk Charts, and tours internationally — including annual showcases at the Americana and Folk Alliance music conferences.

“City Girl” is available now, with his next single ‘I Won’t Change’ — a melancholy take on the fallout of unrealistic expectations — set to drop April 28, and can be pre-saved on Spotify or pre-added on Apple Music on April 21, 2021. Light & Dark is available for streaming and digital download on May 26, 2021. Physical copies will be available on May 28, 2021.

See What THE GREAT FUSS Is About For Saskatoon-Based Rockers’ New “Hairbrain” Single & Video

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We’re confident the current year is 2021, but one listen to Canadian rockers The Great Fuss and their new single and video for “Hairbrain,” and… It’s hard to not double-check the calendar.

An homage to yesteryear’s pulsing piano melodies and indelible electric guitar riffs, this Saskatoon-based four-piece goes for a generational collision, capturing a decidedly 60s vibe within a new-age kaleidoscope of rhythm and lyrics on the track.

On “Hairbrain,” the band explodes with chiding questions, including scathing sentiments like ‘You think you know what I’m after? I’ve seen your kind, it’s clear that you’re a disaster.’

Laced with low-fi pop rock riffs that earworm their way into your consciousness, the track’s accompanying music video showcases the band interspersed with places of travel, dimly lit, brightly coloured, black and white, in and out of focus.

The delight in the Great Fuss is to keep you wondering if they’re inspired by Warhol, the Beatles, or Joe Strummer… Or if they’re simply themselves in a great tidal wave of love and lyric. In their own words, the band is a finely tuned cross breed of 60s British invasion and modern rock elements; think the Kinks had a baby with Spoon.

Landing firmly on the Saskatchewan scene in 2016, members Pete Oldridge (Vox/bass), Erik Sample (Drums), Chris Valleau (Guitar), and Kat Jones (Keyboard) have been leaving their distinct imprint along the festival and concert circuit ever since.

Their 2018 eponymous debut record, The Great Fuss, was met with well-received support and acclaim, giving way to live appearances at major events — including Saskatchewan’s prestigious Ness Creek Music Festival, and performing in front of a sold out crowd at the Coors Event Centre.

Aside from being smart songwriters and clever lyricists, the band also finds success in their ability to self-produce and record with Oldridge at the helm of engineering from his personal studio. From the first written note to the final recorded piece, The Great Fuss find beauty in spreading their talent from start to finish — a knack also heard on their 2019 sophomore offering, Root Thyself!

Video: Prince in his First Filmed Interview In 1985

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Prince rarely gave live interviews, so check out this clip from 1985 when he agreed to answer questions sent by MTV. So many artists want to be this mysterious and vague to let the music do the talking, but nobody comes close to him.

My Next Read: “Rock Covers. 40th Anniversary Edition”

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Album art is indelibly linked to our collective musical memories; when you think of your favorite albums, you picture the covers. Many photographers, illustrators, and art directors have become celebrities from their album artworks―the best examples of which will go down in history as permanent fixtures in popular culture.

Paying tribute to this art form, Rock Covers brings you a compilation of more than 750 remarkable album covers, from legendary to rare record releases. Artists as varied as Elvis Presley, The Beatles, The Sex Pistols, Pink Floyd, The Cure, Iron Maiden, and Sonic Youth are gathered together in celebration of the cover art that defined their albums and their cult status. Each cover is accompanied by a fact sheet listing the art director, photographer or illustrator, year, label, and more, while nearly 250 records that marked particular turning points for a band, an artist, or the music genre, are highlighted with short descriptions.

This far-reaching catalog of visualized rock is contextualized with insider interviews with professionals who shaped the history of rock, and by top-10 record lists from ten leading rock collectors.