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Genesis ‘The Last Domino?’ fall 2021 North American tour announced

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On Thursday, Genesis announced their highly anticipated return to North America for the first time in 14 years with “The Last Domino?” tour dates that will have Tony Banks, Phil Collins and Mike Rutherford playing major cities across the U.S. and Canada this November and December. Kicking off at Chicago’s United Center on Nov. 15, the group will be joined by Nic Collins on drums, and the band’s long-time lead guitar and bass player Daryl Stuermer.

“Genesis The Last Domino?” North American Tour 2021 marks the first time Genesis has performed stateside since 2007’s “Turn It On Again: The Tour,” which went on to be one of the biggest grossing tours of that year playing sold-out arenas and stadiums around the world. One of the most successful and legendary rock bands of all-time, Genesis has sold more than 100 million albums with numerous top 20 hits, including “Invisible Touch,” “In Too Deep” and “Turn It On Again,” while also being inducted into the Rock and Roll Hall of Fame in 2010.

Tickets for all shows will be available first through a presale powered by Ticketmaster Verified Fan on May 5, followed by the general public on-sale on May 7. The Verified Fan program aims to create a safe and reliable ticket-buying experience. It helps ensure tickets get into the hands of real fans first. Fans must register for access between now and 11:59 p.m. ET Sunday, May 2. If verified and selected, fans can secure their tickets beginning at 10 a.m. local time Wednesday, May 5. To register, visit www.genesis-music.com.

Beginning May 7, tickets will be available through a public on-sale. Visit www.genesis-music.com for tour, ticket and official VIP package information.

For the biggest Genesis fans who want to get closer to the action than ever before, official VIP packages will be available for all shows. Fans can choose from a variety of VIP package options to ensure they have an unforgettable experience. Official VIP packages will be available beginning at 10 a.m. local time Wednesday, May 5.

The tour and all venues will be following all mandated precautions in accordance with state and local regulations so as to provide the most secure, COVID-19-free environment possible.

 

November 15, 2021

Chicago, IL

United Center

November 18, 2021

Washington, DC

Capital One Arena

November 20, 2021

Charlotte, NC

Spectrum Center

November 22, 2021

Montreal, QC

Centre Bell

November 25, 2021

Toronto, ON

Scotiabank Arena

November 27, 2021

Buffalo, NY

KeyBank Center

November 29, 2021

Detroit, MI

Little Caesars Arena

November 30, 2021

Cleveland, OH

Rocket Mortgage FieldHouse

December 2, 2021

Philadelphia, PA

Wells Fargo Center

December 5, 2021

New York, NY

Madison Square Garden

December 8, 2021

Columbus, OH

Nationwide Arena

December 10, 2021

Belmont Park, NY

UBS Arena

December 13, 2021

Pittsburgh, PA

PPG Paints Arena

December 15, 2021

Boston, MA

TD Garden

Video: That Time In 1981 When The Rolling Stones Played With Muddy Waters

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Live at the Checkerboard Lounge, Chicago 1981 is a concert video and live album by Muddy Waters and members of the Rolling Stones. It was recorded on 22 November 1981 by David Hewitt on the Record Plant Black Truck, mixed by Bob Clearmountain, and released on 10 July 2012.

The Checkerboard Lounge was a blues club in Bronzeville, on the South Side of Chicago, which was established in 1972 by Buddy Guy and L.C. Thurman.

Ringo Starr Shows How to play Ticket to Ride, Come Together and Back off Boogaloo

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In the clip below , Ringo Starr demonstrates on Dave Stewart’s show his technique on “Ticket to Ride,” “Come Together,” and his highest-charting solo single “Back Off Boogaloo.”

JUNO Nominated TORONTO TABLA ENSEMBLE’s “Maryem’s Here” Brings a Beguiling Cultural Mix to Life

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Toronto Tabla Ensemble continue to entice ears and eyes with this, their new video for “Maryem’s Here” — available now.

Fresh from their most recent release, Unexpected Guests, the track and video bring diverse musical traditions together — from Indian classical dance, to Japanese drumming, to Arabic singing, and Western classical instrumentation.

The goal is simple: create compelling music and showcase it with visual flair.

“This album is a simple one,” says Ritesh Das, the 62-year-old tabla virtuoso, composer and educator who leads and founded the JUNO Award-nominated Toronto Tabla Ensemble. “Most of the tracks are in very straightforward 4/4 grooves. On our other albums, you had tracks with different time signatures that made it really intellectual and complicated. But I wanted this one to be something that anyone can sit back and listen to.”

‘Simple’ here doesn’t imply any sacrifice in musicianship; “Maryem’s Here” dazzles with virtuosity in its performance, interpreted with an emotional heart that connects with listeners.

The tabla forms the basis for TTE’s signature sound. In “Maryem’s Here,” the violin (played by Raaginder Singh Momi) and Japanese taiko drums (by noted ensemble Nagata Shachu) join the traditional Indian percussion, while Maryem Hassan Tollar — the Cairo-born, Toronto-based vocalist who has carved a unique career as an Arabic-style artist with a reputation for genre-bending collaborations — brings a mastery of technique and tone to the table.

The blend of musical traditions and instruments, vocals, and dance is seamless, building to emotional highs and, while the time signature may be simpler than usual for TTE, the layers of rhythm and musicianship are palpably anything but. As for the video, a bejewelled Indian classical dancer captivates the eye while Tollar’s haunting vocals add a mesmerizing melody.

Other tracks on the album bring in the talents of bagpiper Craig Downie (Enter The Haggis), multi-instrumentalist George Koller, and flautist Alysha Addetia, among others.

“Over the years, I’ve done everything from jazz to rock ’n’ roll,” Das explains. “I don’t do traditional Indian music; what I do is take the essence of it — the songs and sounds of North Indian classical music — and I blend it with other styles.

“To me, there’s no such thing as world music,” he adds. “Music is music.”

The Toronto Tabla Ensemble have released six albums and were nominated for a JUNO Award for their 2000 album, Firedance. Their 2018 album, Bhumika, won an Independent Music Award, and garnered two Canadian Folk Music Award nominations. TTE also includes a youth ensemble, represented with a track on the new album, and a film/video division.

Canadian Producer MELLOW FIELDS Immerses Audiences in Haunting Soundscape with “Gemini Rising”

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At over 130,000+ streams, Canadian producer Mellow Fields is back to haunt your dreams with this, his new single, “Gemini Rising” — available now.

The track starts with electronic beats rising to a swell before making way for sweet, ethereal vocals from featured artist, Jenny Palacios, that light up the song’s compelling poetry. Mellow Fields — aka Michael David’s — rhythms are irresistible and, together with Palacios’ lead and harmony vocals in a mesmerizing stream of lyrics, her singing floats above them like a butterfly.

It’s a track that goes from soft to insistent, kinetic to moody, still to emotional, and back.

Like any true Gemini, the lyrics blend diverse elements — sweet sensuality and a hint of danger, with a trippy sensibility that puts you in a dream world. Mellow Fields weaves it all into a rich sonic texture, and “Gemini Rising” wraps with an ecstatic high of music and emotion.

From a sleepy suburb in the Greater Toronto Area to the airwaves, Mellow Fields is an indie Progressive House/Electro producer working from home during the pandemic. He’s adept at switching moods over the 4:31 minute track, developing the rhythms and sounds with a judicious ear and without a hint of self-indulgence. He’s always got a new surprise up his sleeve, and a new direction to keep things interesting and add replay appeal.

He counts the greats of EDM among the influences in his work, and in “Gemini Rising” audiences hear the same focus on persistent beats plus a play on rising and falling tension. It’s trance music with a nod to synthwave, a song that’s sonically intriguing but also accessible — and danceable, too.

The track is a mild departure from Mellow Fields’ previous work, including the song “Wage of Destruction” — the first track from his 2017 self-titled debut EP that was licenced for use in a Nissan commercial, and received widespread airplay across playlist and gaming channels.

That said, it’s “the most authentic music” he’s written since starting as a producer, he shares.

Canadian Rockers CIGAR CLUB Storm the Scene with Brooding, Bone-Chilling “Like White Flats in Winter”

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Canadian rockers Cigar Club are storming the scene with this brooding, bone-chilling, goosebump-inducing new single, “Like White Flats in Winter” — available now.

The song lands ahead of the Toronto-based band’s forthcoming and highly-anticipated debut album, Day, Now, and serves as yet another pitch-perfect introduction to the crew, offering you a little bit of everything and more.

“Like White Flats in Winter” is the third and latest single from the upcoming record, and quite possibly the band’s most unique to date. It kicks off with a simple, yet catchy, chord progression, which is accompanied by the longing vocal phrases of frontman Trev Coughlin — which instills a powerful feeling of sadness and doom within the listener.

Coughlin’s voice, no matter how buttery, carries so much weight and emotion in this song, it begs the question: ‘Who hurt this man?’

“I feel like we really got it right with this song,” Coughlin says. “It’s like that first line: ‘Walking off pavement into stars’… I hear that like walking off the edge and then gradually falling, while getting louder and louder.”

Lead guitarist Dan Amato adds that it’s an “emotionally” powerful song for them. “It feels really good to really love the music you had a part in creating … I suppose that’s why we do this.”

“We were initially going to save this song for our next album,” Coughlin reveals of the song, “but COVID-19 hit and pushed everything back, and we were too excited to wait with it.”

“This song was influenced by the new Ontario rock scene on the rise, and the energy associated with it,” drummer Tyler Booth says of the track’s sound. “It’s my favourite to play by far.”

Booth’s performance on this number, in particular, is much different from a typical Cigar Club song as it incorporates a number of different percussion styles — including double bass drumming and clavés, and was influenced heavily by Latin dance music.

In agreement with his bandmates, bassist Jeff LeFort muses that “Like White Flats in Winter” came out of nowhere, at first. “It started out just as this simple instrumental chord progression, and turned into one of our favourite originals.”

Cigar Club kicked off their career in 2016 after bonding over their mutual love for John Mayer’s music. Though soft rock and blues (with a hint of soul) was once their game — and will forever be a part of their playing styles — it wasn’t until Booth joined that they mastered their iconic and alternative, punk rock sound heard today.

After the release of their first-ever EP, Cigar Club — and a year of consistent touring across Ontario, pre-COVID-19 pandemic, of course — the four-piece began garnering a mass of positive attention and developed a gigantic local fanbase, along with the fierce demand for more original music.

Along with “Like White Flats in Winter’, Cigar Club’s two previous singles, “Swimmin’ in Gold” and “…Aliens” single are now available through all major streaming platforms.

A Songwriter’s Masterclass with Christopher Ward

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Join renowned Canadian songwriter, artist, and much-loved TV personality Christopher Ward for a live and interactive YouTube take-over event with Long & McQuade Musical Instruments.

Tune in Thursday, April 29 at 7pm EDT for Through the Creative Lens: A Songwriter’s Masterclass with Christopher Ward! Watch the livestream on YouTube here: youtu.be/ivyXy1hx1RM.

Following the April release of the award-winning single, “Black Velvet” as reimagined by the songwriter himself, featured on his new autobiographical album Same River Twice launching May 28, 2021, on Wardworks/Warner Music Canada. The session will include the story of the creation of the international hit and #1 Billboard Top 100 single, “Black Velvet” and discussion on the song writing process, including:
– opening lines, deadlines, inspiration and collaboration
– how to recognize a good idea and take it to the next level
– the joy of experimentation and the importance of daydreaming
Plus, personal anecdotes including highlights from Christopher’s interviews with some of the greatest songwriters in history and a live post-session Q&A.

See the First Trailer for Questlove-Directed Documentary ‘Summer of Soul’

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In his acclaimed debut as a filmmaker, Ahmir “Questlove” Thompson presents a powerful and transporting documentary—part music film, part historical record created around an epic event that celebrated Black history, culture and fashion. Over the course of six weeks in the summer of 1969, just one hundred miles south of Woodstock, The Harlem Cultural Festival was filmed in Mount Morris Park (now Marcus Garvey Park). The footage was never seen and largely forgotten-until now. SUMMER OF SOUL shines a light on the importance of history to our spiritual well-being and stands as a testament to the healing power of music during times of unrest, both past and present. The feature includes never-before-seen concert performances by Stevie Wonder, Nina Simone, Sly & the Family Stone, Gladys Knight & the Pips, Ray Baretto, Abbey Lincoln & Max Roach and more.

Watch the First Teaser for Steven Spielberg’s West Side Story

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Watch the brand-new teaser trailer for Steven Spielberg’s West Side Story​, in theatres this December. It’s been 60 years since the original and was nominated for eleven Academy Awards and won ten, including George Chakiris for Supporting Actor, Rita Moreno for Supporting Actress, and Best Picture.

Video: Frances McDormand Doesn’t Like Led Zeppelin in ‘Almost Famous’ Deleted Scene

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Twenty years ago, Frances McDormand starred in Almost Famous as Elaine Miller, a college professor who frequently told her budding music journalist son that rock & roll was about “drugs and promiscuous sex.” In this deleted scene from Cameron Crowe’s film, she is asked to endure all eight minutes and two seconds of Led Zeppelin’s “Stairway to Heaven.” Cameron Crowe has said that if he knew this scene would not have been in the movie, he wouldn’t have made it. They couldn’t secure the rights to the song and so it was cut.

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