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Maria Muldaur with Tuba Skinny Proclaim ‘Let’s Get Happy Together’ on New Album, Coming May 7 from Stony Plain Records

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Six-time Grammy nominee Maria Muldaur, who’s been dubbed “The First Lady of Roots Music” for previous albums touching on her wide-ranging influences from blues, country, folk, jazz and even jug band music, continues her exploration of the great American roots music songbook. On her latest excursion, this time into the vintage jazz and blues sounds of the 1920s/’30s, Maria teams up with acclaimed New Orleans street band Tuba Skinny for Let’s Get Happy Together, releasing May 7 on Stony Plain Records.

Maria Muldaur recorded Let’s Get Happy Together at Marigny Studios in New Orleans along with the members of Tuba Skinny: Shaye Cohn – cornet; Todd Burdick – tuba; Barnabus Jones – trombone; Jason Lawrence – banjo; Craig Flory – clarinet; Greg Sherman – guitar; Max Bien-Kahn – guitar; and Robin Rapuzzi – washboard. This is Maria’s 43rd album release in a long and storied career, (her ninth on Stony Plain).

The Crescent City has always been a favorite destination and inspiration for Muldaur and that New Orleans feel permeates throughout the album’s 12 tracks. When Maria discovered the music of Tuba Skinny, she learned that just like her, these musicians study, play and immerse themselves in the early blues, jazz and jug-band music of the ‘20s and ‘30s. “They were not just playing a marvelous repertoire of cool tunes with great skill and authenticity, but somehow channeling the very atmosphere and vibration of that bygone era,” she says.

Maria details how she first got turned on to Tuba Skinny: “A couple of years ago, while shopping in my favorite Woodstock, NY, clothing store, I heard the most wonderful vintage jazz joyously floating through the air! “How cool that the local radio station is playing this kind of music,” I remarked to the shop owner, who informed me that that we were not listening to the radio, but some CDs of a band called Tuba Skinny. She told me they were a band of young musicians, some originally from the Woodstock area, which now lived in New Orleans and performed on the streets and at many clubs and festivals there. Having studied, enjoyed and immersed myself in early blues, jazz, and jug band music of the ‘20s and ‘30s all of my musical life, I found it almost impossible to believe we were not listening to some classic old 78s from the era, but instead to a band of young street musicians! She had to show me the CD covers before I would believe her! I was gratified to learn that there was a current crop of young musicians coming up dedicated to rediscovering and preserving the treasure trove of our rich musical past, much as my Jugband mates and I and so many others had done in the Folk Revival of the ‘60s. I immediately asked how I could get ahold of their CDs and when I returned to Woodstock a month later, she had five Tuba Skinny CDs for me, which have been in heavy rotation in my life ever since!”

Just prior to the COVID Pandemic in January, 2020, Maria asked Tuba Skinny to collaborate for a showcase performance at the International Folk Alliance Conference in New Orleans. It was so well-received that an album was immediately conceived and recorded later that year, with the title track summing it all up: “Let’s Get Happy Together!” Performing 12 songs as closely as possible in feeling to the original recordings, Maria and Tuba Skinny breathed new life into rarely heard gems from this incredible era.

“It was an amazing show,” recalls Holger Petersen, Stony Plain Records founder and executive producer of the new disc, about the Folk Alliance concert. “‘A match made in heaven’ as they say. We talked about a possible album and I am delighted that it worked out and to now hear the results. I’ve had the honor of working with Maria on many of her passion projects. There is no one who digs deeper with more respect, enthusiasm, and love for the music. She spends months researching material and preparing. This is a unique historic project that pays reverence to the early New Orleans women of blues and jazz. You can almost see the grin on Maria’s face when you hear her singing with this truly inspiring band. The music and performances are infectious.”

Maria Muldaur’s 57-plus year career is a long and adventurous odyssey through the forms of American Roots Music: blues, jug band, bluegrass, jazz and Appalachian “Old Timey” music. Besides her six Grammy nominations, as well as other blues, folk and roots awards, Maria was the 2019 recipient of the “Lifetime Achievement Americana Trailblazer Award” from the Americana Music Association.

“It is my hope that by sharing the origins of these tunes, you will be inspired to look up these wonderful artists yourself on YouTube and start exploring and enjoying the endless abundance of incredible music they left us!,” Maria adds.

Wu-Tang Clan Meets Legion of Doom

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The Legion of Doom as the Wu-Tang Clan rapping the classic, “Uzi (Pinky Ring)”. Video by Mylo the Cat aka isthishowyougoviral . Starring in order of appearance Sinestro as U-God, The Riddler as Raekwon, Scarecrow as Ghostface Killah, Lex Luthor as The RZA, Captain Cold as Method Man, Bizarro as Inspectah Deck, Black Manta as Masta Killa, and Braniac as the GZA. Check my Wu/Superfriends video, this one is the follow-up with all of their evil counterparts.

Canadian Pop Songstress Jessia Debuts Music Video For Viral Hit “I’m Not Pretty”

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After turning a short TikTok video filmed in her car into an empowering body acceptance anthem with over 70 million streams, Vancouver -based pop singer and songwriter JESSIA shares the music video for her breakthrough anthem “I’m not Pretty” today.

In the visual, JESSIA steps through the looking glass to confront her insecurities in a playful and tongue-in-cheek kind of way and falls down a rabbit hole into an imaginary yet cinematic eye-popping peach filled wonderland inspired by Roald Dahl’s ‘James and The Giant Peach’. The video illuminates the rising artist’s fun and quirky persona, which is as infectious as the song itself.

“Filming the music video was such a surreal experience,” JESSIA explains. “I kept looking around set and asking myself, ‘are all of these people here for me and my song? What? Am I really here right now? What a time. It was such a party on set! SUCH A BLAST!”

“I’m not Pretty” initially exploded on Tik Tok when JESSIA introduced an acapella hook of the song by sharing, “I don’t know if this is total trash, or if it’s actually a bop.” Turns out, it was the latter as the clip racked up 1 million views in a day. The candid lyrics describe a journey towards self-love and the emotions one can feel while on its path – a message that has instantly resonated with audiences all over the world. Since January 1, the clip has accumulated 100 million views, while the official version produced by 4x JUNO Award nominee, singer, songwriter, and producer Elijah Woods has cracked 43 million Spotify streams as she averages 5.3 million monthly listeners on the platform.

In addition to early support from international tastemakers, Grammy award winning singer, songwriter, and producer Ryan Tedder, personally reached out to JESSIA upon hearing the song to champion her work and collaborate. Together they are putting the finishing touches on new music—due out soon.

Charmaine Selected As Only Canadian Artist For “First On SoundCloud” Program

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Charmaine has been selected as the only Canadian artist among nine global acts for 2021’s First On SoundCloud, which you can view here. The campaign spotlights groundbreaking artists from across SoundCloud’s global community for a year-long investment is making them the next generation of global music stars. Spanning hip hop, electronic and pop, these artists represent the more than 10 million creators heard on SoundCloud every month.

To kick-off her First On SoundCloud journey, Charmaine taps influential artist Rico Nasty who is set to join her on Instagram Live tonight at 5:00PM EDT to announce the campaign with fans. Together, Charmaine and Rico Nasty will discuss their careers, motherhood and their individual artistry.

“I’m so humbled and grateful, it feels surreal,” Charmaine says of being the only Canadian selected. “Being a new artist is hard because you have to prove to the world that you are capable. For SoundCloud to see me, what I’m doing and decide that I am worth this spot is mind blowing. I’m ready to show the world who I am and I’m here to stay!”
Other artists selected for the campaign are Ela Minus, Kid Quill, Lourdiz, Otis Kane, Pa Salieu, Payday, Sofia Mills, and SoFaygo.

Charmaine may have started with nothing, but with her debut EP Hood Avant Garde, it’s clear that she’s coming for everything. Born in the Zimbabwean capital of Harare, Charmaine relocated to the United States at the age of five, bouncing around the Midwest with her family at first before eventually settling in Nashville for a large chunk of her childhood. Living in the American South was an eye-opening experience but by the time high school rolled around, Charmaine was already on the way to her next culture shock, this time heading north of the border to Toronto, where life would soon take a dark turn. “After we moved to Toronto, my dad got laid off,” says Charmaine, “and pretty quickly after that, we lost our house. We went to a shelter and then ended up living in a motel, all six of us in this tiny little room with just a hot plate for a kitchen.” Throughout her family’s frequent moves and financial struggles, Charmaine had always turned to music as a source of comfort and stability, something she could rely on for emotional support no matter how difficult things got. Now, sitting on the motel floor with a notebook in hand, she turned to music as a life preserver, penning her own songs and scouring the internet for performance opportunities in the hopes of writing herself a ticket to a brighter future.

Coming off her first two hit tracks “BOLD” and “WOO!”, Charmaine is emerging as one of the top rappers coming out of Canada. “While the industry at large sees a female rap renaissance, Charmaine is helping to get Canada caught up,” Complex writes.

Charmaine inspires her growing fanbase to own who they are and to do so unapologetically. She exudes confidence and a swagger like no other through braggadocious bars that will be heard on her debut EP, Hood Avant Garde arriving April 2nd.

Serena Ryder Releases ‘The Art Of Falling Apart’ Keynote

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Serena Ryder’s new album The Art of Falling Apart invites listeners to join her mental wellness journey, helping us understand the importance of sitting with the uncomfortable moments and the wisdom in their messages. But what many don’t know is that the album is based on an eponymous keynote speech Ryder wrote in 2019, which she’s shared with organizations and at events across the country. When Ryder was struggling with her worst mental health challenges, she felt like nobody understood her, and she wrote this speech to show others that they’re not alone. It chronicles her journey as performing artist and tells the strategies she’s learned to not only survive, but thrive. In an effort to make these messages more accessible to everyone, Ryder developed a condensed, animated version of the speech, which you can watch below.

Brazil-Born, Montreal-Based Tricia Fitz Speaks Up with New Video for “Millennials”

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Brazil-born, Montreal-based music artist, Tricia Fitz, captures the essence of the Gen-Y lifestyle with her fetching new lyric video single, “Millennials” — available now!.

At a runtime of three-minutes-thirteen-seconds, “Millennials” presents itself with an energetic and fun power pop rock foundation, laced with ragtime keys, trickling synths and brought together with Tricia Ftiz’s signature radiant vocal style. Her keen awareness of the generation’s stereotypes, along with the aforementioned instrumentation makes for a spirited single that’s easy to identify with and sing along to.

The lyrics address the reputation Millennials have garnered in a very self-aware manner, brought about in a playful and modestly satirical way. At the same time, they lend a voice to a generation that is seemingly misunderstood by the generations that both precede it (Gen-X) and follow it (Gen-Z).

“The line “Whoop as you please” was meant to be a way to say that, yeah, we may have destroyed the doorbell industry and everyone hates us, but we’re trying our best here so hush now,” Tricia reveals.

When it comes to the overall identity of the single, she describes it as having been inspired by friends and acquaintances who fit the stereotype. “I wanted a song that, while at the same time made fun of the stereotype, was oddly comforting to those who relate to it,” says the artist. “My favourite part about it is the group vocals, where I gathered my best Millennial friends in the studio and we all had a wonderful afternoon whooping and chanting.”

The lyric video for the single is two-pronged. While it displays the lyrics in a sing-along fashion, Trica Fitz herself also appears in the video to embellish them with her chipper demeanour. Her appearance was (mostly) improvised, save for the inclusion of a few props, and was done in a one-shot style.

Tricia Fitz describes her thoughts on the live action/lyric format by saying: “My favourite thing about the hybrid format is that people are able to get a better sense of the song and its satirical undertones. It was a way to showcase theatricality and perform, and I had tons of fun with it.”

Tricia Fitz not only does vocals for the single, but also sweetens it up with her harmonies and piano/synths. Other accompanying talents are Matt Nozetz on drums, bass and rhythm guitar, as well as Gustavo Pedro on lead guitar. Her vocal army on the single consists of: Felicia Corbeil, Marc-Antoine Fortin, Izzy Landry, Angela Marino, Brooke Murray, Matt Roumeliotis, Martin Thomas-Couture, Emily Yakimchuk, Jeffrey Yakimchuk.

This isn’t her first foray into the music industry. She’s been involved since 2008, as a vocal coach, and launched her debut album, The Storm, in 2016. Her latest effort, Epic Penguin Sharks, was released on February 12, 2021. Having developed artistically since her debut, she cites Freddie Mercury, Devin Townsend and Andrew W.K. as her most current influences.

“Millennials” was written, co-produced, and co-arranged by Tricia Fitz and Matt Nozetz — who also joined in the same capacity for Epic Penguin Sharks; it was recorded, mixed, and mastered by Nozetz at Avbury Studios in Montreal.

BigMotorGasoline are Pedal to the Metal on ‘The Way Things Used To Be’

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At 200,000+ streams across platforms, chart-topping Canadian rockers BigMotorGasoline are pushing pedal to the metal when it comes to this, their latest album The Way Things Used To Be, and new video for single “Whiskey Down” — both available now.

Their sophomore offering, The Way Things Used To Be is working man’s, A+ grade, southern rock with a bluesy swagger at its finest. And the video for “Whiskey Down”? Reminiscent of life pre-COVID.

“Making this album was a great experience from start to finish,” lead vocalist and rhythm guitarist John Freitas says of the 10-track release, “and ‘Whiskey Down’ is my favourite song from it.

“It paints a picture for me,” he continues. “It’s a snapshot of where I love to be, kicking back in the country. And from a song that was written more than three years ago at a friend’s house, to the video that we’ve just now released, in the middle of a pandemic and our industry’s total disruption, no less?

“It’s been a journey.”

The track was initially penned before the current rhythm section was in place, and “was quite different,” Freitas adds. “But once the BigMotorGasoline lineup was solidified in 2018, the song was ripped apart and rebuilt with all of us contributing to make it a true four-man effort.”

Fast-forward, making the video was just as much of a wrestle as they swerved left on previous plans. “When the pandemic hit, all our live shows needed to be cancelled,” lead guitarist Roger Dafoe says. “Making videos was the answer when we asked ourselves what we were going to do, but even that decision wasn’t as easy as it seemed.”

Restrictions around gatherings and the camera crew’s mismatched availability delayed the shoot through to mid-September. “It was one of the last warm, sunny days before the arrival of winter,” Freitas recalls. “Roger led the way on his four-wheeler down a very narrow trail, deeper and deeper into the woods just west of where he’s based in Tweed, Ontario.

“I slowly drove my van, which was fully loaded with gear, thinking: ‘can I make it there?’

“I did.”

“We arrived at the sight of an old, broken-down shack that was used for producing maple syrup,” bass guitarist and backing vocalist Dave Brown explains. “For our purposes, though, it was going to be a moonshine shack. There was a cliff on one side of us, and very tall trees all around; it made us realize the effort to get there was the right choice.”

It was a skeleton crew of just two camera persons and, as it turned out, those very tall trees would force BigMotorGasoline’s hand at reimagining the pre-planned scope. “We realized the idea of drone footage from above needed to be scrapped due to the many trees in the way,” drums and percussionist Sterling Dale shares. “There were cameras on the ground, in the trees, on roofs, and on amps; it was ‘as many shots and as many angles as we could capture that day was going to have to do.’”

The original storyboard was to feature a backwoods party to set the scene of the song but, not wanting to risk fines for more than 10 people gathered, the band pivoted once again.

“Change on the fly,” Freitas considers. “It’s been a whole year of that, for everyone, and we’ve done what we can to keep getting music in the hands of fans who need an escape from the stress, and just want to rock out and have a good time.”

‘Doing what they can’ is a considerable understatement when considering the Peterborough-area band’s track record. As far as release offerings go, videos from The Way Things Used To Be are consistently welcomed with upwards of 40,000+ views apiece — including “Iron Horse, and the 10-track LP’s title track, “The Way Things Used To Be.” “Whiskey Down” has recently passed 52,000+ views within six weeks of release.

Between the music found on The Way Things Used To Be and their breakthrough debut, Fuel to Burn, BigMotorGasoline have been featured on upwards of 150+ radio station around the world — including nationally across Canada, across the US, Germany, South Africa, Spain, Australia, and the UK; Fuel to Burn’s “BYOT” hit #2 on CJIM’s 2016 Top 30. BigMotorGasoline have been featured in the UK’s Rock & Metal Magazine, and the forthcoming edition of Moto Kul:Ture Magazine.

Dale is a sponsored artist with Soultone Cymbals, and the band has performed with the likes of Sebastian Bach (Skid Row) and Bonds Of Mara. Currently approaching ‘live performance’ in a new way, the band is set to headline at Belleville’s Empire Theatre this month for a future-streamed performance.

Coding: Top 5 trends 2021

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  1. Code is becoming more readable

Apps are getting more and more complicated by architecture, but they need to be constantly updated and maintained – the code must be easy to read and understand.

Actually, an app can live for ten years. During this time, developers will need to understand the code written by others. Therefore, it is important, the programs not only solve their problems but also be neatly written, understandable. To learn how to write great codes, you can use programming homework help.

  1. The rise in popularity of mobile development and machine learning

Mobile development has become commonplace in a few years. Many companies launch only mobile apps, without thinking about their browser and desktop versions. That’s why standards are being developed more strongly.

On the one hand, this is harder, but on the other hand, the community benefits from educating newcomers.

  1. Machine learning is becoming a part of life

Prediction and data processing are helpful in day-to-day situations. There are more and more apps for facial recognition and voice-to-text processing.

At the same time, there are more and more platforms. In 2020, Apple equipped its laptops with ARM processors, which used to be only for smartphones and tablets. Therefore, developers must take into account all the existing technical possibilities so apps could work anywhere.

  1. Programming is getting younger

Kids and teens are learning coding in online courses or on their own. Already at the age of 13-15 they can develop apps, put them on the AppStore or Google Play and even make money from it. Some of them start their development careers this way and compete with college graduates and older colleagues. It’s very important to help your child with it. Allow your children to use do my homework service and let them focus on something more important.

  1. Artificial Intelligence is available to everyone, but it must be ethical

The democratization of AI has a positive effect on the industry as a whole, as it empowers developers by making their ideas more feasible. Over the past 10 years, machine learning and artificial intelligence technologies have evolved from “laboratory extravaganzas” into tools that are actually in use.

Bonus: Outsourcing software development

Outsourcing in the software industry has become quite popular. Between 2019 and 2023, the IT outsourcing market is expected to thrive at a compound annual growth rate of 4.42%.

2020 will be the year of IT outsourcing projects. Businesses are constantly looking for ways to find the most cost-effective way to incorporate all the latest technology trends into their products.

Researchers has found that a key factor behind the increased need for IT outsourcing is the growing need to streamline business processes. IT outsourcing companies are being hired to provide exceptional software development services for companies.

 Conclusion: software development trends 2020

The software development industry is expected to undergo a real revolution next year, thanks to the latest technologies. Constant advances in technologies such as AI and AR/VR are the main reason for the dynamic nature of this industry.

Every business needs to incorporate these thriving technologies to evolve. It’s the only way to survive in this competitive world. If you are interested in winning this race, then hire software developers.

 

Five Sweet-Sounding, Exotic Audio Systems

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Car enthusiasts are also often audiophiles – and that doesn’t just go for the sound of a raucous, growling engine, such as in the Audi R8, but for the auditory pleasure a bumping sound system can deliver, too. There are some genuinely mesmerizing sound systems from the original equipment manufacturer (OEM) these days – often standard-fit in high-end luxury vehicles or available as optional extras in top-tier trims. These systems can be out of reach, however, being that they’re in the cars not everyone can afford. So, here’s a list of just some of the most incredible, bespoke audio systems out there:

Harman Kardon

Harman Kardon is one of the best names in the automotive sound system business and has featured systems in cars from Audi, Alfa Romeo, BMW, Polestar, and more. In a recent partnership with Polestar, Harman Kardon designed a bespoke 13-speaker setup with 600 watts of power for the Polestar 2 SUV. It was designed to complement the car’s minimalist and digital essence using a ventilated subwoofer in the rear cargo area cavity for high-quality bass, and another air-powered subwoofer in the dashboard for a surround-sound effect. All the driver-assist technologies are also hooked up to the system for distinct, easy-to-place sounds.

Revel Ultima

Exclusive to the Lincoln Aviator full-size crossover SUV is a 28-speaker 3D audio system consisting of four sets of dual-height speakers in the headliner, developed by Revel Ultima. The system comes with an immersion control slider that allows the passengers to choose by how much they want to be enveloped by the music, essentially enhancing the audio experience for occupants in all six seats. There are three listening modes offered, too: stereo, which has the audio emit from either side of the cabin, audience, which creates a front-row concert hall feel, and on-stage, which delivers a 360-degree, surround-sound experience.

Bang & Olufsen

Bang & Olufsen is another well-known car audio brand that typically features its systems in high-end European vehicles. A first, however, is the B&O Unleashed sound system featured in the all-new Ford F-150 pickup truck – an 18-speaker layout tuned to deliver a high-quality audio experience to all occupants, no matter what seat they’re in. There are even speakers mounted within the headrests of the seats to provide a “near-ear” audio experience. Along with those, speakers in the headliner create a multi-dimensional effect.

Bowers & Wilkins

When it comes to premium audio technology, Bowers & Wilkins may be relatively new to the game, but is still one of the most prodigious. Jaguar was the first automaker to have used B&W systems, and now they can be found predominantly in Volvo’s latest range. A unique element in B&W’s tech are the Diamond Dome tweeters which are speakers made using genuine diamonds. The thin diamond layer makes for incredible levels of audio purity, even when the system is cranked up to high volumes.

Dolby

Dolby is, of course, a very well-known technology brand, so while this one may not be quite as exotic as the others, it’s the specialized sound system and the car it’s going into that are quite extraordinary. A new automaker, Lucid Air, will soon be debuting its first all-electric luxury car in the USA and plans to include a top-notch 21-speaker surround-sound audio system as part of the package. It will include intuitively positioned front, mid-side, and rear speakers strewn throughout the cabin of the sedan. Lucid Air tasked Dobly with tuning the Atmos layout (a multi-dimensional sound experience) and even went to legendary mixing studio ‘Capitol Records Studio C’ to reference the sound design.

Other In-Car Audio Brands

There are loads of other in-car audio brands on the market, here are some:

  • Meridian
  • Krell
  • Revel
  • Lexicon
  • Burmester
  • Mark Levinson

Because of how advanced these audio systems are, many active driver assist systems and safety measures are being incorporated in them, too, offering a practical solution to placing certain audible alerts. For example, audible blind spot alerts will emit from the direction a vehicle is detected at.

Juno Nominated Crown Lands Drop Two New Tracks Because That’s What Legends Do

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Coming off a breakthrough year including receiving their first Juno Award nominations for “Rock Album of the Year” and “Breakthrough Group” earlier this week, today, powerhouse Canadian rock duo Crown Lands—Cody Bowles (vocals and drums) and Kevin Comeau (guitar, bass, and keys)—make their mighty return with two new songs “Context: Fearless Pt. 1” and “Right Way Back.” Backed by Universal Music Canada, the band premiered the tracks and the seven-minute official video for “Context: Fearless Pt. 1”.

The songs bring Crown Lands back to their prog-rock roots and point the way to a limitless future while connecting the group to their legendary countrymen Rush, the band that served as their initial inspiration, in ways they never could have expected. “Context: Fearless Pt. 1” is a full-circle moment for Crown Lands as their admiration for Rush is returned back to them by three producers who were vital to Rush’s iconic career. Bowles reflects, “To have grown up with nothing but the purest adoration for this band, to have finally scaled the impossible summit together and sit at the table with our heroes is a humbling surreality unlike anything else. Working with these legendary producers-now-friends is something we hold near and dear to us. If life is a wheel, please let it spin.”

Early last year, Crown Lands revisited “Context: Fearless Pt. 1”, a song they had been working on for years. They cut early demos with Terry Brown, Rush’s producer for ten years – a dream come true for two massive Rush fans. After touring and performing the song live, it got sharper – so they decided to re-record it. This time around, they travelled to Nashville to collaborate with Nick Raskulinecz, Rush’s producer in their later years. “These guys are the two most important producers in Rush’s career,” says Comeau. But the day before the scheduled session, Rush’s legendary drummer Neil Peart died after a fight with brain cancer. Crown Lands assumed the trip was off, but Raskulinecz texted them with a message: “you guys need to carry the torch—you need to come down here.” In the studio, the producer brought out a drum kit that Peart had used on the 2007 Snakes & Arrows album for Bowles to play – in what they call “the most spiritual experience in my life.” Finally, to produce the vocals, the duo hooked up with David Bottrill—who remixed Vapor Trails, Rush’s 2002 comeback record. “He’s the mythical third Rush-associated producer,” says a disbelieving Comeau. “This one fucking song had the triad of Rush producers!”

The second new song, “Right Way Back,” is a tribute to Peart that came almost effortlessly. They brought it to Nashville as a rough demo, working out the chorus and writing the lyrics on the spot. “It’s about the feeling of trying to carry on from where your heroes left off,” says Comeau.

The final recording for “Context: Fearless Pt. 1” is an epic, hydra-headed beast of a song, complete with a full-scale, Mandalorian-style sci-fi music video which premiered on today with Rolling Stone.
Crown Lands enlisted Blake Mawson, their collaborator on the “Leadfoot” video, to help them realize their concept.

“When Crown Lands approached me about working on a second video together, I was blown away by the scope of the vision they had in mind for their upcoming release,” said Mawson. “In the video, Crown Lands saw themselves as space travellers on a diplomatic mission to spread music to new worlds. A sort of retro-galactic space fable. Among their stop-overs on this voyage is a fallen civilization on a planet where music and hope had been lost for generations.” Watch the seven-minute intergalactic Orc-filled adventure here.

Crown Lands’ Juno-nominated, self-titled debut album, produced by Grammy-nominated Dave Cobb, was released in the summer of 2020, to widespread acclaim from the likes of Guitar World, Kerrang!, and American Songwriter; coverage from the BBC and the CBC; and placements in campaigns for Peloton, the Canadian Football League, and the incomparable “Hockey Night in Canada” franchise. Most recently, Crown Lands debut album was nominated for “Rock Album of the Year” alongside a nomination for “Breakthrough Group of the Year” at 2021 Juno Awards. But without the ability to tour during a global pandemic, the pair was frustrated by their inability to bring their blistering, hard-charging music to the people. So, like most of us, they adapted. They released an acoustic EP, Wayward Flyers Volume 1, including a cover of Neil Young’s “Birds.” They also focused on the politically charged song and video “End of the Road,” which pays tribute to the Indigenous womxn, girls, and two-spirits who have gone missing on the Highway of Tears in North British Columbia.

Hailing from Southwestern Ontario, powerhouse Canadian rock duo Crown Lands –Kevin Comeau (guitar, bass, and keys) and Cody Bowles (vocals and drums) – are a startling fresh jolt of energy, making music that brings together a range of influences from folk and blues to psychedelic prog rock. The group’s name is indicative of their musical ambitions: “Crown Land” is territorial area belonging to the monarch—or, as Bowles (whose own heritage is half Mi’kmaw, an Indigenous tribe from Nova Scotia) puts it: “Crown Land is stolen land and we are reclaiming it.”