When an average person takes a quick look at the typical song lyrics, it may seem simple to translate them, yet it takes way more than that to explain the original meaning and explain the creativity and the poetic devices of the foreign language. While it may seem natural to translate it all precisely just like a machine translation would, the most popular approach is to create a poetic masterpiece in one’s native language that would transpose the emotional content and have a certain poetic value. Since a great share of slang words and specific expressions will be completely different from language to language, one must consider being creative and knowledgeable at heart to handle the translations of song lyrics correctly!
4 Steps to Translate Song Lyrics
Set Your Priorities. In most scenarios, you do not need a direct translation of the song lyrics unless you are dealing with analysis and the exploration of the foreign language literary devices. Likewise, if your task is to keep the singability and fit in within the original (or a slightly changed) musical background, you must consider the original content unless you already have a new set of lyrics that are completely different from the original. For example, we can take the famous “Love to Hate You” by Erasure, which has been translated more than once in Spanish, German, or Russian. As one can see, the lyrics have been changed a lot, yet the musical part and singability of the original have been kept.
Consider Country-Specific Content to Convey The Original Meaning. Another crucial part is the use of certain proverbs and slang expressions that can be encountered in any genre of music. It can be a reference to a country’s history or the slang used by jazz musicians or someone coming from the American South. Since your translation may be dealing with English to Japanese as an example, one has to find relevant proverbs or expressions in a target language to convey the meaning and express the same set of emotions if possible. You can approach the best translation companies in USA and discuss this aspect of lyrics translation before you start. As a rule, you will encounter creative personalities who may offer various options that will keep you satisfied!
Adapt The Context of The Song To Your Target Language. The final translation must remain true to the original context of the song while sounding natural in your language. For example, if you are dealing with a song that speaks of a Spanish festival and the local meals, it has to be adapted in terms of your local culture by using certain terms and additional explanations that will make sense to your target audience. In other words, some things that will sound clear and natural to Spaniards or your English-speaking audience may sound odd and out of place to Chinese.
Know Your Target Audience And Objectives. Most importantly, always consider your target audience and the list of professional goals that you want to achieve as a translator. Ask yourself about what matters more to you: the direct content and the meaning or the creative approach to song lyrics translation. Remember to read it aloud and compare it to the original meaning to ensure that nothing has been missed in terms of time, ideas, cultural context, numbers, or anything that is often lost in translation.
Direct Translation VS Creating Something New
In either case, you will always create something new, which is why one must consider the source and the intention of your translation. For example, if you want to translate certain song lyrics for a singer and meet the timing, it is one case while you may provide a translation that does not have a rhyme but sounds direct for subtitles or overdubbing in movies like what many of us have seen in Bollywood films or anime series. As long as you stay creative and true to the source, you are on the right track!
BIO
Merissa likes exploring various cultures and language specifics through various art forms. Her posts always see the world through the lens of being innovative and creative.
Is modern music crying out for the sort of icons that used to dominate the artistic landscape towards the end of the last millennium? Or are music fans simply being taken for a ride by record companies who own the rights to classic backlists and want to cash in?
It is a debate that will rage on for years to come. However, there can be no doubt that there is at least some genuine hunger for artists of the past.
This can manifest itself in the cultural zeitgeist in many ways, but one that is increasing in popularity is that of online games, some of which are being created almost as an homage to guitar and microphone heroes of yesteryear.
Here are some of the best online games that go out of their way to put music front and center of the entertainment experience they provide.
Music is so often vital in order to create an immersive in-game experience
Reels Spin in Time with the Classics
One genre of online game that has always paid particular attention to bands and recording artists is that of online slots.
Some of the titles that have been released in recent years include Guns N’ Roses, Jimi Hendrix, and Motorhead, all of whose titles leave little to the imagination when it comes to the sort of music and aesthetics they will exude. Many of these can be played using free spins which are collated at comparison websites like oddschecker.
The great thing about playing slots online is that players can either choose to enjoy a game’s music inspired sound effects, or they can mute them, and plug in an album or their favorite track.
There has always been a strong link between music and the world of online games
Entire Gaming Soundtracks Entrusted to Bands
When it comes to bands putting their mark on a gaming title, the gold standard is undoubtedly Quake, whose soundtrack was entirely put together by Nine Inch Nails.
Rappers Lend Their Voices and Lyrics to Online Games
Another trend that has been prevalent in many online battle royale games has been imbuing in-game avatars with the dulcet tones of a famous rap artist.
Perhaps the most well documented gaming voiceover was done by Snoop Dogg for COD: Ghosts, where, for a small additional price, the California native provided gamers with advice, encouragement, and commiserations, all in his inimitable tone and style of delivery.
Scatter symbol does not have a specific picture or graphics, oftentimes it is unique to a slots theme. Scattered symbols as the name implies can be scattered all about the reel. It does not have a particular arrangement pattern. The scatter symbol when it appears can bring about mini-game, free spins, and other types of bonuses.
In a slot game, the scatter symbol is a very important element in unlocking several fun bonus features in a slot game – visit Barbados Bingo. The scatter symbol is not new, but in today’s gaming, it can be used in diverse ways. Originally red cherries were the symbol of the scattered symbol.
How to know if a game has a scatter symbol
The paytable is one important place that every gamer must visit before deciding to play a slot. Access to the paytable can be gained through the gaming screen. When the paytable icon on the gaming screen is clicked, a box icon is opened up. This box icon will give information that is peculiar to that slot. It includes information on bonuses, scatters as well as wild. Once the paytable of a game is read beforehand it prepares the player and also gives adequate information on how those symbols work. They working individually or they work when they are combined with other elements.
Functions of the scatter symbol
For a win to occur the scatter symbol can appear anywhere on the reel. It doesn’t need to appear on the win line.
The scatter symbol cannot be replaced by the wild symbol.
The rules of scatter symbols in games are different. It is essential that a player examines the Payline of a game before playing.
Three or more scattered symbols can appear on the reel. As a result of this wins can be multiplied in several folds.
There exists a scatter icon that can be used to trigger the bonus game. You trigger a feature of the slot if you get three scatters on the Payline.
Scatters symbols are one of the biggest paying symbols in a slot game.
Types of scatter slot games
Unique scatter
Wild scatter
Scatter pays
Reasons for including Scatter symbols in slot games
Below we will be highlighting some reasons why developers of the game include scatter symbols in slot games.
Special feature- developers of gave include Scattered symbols in games so their gamers can have access to special features. Such special features include free spins, bonuses, and interactive mini-games.
Players satisfaction- developers of games include scattered symbols so that their players can have maximum satisfaction while gaming. It is natural that a gamer will be a regular visitor to a slot that presents him with a higher probability of winning.
·Extra free spins bonuses- as gaming keeps advancing so do the innovations of the developers. The scattered symbols are another avenue where the developers can bring out their innovation in terms of bonuses and free spins.
From the haunting, funereal bells and emotional wails of opening track “Mother,” it was immediate – John Lennon’s first solo studio album was unlike anything he had made before. Recorded in 1970, shortly after the demise of The Beatles, John Lennon/Plastic Ono Bandsaw John stripping away the artifice and ornamentation for a visceral artistic exorcism that was confessional, raw, painfully honest, and revelatory. Inspired by the primal scream psychotherapy he and wife Yoko Ono had been practicing with Dr. Arthur Janov, John, joined by the minimalist Plastic Ono Band – Ringo Starr on drums and Klaus Voorman on bass, and producer Phil Spector – confronted his demons, professed his love for his wife, railed against false idols and declared the dream was over on his most personal album. Today it stands as the towering achievement of his solo career – the moment the biggest rock star in the world bared his soul for all to hear – as real as it was revolutionary.
On April 16, Yoko Ono Lennon and Capitol/UMe will celebrate 50 years of Lennon’s transformational and influential masterpiece, with the eight-disc super deluxe box set, John Lennon/Plastic Ono Band – The Ultimate Collection, an immersive, deep listening experience and in-depth exploration of what John described as “the best thing I’ve ever done.” Fully authorized by Yoko Ono Lennon, who oversaw the production and creative direction, and from the same audio team that worked on 2018’s critically acclaimed Imagine – The Ultimate Collection, including triple GRAMMY®-Award winning engineer Paul Hicks and mixers/engineers Rob Stevens and Sam Gannon, the Ultimate Collection puts listeners in the center of the studio and explores the album’s 1970 recording sessions at EMI Studios 2 & 3, Abbey Road along with Lennon’s post-Beatles singles, “Give Peace A Chance,” “Cold Turkey” and “Instant Karma! (We All Shine On)” from inception to the final master through scores of unreleased and rare demos, rehearsals, outtakes, jams and studio conversations, revealing how these beloved songs came to be. Everything in this expansive box set has been newly mixed from scratch from brand new 192kHz/24bit hi-res transfers. In addition to the various new mixes, the set boasts 87 never-before-heard recordings.
This historical, remixed and remastered collection features 159 tracks across six CDs and two Blu-ray audio discs for more than 11 engrossing hours of music and includes two postcards (“Who Are The Plastic Ono Band?” and “You Are The Plastic Ono Band”) a “War Is Over!” poster and a comprehensive 132-page hardback book with lyrics, rare photos, tape box images, memorabilia and extensive notes. Designed and edited by Simon Hilton, the Compilation Producer and Production Manager of the Ultimate Collection series, the book tells the story behind each of the songs and the making of the album in John & Yoko’s words and the words of those who worked alongside them, through archival and brand new interviews.
Yoko writes in the preface of the book: “With the Plastic Ono Band albums, John and I liked the idea of this really raw, basic, truthful reality that we were going to be giving to the world. We were influencing other artists, giving them courage, giving dignity to a certain style of vulnerability and strength that was not accepted in society at the time. It was a revolution for a Beatle to say, ‘Listen: I’m human, I’m real.’ It took a lot of courage for him to do it.”
This truly unique expanded edition includes the lively improvised jams John and the band would play between takes, belying the intense subject matter of the album, and the full live recording session of Yoko’s companion LP, Yoko Ono/Plastic Ono Band, which for the first time presents the songs in their full, unedited lengths and speed, and includes three unreleased improvisations.
Similar to the previous Ultimate Collection, the set offers a variety of new listening experiences that are at once immersive and intimate, ranging from the brand new Ultimate Mixes of the timeless album, which put John’s vocals front and center and sonically upgrade the sound, to the Elements Mixes, which isolate and bring forth certain elements from the multitrack recordings to reveal even deeper levels of detail and clarity, and the Raw Studio Mixes, which allows listeners to experience the moment John and the Plastic Ono Band recorded each song, mixed raw and live without effects, tape delays or reverbs. The Evolutionary Documentary is a unique track-by-track audio montage that details the evolution of each song from demo to master recording via instructions, rehearsals, recordings, multitrack exploration and studio chatter. The Blu-rays present an array of listening options including high-definition, studio quality 192kHz/24bit audio in stereo and enveloping 5.1 Surround and Dolby Atmos mixes.
Plastic Ono Band will also be released in concurrent multiple physical and digital configurations, including as a 1CD that includes the Ultimate Mixes of the original album and the three non-album singles and as an expanded 2CD or 2LP version that adds a disc of outtakes of each song.
The original John Lennon/Plastic Ono Bandalbum has been faithfully remixed from the ground up by the aforementioned Paul Hicks at Abbey Road Studios under the supervision of Yoko Ono Lennon. Hicks utilized high-definition 192kHz/24bit audio transfers of the original first-generation multitrack recordings to create the best possible recreations of the originals. The result is these new Ultimate Mixes now reveal whole new levels of sonic depth, definition and clarity, especially in 5.1 Surround Sound and Dolby Atmos. “Yoko is very keen that in making The Ultimate Mixes Series, we achieve three things: remain faithful and respectful to the originals, ensure that the sound is generally sonically clearer overall, and increase the clarity of John’s vocals. ‘It’s about John’ she says. And she is right. His voice brings the biggest emotional impact to the album.”
The collection includes unreleased stereo outtakes of each song which have been mixed with a balance and EQ more akin to the original album mixes, with a little bit of additional effects – in the style of a “rough listening mix” that John & Yoko and Phil Spector would have used to play them back at Abbey Road. Highlights include “Mother” (Take 61) which removes the opening bell and has the drums mixed in mono, “Love” (Take 6) with Lennon performing the song on acoustic guitar without the aid of Spector on piano and the first rehearsal of “Remember” (Rehearsal 1),which started off as a slower, more subdued, song than the rollicking one it evolved into, “Well Well Well” (Take 2) which ends with an instrumental jam, the alternate clawhammer strumming on “Look At Me” (Take 2) and “Cold Turkey” (Take 1) with some seriously funky guitar playing by John and Eric Clapton.
In addition to the outtakes, the original recordings of each song, either from a home cassette, home tape, or the very first rehearsal or run-through in the studio are included. It’s remarkable to hear how fully formed many of the songs were before they were brought to the studio and what they transformed into. Most of these recordings have never been released until now.
The Elements Mixes mixed by Hicks bring some of the buried elements not otherwise heard, or in some cases used, up to the surface and presents them on a wider and brighter sound stage to reveal deeper levels of detail and clarity. The idea behind these is that once these elements have been heard listeners will hear details previously hidden in the album mixes in a completely way. These range from John’s isolated vocal track for “Mother,” the conga on “I Found Out,” the extra vocals on “Hold On,” the alternative organ take on “Isolation,” unused maracas on “Well Well Well” and the original guide vocal for “God.”
Mixed by Rob Stevens, the Raw Studio Mixes transport listeners to the center of the studio at Abbey Road to experience what it was like to bear witness to the recording sessions. The songs have been mixed without effects, tape delays or reverbs, recreating as close to possible what these performances sounded like raw and live. The Raw Studio Mixes stand on their own to provide a markedly different set of listening experiences, stripping away the sound-shaping techniques that were used in the production of the original 1970 album to reveal further nuance and depths in these unadorned studio performances.
The Evolution Mixes are mini-documentaries that explore the development of each song through their elements, arrangements and the musicians that play on them. Edited down from all the original 8-track multitracks, quarter-inch live recordings and mixes and a few demo cassettes by Sam Gannon, generally each Evolution Mix runs through each song’s sessions chronologically, starting with the demos and/or early takes and ending with the final mixes; documenting their creative journey from inspiration to finished work, exploring different, sometimes hidden parts of the multitracks and including all the best method, magic, craftsmanship and conversation during the development of the songs. Throughout the sessions, there is a sense of lightness and joviality that contrasts the heavy and, at times, very intense themes which run through much of the album. These mixes provide a window into that world, putting the listener in the center of the studio with John, Yoko, Phil and the Plastic Ono Band. Despite the serious nature of the album, John and the Plastic Ono Band, which sometimes included Yoko, Billy Preston and Phil Spector, had fun in between takes by spontaneously jamming classic rock ‘n’ roll songs, improvisations and even early versions of some of John’s other songs. For the first time, these 22 jams are being made available and are presented in the order they were recorded. Some of the many gems include impromptu performances of Chuck Berry’s “Johnny B. Goode,” Fats Domino’s “Ain’t That A Shame” Little Richard’s “Send Me Some Lovin’” and a hilarious sendup of Elvis Presley, illustrating John’s love for early rock ‘n’ roll. Other highlights include loose run throughs of “Hold On” and a couple early attempts of “I Don’t Want To Be A Soldier Mama, I Don’t Want To Die,” which would end up on his next album, Imagine.
On October 10th, the day after Lennon’s 30th birthday, Yoko, John, Klaus and Ringo recorded a freeform experimental jam session that would be edited into Yoko’s concurrent album, Yoko Ono/Plastic Ono Band. For the first time ever, the full session, more than three times the length of the original album, can be heard as part of the Blu-ray in its entirety. Newly mixed by Sam Gannon, it is being presented in high-res audio and in its originally performed speed with no edits, with tracks like “Why” clocking in at 18 mins and “Why Not” exceeding 21 minutes. The live session is bolstered by three improvisations that have never been released before: “Life,” “Omae No Okaa Wa” and “I Lost Myself Somewhere In The Sky.”
Released on December 11, 1970, John Lennon/Plastic Ono Band followed three hit singles John released in 1969 after the breakup of The Beatles – “Give Peace A Chance,” “Cold Turkey,” and “Instant Karma! (We All Shine On),” three avant-garde recordings released with Yoko (Two Virgins, Life With The Lions, and Wedding Album) and the live concert album, Live Peace In Toronto 1969, recorded with the ever-evolving Plastic Ono Band, which for this legendary performance featured Eric Clapton, Klaus Voormann and Alan White.
John Lennon/Plastic Ono Band was John’s first post-Beatles solo album so interest was high to see what he would do with his newfound creative freedom. The answer shocked the world. Gone was any florid instrumentation or psychedelia as on Sgt. Pepper’s or the kind of jaunty rock and abstract poetry of the band’s final album, Let It Be, and in its place were deeply emotional, profound, autobiographical songs about being abandoned by his mother and father, the loneliness of stardom, his dear Yoko and the end of the cultural revolution. Soundtracked by simple and sparse instrumentation and minimal yet majestic production, Lennon’s voice pierced listener’s hearts like never before as he revealed his true self. It marked his true birth as a solo artist. The album reached the top 10 in both the US and UK, despite the absence of a major hit single.
50 years on, John Lennon/Plastic Ono Band is widely considered one of the best albums ever made. Most recently Rolling Stone, who also dubbed it #4 on their list of Best Albums of 1967-87, ranked the album #85 in their 2020 reassessment of The 500 Greatest Albums Of All Time, hailing it ahead of its time: “a pure, raw core of confession that, in its echo-drenched, garage-rock crudity, is years ahead of punk.” Pitchfork awarded it #60 in their Top 100 Albums of the 1970s list and it was selected by Time as one of the 100 Best Albums of All Time, declaring: “Lennon’s writing was never sharper, and his still-underrated singing stands with rock’s finest.” As Rolling Stone’s retrospective review remarked, “left out in the open, without protective harmonies or racket, Lennon’s singing takes on an expressive specificity that anyone in search of the century’s great vocal performances would be foolish to overlook.” A 2010 review from the BBC perhaps summed it up best: “The reality of Plastic Ono Band is that it contains eleven of Lennon’s most accessible and gorgeous melodies and riffs; it’s pure Beatles, but with the layers of studio sophistry stripped away to reveal the nub of the confessional crux. The heartbreaking scream of loss that is ‘Mother.’ The mirror image of ‘My Mummy’s Dead’ and its invention of all things lo-fi. And, in-between, the savaging of aspiration in ‘Working Class Hero,’ the pinched proto-punk fury of ‘I Found Out’ and ‘Well Well Well,’ the fear and self-loathing of ‘Remember’ and ‘Isolation,’ the poignant grasps for comfort within ‘Love’ and ‘Hold On,’ and the slaughter of gods, monsters, The Beatles and the false idols of the 1960s in the peerless ‘God,’ which is still, very possibly, the most thematically ambitious and courageous rock song ever recorded.”
John Lennon/Plastic Ono Band – The Ultimate Collection continues the 50th anniversary celebration of this iconic album, which began in October 2020 with the release of the book, John & Yoko/Plastic Ono Band for what would have been Lennon’s 80th birthday. With first-hand commentary by John & Yoko, members of the Plastic Ono Band and other key figures in their lives – including Ringo Starr, George Harrison, Klaus Voormann, Rolling Stone founder and editor Jann S. Wenner and therapist Arthur Janov – and packed with evocative and revealing letters, artworks and photographs – many unseen – by Annie Leibovitz, Richard DiLello, Ethan Russell, Iain Macmillan, John Reader and David Nutter, this incisive volume offers new insights into the raw emotions and open mindset of Lennon after marriage to Ono and the breakup of the Beatles. Beautifully packaged, this landmark publication is hardbound with black-sprayed edges and stenciled with “Who are the Plastic Ono Band?” – riffing on an early teaser campaign for the album from 1970.
Finding Wildflowers (Alternate Versions)—the latest offering of Tom Petty music, curated with help from his loving family, bandmates and collaborators—will be released on April 16 via Warner Records. The tracks, which were previously released on the limited-edition Super Deluxe 9-LP version of 2020’s Wildflowers & All The Rest, will now be available on limited edition gold vinyl for TomPetty.com and indie retail, CDs and on all digital streaming platforms for the first time. A black vinyl release will follow on May 7.
Today, “You Saw Me Comin’,” a previously unreleased song and recording from 1992 and the final track on the collection, is premiering alongside a video directed by Joel Kazuo Knoernschild and Katie Malia. Reflecting upon recording “You Saw Me Comin’” for Wildflowers, Heartbreaker Benmont Tench notes, “There’s this kind of longing in the song, in the way that he wrote the chord structure, the melody and the lyrics. It’s wistful, and it would have been the perfect way to end the disc.”
Finding Wildflowers (Alternate Versions) follows Wildflowers & All The Rest which was hailed by Rolling Stone as “the definitive artistic statement that newly illuminates one of the most fruitful, inspired periods of the American legend’s career,” and by Variety, who called it “the best and most justified boxed set of this kind since the Beatles’ White Album compendium.” In fact, the songs on Finding Wildflowers (Alternate Versions) first initiated the estate’s discovery and curation process for the larger project.
Finding Wildflowers (Alternate Versions) features 16 studio recordings of alternate takes, long cuts and jam versions of Wildflowers songs as Tom, band members and co-producer Rick Rubin worked to finalize the album in 1994. The release offers fans further deep access into the writing and recording of Wildflowers, as well as realizing the full vision of the project as Tom had always intended.
The collection was produced by Tom’s longtime engineer and co-producer Ryan Ulyate who listened to 245 reels of 24-track tape, revealing Tom and his collaborators’ evolutionary process and finding the group willing to do whatever it took to discover the essence and magic in the material.
FINDING WILDFLOWERS (ALTERNATE VERSIONS)
A Higher Place
Hard on Me
Cabin Down Below
Crawling Back to You
Only a Broken Heart
Drivin’ Down to Georgia
You Wreck Me
It’s Good to Be King
House in the Woods
Honey Bee
Girl on LSD
Cabin Down Below (Acoustic Version)
Wildflowers
Don’t Fade on Me
Wake Up Time
You Saw Me Comin’
The Bee Gees were Barry Gibb and his younger twin brothers, Robin and Maurice. From the time they started playing together as children, they dreamed of stardom, and they certainly succeeded. The Bee Gees became among the top-selling music groups of all time. The distinctive “blood harmony” of the brothers’ voices set the dance floor on fire and their prodigious talent as songwriters extended their career long past disco’s days. Now in his mid-70s, Barry is the sole survivor of the group. Barry talks to Alec about his songwriting, fame, and family. Robin died in 2012 and Maurice in 2003. Barry’s keeping the Bee Gees’ music alive and still making music. HBO recently released a documentary about the group, How Can You Mend a Broken Heart? and Barry put out an album featuring Nashville greats singing Bee Gees songs called Greenfields: The Gibb Brothers Songbook (Vol. 1).
Daddy’s Home, the sixth album from Annie Clark a/k/a St. Vincent, will be released on May 14, and is the latest facet of an ever-evolving artist regarded by many as the most consistently innovative and intriguing presence in modern music.
Annie Clark made her recorded debut as St. Vincent in 2007 with Marry Me. Her subsequent albums would grow in stature and complexity, including Actor (2009), Strange Mercy (2011), and the self-titled fourth album that won the 2014 GRAMMY for Best Alternative Album, making her only the second female artist ever to win in that category. In addition to these solo works, St. Vincent plays nice with others: Her collaborations have included an album with David Byrne (2012’s Love This Giant), a performance as singer and lead guitarist of Nirvana at the band’s 2014 Rock and Roll Hall of Fame induction, and a 2019 GRAMMY Awards duet with Dua Lipa.
In 2017, working with co-producer, Jack Antonoff, St. Vincent created a defining statement with MASSEDUCTION. As ambitious as it was accessible, the album broke St. Vincent into the U.S. and UK top 10s while landing at #1 on the Best of 2017 lists of The New York Times and The Guardian – and placing high in the year-end rankings of The AV Club, Billboard, Entertainment Weekly, Mashable, The New York Daily News, the NME, Paste, Pitchfork, Q, Stereogum, USA Today, and more.
St. Vincent’s 2018 album, MassEducation, revealed another dimension of MASSEDUCTION . Recorded live in the studio by Annie on vocals and Thomas Bartlett on piano over two nights in August 2017, the album lays bare the exquisite songcraft of its other half, rendering songs like, Slow Disco and Savior and their subjects in vivid, vulnerable new light.
In the winter of 2019, as MASSEDUCTION ‘s title track won the GRAMMY for Best Rock Song and the album won Best Recording Package, St. Vincent’s father was released from prison. She began writing the songs that would become Daddy’s Home, closing the loop on a journey that began with his incarceration in 2010, and ultimately led her back to the vinyl her dad had introduced her to during her childhood. The records she has probably listened to more than any other music in her entire life. Music made in sepia-toned downtown New York from 1971-1975. Gritty. Grimy. Sleazy.
Preceded by a foreboding teaser, the first full broadcast from St. Vincent’s synthesis of this era reaches us in the form of Pay Your Way In Pain, a slinky slab of sweaty funk – punctuated by a few examples of Clark’s ability to shred vocal cords rivaling her shredding on her signature Ernie Ball Music Man guitar. The song plays like the result of time travelers from the future having booked a session Electric Lady in the early 70s. The video for Pay Your Way In Pain, directed by Bill Benz (director of the forthcoming The Nowhere Inn, c o-written by and starring St. Vincent), opens up Daddy’s Home ’s visual world – a world in which the most forward-looking artist of an era throws herself willingly into a network TV variety hour rabbit hole.
Daddy’s Home is out May 14, 2021 on Loma Vista Recordings. Pre-Save the album now, or pre-order your choice of 8-track (if you know, you know…), CD, Vinyl, Deluxe Vinyl, and Cassette. Or visit this website to pre-order exclusive picture disc, merchandise and more.
The album was produced by Annie Clark and Jack Antonoff, recorded by Laura Sisk, mixed by Cian Riordan, and mastered by Chris Gehringer. The music was performed by Annie, Jack, Cian, Thomas, Evan Smith, Sam KS, Greg Leisz, Daniel Hart, Michael Leonhard, Lynne Fiddmont and Kenya Hathaway. And Candy Darling lived within and presided over it all.
“And your wig, blonde, rolls home waving from the latest uptown train. I never wanna leave your perfect candy dream. So candy darling I brought bodega roses for your feet and candy my sweet I hope you will be coming home to me”
… Daddy’s Home.
Daddy’s Home Tracklist:
1. Pay Your Way In Pain
2. Down And Out Downtown
3. Daddy’s Home
4. Live In the Dream
5. The Melting Of The Sun
6. The Laughing Man
7. Down
8. Somebody Like Me
9. My Baby Wants A Baby
10. …At The Holiday Party
11. Candy Darling
Strictly Limited Edition: 36 giant hardback coffee table books each encased in a striking bronze-encrusted black steel chamber. Each edition is signed, dated and numbered with certificates of authenticity provided, and weighs 400 pounds. Only 36 are available for sale worldwide.
The Book: Large format ‘coffee table’ style photographic book (21″ x 21″ with over 300 colour pages) showcasing rare and unseen images of the band by leading photographers including the legendary Danny Hastings, PROTIM PHOTO, Kyle Christie and Andy Cantillon as well as friends and family of the Clan. Printed and bound in Italy using only the finest leather and materials, each of the 300 pages is a snapshot of Wu-Tang history in the making, providing a unique glimpse into the origins of the biggest Hip-Hop Crew of all time.
The Chamber: 400 lbs of steel and bronze each individually designed by the sculptor Gethin Jones (protégé of Antony Gormley). Inspired by the ancient past and the bronze ritual bowls of the Zhou Dynasty whose first ruler was King Wu-Wang, the chambers consist of Spun Mild Steel bowls while the raised ridges, base and logo are furnished in solid brushed brass.
No word on the price yet, but you can sign up here for more information as it becomes available.
Today, Canadian programmer, host and storyteller, Sarah Burke announced the launch of one of Canada’s influential new podcasts – Women In Media. The first episode featuring radio host and television personality Josie Dye is available now with another set to launch on International Women’s Day March 8th. The Women In Media podcast examines the powerhouse of women in media; from the music and entertainment industry to broadcast, sports and everything in between.
Covering a variety of topics with inspiring female leaders including; Josie Dye (Canadian radio and TV personality), Tracy Martin (President, Canadian Country Music Association Awards), Liz Trinnear (LA correspondent for eTalk on CTV), Rida Naser (Program Director and Host, SiriusXM US) and many more, host Sarah Burke will explore the collective challenges women face in a male-dominated industry through thoughtful female-led discussion, influential guests and personal stories covering topics like bullying, motherhood, diversity and inclusivity.
“Based on our physiology alone, women face different challenges than men do in their professional lives,” shares Burke. “I’ve always been particularly intrigued by how women handle the spotlight in the media. We have to fail, recover and rebuild the same way that everyone else does, but with a bigger audience; more eyes are watching. The media (understandably) loves to promote certain topics along with a given day or month with a hashtag or annual celebration, and I’m certainly guilty of participating. While I’m launching during Women’s History Month and excited to share a new episode on International Women’s Day, I’m here to remind women to brag about their accomplishments all year long! It’s no secret that we often don’t feel like we should or can, but we MUST!”
On each episode of the Women In Media podcast, guests reveal and discuss the obstacles and trials they have faced as they built their careers; the important lessons they have learned along the way and share helpful advice and insight for fellow women, trailblazers, entrepreneurs and more.
Releasing new episodes every other Monday (beginning March 8th), the Women In Media podcast is accessible on Apple Podcasts, Spotify, and everywhere you listen.
Today, Amazon announced Alexa for Xbox in the US and Canada, a new app that enables Xbox Series X and Xbox Series S customers to enjoy visual Alexa features on their TV screen and unlock more ways to interact with Xbox consoles using their voice.
By connecting an Amazon Echo or compatible Alexa device with the Alexa for Xbox app, customers can use Alexa to turn their console on and off, play and pause shows, movies, or videos, record during gameplay, connect with friends, and control many other Xbox functions.
Here is a snapshot of the voice commands available to Xbox customers on Alexa for Xbox:
Turn your console on or off – “Alexa, turn on/off Xbox”
Launch your favorite game – “Alexa, launch Fortnite on Xbox”
Check for new games – “Alexa, what’s new on Game Pass”
Switch to a binge-worthy series – “Alexa, open Netflix on Xbox”
If you need to pause your show or movie – “Alexa, tell Xbox to pause/resume”
Don’t miss a moment – “Alexa, tell Xbox to record that”
Invite your friends – “Alexa, ask Xbox is [friend/gamertag] online?”
Additionally, Xbox customers can now enjoy a range of visual Alexa experiences on their TVs while using their console with the Alexa for Xbox app – allowing them to play music, view their smart home cameras, and even keep an eye on email between gaming sessions, and more, using Alexa.
Get in your zone – “Alexa, play <artist name> on Xbox”
When the doorbell rings – “Alexa, show me the front door camera”
Expecting an important email? – “Alexa, show me my email”
Plan your week – “Alexa, show me my calendar”
What’s the weather forecast? – “Alexa, show me the weather”
Alexa for Xbox will be available for download on all Xbox One and Xbox Series X|S consoles in the coming days.
