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Toronto’s JAY GORDON WRIGHT Wants More Cowbell In New Single, “Take Your Time”

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Toronto singer, songwriter, and multi-instrumentalist Jay Gordon Wright wishes there was more cowbell on his newest single, “Take Your Time,” and sophomore EP, Fall For Anyone — both available now.

But, let’s back up a moment…

“The EP represents a journey of sorts,” Wright fittingly offers, noting it’s from the idyllic to the dystopian. “It begins with the purest of love and intentions, handicapped by self-doubt, impatience, and frustration, and ultimately it ends in disillusionment and fury.

“This song is more carefree in a way that others on the EP aren’t; it’s a bit of a release,” he continues. “It’s meant to be reassuring, kind of like the inverse of the impatience I can feel throughout the artistic process.

“I think the message is that love triumphs in the end, whatever trials you might face along the way. Maybe it’s passive, as in ‘sit back, relax, it all works out,’ or maybe it’s active, as in ‘this is your time, take it!’

“Actually… When I think about it like that, it calls attention to the urgency of it — ‘hurry up and relax!’

“My only regret is that there isn’t more cowbell… My fever continues to spike.”

Fall For Anyone follows Jay Gordon Wright’s 2019 debut, Solar-Powered Love. Classically trained in the violin, Wright has expanded his musical tool shed to include just about every instrument he can get his hands on. He’s performed alongside Ian Thomas, Bill Dillon (Robbie Robertson, Sarah McLachlan, Joni Mitchell), Mike Boguski (Blue Rodeo), Steve Strongman, the Hamilton Philharmonic Orchestra, and more.

U.K.-Based Jazz Sensation KIM CYPHER Reflects on COVID-19 Pandemic in New Single, “Crazy Times”

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Though the COVID-19 pandemic has, and continues to make a negative impact on billions of peoples’ lives all across the globe, Kim Cypher, the U.K.-based jazz performer, is spreading a bit of positivity with her latest, lockdown-inspired single, “Crazy Times.” As one of the most exciting saxophonists, vocalists and composers in the modern age of music, Kim is using her platform to remind us to treasure the things that we can still enjoy despite social distancing regulations — in this case, it’s music.

“Crazy crazy times, these are crazy crazy times,” Kim repeats in the upbeat, saxophone-driven chorus, before the listener is met with a thought-provoking spoken word passage about how “compassion” and “kindness” are the key elements to effectively surviving “the new normal.”

Not only does the four minute-spanning jazz track emanate an undeniable sense of positivity and hope, but it even offers the listener a brief moment of mental escapism from the overall headache that has been 2020. This sentiment is reflected, as well, in the Latin-inspired tune’s accompanying music video, which sees Kim, her longtime husband — drummer Mike Cypher — and a number of happy-go-lucky locals dancing together in a colourful, graffiti-decorated underpass found in the world-renowned saxophonist’s hometown of Cheltenham, England.

The smile-inducing video for “Crazy Times” inevitably displays the power of music and how it can bring people together, even during the worst of times.

Though she’s been an avid jazz musician since the age of 9, Kim made her debut as a solo artist at the end of 2016, after releasing her debut album ‘Make Believe.’ She received astounding reviews and became a nationwide success, which resulted in sell-out shows all across the U.K. between 2017 and 2018. The following May, her sophomore effort, ‘Love Kim x’ was released for the world to hear. It featured a large collection of original music as well as her own tasteful takes on some well-known classics. ‘Love Kim x’ received critical acclaim and was even listed as one of the Top 10 jazz albums of 2019 by Bebop Spoken Here, the popular online jazz magazine.

Last year, Kim was highlighted as “one of the U.K’s most popular players,” in Sammy Stein’s award-winning book, ‘Women In Jazz’. Come 2020 and the author featured Kim in a follow-up release entitled ‘Gender Disparity in U.K. Jazz’. The much-beloved book gives readers an inside look at the U.K. jazz scene, its history of gender disparity issues and how these problems can be made different for the future of the scene to come.

Though live shows seem like nothing but a speck of dust in the far reaches of our memories, Kim has continued to perform live sessions via her own Facebook page. On top of that, she’s been working hard on a weekly collaborative music project called ‘The Twilight Jazz Sessions’ along with a number of fellow jazz musicians — including American guitarist B.D. Lenz — from the U.K. and U.S.. ‘The Twilight Jazz Sessions’ can be found on Kim’s YouTube channel.

At 200,000+ Streams, Songwriter, Artist & Producer DAVID BRAY debuts “Overdue” His New Single

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Adding to his 200,000+ streams, Canadian artist, songwriter and producer David Bray debuts “Overdue,” his latest Neo-soul single.

With vocals described as “stunning” by the likes of Bristol Funk, EARMILK, Alfitude, and more, the single also features the knock-out vox of Bray’s long-time musical partner, Lorraine Reid.

Produced alongside multi-JUNO Award winning and Platinum-selling producer and composer Chris Birkett (Steve Earle, Sinead O’Connor), “Overdue” lands as the premiere preview to Bray’s forthcoming album, Land of Extremes.

His third full-length release — and the final installment in a specialized trilogy — Land of Extremes follows Night Rains (2016), and Crowded Isolation (2018) — the latter of which received international critical acclaim following features across 100+ stations worldwide.

In fitting within his long-standing repertoire of striking lyrics and powerful vocals, the new album’s roster includes an impressive assortment of features from Bray’s esteemed industry friends — including Motown legend Bob Babbitt (Marvin Gaye, Gladys Knight, Stevie Wonder), Garth Hudson (The Band), Colin Linden (Bob Dylan, Bruce Cockburn), Bill King (the Pointer Sisters, Martha Reeves, Janis Joplin), Gary Craig (Bruce Cockburn, Jann Arden, Tom Cochrane), Justin Abedin (Nelly Furtado, Jacksoul), David Bradstreet, and more.

Indie Pop Singer/Songwriter Astrid Tanton is “Better Off” with the Release of Her Latest Single

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When it comes to following her own intuition — and her latest track — Canadian indie pop singer/songwriter Astrid Tanton is decidedly “Better Off.”

The sophomore single from her forthcoming debut album, From My Eyes, “Better Off” continues to pair the fast-rising 18-year-old artist’s insights with her unique sound; the album’s premiere song, “Comfort,” was released earlier this Fall.

“‘Better Off’ follows me trying to navigate what I think is best for me vs what the people who I care about think is best for me,” Tanton says, sharing the song’s meaning. “It’s about the battle between what you feel in your heart going against what those who know you and care for you think.

“In life, people you look to might have different opinions of what you should do in certain situations,” she continues. “Sometimes you’re going to take risks that your loved ones won’t always understand, but you need to feel grounded and secure in your decisions.”

Drawn to the craft from the age of three, and an honours grad of Rosedale Heights School of the Arts, the Verona-area multi-instrumentalist with a penchant for piano, drums, and guitar has long-embraced music as a powerful gateway to express her feelings and worldview in a relatable, connective way.

“I really wanted to let people into what has shaped me into the singer/songwriter and young woman I am today,” Tanton considers, detailing the ethos behind the upcoming EP. “Each song recalls and explores a pivotal event in my self-growth.

“From My Eyes means a lot to me,” she adds. “Not just as a singer, but as a woman being vulnerable and open about experiences that weren’t always easy, but made me stronger.”

Toronto Chef and Popstar Luke Hayes / SEKSI Sparks Holiday Spirit with “Be My Christmas Dream Tonight”

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With the holiday season fast-approaching and the COVID-19 pandemic still looming over our heads, it’s uncertain what Christmas is going to look like in 2020. Despite the second lockdown and a concerning lack of good news around the world, Toronto-based chef Luke Hayes has returned with his popstar alter-ego — SEKSI — to make a difference and spread a little joy this holiday season, by releasing an all-new single entitled “Be My Christmas Dream Tonight.”

Inspired by the likes of Max Martin, this instant pop classic takes its listeners on a journey, complete with a surprise gospel ending. The two-minute, 45 second-spanning dance track is chock full of enough jingling bells and heartfelt, romantic verses to leave anyone with a wide-eyed grin on their faces.

While it’s an undeniably fun and wholesome song that reminds the listener of many of the traditional joys that, pre-pandemic, come along with the holiday season — including caroling and partying with friends — when you listen closely, it actually becomes clear that there’s a deeper message embedded within this bass-driven Christmas single.

SEKSI’s lyricism makes it clear that he’s yearning to celebrate the festivities with a special someone… And truthfully, can’t we all relate to that right now? The fact is, many of us will be spending the holidays this year without the presence of those nearest and dearest to us — possibly for the first time ever — all because of the COVID-19 pandemic.

“Be My Christmas Dream Tonight” is a song that speaks to the feeling of wanting to spend the holidays with someone special during the holiday season. It was produced with the intent to bring people together, especially during a time when we can’t physically be together. Luke wanted this happy-go-lucky tune to “uplift” and “inspire” during such a difficult time and the surprise gospel ending in the song certainly uplifts.

The Toronto chef said it best in the first line of the song: “it’s been such a long year,” so shouldn’t we be making the most of it? But how can we do that, some might ask? Music. It brings us all together, which is exactly what Luke wanted to do with “Be My Christmas Dream Tonight.”

Aside from his music career, Luke Hayes has run Toronto’s top underground supper club, L.U.S.T, for six years. His latest singles include “Solo Disco” and “Be My Christmas Dream Tonight” — melody-driven tunes featuring honest and direct lyrics, all inspired by the likes of old and beloved pop music, but with modern twists.

Hey kids! It’s time to grab a bowl of Quisp and watch some cartoon opening segments from the ’70s!

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From Fat Albert to Jonny Quest to the “hanker for a hunk of cheese” guy, these really takes me back to Saturday mornings.

Watch Dana Carvey’s 1986 ‘SNL’ Audition With ‘Choppin’ Broccoli’

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Check out Dana Carvey‘s SNL audition 1986 when he was 30 years old. Stay for the Dennis Miller, Robin Williams and John Travolta impressions, and see if you can catch the beginnings of Garth Algar from Wayne’s World.

No Illusions Here! This Is Real Rock From Toronto’s FAKE MAGIC And Their New Album “N.A.”

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Despite their band name of Fake Magic, there’s nothing but authentic sonic alchemy pouring out of Canadian rockers Greg Markham and Bryan Paccagnella’s newly released sophomore album, N.A.

While lead single “Father” is about the day-to-day lives of the Heaven’s Gate cult, the concept around the new LP orbits a road trip across North America — as heard in follow-up track, “Always Nice.”

“It’s an exploration of the unique places and the ‘animals’ of the continent,” Paccagnella offers. “The album art is based on an original photo Greg took while on tour with Whosarmy; the album is meant to evoke an upside-down slide in a slideshow.”

“The initial recording was done in my apartment downtown Toronto at Bathurst and Bloor,” Markham shares. “We incorporated elements of the apartment and street into the songs, like the sounds of fans, car alarms, and sirens.

“Bryan also uses a DIY piezoelectric kazoo on a couple of tracks to ‘fake’ guitar parts.”

Speaking of fake, though, their name… Fake Magic?

“You have to embrace the gifts the universe can dump on you when you just ‘go for it,’” they say of the moniker’s inspiration. “It also comically implies that, if real magic exists… We’re not it.”

They say that, but their long-held connection as friends and resulting collaboration suggests otherwise. Pals since Grade 2, the pair have attended the same grade school, high school, and college together.

“We bonded early,” Markham recalls. “We shared an obsession with Weird Al’s album, Bad Hair Day, and all the music videos from that release.”

“We grew up in the suburbs of Richmond Hill playing a lot of garage and basement rock,” Paccagnella adds. “In 2005, we went to Humber College — Greg for the jazz program, and me for comedy writing and performance.”

Greg Markham went on to play with Whosarmy, winners of CBC’s Cover Me Canada, The Mohrs (now Jackie), and Keegan Powell. Bryan Paccagnella spent years as a writer and comedian, performing sketch comedy at The Rivoli, Comedy Bar, and more; he was nominated for a Canadian Comedy Award with his troupe Plum Thunder and their parody of the Pet Shop Boys’ “West End Girls.”

They started Fake Magic in 2018, and try not to label what they do. “Call it dork rock, indie rock, alt rock…” they say. “Call it Steven. Call it a cab. Take it down to Weird Street.

“It’s a good time.”

Mixed by Simon Larochette, and mastered by Grey Market, N.A. follows 2019’s debut EP, Hi-Fi.

No Clarification Needed: Downtempo Duo Anaté’s Debut Single “Confusion” is Stunning

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Emerging downtempo duo Anaté have released their debut single “Confusion” on iTunes and all streaming platforms.

Produced by Delman, mixed by Simone Coen and mastered by Giovanni “Meniak” Nebbia, the track shows a slow, dark mood featuring Ana’s emotive and soulful voice, rich tones of the piano, and a dim trip-hop ambience.

“My debut single ‘Confusion’ talks about duality,” Ana says. “It’s about the conflict between what we want and what we are ‘allowed to want,’ between who we are and expected to be… Between emotion and reason.

“We all experience moments of inner conflict like that,” she continues. “‘Confusion’ explores these contrasting concepts and invites us to embrace both.”

The song’s video was directed by the Argentinian Fausto Torelli Tulissi, and was filmed in Berlin. It explores duality in images, pictured as a constant back and forth between the heavy reality and a “dream world” — our inner world. It follows Ana’s journey to the point where she is finally facing and embracing herself.

“Confusion” is the first single off Anaté’s upcoming debut album, Confessions. The album will feature 10 tracks, and is described by Ana as a “journey that leads us to being who we are when no one is watching…

“Ten confessions shared as songs.”

Ana is a young and talented singer and songwriter. She was trained from a young age in classical piano and was part of several musical projects as lead singer/songwriter and keyboardist. Ana kept writing music independently and performing in Paris until meeting producer Delman and starting the Anaté project together.

Delman is a seasoned producer and guitar player. He performed as guitar player with several local bands from early 2000’s to 2015, when he decided to focus on producing local artists and writing own music.

Their collaboration allowed to mix influences from artists of the past and present, with arrangements inspired by iconic trip-hop bands such as Hooverphonic, Massive Attack and Morcheeba, while vocal melodies and harmonies remind of artists such as Sade, Dido and Amy Lee.