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Beverly Glenn-Copeland, Main Source, and Buffy Sainte-Marie Albums Receive 2020 Slaight Family Polaris Heritage Prize Designation

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The Polaris Music Prize has announced albums from Beverly Glenn-Copeland, Main Source and Buffy Sainte-Marie have received 2020 Slaight Family Polaris Heritage Prize designation.

Beverly Glenn-Copeland’s influential, Keyboard Fantasies, new age/electronic album from 1986 was chosen in the Re:Sound-supported Heritage Prize public voting category, which ran this year from October 19 to November 9. Additionally, Buffy Sainte-Marie’s 1964 debut album, It’s My Way!, and Main Source’s ground-breaking 1991 hip-hop album, Breaking Atoms, both received Heritage designation by the 10-member Polaris Heritage Prize jury owing to a tie vote.

“Congratulations to these three winning artists. You’ve created important, memorable recordings that show the vast range of Canadian musical excellence. I have tremendous appreciation for the work that has gone into making these timeless albums,” said Gary Slaight, President and CEO of Slaight Communications.

The winners appreciated that these albums remain so relevant with the jury and the public decades after their initial releases.

“I am deeply grateful to be the recipient of the Polaris Heritage Prize for Keyboard Fantasies in 2020,” said Glenn-Copeland. “All those years ago when I wrote this music my wish was that I might be able to sell the few copies my little company was able to press. I could not have known that 35 years later this music would be reaching people worldwide, much less receiving this award. Thank you to those now gone and those still living who helped make the recording possible. Thank you to all of you who voted for this music. Thank you to those providing me with professional music business guidance at this time. And my special thanks to my dear wife Elizabeth Glenn-Copeland, my partner in all things. Her tireless efforts over many years helped make this award possible. Blessings one and all.”

“We would like to take a moment to thank Polaris for recognizing Main Source and the album Breaking Atoms,” said Main Source’s K-Cut. “We are very humbled and honoured to have put out something that has been recognized around the world. 2021 will be 30 years of Breaking Atoms and when we made this album we never expected two Canadian kids growing up in Queens, New York would be part of hip-hop culture and history. It’s amazing to see the influence Breaking Atoms has had on hip-hop heads new and old as well as breaking the careers of artists we know today (Nas). This album allowed us to bring the Main Source production and sound to the likes of Queen Latifah, Busta Rhymes, Shaq, A Tribe Called Quest, Ice-T, Maestro, MC Lyte, Pharoahe Monch and Common. Thanks to everyone who supported us to this day and who continue to support us.”

This year’s Heritage Prize jury had a daunting task trying to narrow down its selections.

“It’s not easy to pick one, two or three albums to be honoured with the Polaris Heritage Prize from the hundreds of brilliant, ground-breaking recordings released in Canada over the past 60 years,” said Heritage Jury foreperson Mary Dickie. “But I can’t think of any three that could represent the breadth and diversity of the talent in this country as well as these towering achievements. Congratulations to our winners!”

Heritage Prize juror, Andrea Warner, says Sainte-Marie’s debut was unique in its field.

“It’s My Way! is a powerful and peerless debut,” said Warner. “It was 1964 and while almost every other folk singer swaddled themselves in metaphor Buffy Sainte-Marie was writing incisive, compassionate calls to action. Side one begins with ‘Now That the Buffalo’s Gone’ reaches ‘Cod’ine’ and ends with ‘Universal Soldier.’ That’s just SIDE ONE. It’s My Way! is as remarkable now in 2020 as it was in 1964. It’s a collection of songs shaped by lived experience, injustice, and radical hope, and delivered as witness, survivor, and truth teller.”

The trio of new Heritage Prize-winning albums join D.O.A.’s Hardcore ‘81 and the Oscar Peterson Trio’s Night Train albums, which received their designation in 2019. Other past Heritage Prize winners include the likes of Arcade Fire, Blue Rodeo, Jean-Pierre Ferland, Mary Margaret O’Hara, Rush as well as 22 others.

“The Polaris Heritage Prize continues to showcase the exceptional talent, dynamism and diversity of Canadian music over the years,” said Lou Ragagnin, President and CEO, of Re:Sound. “We are proud to sponsor the Heritage Prize, and extend our congratulations to Beverly Glenn-Copeland, Buffy Sainte-Marie and Main Source.”

Like the Polaris Music Prize, winners and nominees for the Heritage Prize are Canadian albums of the artistic distinction, without regard to musical genre or commercial popularity. This is the Polaris version of a hall of fame where we try to determine who would have been nominated or won the Prize before it began in 2006.

John Lennon and Paul McCartney’s Isolated Vocals For The Beatles’ “If I Fell”

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If I Fell by The Beatles which first appeared in 1964 on the album A Hard Day’s Night in the United Kingdom and United States, and on the North American album Something New. It was written primarily by John Lennon and credited to Lennon–McCartney. “That’s my first attempt at a ballad proper. … It shows that I wrote sentimental love ballads way back when”, Lennon stated in his 1980 Playboy interview.

How to Choose the Right Audio Recording Equipment

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Podcasting and other types of audio recording are becoming increasingly popular. They’re a great way to help you market yourself and your business. It’s important that if you do go down this route, you do so with professionalism. This not only means writing a good script but buying the right equipment as well.

This article explains what kind of equipment you might need and how you can go about choosing it.

1. High-Quality Microphone

When conducting an audio recording, you need to make sure you have a high-quality microphone. Depending on what type of sound you’re recording, you’ll need to do a mic comparison and choose the best product for you.

When choosing a product, you need to consider factors such as cost, material, weight, and recording quality. The latter is most important in terms of the sound you’re going to create.

Condenser and XLR microphones are the most sophisticated types, used for professional recordings. Dynamic brands are more reliable and durable but are better for intermediate recordings. Finally, USB mics are the easiest to use and great for beginners.

2. Proper Headphones

To record the best quality sound, you need a decent set of headphones. Headphones give you an idea of how clear and audible you are during the recording process and are an absolute must.

Comfortable headphones with accurate frequencies are a must-have if you want to create professional audio recordings.

Closed-back headphones keep the sound contained within your ears. This means no sound can escape into the rest of the room and provide awkward feedback on the microphone. These are the type of headphones recommended for high-quality Podcasting.

3. Professional Editing Software

When creating a podcast or an audio recording, having the right editing software is essential. Sound doesn’t always record perfectly, so having the right equipment to alter it is always useful.

If you are a beginner, then you might not have to worry about the details as much. If you run regular podcasts however and want to achieve a high level of professionalism, then get the right editing software.

The most common podcast editing tool is called a DAW — Digital Audio Workstation. There are however many other editing resources — both sites and apps — that can help you out, it really depends on your preferences and skill level.

4. Functioning Mixers

Mixers are an important part of the audio recording process. They aren’t essential, but they can be useful, especially if you’re looking to take your recordings to a professional level.

Your mics plug into the mixer and this gives you more control over input and output levels. You can use the mixer to alter someone’s voice to sound louder or quieter. This can save a lot of time during the recording process.

When looking for a mixer, you need to consider the number of channels available, output socket and control types, and different processing features.

5. Up to Date Recording Software

Having the right recording software is just as important as every other factor which has been discussed. There are different types of software you can use, and each has its own style.

For solo recording, you can choose a computer or web-based software. Web-based is more flexible, especially if you’re going to be changing where and when you record.

For an interview recording, you can again use a web-based system or go for something simple such as Skype or mobile recording. The latter two are perhaps less professional, but with the right equipment, the sound can be good.

 

1-minute tip for artists: Playlisted? Do this next.

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Here’s what to do when you’ve just been playlisted. And don’t forget your website – your news section misses you.

How Photography has Shifted Gears over Time

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The fact remains that the photographic scene is still transforming. There is a strong sense that this artistic work is yet to undergo tremendous enhancements, which, whether positive or negative, is a decision and interpretation of the photographic culture. The fact remains that technology is improving all aspects of life, and advancements in one area often transform the other. For example, the inception and improvements done on the computer made viewing images much more straightforward. People used to create view master images on reels for viewing; this was a demanding process. With the current operating systems and applications, photography has been made attractive. A photographer can take charge of his/her captured images and transform them into whatever dimension he/she sees fit.

With continued automation of cameras and the formation of digital darkroom techniques, the photographic process is becoming more automatic, and the faults that existed in the analog images have been dealt with in at most fullness. The new image forms have disrupted how people perceive the old ones. However, analog images still find a way of mutating and fitting into the digital world. The rest of this post shares how photography has changed in the past two decades.

Apple Transformed the World

Steve Jobs took the podium in the Moscone Convention Center, San Francisco, to present an iPhone to the world. This was in the eighth year of the current Millenium. During this time, the photographic scene was not that developed since the first iPhone’s highest resolution was 2mp without a capacity to record videos. However, the launch of this phone was the beginning of the world’s most significant development; the smartphone. Furthermore, the introduction of the smartphone also revolutionized filmmaking. Today there are high-end smartphones with the capability to record amazing pictures and videos. These devices have given people, even those with little or no expertise in photography, an opportunity to compose their images.

The Convergence Union of video and Photography

Initially, photography and videography were distinct entities even though both embraced the new era of digitalization and used almost similar technologies. However, in the previous decade, September 2008, this changed when Cannon introduced the EOS 5D Mark II camera. Before this device got introduced, the making of a film was quite expensive, and filmmakers had to get deep into their pockets to purchase video cameras or films that were quite expensive. However, with the new Cannon camera, they could shoot various videos from HD to cinematic video on a still camera that was approximately $3000. This was the beginning of unifying videos and photos.

The significant boost in the development of impressive digital technology is that it would not take long to have an image captured or viewed as the norm. The view master images needed to be bathed in a chemical for visibility, and viewing required a little more effort. Today the cameras are multifunctional and can capture and aid in viewing the images at the same time. One will not have to wait for the final product to view the result of his/her photo since the digital cameras give feedback.

 

 

Alicia Keys to Teach MasterClass in Songwriting and Producing

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MasterClass, the streaming platform where anyone can learn from the world’s best across a wide range of subjects, today announced that 15-time Grammy Award-winning artist Alicia Keys will teach a class on songwriting and producing. For the first time ever, Keys will not only reveal her complete approach to songwriting but also share her inspiring philosophies on how to unlock authenticity, empathy and vulnerability. Keys’ class is now available exclusively on MasterClass, where subscribers get unlimited access to all 90+ instructors with an annual membership.

Designed for artists of all levels, Keys’ MasterClass will share her rare and valuable insight into songwriting with soul. Within the intimate setting of her personal studio, Keys will take members through her entire process, starting with developing lyrics at the piano in the Live Room, recording and layering vocals in the Iso Booth, and finally, arranging sonics in the Control Room. Breaking down the anatomy of her many anthemic tracks, she explains the various influences and elements that come together to create her signature authentic and retro-futuristic sound, including how she harnesses the power of specific vocal arrangements and experiments with instruments and software. Fans will appreciate her rare deconstruction of the creative process behind one of her most iconic hits, “Fallin’.” Keys will also go beyond her technical skills to discuss her take on inequalities in the music industry and how she’s creating more space at the table for those whose voices are silenced. Offering a rare look at the wealth of knowledge and experience behind her monumental career, her class will empower members to define their purpose, channel their empathy and find their authentic rhythm.

“I cannot stress enough the power you have when you’re truly confident in yourself,” said Keys. “In my MasterClass, I’m excited to connect on a different level. We’re gonna talk about what I’ve learned, my process and how to access what’s inside of you, so you can connect and get it out into the world.”

A talented performer from a young age, Keys scored her first No. 1 hit in 2001 with “Fallin’,” which was featured on her debut album, Songs in A Minor, and landed her her first five Grammy Awards, including those for Song of the Year and Best New Artist. She’s released six more critically acclaimed studio albums since her debut: The Diary of Alicia Keys (2003), As I Am (2007), The Element of Freedom (2009), Girl on Fire (2012), Here (2016) and, most recently, Alicia (2020). As one of the most influential songwriter-performers of the last two decades, Keys has been honored with countless awards, including 15 Grammy Awards, 17 NAACP Image Awards, nine Billboard Music Awards, five American Music Awards and seven BET Awards, as well as the Starlight Award by the Songwriters Hall of Fame. In addition to her singing career, Keys is also acclaimed for her humanitarian work, philanthropy and activism. At just 22 years old, she co-founded and serves as the global ambassador of the nonprofit HIV/AIDS-fighting organization Keep a Child Alive; she launched the We Are Here Movement, a petition to demand racial justice and equality; and in 2018, Keys formed She Is the Music, a music-industry group for female advancement.

Dolly Parton Launches Virtual Holiday Cards With American Greetings

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Dolly Parton and American Greetings announce their latest collaboration, Holly Dolly Christmas Collection, just in time for the holidays. Spurred by the success of Parton’s initial Everyday Card collection and her SmashUp “Birthday Time” e-card, these holiday cards in collaboration with the global superstar will bring more joy, hope, love and laughter to families around the world.

“Knowing that I can be a small part of making someone’s day a little brighter is such a great feeling, and this holiday season, especially, it helps to know someone you love is thinking about you,” says Parton.

Earlier this year American Greetings announced a multi-year partnership with Parton that includes digital and physical products integrating the legendary singer-songwriter’s music in unique ways.  “Birthday Time,” Parton’s SmashUp initial digital ecard offering, has been sent more than 500,000 times since its launch six months ago.

“Dolly’s message of joy, hope and humor has really resonated with our customers, as evidenced by the resounding success of her SmashUp and the initial launch of her Everyday Card line,” says Rob Matousek, Executive Director/GM – Direct to Consumer Business at American Greetings. “As we approached the holidays, we wanted to bring an additional offering of digital products to market. We believe Dolly’s curated collection of holiday cards and a musical e-card featuring her rendition of ‘Holly Jolly Christmas’ are the perfect pairing for the season.”

Discover Dolly Parton’s American Greetings holiday collection here: https://www.americangreetings.com/dolly/holly-dolly

Everyday Dolly Parton cards are available at www.americangreetings.com/dolly.

Dolly Parton SmashUps are available on www.americangreetings.comwww.bluemountain.com, and on the SmashUps apps available for iPhone https://apps.apple.com/us/app/smashups/id1441317717 and Android https://play.google.com/store/apps/details?id=com.smashups&hl=en_US

The Full-Length Trailer For HBO Documentary ‘The Bee Gees, How Can You Mend A Broken Heart’, Out Now

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The Bee Gees: How Can You Mend a Broken Heart, directed by acclaimed filmmaker Frank Marshall (“Seabiscuit”, “The Curious Case of Benjamin Button”) chronicles the triumphs and hurdles of brothers Barry, Maurice and Robin Gibb, otherwise known as the Bee Gees.

The iconic trio, who found early fame in the Sixties, went on to write over 1,000 songs, including twenty number one hits throughout their storied career. This film follows the Bee Gee’s meteoric rise, as they rode the highs of fame and fortune, negotiated the vagaries of the ever-shifting music business and navigated the complexities of working so intimately alongside family.

The feature documentary premieres December 12 on HBO Max.

Bing Crosby, Chuck Berry, Ella Fitzgerald And Frank Sinatra Get Animated For New Holiday Videos

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his holiday season, musical legends Bing CrosbyChuck BerryElla Fitzgerald and Frank Sinatra are returning in animated form with first-ever official music videos from UMe for some of the most iconic and beloved songs in the Christmas canon. In the beautifully hand drawn and painted videos created by Fantoons Animation Studios, Crosby brings joy to a down in the dumps town with his trusty Bing-O-Matic™ in “Winter Wonderland” and croons over a multigenerational military family’s holiday gatherings in “White Christmas,” guitar-clad Berry helps Santa with his Christmas rounds in vintage comic book style in “Run Rudolph Run,” Fitzgerald and Frosty delight in a winter wonderland storybook setting in “Frosty The Snowman” and Sinatra delivers mid-century style, glitz and grace as only he can in the holiday classics, “The Christmas Waltz” and “Mistletoe and Holly.”

 

“UMe is incredibly honored and excited to partner with these legendary artists and estates to celebrate their iconic holiday songs and give them official videos,” says Bruce Resnikoff, President and CEO of UMe, the global catalog company of UMG. “Last year was the first time we created holiday videos and we had such a tremendous response that we’ve gone all in again this year and our content team and Fantoons have really outdone themselves. These songs are some of the most popular year to year and we hope these videos brighten up fans holidays as well as attract new audiences across the digital platforms they inhabit. Similar to before, the video assets and creative will be deployed across UMe’s holiday marketing and advertising campaigns for a cohesive look and feel and to achieve greater engagement across a broader audience.”

These videos are just some of the many ways that UMe is celebrating its unmatched Christmas catalog and helping to turn up the joy this holiday season. In addition to the new animated videos, a variety of “Christmas With…” collections for artists including The Beach BoysBing CrosbyBrenda LeeBurl IvesChuck BerryDean MartinElla FitzgeraldThe Jackson 5 and Nat King Cole are available to stream on your favorite DSP and there’s of course the annual Christmas Music playlist which features some of the most popular songs and artists across the holiday music canon, pairing timeless classics with contemporary favorites.

uDiscover Music is also getting into the spirit with their just launched holiday hub which will feature a variety of gift guides for all types of music lovers, eclectic playlists and the memorable stories behind classic holiday tunes. Visit it here: https://uDiscover.lnk.to/Christmas2020

For those looking for more holiday entertainment, The Ed Sullivan Show’s official YouTube channel is celebrating the season with a music-and laughter-filled holiday playlist. Classics include “White Christmas” by Bing Crosby, “Rudolph The Red Nosed Reindeer” by Gene Autry, “Jingle Bells” by Paul Anka, and more. Festive fun lights up things with “Mrs. Claus Interview” by Stiller & Meara, “Deck The Halls” by the Baird Puppets and holiday cheer with The Muppets.

Steven Wilson To Release ‘1 Of 1’ Boxset For £10,000 To Aid The Music Venue Trust

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Steven Wilson has announced details of a completely unique special edition of his forthcoming sixth album, THE FUTURE BITES.

ULTRA DELUXE MUSIC PRODUCT ON OBSOLETE MEDIA will retail for £10,000. All proceeds will go directly to the Music Venue Trust to directly help save grassroots gig venues in the UK.

ULTRA DELUXE MUSIC PRODUCT ON OBSOLETE MEDIA represents the insane peak point of modern consumerism while offering one fan the ultimate Steven Wilson collectable.

Never done before and never to be repeated, it is a hugely enhanced version of his already brilliant new record that provides an insight into Steven’s working process. The ultimate aspirational product, it proves that if music is an ongoing conversation between artist and fan, this 1 of 1 edition of THE FUTURE BITES is less mass email and more like the closest thing you’ll get to an in-depth discussion with the artist over an intimate dinner date for two.

Inside ULTRA DELUXE MUSIC PRODUCT ON OBSOLETE MEDIA bespoke box are the contents of the already announced deluxe box set of the album alongside music unheard anywhere else, conceptual artwork, hand-written lyrics and items of personal ephemera from Steven Wilson’s archive. It includes:

  • One sided 7 inch single with unique track “THE TASTEMAKER” – an edition of one, never to be released anywhere else
  • Unique laptop bag used in “EMINENT SLEAZE” video
  • THE FUTURE BITES test pressing
  • “EMINENT SLEAZE” test pressing  (with b-sides “EYEWITNESS” / “IN FLORAL GREEN”)
  • “12 THINGS I FORGOT” test pressing (with b-sides) “MOVE LIKE FEVER” / “KING GHOST (TANGERINE DREAM REMIX)”
  • CDR of unreleased 2016 soundcheck performance of a cover version never otherwise performed live
  • Steven Wilson’s Grammy nomination certificate and medal from 2011 for Grace For Drowning – best surround sound mix
  • Printed materials used in the “EMINENT SLEAZE” video
  • 6 x laminated AAA passes for various tours between 2011-18
  • Polaroids from THE FUTURE BITES cover shoot photo session
  • Original drawing by Hajo Mueller of Steven Wilson
  • Handwritten lyrics with corrections for various songs between 1996-2020:
    • “Count of Unease”
    • “Follower”
    • “Eminent Sleaze”
    • “Salvaging”
    • “Veneno Para Las Hadas”
    • “Personal Shopper”
    • “The Raven that Refused to Sing”
    • “Dark Matter”

Steven Wilson: “This edition of THE FUTURE BITES takes the whole notion of deluxe limited editions to its logical and fairly extreme conclusion, as the ultimate limited edition will obviously end up being just one copy. In many ways, this edition is more analogous with the world of art than with those of music or luxury branding. Only one person can own an actual painting with the artist’s brush strokes on it. There is no variance, only the one original.

“With regards the contents of the 1 of 1 edition, it’s the purchaser’s choice as to whether they decide to share what they’ve bought or keep it to themselves. Do they want to exhibit ‘the painting’, or put it on display at home? If it was me, I’d probably keep it private but I’ll leave it entirely up to them as what they do with the contents of their purchase.”

All proceeds from the sale of ULTRA DELUXE MUSIC PRODUCT ON OBSOLETE MEDIA go directly to the Music Venue Trust to help save grassroots venues across the UK that have been affected by COVID 19. For Steven, those are the kinds of venues he spent his formative years playing.

“The first Porcupine Tree show was in The Nag’s Head in High Wycombe and, for the first ten years the band played live shows, we gigged solely in that subterranean world of clubs and pub venues. As someone who doesn’t really exist within the mainstream, this is the stuff that really affects me. I wouldn’t be sat here with any sort of career in the music industry if it weren’t for those venues and – just as importantly – the people who make them work night after night.

“The loss of venues in this country feels like a big part of my history dying. If you try to imagine the world without live music, you know immediately it would be a terrible place. Music is a connector, it’s an inspiration and it’s a healer for so many people. It’s essential we work now to save these places for future generations of bands and fans.”