Home Blog Page 1785

Documentary Follows Political Journey of D.O.A.’s Joe Keithley, Connections Between Music and Activism

0

Today, award-winning documentary filmmaker/director Scott Crawford (CREEM: America’s Only Rock’n’Roll Magazine) and producer Paul Rachman (American Hardcore) launched a Kickstarter campaign in support of their new project, Something Better Change. The film documents hardcore punk band D.O.A.’s frontman and lead guitarist Joey “Shithead” Keithley’s unprecedented political rise in his native Burnaby, BC Canada and his 2022 re-election journey while also exploring how music and activism often interlink via raising awareness about important social issues, inspiring people to get involved, and fostering real, dynamic change. Directed by Crawford, the documentary will also feature former U.S. Congressman Beto O’Rourke, Henry Rollins, Keith Morris (Circle Jerks), Duff McKagan (Guns and Roses), Ian MacKaye (Fugazi), Krist Novoselic (Nirvana), Jello Biafra (Dead Kennedys), and many more. You can support the doc through the film’s Kickstarter HERE.

Throughout the 1980s, defining hardcore punk band D.O.A. helped solidify and pave the way for the explosion of politically active punk artists in modern culture alongside other legends such as Black Flag, Circle Jerks, Dead Kennedys, and Minor Threat. After decades of fighting against oppression, homelessness, and corporate greed via D.O.A.’s music and in his own personal life, in 2018 frontman Joey “Shithead” Keithley, ran for city council in his native hometown of Burnaby, B.C. With only a $7000 campaign budget on a Green Party ticket, he won, while also helping to unseat the former five-term mayor Derek Corrigan who once famously said, “I would never bend over to give a homeless person a dime because he might steal my watch.”

However, will Keithley’s message and DIY approach to campaigning resonate with voters in the upcoming Burnaby election of 2022? And how do the ethics and activism of music translate into political action? Win or lose, Something Better Change will document every step of Keithley’s campaigning for a second term as well as explore how music often serves as an introduction to social issues that inspire people to get involved and foster dynamic change.

As Keithley recently told Rolling Stone: “When Scott Crawford approached me about making a documentary, it wasn’t long before I saw that we shared the same vision, we both wanted tell the same story – that punk rock activism can take on any bullshit thrown our way and create results that really make a difference in our communities. When I started playing in D.O.A., I realized pretty quickly that the band was a great way to get people to listen to ideas and help to make this world a better place. Much like the band’s motto states: TALK minus ACTION = 0. I’m really getting a chance to see those positive changes in real time now that I’m an elected official.”

While punk rock’s upper echelon may no longer be as culturally seditious as they once were, the genre’s effect on a new generation of activists and aspiring politicians has never been clearer. “Not only have I been a longtime fan of D.O.A.,” director Scott Crawford states, “but Joe Keithley’s ‘David versus Goliath’ story of affecting change from within the political ecosystem is one that I think will resonate with audiences — especially given our current political climate. This is a film that will explore how music and activism continue to interlink, with music often serving as an introduction to social issues that inspire people to get involved and foster dynamic change.”

About the Filmmaker: Scott Crawford has been a documentary filmmaker for the last 10 years. His debut film was Salad Days: A Decade of Punk in Washington, DC and his second effort was the immensely popular CREEM: America’s Only Rock’n’Roll Magazine. Both films received critical acclaim and won multiple film festival awards across the globe.

Actor & Artist ANDREA RANKIN Releases Debut Alt-Pop “Tides Of Life” Album

0

Edmonton, AB-born, now Stratford, ON-based alt-pop artist Andrea Rankin is wading amongst the ebbs and flow of life with the release of her sparkling and ever-swathing debut, Tides — available now.

“This is a collection of songs that explores how our lives come to us in cycles… Or in seasons…,” Rankin muses of the offering. “We think feelings will stick around forever, but they crash like waves on the shores of our lives and move back out to the sea.”

An esteemed actor, singer, songwriter and pianist with three seasons at The Stratford Festival as both Ophelia in Hamlet and Hero in Much Ado About Nothing — as well as Bard on the Beach, The Citadel Theatre, Theatre Calgary, Shakespeare By the Bow, Edmonton and Alberta Opera, The Mayfield Dinner Theatre, and The Shakespeare Company — to her extensive credit, the multi-talented artist has crafted a decidedly unique and contemplative approach to her indie alt-pop sound.

With The Stratford Festival season pulled in mid-March due to COVID-19, Rankin channelled her creative energy with a series of releases — including breakthrough single, “Finally” (2020), as well as a holiday double-single in “Traditions” and “These Silent Nights” (2020).

The annum’s ultimate offering resulted in Tides, a six-track breakthrough sojourn through sensitive and cathartic observations of rugged themes around regret, falling in love, asking for help, and healing.

“This album feels like a time capsule, or a photograph,” the Edmonton, Alberta-raised, Stratford by way of Toronto based artist reveals. “There are breakups, moves, travels, new loves, growth, old friendships, and time in these songs.

“As a classically trained singer and pianist, I steered my proverbial ‘ship’ in an entirely new direction on Tides. I explored ethereal, delicate vocals and waves of playful arrangements with keyboards and synth.”

Recorded at True North Recording Studios, the album was produced by Jesse Northey (Jesse & The Dandelions, Victory Pool, MGMT). “Jesse is an incredible producer, musician, and friend,” Rankin shares of Northey and their collaborative creation process. “Working on the album, it was just the two of us in the studio so we took our time drinking coffee and catching up.

“Ultimately it allowed us to approach each song with curiosity and humour.”

For “The Party,” that meant considering how “sometimes people enter our lives like it’s a house party,” Rankin says. “They trash the place — our hearts — and then leave before cleaning up their mess. It’s painful.

“Other times, we are that person to someone else. We’re all capable of being both the organ and the knife. This is true in relationships with others and also with ourselves. It can be difficult to make friends with yourself.”

Speaking of friends, Rankin penned “Blush and Bloom” for one who was experiencing a hard time, she shares. “I wanted it to feel like sun streaming through a window, or someone helping you get out of bed on a cold winter morning. I wanted to remind her of the beauty in simple things.

“‘Dizzy Moon’ is about falling quickly for someone and not being sure if they’re going to catch you,” she continues. “It’s about trusting someone before you’re sure if they can be trusted. It’s about wanting to know if someone is going to be a fleeting presence in your life or an anchor; not knowing if someone is ‘prose or a poem’ or a ‘lighthouse or a porch light.’”

In a complementary vein, “Heal” is about “developing a relationship with someone when you’ve both been hurt before,” she considers. “It’s about the fear of trusting someone and loving again and how, and the wondering of ‘if this will be love that heals or hurts you,’ and if this is the person you want to figure that out with.”

The album rounds out with “White Flag” and “Fine.” “This song is about a breaking point,” Rankin explains of the former. “It’s about admitting you’re hurting and can’t do it alone. It’s also about seeing collective, societal pain; I wrote it after the 2016 election and after I moved to a new city alone.

“‘Fine’ is about finding comfort in leaning on someone that’s really there for you. It’s about that feeling of being understood — either in a relationship with someone else or with yourself. It’s about knowing that you’re seen and loved, without conditions.

“In all, I hope these songs offer some comfort if the tides get too high,” Rankin extends. “I hope they’re a reminder that, in life, they’re only waves. They will wash away, and a new one will come.”

Tides Track Listing:
“The Party”
“Blush & Bloom”
“Dizzy Moon”
“Heal”
“White Flag”
“Fine”

Platinum-Selling CLASSICAL KIDS Releases First New Album in 20 Years – Gershwin’s Magic Key

0

 Gershwin’s Magic Key is the first-ever educationally entertaining musical story introducing children to the extraordinary life and musical masterpieces of one of America’s greatest composers, conceived and produced by Chicago-based Classical Kids Music Education.

 

Gershwin’s Magic Key steps into New York City of the 1920s, where a newspaper boy has a chance encounter with George Gershwin, and they explore the many sights and sounds of the city. The music is magically woven into a 50-minute story as the characters share anecdotes and observations based on true incidents from the composer’s life. The recording features more than two dozen of Gershwin’s most popular compositions. Presenting history, drama, music and fun, this engaging musical story is designed to be enjoyed by the entire family.  

 

Toronto, ON’s The Children’s Group is excited to release the studio recording of the Classical Kids LIVE! production, Gershwin’s Magic Key, featuring the Chicago Youth Symphony Orchestras and including the two actors featured in the original live concert, which premiered with the National Symphony Orchestra at the Kennedy Center for the Performing Arts.

 

The award-winning Classical Kids Series has created new generations of classical music fans through its unique blend of dramatic stories based on historical fact and musical masterpieces by the world’s best-loved composers. Now with millions of recordings sold and over 100 prestigious awards and honors, including an unprecedented 6 JUNO Awards for Best Children’s Recording, Classical Kids is considered the leader at introducing children (and adults) to the lives and musical masterpieces of the great composers.

 

This recording is produced by Classical Kids Music Education, a non-profit organization that produces live stage adaptations of the Classical Kids audio series. More than 500 orchestras performing for over two million audience members around the world have presented these captivating and inspiring productions providing families with an exciting and educational point of entry into the world of music.

 

Classical Kids chose the acclaimed Chicago Youth Symphony Orchestras to play for this project in order to increase the recording’s impact and inspire an excellence in young people – both those playing and those listening – to reach beyond themselves and their own potential.

 

Link to a behind the scenes video of the making of Gershwin’s Magic Key.

 

Gershwin’s Magic Key is available for pre-sale now though Children’s Group. Digital CDs and MP3s will be available on Feb. 25, 2021. Gershwin’s Magic Key will also be available as an Audiobook.

With a Wilted Relationship as a Muse, St. Catharines, ON’s KATHRYN SINOPOLI Releases New Single “Waterproof”

0

The coming of a new year often fills people with a great deal of hope and ambition to make a difference and do something noteworthy; whether that’s for themselves or others. Well, only one week in and Canadian pop singer Kathryn Sinopoli has already done just that, with a song by the name of “Waterproof” — available now.

With this track, not only has the St. Catharines-based artist managed to leave some of the demons of 2020 in her past, but she’s released possibly her most powerful and inspiring single to date.

Along with producer Derek Elliotson, Sinopoli penned “Waterproof” last August after experiencing what she said was a “long conversation with a counsellor.” The reflective, piano-driven ballad is about a personal relationship which didn’t work out, according to the singer/songwriter.

“Not sure where to place blame; knowing two parties are always guilty,” she adds in regards to the wilted relationship.

Not only do the heart-filled emotional instrumentals of “Waterproof” instill hope for the prosperity of a long-decaying romance in the listener, but Sinopoli’s raw, tear-jerking lyrics take it to the next level. It’s clear that the up-and-coming artist has no trouble connecting her passion — music — with her deepest, most personal feelings after hearing the emotional chorus. She sings: “(When) I was sinking in a sea of inadequacy / I was gasping hoping you would rescue me / I could see you on the shore / Wondering what you were waiting for / I’m sorry I thought you were waterproof.”

At the mere age of two, Sinopoli began singing, however, didn’t take her songwriting abilities seriously until she reached her early 20s. Finding few opportunities to grow her skills in her hometown of St. Catharines, Ontario, Sinopoli joined the Nashville Songwriters Association International, where she has been recognized as “One to Watch” and has polished her skills to create strong lyrical phrases and new melodies.

Kathryn Sinopoli released four singles last year, including “Head Space,” “Clean Hands,” “Lemonade,” and “Home for Christmas.” Following her release of “Home for Christmas” in November 2020, the breakout Ontarian star landed herself on the Canadian AC Billboard Chart at #40; on top of that, it became the #3 Most Active Indie song in Canada on the week of its initial release.

Former Lou Reed, Foreigner And Downchild Keyboardist MICHAEL FONFARA Dies At 74

0

Internationally renowned Canadian keyboard player, Michael Fonfara has died in a Toronto hospital on January 8, 2021, due to complications from his two-year battle with cancer. He was 74.

Born in Stevensville, ON, Canada in 1946, the former Lou Reed keyboardist/bandleader appeared on nine of Reed’s albums between 1974 and 2005, including his highest charting US album (#10) Sally Can’t Dance on RCA, as well as Rock and Roll Heart, Street Hassle, The Bells (which Fonfara executive produced) and Growing Up In Public that was co-written and co-produced by Fonfara for Clive Davis’ Arista Records in 1980.

A supremely talented musician, Fonfara loved many different styles of music, performing on British-American Rock band Foreigner’s iconic album 4, produced by Mutt Lange, including their Top 5 Billboard Hot 100 hit “Urgent”. He also recorded with The Everly Brothers, Rough Trade, Rhinoceros, Electric Flag and was a current and 30-year plus member of Canadian blues legends Downchild, who are perhaps best known as the inspiration for Hollywood stars Dan Aykroyd and John Belushi’s hit film The Blues Brothers, until his untimely death.

“He`s the best musician I`ve ever worked with,” states Downchild leader and co-founder Donnie Walsh. Bassist Gary Kendall echoes that sentiment “Yesterday we lost a brother, a band mate, a co-writer and a dear friend. If you met him, you loved him. A creative genius.”

Fonfara’s final recording was Downchild’s Live At The Toronto Jazz Festival, recorded at their 50th Anniversary party in 2019, where he performed live alongside special guests Dan Aykroyd, Paul Shaffer, David Wilcox, Kenny Neal, Gene Taylor and Erja Lyytinen. The new album was just released worldwide on October 16, 2020, as the final chapter of his illustrious career.

2018 Juno Award (Canadian equivalent of a Grammy Award) winners, Downchild, include some of the most well-respected musicians in Canada, who have performed together for over 25 years. Guitarist, harmonica player, leader and co-founder of the band, Donnie “Mr. Downchild” Walsh, lead singer and harmonica player Chuck Jackson, Pat Carey on tenor sax, Mike Fitzpatrick on drums, Gary Kendall on bass, and Michael Fonfara on keyboards.

Michael Fonfara is survived by his wife Avril, his daughters Ashley and Ciara and his grandchildren Brooklyn, Camden, Jamie, and Jaxon.

Moncton, NB’s Award-Winning Country Outlaws THE DIVORCEES Mark 16 Years with Release of New Album, Drop of Blood

0

Multi-award winning Canadian blue-collar country outlaws The Divorcees are taking a moment to reflect with the announcement of their new album, Drop of Blood — available now!

The release includes the premiere single, “Dying Breed.”

Two-time winners of East Coast Music Association’s Country Album of the Year — plus several more from Music New Brunswick for good measure — members Alex Madsen, Jason Haywood, Denis “Turtle” Arsenault, Shawn Thomas, and Kevin Macintyre celebrate their 16th year as Americana trad-country aficionados this year.

With nearly two decades — not to mention coast-to-coast touring, over 120,000+ streams across platforms, and five studio albums — under their belt, Drop of Blood offers a glimpse into one of Canada’s most bona fide country acts.

“The Divorcees have been a story of never, ever taking the easy way out,” says Madsen, “and on this record, we most definitely did not. It’s called Drop of Blood for a reason.”

“This album truly represents where we are as a band — one that never settles for less, one that values authenticity and one that will push as hard as it can to achieve its vision,” Macintyre continues, citing their 2005 start and the tenacious arc between. “Drop of Blood is a near-perfect take at what 16 years of standing strong, despite impossible odds, looks like. We’ve been there, done that. We’ve paid our dues. This album tells that story.”

Their fifth studio release, Drop of Blood follows From Labour To Refreshment (2016), Four Chapters (2012), Last Of The Free Men (2009), and their 2006 breakthrough debut, You Ain’t Gettin’ My Country. With high praise from the likes of SavingCountryMusic(dot)com and Exclaim! The Divorcees’ music has been featured in a wide variety of media and formats, including the film The Phantoms and the Heartland series, on CBC, multiple music videos on CMT, as well as airplay on radio stations nationwide and around the world.

As can be expected with any legacy-in-the-making act, this release goes beyond marking The Divorcees’ status as ever-evolving artists; it also underscores the band’s long-held standing as friends and brothers.

A testament to this friendship is the return of founding member and lead singer, Jason Haywood. Haywood, who decided to take his leave in 2008 to pursue his own creative endeavours, rejoined the group in late 2019 in an effort to rekindle the collaborative spark that shaped their debut album.

As Turtle explains, “we brought Jason back after many years, largely because we wanted to revisit making music together. As separate artists, we’d each grown considerably over the past decade and we had a feeling that we could come up with something special if we joined forces. In addition to the 11-track LP, The Divorcees are releasing a documentary of the same name to complement the offering.

“We knew making it this far as a band warranted some extra attention,” Thomas shares. “We decided it was time to document the making of a Divorcees album and were very fortunate to have Kevin’s daughter Harmonie, who is in media studies, come in and film.”

“We’re really happy to finally be able to share an intimate part of our world this way. This documentary gives a bit more of an in-depth look at our creative process, our history and a glimpse into what makes us who we are as people.” Haywood adds.

Toronto’s 19th Annual Winterfolk Blues and Roots Festival Back With FREE Virtually Streamed Performances

0

When a Canadian music festival has been running for 19 consecutive years — in the middle of winter, no less — rest assured, they’ve seen it all.

And this year, Toronto’s annual Winterfolk Blues and Roots Festival can add ‘pivoting to online due to a pandemic’ to that list.

Undeterred, Winterfolk XIX is set to stream this Friday, February 19th and Saturday, February 20th online. Registration to watch is free, and optional donations will be collected in support of the Daily Bread Foodbank.

While the logistics are different for 2021, Winterfolk’s renowned lineup of the best and award-winning musicians across blues, rock, jazz, folk, roots, and more remains the same. On deck are Julian Taylor, Jack deKeyzer, Ken Whiteley, Laura Fernandez, Melanie Peterson, Mandy Goodhandy, Donné Roberts, Diana Braithwaite, Chris Whiteley, Ariana Gillis, Suzie Vinnick, Q&A, and Sue and Dwight.

Winterfolk Blues and Roots Festival was founded by Festival Director Brian Gladstone, and is a division of The Association of Artists for a Better World, a registered non-profit organization.

“For the first time, Winterfolk will not be live in-person,” Gladstone confirms. “That said, the challenges the past year have presented all the more reason to celebrate the Festival’s 19th birthday.

“This year’s virtual celebration is affirming what we in Toronto have long-recognized: this city has an unwavering commitment to musical excellence and, especially in times like these, an equally great commitment to our communities.”

Registrants will also receive complimentary access to Scenes from Winterfolk XVIII.

WINTERFOLK XIX SCHEDULE:

February 19th, 2021 — 7:00 – 10:00pm EST

Donnie Roberts
Mandy Goodhandy
Ken Whiteley
Q&A — Tony Quarrington & Zoey Adams
Suzie Vinnick
Julian Taylor

February 20th, 2021 — 7:00 – 10:00pm EST

Melanie Peterson
Sue & Dwight
Laura Fernandez
Jack de Keyzer
Diana Braithwaite & Chris Whiteley
Ariana Gillis

How @JazzInToronto is Giving Toronto Musicians the Spotlight During the Pandemic

0

Before the pandemic, if you wanted to hear Toronto jazz musicians, you would head to the Rex Hotel or the Reservoir Lounge or the Jazz Bistro and odds are you’d get your fix just about any day of the week. While live music venues remain silent for now, there’s an online destination where the city’s jazz community is coming together with a live-stream series to keep the music playing.

@jazzintoronto was started a few years back by Lina Welch, initially as an Instagram account which provided daily listings. Says Welch: “When I moved to Toronto in 2018 I was excited to find out what Toronto’s Jazz scene had to offer, but quickly noticed that there was no easy way to find out who was performing at any time – particularly knowing where and when any of these events were taking place.”

In 2019 musician Ori Dagan joined the @jazzintoronto team, initially reporting on the live music scene with Instagram stories and video diaries. Welch and Dagan came up with a mission statement for @jazzintoronto community hub: connecting Toronto’s jazz musicians, audiences, venues and presenters. Once COVID hit, they decided to present a live-stream series from the @jazzintoronto Facebook page: www.facebook.com/jazzintoronto

Over the summer the series was presented in partnership with The Emmet Ray, but due to the latest provincial restrictions the series is currently called #JazzFromHome featuring solo artists and duos, in some cases couples and in others, roommates.

This passion project provides a platform for musicians to perform and encourages audiences to share the broadcast, interact with the stream by leaving comments, and to send tips if they are able to do so, with all proceeds going to the artists.

LINKS TO SOME OF THEIR PREVIOUS CONCERTS:

Rebecca Hennessy and Michael Herring (May 23, 2020)
Melissa Lauren and Nathan Hiltz (June 13, 2020)
Alison Young and Jeff McLeod (July 4, 2020)
Donovan Locke with Jesse Whiteley and Matt Coldwell (August 30, 2020)
Mike Kerr (September 5, 2020)
(all can be found at www.facebook.com/jazzintoronto/live)

 

Upcoming @jazzintoronto Concerts:
Friday January 22, 8pm: Suzi Wesson (vocals) & Doug Balfour (piano/vocals)
Saturday January 23, 8pm: Rebecca Hennessy (trumpet/accordion/vocals) & Michael Herring (bass/vocals)
Sunday January 24, 4pm: Patrick Smith (tenor saxophone) & Ewen Farncombe (piano)
Friday January 29, 8pm: Sam Dickinson (solo guitar)
Saturday January 30, 8pm: Robert Ball (vocals); Eric Lundgren (guitar)
Sunday January 31, 4pm: Ted Warren (drums, piano, harmonica)
February 5, 7pm: Sophia Perlman (vocals); Adrean Farrugia (piano)
February 6, 8pm: Queen Pepper (vocals and piano)
February 7, 4pm: Mike Kerr (guitar)
February 12, 7pm: Melissa Lauren (vocals); Nathan Hiltz (guitar)
February 13, 8pm: Love Songs for Valentines with Laura Anglade (vocals); Jonathan Chapman (bass)
February 14, 4pm: Valentine’s Day Requests & Dedications with Ori Dagan (vocals/piano)
 

Mashup Of Huey Lewis And The News and Metallica Is Exactly What You Need Today

0

Bill McClintock’s latest concoction, “Hip to Be the Sandman,” which mashes together Metallica’s “Enter Sandman” with Huey Lewis and the News’ “Hip to Be Square” is the song on 2021.

Top Five Japanese Games for Android

0

Without Japan’s influence on the gaming world, there would be no Pac-Man, no Zelda, and no Mario. In today’s world where many people enjoy playing games on the go, Japan’s video game industry is going as strong as ever. Here are five of the best Japanese games you can play on Android.

Chaos Rings III

The 2014 role-playing game ケイオスリングス, which translates as Chaos Rings III, was developed by the Japanese company Media.Vision and published by Square Enix. The fourth game in the popular Chaos Rings series first appeared on the PlayStation Vita platform, but it is now available to play on iOS and Android devices. The fun-and-thrilling game sees adventurers wishing to travel to a planet called Marble Blue.

Dragon Quest VIII: Journey of the Cursed King

The eighth instalment of Square Enix’s massively popular Dragon Quest series was released on Android in 2013. The plot of Dragon Quest VIII: Journey of the Cursed King involves embarking on a journey to defeat the evil Dhoulmagus, who has cursed the Trodain kingdom. If you love fantasy RPGs, this is undoubtedly one of the best available on Android. And if you are in the mood for more dragon-themed games, check out slot games like Dragon Shrine, Dragon’s Fire, and Dragon Dance, which can be played at カスモ (Casumo) online casino.

Space Invaders Infinity Gene

When Japanese game developer Tomohiro Nishikado created Space Invaders in 1978, no one could have predicted how much the game would become a famous part of popular culture. The original arcade game set the mould for shoot ‘em up games. Space Invaders Infinity Gene combines the classic gameplay of the original Space Invaders with the concept of evolution. At the start of the game, you can move the ship left and right to shoot. But as the game progresses, you earn genes that enable your ship to move in all directions, and you also get to unlock additional features like weapons and an increased life limit. Space Invaders Infinity Gene was launched on Android in 2011.

Super Mario Run

Did you know that Nintendo’s lovable plumber mascot Mario has appeared in over 200 games? He has certainly come a long way since his debut in Donkey Kong when he was known as Jumpman. One of the best Mario games of the last few years, and unquestionably the best Mario game for Android, is Super Mario Run. When it was released in 2016 on iOS, it had 50 million downloads in just the first week. In 2017, the game was made available on Android. Like other Mario games, Super Mario Run involves controlling the moustached-hero as he runs and jumps, while dodging enemies and hazards, to save a kidnapped princess from the evil Bowser.

Final Fantasy IX

It is hard to believe that the original Final Fantasy role-playing video game came out way back in 1987. Since then, it has spawned numerous sequels and spin-offs, making the franchise one of the most popular video games series of all time. Fans will endlessly debate which Final Fantasy game is best, and while VI and VII are contenders for the best-ever when it comes to Android, Final Fantasy IX is unquestionably the greatest. The plot of the game concerns the bandit Zidane Tribal travelling through the medieval fantasy world of Gaia. It is Tribal’s mission to take down Queen Brahne of Alexandria, who began the war. The remastered Android version of Final Fantasy IX was released in 2016, and it has loads of great features, like an auto-save feature and game boosters such as achievements, no encounter modes, and high speed.