Home Blog Page 1845

Icelandic Artist Kahnin Releases Timelier than Ever New Single, “DuckTape”

0

With 30,000 streams and rising, Icelandic singer/songwriter Kahnin — Gudmundur Jens Gudmundsson — muses on mistaken identity and answering to authorities in the release of his new single, “DuckTape” — available now!

“‘DuckTape’ is a song that can take on many meanings,” Kahnin shares. “For example, it can easily be associated with all the craziness that is going on in the world today, but mostly, it’s a song about being in the wrong place at the wrong time — kids having fun, sort of thing — mistaken identity, and being interrogated by the authorities in an unethically harsh manner.

“The song’s main mechanics started after I had been watching some CIA conspiracy documentary. I imagined how horrible it would be to be mistaken for some counterspy, and if it would ever be possible to get out of a situation like that.

“But with that said, the song still has a very fun/feel good atmosphere about it!” Kahnin insists. “And the reason behind the spelling of this song ‘Duck’ instead of ‘duct’ is simple: being that English is my second language, I always believed this is how it was spelled. I never really thought, ‘why in the hell would it be named after a duck?!”

Produced by, and featured on accompanying guitar is Arthur Pingrey (Sia, Sting, Norah Jones), with Dylan Wissing (Alicia Keys, Eminem, Drake, Jay Z) on drums and Gudmundsson/Kahnin on vocals and guitar.

“‘DuckTape’ strays away from my previous songs whilst still staying true to my sound,” Kahnin says. “‘DuckTape’ carries a harder pop/rock edge to it and a heavier tempo which differs from my previous songs.

“My philosophy on music is to always try and step away from what is comfortable and experiment with the colours of the music.

“‘DuckTape’ does that for me.”

With Jazz Versions of Nirvana + Feist, Calgary’s AIMEE-JO BENOIT Reinvents The Classics With New LP, BORJONER

0

Calgary, AB’s jazz artist Aimee-Jo Benoit continues to celebrate this year’s release of BORJONER, her stunning new 10-track LP with Trio Velocity exploring songs from her personal journey — available now.

“BORJONER was born in a coffee shop,” Benoit recalls of the album’s earliest days. “I was thinking about the process of growth as an artist, a person, and a mother. The idea of burgeoning soil was all I could think about as I was trying to piece together a project that had been 15 years in the making.

“As a Canadian artist with a French background, I searched for a term that represented the idea of growth and BORJONER was found,” she continues. “It’s an old French term for burgeoning, and it couldn’t be more accurate for how I really do feel. It is as though I am clawing through the soil upwards and downwards, and it’s been a symbol for the entire process of how the album came to be, the recording and subsequent re-recording of it, its release during COVID-19, and its life as its rooted its way into the music community.”

Recorded by Spencer Cheyne at OCL Studios, the album sees Aimee-Jo Benoit and Trio Velocity — Simon Fisk, Robin Tufts, and Sheldon Zandboer — organically lean into songs of importance from the musical journey of the artist, holding space for them to breathe as they morph and are rearranged and reimagined through the connectedness of the quartet.

“We were brought together by the death of a close friend and colleague about four years ago,” she shares. “We held an improvisational performance at his wake, and the energy brought about by our grief exhumed a special connection.

“For each performance of a particular tune, including the recording, we loosely arrange the feel and structure, but listen to each other so intensely that we allow for the song to develop and grow in its own way.”

Among the 10-track LP includes a pull from Nirvana’s catalog in “All Apologies,” a nod to Feist’s “Lonely Lonely,” and a revisit to Snailhouse’s “Repetition” — and so much more.

CBC’s Saturday Night Jazz and JUNO Award-winning artist Laila Biali says, “Aimee-Jo Benoit’s approach to jazz… is heartfelt, whimsical, fresh and creative. She’s an artist whose beautiful humanity and sensitive approach to life cannot be separated from what she brings to the music.”

“I never thought I might be the inspiration for someone,” Benoit muses. “I am so grateful for the weeping and breathing it created…

“The valve release.

“The love that I feel, I want it to be contagious. These are the things that have meaning now… It’s no longer my desire to be respected; now, my only desire is to inspire.”

London, UK’s Alt-Indie Artist MORCHELLA Unearths Human Complexities in Ethereal New Single “Coat of Arms”

0

Producer and multi-instrumentalist Morchella has suited up a swirling and lush breakthrough alternative release, “Coat of Arms” and equally stunning and imaginative video — each available now.

Seamlessly blending ethereal and enveloping production values with a tender brand of lyricism, the new single is anchored by haunting vocals as it holds space within its ranging soundscape.

Accompanying “Coat of Arms” is a uniquely crafted stop motion video by award-winning director Isabel Garrett.

“I wanted to take the listener on an atmospheric journey,” Morchella says of the new song. “For me, this track is an expression of the complexities of every individual and just how much ‘lies beneath the surface.”

Born and raised in Ukraine, the London-based artist has long-drawn from her rich and varied musical education and experience: choirs to orchestras, piano to guitar, songwriting to production. Under her previous nom de plume of Threepwood, she wrote, produced and released The Final Piece EP, and has been featured on BBC, The Line of Best Fit, Just Music I Like, and more.

Morchella is currently collaborating with award-winning sound engineer Shuta Shinoda (Jehnny Beth, Hot Chip, Ghostpoet, Daughter, Anna Meredith, Babe) to record at Hackney Road Studios.

From Vancouver to L.A – 54-40’s NEIL OSBORNE and Daughter KANDLE Have The Folk/Blues As THE FAMILY CURSE

0

Driven by bluesman Niz and Baby Kiz — aka 54-40’s Neil Osborne and his daughter, singer/songwriter Kandle — modern day blues duo A Family Curse are out with their new self-titled album — available now!

Decidedly different from their respective artistic pursuits, Niz and Kiz’ approach to A Family Curse seizes firm hold of whatever emotional range, found sounds, or random instruments are within reach.

And people: it’s not uncommon to hear Osborne uncles, cousins and other honorary musician ‘adoptees’ chime in on the tracks, from the LP’s kickoff “Cast A Curse” to the release round out “Getaway Car.”

The result is bespoke musical mastery of the best variety — 10 tracks of pure folk-art best listened to, they urge, under the light of the Moon.

David Bowie’s ‘Starman’ As Played On A Harp

0

This is all very sweet by Maël Isaac, the seriously accomplished harp player.

Missy Elliot’s Isolated Vocals For “Get Ur Freak On”

0

Released in 2001, Missy Elliot’s Get Ur Freak On treached number seven on the US Billboard Hot 100 chart. Internationally, “Get Ur Freak On” became a top ten success in the Netherlands and the United Kingdom, where it became her first solo top ten hit, peaking at number four. A remix of the song featuring Nelly Furtado was a dance club hit during this period, and was used both in the soundtrack and in the background of the movie Lara Croft: Tomb Raider (2001) starring Angelina Jolie.

Liam Gallagher (Oasis) & his love for eyeglasses

0

There’s no better way to express what you feel through music and through what you wear. Musicians, out of all, have mastered this skill and some are even known for their flamboyant fashion sense.

Legends like Elton John, Madonna, Lady Gaga, Prince and many more love to express their beauty and rhythm through their custom-designed accessories.  Glasses are also one such statement that various musicians like to add to accentuate their look. John Lennon and his round glasses were one of the iconic looks that still gets copied by a lot of people.

One such musician who’s also known for his love for glasses, especially round ones, is Liam Gallagher from the band Oasis. In men’s glasses, the most popular ones were the regular oversized Aviators. Fortunately for Liam, the ’90s and even the current generation got a fresh style to play and adore.

The band was a household name in the 2000s where everything perfectly clicked from Liams Gallagher glasses to the white bucket hat of Noel, Liam’s younger brother. The band got popular for its signature elevation mass of sound, louder yet blissful melodies, ultimately overwhelming you with strong emotion.

Apart from the band’s growing popularity, the significant thing that marked the coolness of the member’s personality was the iconic choices of glasses Liam Gallagher put out on display at every appearance. Let’s take look at his John Lennon inspired glasses collection with his spin on it:

Round frames were undoubtedly Liam Gallapherer prime selection. He’s street fashion outfits and round shades worked for hand in hand in giving off a rebel with no cause look. The round frames were quite popular in the ’90s along with the oversized aviator’s frames.

For the male’s version of cat-eye, the 90’s introduced arced square frames which turned out to be quite popular than the fame of Liam’s Gallagher iconic live shows. Based out of Manchester, the band was known for their electrifying live performance. For instance, their 2005 appearance in Manchester itself created their legacy. After their musical performance, the band turned into a fashion mogul for being elite but mostly relatable through music and self-expression.

When we said, Oasis went with big, it didn’t restrict to their musical limits but also with their glasses. With their dark, an edgy, confrontational and gloomy musical track, the band created an aesthetic of the 90’s era to resonate better with the audience. Declaring the band’s motive and executing it beautifully was a complex part but Oasis was challenging each genre within every one of their albums. In their “Definitely Maybe” Oasis talent in creating a track-list that went with audience expectation of the music portrayed at its finest. Their other albums like “Live Forever”, “Supersonic” and “Cigarettes & Alcohol ” expressed their galvanic, rousing nature in continuity, which was rarely put-out by other artists popular at that time.

There’s no life without colour and coming from Liam Gallapheres, there are not enough tints to experiment with your look. Liam’s every lookbook is filled with candy-tinted shades which are getting prevalent among supermodels now. There’s nothing new under the sun anymore. Apart from playing with different tints, Liam was the greatest tambourine player. Unlike the rest of the members in the band who would whack the tambourine out of boredom, Liam went on to make the instrument his unique style statement.

There are only a few instruments that turned popular over the years in rock, apart from the usual ones like guitar and drum and infrequently the bass by the Red hot Chili Peppers Flea. Liam however, usually being the frontman of the group utilized the tambourine like an orchestra and went on to create a significant effect in his music.

Fan of Liam Gallagher and his signature glasses then we’ve got the perfect solution for you. Find quality designer glasses online at Specscart at the best price with extra coatings for free. From iconic 90’s women’s glasses to the latest eccentric one’s, each pair of glasses are truly magnificent. Specscart offers free shipping on all its prescription and nonprescription with 30 days free return. It’s time you channel your favourite singer’s iconic look and relive the nostalgia era of great music and rhythm.

Four local organizations receive Community Response Fund Grant for books from the Indigo Love of Reading Foundation

0

Due to the unprecedented school closures associated with the COVID-19 pandemic, many children in high-needs communities have been left without access to learning resources and books, as many students from disadvantaged backgrounds rely on schools and support programs for basic necessities. The Indigo Love of Reading Foundation recognized this need and in April launched the Love of Reading Community Response Fund with a commitment of $1 million in grants to put books in the hands of kids during this time when they need it most.  The grants have been awarded to local non-profit organizations that serve children and their families in high-needs communities to purchase books and educational resources.

The following organizations have received grants:

Native Child and Family Services in Toronto – $25,000

  • Native Child and Family Services in Toronto are extremely dedicated to fostering a love of reading for high-needs Aboriginal children and youth in Toronto – many of who are now experiencing barriers to learning as schools, day care centres and other vital community spaces remain closed due to the pandemic. The organization strongly believes that connecting young people to their culture and history is key to overcoming adversity. The funds will help offer their communities access to books that will enrich their relationship to their culture, history and Aboriginal identity. They were able to distribute books to 1,000 Aboriginal families and homes across Toronto, including children and youth who access their programs.

The Children’s Book Bank – $12,500

  • The Children’s Book Bank provides literacy support to children and families in high-needs neighbourhoods across the GTA. In the last two months, they have distributed more than 25,000 books to children. With most schools, camps and libraries closed this summer, their services are needed now more than ever. Books are essential tools for children to continue learning and nurturing their imagination. The funds allowed them to help fill in some gaps for book donations. They were able to distribute books with diverse titles, representing the many communities that visit the Book Bank and benefit from their service.

The Leacock Foundation – $12,500

  • The Leacock Foundation provides fully funded literacy programming after school, on weekends and in the summer for three priority communities in Toronto. However, as the pandemic hit, many families in their communities faced barriers in providing reading resources for their children as the organization also temporarily closed. One of the ways that the Leacock Foundation put the funds to work was by including books in learning packets for their virtual LEAP into Literacy Summer Camp, which helped reinforce literacy at home. Putting books in the hands of students in their communities isn’t temporary but more lasting, as they will improve their reading and writing skills which will help them over the course of their lives.

Birkdale Portfolio Shelter – $4,165

  • The Birkdale Portfolio Shelter provides much-needed services to families in high-needs communities. However, they needed to find an alternative way to keep children engaged while fostering family interaction in a non-traditional way, as communities were locked down in social isolation. Many of the children who were in isolation were without electronic devices as TDSB moved from in class learning to e-learning. The funds helped offer children  new books to keep their imagination active while they remained in a one bedroom with multiple family members during the social isolation period. This was also a profound way for children to expand their minds and develop critical thinking while reading, as well as allowed older siblings to read to their younger siblings which increased family bonding.

 

To continue these impacts, Indigo pledged recently pledged to donate 1% of the annual net proceeds[1] from the sale of every children’s book purchased to the Indigo Love of Reading Foundation. Now, when Canadians purchase children’s books at any Indigo, Chapters, Coles or on Indigo.ca, they are also helping to provide books to children in need across the country.  This initiative will enable the Foundation to continue offering supports like the Community Response Fund to children in high-needs communities across Canada.

Photo Gallery: Walk Off The Earth with Harm & Ease at Toronto’s OLG Play Stage

0

All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

Walk Off The Earth
Walk Off The Earth
Walk Off The Earth
Walk Off The Earth
Walk Off The Earth
Walk Off The Earth
Walk Off The Earth
Walk Off The Earth
Walk Off The Earth
Walk Off The Earth
Walk Off The Earth
Walk Off The Earth
Harm & Ease
Harm & Ease
Harm & Ease
Harm & Ease
Harm & Ease
Harm & Ease

Joni Mitchell Announces Extensive Archive Series Starting In October

0

Since her debut album arrived in 1968, Joni Mitchell’s songs have been embraced across generations, inspired multitudes of artists around the world, and earned every conceivable accolade. She is now opening her vault for the first time to create the Joni Mitchell Archives, a new series of boxed set releases that will span the next several years, featuring deep dives in to unreleased content from different eras of her storied career. Mitchell has been intimately involved in producing the archive series, lending her vision and personal touch to every element of the project.

The series debuts on October 30 with JONI MITCHELL ARCHIVES VOL. 1: THE EARLY YEARS (1963-1967), which features nearly six hours of unreleased home, live, and radio recordings that flow chronologically to paint a rich portrait of Mitchell’s rapid growth as a performer and songwriter during the period leading up to her debut album. This treasure trove of unheard audio includes 29 original Mitchell compositions that have never been released before with her vocals. The collection will be available as a deluxe 5-CD set as well as digitally.

The collection begins in 1963 with her earliest-known recording as a 19-year-old Mitchell performs at CFQC AM, a radio station in her hometown of Saskatoon, Saskatchewan. The first song from this set, Mitchell’s take on “House Of The Rising Sun,” is available today as a digital single. The box culminates with a stirring, three-set 1967 nightclub performance recorded at the Canterbury House in Ann Arbor, Michigan.

Both of these performances will be available separately on 180-gram vinyl on October 30. The first, EARLY JONI – 1963 will be released as a single LP on 180-gram vinyl. Like several of Mitchell’s past albums, the cover for EARLY JONI features a self-portrait and marks her first new art in many years. The other, LIVE AT CANTERBURY HOUSE – 1967, is a 3-LP set and includes Mitchell’s entire three-set performance from October 27, 1967. Production of this 180-gram vinyl set will be limited to 10,000 copies.

To coincide with the JONI MITCHELL ARCHIVE series, Mitchell has launched an official website (www.jonimitchell.com), social media properties (Facebook, Instagram, Twitter), and YouTube channel. These platforms will be sources for news, photos, videos and other historical content as well as exclusive album release, merchandise, and more. Limited edition, colored vinyl versions of both EARLY JONI (1,500 copies on 180-gram clear vinyl) and LIVE AT CANTERBURY HOUSE – 1967 (1,500 copies on 180-gram white vinyl) are available for pre-order now exclusively at store.jonimitchell.com. Any music product purchased on the official Joni Mitchell store comes with an exclusive 7”x7” art print honoring the launch of the archive series.

 

Through a wealth of unreleased live performances, home recordings, and radio broadcasts, ARCHIVES VOL. 1 brings into focus the period when Mitchell was finding her voice artistically. It shows her moving away from the folk standards of her early days (“John Hardy” and “House Of The Rising Sun”) and starting to write and sing her own songs (“Day After Day” and “Urge For Going.”)

ARCHIVES VOL. 1 reveals just how prolific a songwriter Mitchell was at the time. In addition to early versions of songs that would appear on Song To A Seagull (“Michael From Mountains” and “I Had A King”), the set also features songs destined for later albums: “Chelsea Morning”  “Both Sides Now” (Clouds, 1969); “The Circle Game” (Ladies of the Canyon, 1970); and “Little Green” (Blue, 1971).

More than a just historic document, these recordings crackle with energy thanks to a vibrant and enchanting Mitchell. On many, you can hear her tuning her guitar and telling a story about the song before playing it. That includes her rare 1967 cover of Neil Young’s “Sugar Mountain,” a song she says inspired her to write “The Circle Game.”

The 5-CD collection includes a 40-page booklet that features many unseen photos from Mitchell’s personal collection as well as new liner notes featuring conversations between writer/filmmaker Cameron Crowe and Mitchell, who recently spent a couple of Sunday afternoons together discussing her archives. Crowe will continue to provide liners for future releases in the series.

Liner notes for both vinyl releases were each composed by people who were in the room when the original performances were recorded. Barry Bowman was working as a DJ at radio station CFQC in 1963 and provides the notes for EARLY JONI. Bob Franke, who was covering Mitchell’s show at Canterbury House for the Michigan Daily while also moonlighting as a doorman at the club, pens the liners for LIVE AT CANTERBURY HOUSE. His original review for the Michigan Daily is also included.

Looking back, Mitchell reflects on her early label of “folk singer”: “The early stuff, I shouldn’t be such a snob against it. A lot of these songs, I just lost them. They fell away. They only exist in these recordings. For so long I rebelled against the term, ‘I was never a folk-singer.’ I would get pissed off if they put that label on me. I didn’t think it was a good description of what I was. And then I listened and…it was beautiful. It made me forgive my beginnings. And I had this realization…I was a folk singer!

JONI MITCHELL ARCHIVES VOL. 1: THE EARLY YEARS (1963 TO 1967)

Full Track Listing

Disc One

Radio Station CFQC AM, Saskatoon, Saskatchewan, Canada (ca. 1963)

  1. “House Of The Rising Sun”
  2. “John Hardy”
  3. “Dark As A Dungeon”
  4. “Tell Old Bill”
  5. “Nancy Whiskey”
  6. “Anathea”
  7. “Copper Kettle”
  8. “Fare Thee Well (Dink’s Song)”
  9. “Molly Malone”

Live at the Half Beat: Yorkville, Toronto, Canada (October 21, 1964)

First Set

  1. Introduction
  2. “Nancy Whiskey”
  3. Intro to “The Crow On The Cradle”
  4. “The Crow On The Cradle”
  5. “Pastures Of Plenty”
  6. “Every Night When The Sun Goes In”
  7. Intro to “Sail Away”
  8. “Sail Away”

Second Set

  1. “John Hardy”
  2. “Dark As A Dungeon”
  3. Intro to “Maids When You’re Young Never Wed An Old Man”
  4. “Maids When You’re Young Never Wed An Old Man”
  5. “The Dowie Dens Of Yarrow”
  6. “Deportee (Plane Crash At Los Gatos)”
  7. Joni’s Parents’ House: Saskatoon, Saskatchewan, Canada (February 1965)
  8. “The Long Black Rifle”
  9. “Ten Thousand Miles”
  10. “Seven Daffodils”

Disc Two

Myrtle Anderson Birthday Tape: Detroit, MI (1965)

  1. “Urge For Going”
  2. “Born To Take The Highway”
  3. “Here Today And Gone Tomorrow”

Jac Holzman Demo: Detroit, MI (August 24, 1965)

  1. “What Will You Give Me”
  2. “Let It Be Me”
  3. “The Student Song”
  4. “Day After Day”
  5. “Like The Lonely Swallow”

Let’s Sing Out, CBC TV: University of Manitoba, Winnipeg, MB, Canada (October 4, 1965)

  1. “Favorite Colour”
  2. “Me And My Uncle”

Home Demo: Detroit, MI (ca. 1966)

  1. “Sad Winds Blowin’”

Let’s Sing Out, CBC TV: Laurentian University, London, ON, Canada (October 24, 1966)

  1. “Just Like Me”
  2. “Night In The City”

Live at the 2nd Fret: Philadelphia, PA (November 1966)

  1. “Brandy Eyes”
  2. Intro to “Urge For Going”
  3. “Urge For Going”
  4. Intro to “What’s The Story Mr. Blue”
  5. “What’s The Story Mr. Blue”
  6. “Eastern Rain”
  7. Intro to “The Circle Game”
  8. “The Circle Game”
  9. Intro to “Night In The City”
  10. “Night In The City”

Disc Three

Folklore, WHAT FM: Philadelphia, PA, (March 12, 1967)

  1. Intro to “Both Sides Now”
  2. “Both Sides Now”
  3. Intro to “The Circle Game”
  4. “The Circle Game”

Live at the 2nd Fret: Philadelphia, PA (March 17, 1967)

Second Set

  1. “Morning Morgantown”
  2. “Born To Take The Highway”
  3. Intro to “Song To A Seagull”
  4. “Song To A Seagull”

Third Set

  1. “Winter Lady”
  2. Intro to “Both Sides Now”
  3. “Both Sides Now”

Folklore, WHAT FM: Philadelphia, PA (March 19, 1967)

  1. Intro to “Eastern Rain”
  2. “Eastern Rain”
  3. Intro to “Blue On Blue”
  4. “Blue On Blue”

“A Record Of My Changes” – Michael’s Birthday Tape: North Carolina (May 1967)

  1. “Gemini Twin”
  2. “Strawflower Me”
  3. “A Melody In Your Name”
  4. “Tin Angel”
  5. “I Don’t Know Where I Stand”
  6. Joni improvising

Folklore, WHAT FM: Philadelphia, PA (May 28, 1967)

  1. Intro to “Sugar Mountain”
  2. “Sugar Mountain”

Disc Four

Home Demo: New York City, NY (ca. June 1967)

  1. “I Had A King”
  2. “Free Darling”
  3. “Conversation”
  4. “Morning Morgantown”
  5. “Dr. Junk”
  6. “Gift Of The Magi”
  7. “Chelsea Morning”
  8. “Michael From Mountains”
  9. “Cara’s Castle”
  10. “Jeremy” (Incomplete)

Live at Canterbury House: Ann Arbor, MI (October 27, 1967)

First Set

  1. “Conversation”
  2. Intro to “Come To The Sunshine”
  3. “Come To The Sunshine”
  4. Intro to “Chelsea Morning”
  5. “Chelsea Morning”
  6. Intro to “Gift Of The Magi”
  7. “Gift Of The Magi”
  8. “Play Little David”
  9. Intro to “The Dowie Dens Of Yarrow”
  10. “The Dowie Dens Of Yarrow”
  11. “I Had A King”
  12. Intro to “Free Darling”
  13. “Free Darling”
  14. Intro to “Cactus Tree”
  15. “Cactus Tree”

Disc Five

Live at Canterbury House: Ann Arbor, MI (October 27, 1967)

Second Set

  1. “Little Green”
  2. Intro to “Marcie”
  3. “Marcie”
  4. Intro to “Ballerina Valerie”
  5. “Ballerina Valerie”
  6. “The Circle Game”
  7. Intro to “Michael From Mountains”
  8. “Michael From Mountains”
  9. “Go Tell The Drummer Man”
  10. Intro to “I Don’t Know Where I Stand”
  11. “I Don’t Know Where I Stand”

Third Set

  1. “A Melody In Your Name”
  2. Intro to “Carnival In Kenora”
  3. “Carnival In Kenora”
  4. “Songs To Aging Children Come”
  5. Intro to “Dr. Junk”
  6. “Dr. Junk”
  7. “Morning Morgantown”
  8. Intro to “Night In The City”
  9. “Night In The City”
  10. “Both Sides Now”
  11. “Urge For Going”

EARLY JONI – 1963

LP Track Listing

Side One

  1. “House Of The Rising Sun”
  2. “John Hardy”
  3. “Dark As A Dungeon”
  4. “Tell Old Bill”
  5. “Nancy Whiskey”

Side Two

  1. “Anathea”
  2. “Copper Kettle”
  3. “Fare Thee Well (Dink’s Song)”
  4. “Molly Malone”

LIVE AT CANTERBURY HOUSE – 1967

3LP Track Listing

Side One: First Set

  1. “Conversation”
  2. Intro to “Come To The Sunshine”
  3. “Come To The Sunshine”
  4. Intro to “Chelsea Morning”
  5. “Chelsea Morning”
  6. Intro to “Gift Of The Magi”
  7. “Gift Of The Magi”

Side Two

  1. “Play Little David”
  2. Intro to “The Dowy Dens Of Yarrow”
  3. “The Dowy Dens Of Yarrow”
  4. “I Had A King”
  5. Intro to “Free Darling”
  6. “Free Darling”
  7. Intro to “Cactus Tree”
  8. “Cactus Tree”

Side Three: Second Set

  1. “Little Green”
  2. Intro to “Marcie”
  3. “Marcie”
  4. Intro to “Ballerina Valerie”
  5. “Ballerina Valerie”
  6. “The Circle Game”

Side Four

  1. Intro to “Michael From Mountains”
  2. “Michael From Mountains”
  3. “Go Tell The Drummer Man”
  4. Intro to “I Don’t Know Where I Stand”
  5. “I Don’t Know Where I Stand”

Side Five: Third Set

  1. “A Melody In Your Name”
  2. Intro to “Carnival In Kenora”
  3. “Carnival In Kenora”
  4. “Songs To Aging Children Come”
  5. Intro to “Dr. Junk”
  6. “Dr. Junk”

Side Six

  1. “Morning Morgantown”
  2. Intro to “Night In The City”
  3. “Night In The City”
  4. “Both Sides Now”
  5. “Urge For Going”