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Bob Dylan Announces his First “Theme Time Radio Hour” in Over 10 Years

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Heaven’s Door Spirits, an evolving collection of American whiskeys created by Bob Dylan and Spirits Investment Partners, is proud to announce Dylan’s return to his famed “Theme Time Radio Hour” series for a special episode. Kicking off a special week-long limited run of Bob Dylan Theme Time Radio Hour on SiriusXM’s Deep Tracks (ch. 27), beginning Monday September 21st, at 12 p.m. ET, this program feature theme is “Whiskey” in honor of Bourbon Heritage month. The new, never-before-heard episode will then be made available on the Heaven’s Door website and social channels, Bob Dylan’s website and social channels, as well as all major streaming services starting September 25th.

First introduced in May of 2006, “Theme Time Radio Hour” was a weekly one-hour radio show hosted by Bob Dylan, with each episode dedicated to a different topic, such as Money, Presidents, Spring Cleaning and Weather. Dylan’s eclectic mix of music tracks are accompanied by commentary that is uniquely Bob Dylan. The show also featured humor and familiar voices calling in to ask questions and offer anecdotes. These call-in guests included Tom WaitsMerle HaggardElvis CostelloAstrid GilbertoRicky Jay, Keb Mo, Marianne FaithfullJack WhiteAmy Sedaris, Cat Power, T Bone Burnett, John CusackMick Jones, and Steve Earle.

At its conclusion in April 2009, 100 episodes of “Theme Time Radio Hour” had aired, and the show was among the most listened to programs on all of satellite radio. The groundbreaking series received countless accolades during its run, including from the New York Times, which wrote, “As D.J., Mr. Dylan vamps on the lyrics of his chosen songs, and makes observations that often amount to something like what he does musically: he taps America’s musical heritage with words that veer from the logically linear to the abstract,” and the Washington Post, which observed, “He’s voluble, generous, articulate. He’s liable to quote a poem, give tips on hanging drywall or pass along a recipe.”

Inspired by his passion for whiskey and the creation of Heaven’s Door Spirits, the new episode discusses how whiskey has shaped the world, from music to sports and everything in between. At just under two hours long, the new episode is a perfect pairing for music and whiskey enthusiasts alike to tune in while enjoying a glass of their favorite Heaven’s Door Whiskey.

In addition to this new episode of “Theme Time Radio Hour”, Heaven’s Door has just launched its second annual #ServeSomebody philanthropic program, in collaboration with food banks across the country. In 2020, the temporary closing of many businesses due to COVID-19 has led to at least 22 million Americans losing their jobs, many of whom work in food, beverage and hospitality industry. This has made the fight against hunger even more crucial than ever.  

With a goal of donating 300,000 meals this year, consumers can help Heaven’s Door give to those in need, by enjoying a drink at home or dining out. From September 1 – October 31, 2020:

  • For every bottle purchased, Heaven’s Door will donate the equivalent of at least 4 meals to a community in need.
  • For every cocktail sold, Heaven’s Door will donate the equivalent of at least 1 meal to a community in need.

“With the strong following that Theme Time Radio Hour attracted over its 100 episodes, we’re very excited that Bob got back in the studio to create this 101st episode around the theme of whiskey,” says Marc Bushala, CEO of Heaven’s Door Spirits. “This new episode gives Bob Dylan fans and whiskey fans some new content to enjoy while at home. We are also humbled to take action in support of people across the country in need of food with our Serve Somebody philanthropic program.”

The Heaven’s Door portfolio of whiskeys includes Tennessee Straight Bourbon (90 proof, $49.99 SRP), Double Barrel Whiskey (100 proof, $49.99 SRP), and Straight Rye Whiskey finished in cigar barrels from Vosges, France (92 proof, $79.99 SRP), as well as various limited time offerings, including the annual Bootleg Series of rare whiskeys. First introduced in 2018 to wide acclaim, Heaven’s Door is an ever-evolving line of handcrafted whiskeys which are the perfect melding of art and craft, as each bottle features Dylan’s unique ironwork sculptures.

Heaven’s Door’s portfolio of whiskeys is available nationwide and online via Reservebar.com/collections/heavens-door, and globally in CanadaGermany and the U.K.. For more information about the brand visit www.heavensdoor.com or engage with the brand on InstagramFacebook or Twitter.

SiriusXM subscribers can listen to Bob Dylan Theme Time Radio Hour on Deep Tracks via SiriusXM radios, and those with streaming access can listen online, on-the-go with the SiriusXM mobile app and at home on a wide variety of connected devices, including smart TVs, devices with Amazon Alexa or the Google Assistant, Apple TV, PlayStation, Roku, Sonos speakers and more. The SiriusXM app also offers additional features such as SiriusXM video, Personalized Stations Powered by Pandora that listeners can curate themselves, and an On Demand library with more than 10,000 hours of archived shows, exclusive music performances, interviews and audio documentaries. SiriusXM has special offers for new subscribers including three months of a SiriusXM Essential Streaming subscription for Free. To see Offer Details and to subscribe, visit www.SiriusXM.com/free3.

The Western Canadian Music Alliance Announces Gerry Atwell As 2020 Heritage Award Recipient

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Today, the Western Canadian Music Alliance is thrilled to announce award-winning musician, and creative mentor, Gerry Atwell, as the 2020 recipient of the Heritage Award. Each year, the Heritage Award is presented to a person who has made significant contributions to the music industry over the course of their career.

Gerry Atwell was larger than life and truly a Renaissance Man.  He was known for his vigourous performance on-stage, and his gentlemanly demeanor off. He was most known as a keyboard player and vocalist with bands such as the JUNO Award-winning Eagle & Hawk, Ministers of Cool, Rockalypso, the Boogie Nights Band and Voice of Boom. He was a dedicated board member, mentor and facilitator for a long list of arts services, community and social justice organizations, and oftentimes, a founding member of new organizations where he saw need.  His work can be felt throughout the whole city of Winnipeg, in organizations such as the St. Norbert Arts Centre, the Broadway Neighbourhood Centre – where Atwell was instrumental in the creation of its successful Just TV program – Manitoba Music, the Black Educators Association of Manitoba, the Manitoba Association of Playwrights, Manitoba Film & Music and many more. Atwell mentored many young and aspiring artists, with a particular interest in inspiring youth through music and the arts. His peers described him as a connector – and not just for music – and an essential go-to person in the music community.

Atwell will be formally honoured as the Heritage Award recipient during a special livestreamed event on Friday, September 25, where all winners of the Western Canadian Music Awards will be revealed as well.

The Smashing Pumpkins Set To Release Double Album, Titled “CYR” On November 27

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Following the release of their latest critically acclaimed singles ‘Cyr’ and ‘The Colour Of Love,’ GRAMMY Award-winning, alternative rock luminaries, The Smashing Pumpkins have revealed details on their forthcoming eleventh studio album, titled ‘CYR,’ which is set for release via Sumerian Records on Friday, November 27.

The 20-track full-length double album was produced by front-man Billy Corgan and recorded in Chicago, and features founding members Billy Corgan, James Iha, Jimmy Chamberlin and guitarist Jeff Schroeder.

Global praise continues to pour in since the release of their current single and album namesake ‘Cyr,’ – which was #1 most added at Alternative Radio first week of release – and ‘The Colour of Love,’ both from their now confirmed forthcoming double album. Variety applauded the songs for remaining “rooted in the now,” and for “effortlessly taking their place alongside a catalog of cherished Smashing Pumpkins classics.” While Billboard exclaimed “The Smashing Pumpkins are getting ready to smash it up once more.” The accompanying music video for ‘Cyr’ – co-directed by Linda Strawberry and Billy Corgan – amassed an impressive 1 million views upon release. Watch the official music video for ‘Cyr’ HERE.

Today, the band also released the trailer and details for their upcoming five-part animated series, titled ‘In Ashes’, created by Billy Corgan and animation by Deep Sky. The first two episodes ‘As The Crow Flies’ and ‘Inspirations, Aspirations’ will be revealed on September 25, along with new music from the album.

In other news, The Smashing Pumpkins will be headlining Riot Fest in Chicago, which takes place on September 17 – 19, 2021. Other acts confirmed include Pixies, Run The Jewels and My Chemical Romance. Also, just announced, they will be closing one night of the Sea.Hear.Now Festival in Asbury Park, NJ, which takes place September 18 – 19, 2021. Other acts confirmed include Pearl Jam, The Avvett Brothers and Billy Idol. For more information and tickets, go to:www.smashingpumpkins.com

Formed in Chicago, IL in 1988, The Smashing Pumpkins released their heralded debut album Gish in 1991 and found mainstream success with 1993’s 4x multi-platinum Siamese Dream and 1995’s 10x multi-platinum Mellon Collie and the Infinite Sadness. The band has released seven additional studio albums; Adore, Machina/The Machines of God,Machina II/The Friends and Enemies of Modern Music, Zeitgeist, Oceania, Monuments to an Elegy and their last full-length, Shiny and Oh So Bright, Vol 1 / LP: No Past, No Future, No Sun. With over 30 million physical albums sold, the multiple GRAMMY®, MTV VMA, and American Music Award winning band remains an undeniable force in alternative rock.

‘CYRs’ follows the band’s 2018 Rick Rubin-produced full-length SHINY AND OH SO BRIGHT, VOL. 1 / LP: NO PAST. NO FUTURE. NO SUN and accompanying headlining tours that sold in excess of 350,000 tickets across North America; selling out arenas including The Forum, United Center, Madison Square Garden and many more

Rick Astley Thrills With His Cover Of David Guetta’s ‘Titanium’

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The Never Gonna Give You Up singer floats and brings us all comfort through these bizarre times with his cover of Titanium.

Sam Smith Announces New Album “Love Goes”

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The Grammy, BRIT, Golden Globe and Oscar winning Sam Smith announces new single “Diamonds” out now taken from their brand-new album Love Goes released on October 30.

Fresh from the release of “My Oasis,” featuring the inimitable Burna Boy, new single “Diamonds” showcases Sam’s unforgettable vocals at their best with a defiant tale of love lived without regret. The video sees direction from previous co-creator Luke Monaghan (How Do You Sleep, Too Good At Goodbyes, Writing’s On The Wall) together, their work has garnered over 2.5 billion streams.

Building on the 30 billion career streams Sam has amassed and the global success of their debut and sophomore albums, both No.1, multi-platinum selling records in the UK and US, their highly anticipated third offering Love Goes will be unveiled next month. For the artwork, Sam worked with world-renowned British fashion photographer and film-maker Alasdair McLellan (Vogue, Kim Jones, Louis Vuitton) to bring their vision to life.

For Love Goes, Sam has enlisted a roll call of revered collaborators from Steve Mac (Ed Sheeran, Celine Dion), Shellback/MXM (Robyn, Pink, Britney Spears), Labrinth (Love Goes title track), masterminds Stargate as well as good friend Guy Lawrence (Disclosure) and long-term collaborator Jimmy Napes to curate a collection of songs written over the last two years, all displaying individuality with every-one telling a different story.

Sam said ‘The last two years has been the most experimental time of my life, personally but also musically. Every time I went into the studio, I promised myself I would shoot for the stars and have no limitations. The result has been so magical and so therapeutic and FUN. My love for music is so broad and all of my musical guilty pleasures became pleasures. No guilt, no shame, just the love of singing and creating and dancing. I am so thankful to every human who embraced my creativity and direction and allowed me to be whoever I wanted to be in that studio on that day…listen to these songs with an open heart and treat each song like a different flower from the garden, have fun with them, I tried not to take myself too seriously when writing a few of these songs. I hope they make you smile, because they made and make me.’

Alongside the recently released “My Oasis” with Burna Boy, Love Goes also features previously released bonus tracks with other notable co-collaborators including Normani, on the multi-platinum global hit “Dancing With A Stranger,” Calvin Harris with “Promises” and Demi Lovato on “I’m Ready” for this highly anticipated return.

LOVE GOES – TRACKLISTING

Young
Diamonds
Another One
My Oasis (feat. Burna Boy)
So Serious
Dance (‘Til You Love Someone Else)
For The Lover That I Lost
Breaking Hearts
Forgive Myself
Love Goes (feat. Labrinth)
Kids Again

BONUS TRACKS
Dancing With A Stranger (Sam Smith & Normani)
How Do You Sleep?
To Die For
I’m Ready (Sam Smith & Demi Lovato)
Fire On Fire
Promises (Calvin Harris & Sam Smith)

The Prince Estate Releases Previously Unheard Track: “I Need A Man”

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The Prince Estate has released “I Need A Man”, a previously unheard recording from Prince’s legendary vault that will be featured on the expanded reissue of Prince’s iconic Sign O’ The Times out September 25.

“I Need A Man” was recorded at the Washington Avenue Warehouse on January 22, 1987, by engineer Susan Rogers.

Although Prince’s Paisley Park Studios was still months away from completion, Paisley Park Records was in full swing when Prince reached out to Grammy nominee Bonnie Raitt after seeing her perform. “I Need A Man” was the first of four songs he offered her.

The track, originally recorded for Vanity 6 predecessors The Hookers in August of 1981, was completely re-tracked for Raitt’s consideration and updated with live drums, Fairlight and Mirage synths, sax, trumpet, and Prince’s guide vocal. The envisioned collaboration, however, didn’t ultimately materialize and Prince’s re-tracked version of “I Need A Man” was returned to the vault and has remained unreleased until now.

In addition, The Prince Estate launched the fourth episode in the brand-new 8-part podcast miniseries Prince: The Story of Sign O’ The Times. Produced with 89.3 The Current, the miniseries marks the next chapter in the Official Prince Podcast feed and is being created by the same team that crafted the Webby Award-nominated podcast Prince: The Story of 1999. Hosted by The Current’s Andrea Swensson – an author and historian of Minnesota music – Prince: The Story of Sign O’ The Times tracks the two years leading up to the epochal double album’s release, tracking the many twists, turns and abandoned projects, featuring vault track previews and interviews with key collaborators and confidants. Episode four, titled “Strict and Wild and Pretty” picks up at the conclusion of the Revolution’s dazzling Parade Tour and includes reflections from Lisa Coleman, Wendy Melvoin, Dr. Fink, BrownMark, Eric Leeds, Atlanta Bliss, and Levi Seacer, Jr.

To catch Episodes 1-4 and to subscribe, search for Prince: The Story of Sign O’ The Times click below.

The new Sign O’ The Times expanded reissue will be available September 25 via all physical, digital and streaming partners, with the classic album remastered for the very first time. The Super Deluxe edition features 63 previously unreleased tracks, as well as a previously unreleased 2+ hour video concert performance from the vault.

How to Keep Pianos Sounding Their Best

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Pianos may look like large, sturdy instruments, but musicians know that looks can be deceiving. They’re actually quite delicate and include thousands of wood, metal, felt, cloth, and wool parts. To keep a piano sounding its best, musicians need to take certain steps to ensure the instrument is receiving proper care. Read on to find out what it takes to maintain a piano’s perfect sound.

Proper Positioning

Pianos should be located against internal walls and as far as possible from windows and doorways. The room must be kept at a consistent temperature, so avoid placing a piano against west-facing walls that tend to get hot in the summer and place them far from heaters and air conditioners. Try to avoid placing them in direct sunlight, as well.

Humidity Regulation

Wood is very responsive to environmental changes. Changes in humidity cause it to expand and contract, which can loosen turning pins, alter the action on the keys, and cause the piano to go out of tune. Excess humidity can also damage the felt pads and cause the steel strings to rust, making an already bad situation even worse.

In the summer, consider running a dehumidifier to combat excess humidity. In the winter, make sure the air doesn’t get too dry. If the musicians’ skin feels dry, the chances are their pianos are suffering, too. The best solution is to install a humidity control system.

Proper Handling

Moving any large object safely can be a challenge. Moving pianos without taking proper precautions to protect them can be disastrous. The only way to ensure a piano’s safety when moving it to a new home is to hire a company like Piano Movers of Texas that has access to skilled personnel, specialized moving equipment, and trucks capable of safely transporting these large but delicate instruments.

Frequent Tuning

Most home pianos need to be tuned twice a year to accommodate changes in weather. The speed at which the instrument will go out of tune depends on several factors, including:

  • Frequency of use
  • Pianists’ playing styles
  • The piano’s age and condition
  • Humidity and temperature levels
  • Whether the piano has been moved recently

Expect to have a piano tuned after every move. Even moving a piano across the room can cause it to go out of tune. New pianos also need to be tuned more frequently, typically at least once per season for the first year. Tuning pianos is incredibly difficult, so it’s always a task best left to professionals.

Regulate As Needed

Just having a piano tuned regularly won’t keep it in perfect playing condition. Tuning doesn’t affect the action of the keys or how the piano plays. That requires a different process known as regulation.

It’s difficult to give a set time frame for how often pianos should be regulated, as factors like wear and tear, excessive expansion and contraction of wood, felt compression, damage to steel strings, or even insect infestations can all affect how a piano plays. Just have the piano regulated whenever the action seems to be changing for the worse. The technician will provide an in-depth inspection of the piano and adjust mechanical parts as needed to restore the instrument to perfect playing condition.

Address Unwanted Changes in Tone with Voicing

Voicing is a process that alters the tone quality of each note. It involves adjusting the tension of the hammer felt, which requires specialized tools and experience. The technician will use needles or specialized chemicals to affect the pliability of the felt, changing the tone of the piano. Before having a piano voiced, have it tuned and regulated.

As with regulation, there’s no way to make accurate generalizations about how often pianos need voicing. Here are some signs it’s time to look into this option:

  • The tone has changed for the worse since purchasing the piano
  • The piano doesn’t sound good even directly after tuning
  • The tone varies substantially between notes
  • Musicians can no longer play softly
  • Maintain the Finish

Musicians can clean their pianos’ exteriors by lightly dusting the surface with a soft cloth or a piano feather duster. Avoid using chemical wipes and cleaning agents not specifically designed for use on pianos. Some waxes and polishes can be used to maintain the piano’s finish, but check with an expert before buying these products as not all of them are acceptable for this use.

Keep the Keyboard Clean

Clean the keyboard frequently by wiping it down with a soft cloth. If there’s noticeable dirt on the keyboard, pianists can dampen the cloth in a diluted detergent solution and wring it out to make dusting easier. Avoid using alcohol, which can cause the keys to crack, and minimize the need for frequent cleaning by asking guests to wash their hands before sitting down to play the piano.

Prevent Scratches

Never place objects directly on the piano’s surface. If piano owners must place anything on their pianos, they should place a soft cloth beneath them to avoid scratching the finish. Keep in mind when cleaning that dust is abrasive, so it’s best to use a feather duster or a microfiber cloth to keep the dust at bay.

Keep Liquids Away

Never put water glasses on the piano. Never put plants on the piano. Never put any container filled with a liquid of any sort on the piano. If it spills, the results could be disastrous. Even if it doesn’t spill, the condensation can damage the wood, so just avoid it.

Practice Regularly

No matter their skill levels, pianists should play their instruments regularly. Musicians will benefit from the extra practice, and they’ll be more likely to notice minor problems before they escalate. If anything seems amiss during a routine practice session, call a piano tuner or technician to resolve the problem as soon as possible.

The Bottom Line

Pianos are beautiful instruments, but they’re also complex pieces of machinery that require specialized care. Musicians can do their part by providing home maintenance such as humidity control and periodic careful cleaning. The rest should be left to tr

Duane Allman’s Last Show Found, To Be Released On CD October 16

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An extraordinary piece of rock history will finally be heard this October with the release of the ALLMAN BROTHERS BAND‘s last show with founder and guitarist DUANE ALLMAN. Recorded October 17, 1971 at the Painters Mill Music Fair in Owings Mills, MD, the recording marks Duane’s last show, as he was tragically killed in a motorcycle accident 12 days later. Recorded on a hand-held cassette machine by 18-year-old radio journalist Sam Idas, this music will be released for the first time on October 16.

The ALLMAN BROTHERS BAND were riding a wave of great success in late 1971 and wrapped up an intense summer of touring with the two shows at Painters Mill that day. The July 1971 release of their breakthrough At Fillmore East live album had brought them critical acclaim, hordes of new fans, and even a little money. The band-DUANE ALLMAN, GREGG ALLMAN, DICKEY BETTS, JAIMOE, BUTCH TRUCKS and BERRY OAKLEY-had toured all summer long and were looking forward to some time off before heading back to the studio.

The Final Note package features some remarkable never-before-published photos from that night’s show, extensive liner notes from ABB archivist John Lynskey plus a photo of the actual cassette Idas used. On hand to interview Gregg Allman after the concert, Idas recalls how it happened: “My only intention was to record the interview. This was a brand-new cassette recorder with an internal microphone, and I had one 60-minute cassette tape. I was sitting there with the recorder in my lap, and I remember thinking ‘Why don’t I try this out? I can record the concert!’ It was a totally spontaneous decision. I’d been to many concerts, but this was the only time I had the thought-and the motivation-to record the show.” The cassette went forgotten by Idas until a few years ago when his old roommate asked him if he still had it. Word of this incredible piece of ABB history reached the group’s manager Bert Holman, who immediately knew the importance of this find.

Captured on this simple audience recording were eight tracks from the band’s standard setlist, including smoking versions of “Statesboro Blues,” Hot ‘Lanta” and “Whipping Post.” Despite the obvious limitations that come with a 50-year-old cassette tape, modern technological enhancements help restore the magic of this significant night. The Final Note is a must-have for anyone who appreciates the musical excellence of the original Allman Brothers Band.

The Final Note (October 17, 1971)
–Statesboro Blues
–Trouble No More
–Don’t Keep Me Wondering
–One Way Out
–In Memory Of Elizabeth Reed
–Hot ‘lanta
–Whipping Post

Bat Disco

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Das Kraftfuttermischwerk created this dark and mysterious video reminding me of the old club days. This time, only using bats.

Photo Gallery: The Sheepdogs with Terra Lightfoot at Toronto’s OLG Play Stage

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

The Sheepdogs
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Terra Lightfoot
Terra Lightfoot
Terra Lightfoot
Terra Lightfoot
Terra Lightfoot
Terra Lightfoot