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Showtime Documentary Films Announces New Feature from Martin Scorsese About David Johansen

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SHOWTIME Documentary Films today announced a new feature documentary from Academy Award Winning director Martin Scorsese that profiles David Johansen, the celebrated frontman of the New York Dolls. Emmy nominee David Tedeschi will co-direct with Scorsese, and Scorsese and Sikelia Productions will executive produce with Brian Grazer, Ron Howard and Imagine Documentaries. The announcement was made by Vinnie Malhotra, Executive Vice President, Nonfiction Programming, Showtime Networks Inc.

“I’ve known David Johansen for decades, and his music has been a touchstone ever since I listened to the Dolls when I was making Mean Streets,” said Scorsese. “Then and now, David’s music captures the energy and excitement of New York City. I often see him perform, and over the years I’ve gotten to know the depth of his musical inspirations. After seeing his show last year at the Café Carlyle, I knew I had to film it because it was so extraordinary to see the evolution of his life and his musical talent in such an intimate setting. For me, the show captured the true emotional potential of a live musical experience.”

The film will reveal the many faces of Johansen in an extraordinarily intimate feature documentary. Growing up on Staten Island, Johansen landed in New York’s East Village in the late 1960s; a 16-year-old dropped into the epicenter of the counter-cultural revolution in music, theatre, fashion, art, writing, and social change – a seismic moment that still reverberates today. Johansen’s musical career started in the 1970s as lead singer for the punk/glam pioneers the New York Dolls, continued as he helped to usher in the swing revival as Buster Poindexter in the 1980s and dug deep into the blues with the Harry Smiths in the 1990s.

“It is an honor for all of us at SHOWTIME to be working with Martin Scorsese, who unquestionably stands as one of the greatest filmmakers of our time,” said Malhotra. “Over the past few decades his documentary work has taken us inside the lives of some of the most iconic musicians, from The Band to The Rolling Stones to Bob Dylan, and now David Johansen and the New York Dolls. Johansen’s story transcends the walls of music and is a window into the art and cultural evolution of New York City.”

“We’re ecstatic to have SHOWTIME as our partners and to be in business with Marty on his next feature doc,” said Imagine Documentaries president Justin Wilkes. “Ron, Sara (Bernstein) and I had the thrill of attending the Carlyle performance where we witnessed David’s electricity burning up the stage, which Marty masterfully harnessed into his battery of cameras. If that’s not the beginning of a movie, I’m not sure what is… ”

To tell this story, Scorsese is working with longtime collaborators including producer Margaret Bodde, director of photography Ellen Kuras, and Tedeschi. Scorsese and his team filmed Johansen earlier this year at New York’s legendary Café Carlyle. Johansen performed songs he had written over the years and told vivid stories from his astonishing life. As he has done with all of his acclaimed documentaries, Scorsese will take the audience on an unforgettable New York journey from the 1970s through today, revealing Johansen through exclusive performances, archival footage and present-day verité of the artist and raconteur.

Scorsese has earned 14 Oscar nominations in his career – directing nine Best Picture nominees from Taxi Driver to The Irishman – and won Oscar, Golden Globe and DGA awards for directing The Departed. He has also received 11 Emmy nominations, winning director honors for Boardwalk Empire and two Emmys for George Harrison: Living in the Material World. In addition, he earned a Grammy Award for Best Music Film for No Direction Home. Scorsese is the most-nominated living director in Oscar history.

The documentary is produced for SHOWTIME by Margaret Bodde for Sikelia Productions and Justin Wilkes and Sara Bernstein of Imagine Documentaries. The film is executive produced by Scorsese alongside Imagine Entertainment chairmen Brian Grazer and Ron Howard, Rick Yorn, and Mara Hennessey.

1-minute tip for artists: Before and after.

Everyone loves a good transformation.

Round Hill Records To Reissue 11 Rik Emmett Solo Titles On July 10, 2020

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For decades, Rik Emmett (largely considered one of the greatest rock guitarists of all-time) has been a prolific recording artist – whether it be as a member of Triumph, offering solo material, or collaborating with others. And now, fans will be able to enjoy quite a few of his solo releases once again – which covers a wide variety of styles. On Friday, July 10, 2020, Round Hill Records will be reissuing 11 solo Rik recordings in the digital format, including Ten Invitations (1998), Swing Shift (1998), Raw Quartet (1999), Live at Berklee (2000), Handiwork (2003), Good Faith (2003), Strung-Out Troubadours (2006), Live at Hugh’s Room (2007), Liberty Manifesto (2007), Push & Pull (2009), and Marco’s Secret Songbook (2012):

“As my loyal fans will tell you, I’m not the kind of artist who spends a lot of time and energy looking back,” explains Rik. “But it has been nice to feel there’s a partner who places value on the history of my work beyond the Triumph years. I don’t think of myself as a difficult artist: I’d like to think I’m easy-going and cooperative. But I have a lot of decades of experience in the music business, and I know that an eclectic catalogue of music like this presents Round Hill with some, ummm, unique challenges. It’s gratifying to find patronage that can breathe new life and energy into the public’s awareness of the catalogue. I’m glad that Round Hill respects the work I did, and the music I made. My heart and soul is in this collection. So I only hope the best for Round Hill, as they try to make the digital universe of the 21st century, with its infinite challenges, aware of a humble troubadour from Canada.”

For Triumph fans who may just be discovering these solo Rik titles, its creator discussed the differences between the two. “There’s no comparison to be made, really: separate universes. The first album of this new Round Hill catalogue dates from 1996. I had already been out of Triumph for over 8 years, and by then, had fully transitioned away from any attempts to make mainstream, charting, music-business kinds of projects. I was simply pursuing personal artistic goals, and I had a loyal group of fans – patrons, really – who would indulge that, making it self-sufficient. Many of these albums were about testing my chops, writing and playing instrumental compositions, or exploring styles of music-making that had nothing to do with rock. These albums represent an artistic learning curve of my own digital studio, my own production, my own composing. The hints of prolific eclecticism that a keen Triumph fan might have found back in the 70’s and 80’s is fully in evidence in this catalogue that spans 1998 to 2012.”

“Every album has its moments. Would you ask a parent to choose a favorite child? I love things about all of them, for different reasons. Swing Shift has some personal highlights: I’d waited all my life to try and put original songs like ‘Taste of Steel’ and ‘Mr. Bebop’ on an album: and the Live at Berklee CD was a unique, crazy night … I’m also very proud of the collaborations with Dave Dunlop on the Troubadours albums, especially ‘State of Grace’ and ‘Deeper Kind of Blue.’ And if any fans are looking for hard rock, the Airtime Liberty Manifesto album I did with Mike Shotton is a heavy-progressive project. There are some songwriting gems on Marco’s Secret Songbook, too: ‘Hope’ is a song I really love, and ‘Between The Dreams’ has an ‘epic’ dimension in my imagination. I guess the ‘favorite’ thing I feel about the entire collection, is the depth and breadth of my songwriting. I’m really glad Round Hill is giving the world another chance to give it all a listen.”

And lastly, what about future projects? “I never stop writing. My notebook has 3 songs on the go, right now. My own website has new downloads out for a collection of 24 tracks entitled Folk Songs for the Farewell Bonfire. And I’ve just completed a book of poetry, which I’m currently shopping around. Also, in early stages of development: a memoir / autobiography, and a select compilation of the over-2,000 pages of fan forum blogging I’ve done on my site since it launched a few decades back. Plus, I collaborate on videos for endorsement partners (doin’ some country chicken-pickin’, next week), do a bit of co-writing, and participate in some charity initiatives. So I’m keeping busy, creatively.”

This Rare and Awesome 1980s Leonard Cohen TV performance

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Leonard Cohen performs “First We Take Manhattan” on Sweden’s Kulturen TV program in June, 1988.

The officially licensed Garfield Eurodance album from 1995

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Eurodance has never been better. Fight me.

No “Oops!” Here! Britney Spears Has Done It Again & Featured Canadian Jesse Cook’s Song on Instagram for the Second Time

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No “Oops!” here: Britney Spears has done it again and added another one of award-winning, multi-platinum and gold-selling Toronto artist, composer and producer Jesse Cook’s songs to one of her video posts on Instagram.

The recent post features the popstress on the beach doing yoga, revelling in the sound and sights of the waves, all while Cook’s fiery flamenco tune, “Cafe Mocha,” loops on the overlay.

This is the second time Spears has featured one of Cook’s songs on her Instagram posts, which she then dispatches to her some-25 million fans on the platform.

“I’m flattered,” the Toronto-based artist says. “I love that she keeps posting my music. We’re clearly in very different music genres, and it’s pretty cool when a big pop icon like Britney starts posting your songs.”

The respect for each other’s sound is mutual, with Cook’s favourite track by Spears being “Toxic.” “I loved that song,” he says. “The production was fantastic!”

This isn’t Cook’s first brush with Insta-stans from the ultra-pop circle: “This is a bit like last year when Shawn Mendes started following me on Instagram. Suddenly I had a huge spike in interest from 13-year old girls.

“I think they were disappointed when they realized I didn’t have any photos of Shawn to post,” he jokes. “Eventually, it tapered off.”

Maybe no Mendes, but Cook has lots to share to when it comes to his inimitable accomplishments, including — but not limited to — ten gold and platinum studio albums with combined sales exceeding two million copies, five concert DVDs and live discs, five PBS specials, multiple awards including a JUNO win, 11 nominations, three Canadian Smooth Jazz Awards, a Gemini Award, and an Acoustic Guitar Magazine Player’s Choice Silver Award — plus thousands of concerts around the world over and above millions of views and streams across platforms.

He recently celebrated the 25th anniversary of his breakout release, Tempest, with a 2020 version of “Tempest” — “Tempest 25.”

“If you had asked me at age 22, I would have said I would never, never make music for the public,” Cook laughs. “Well… It turns out I did the thing I said I’d never do, and somehow it’s worked out.

“And now I’m featured on Britney Spears’ Instagram feed. Twice!”

Jesse Cook’s “Tempest 25” and “Cafe Mocha” are available now.

How much does a trademark cost?

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In today’s ever-changing market ecosystem, a business name without trademark registration is leaning towards failure – a great mistake that most entrepreneurs would commit.

For some reason, trademark registration is often overlooked and gained misconceptions, such as its expensive costs, high complex transactions, cumbersome application, etc. But these are mere short-term outlooks.

But what you don’t know is that at the end of trademark registration awaits many more opportunities for your business’s return of investment. As a rule of thumb for success, setting higher expectations require higher protection, particularly against trademark infringers.

Hence, this article will help you determine how much does a trademark cost and how doable it is for your business.

Which is which State Trademarks or Federal Trademarks?

The protection of your trademark matters on the nature of your business, geographical setting, targeted market, and source production – everything that involves the optimization of your profit. In other words, you need to assess your goals before you file for a trademark application since not all trademarks have all equal protection.

In registering for a trademark, you have two options: state trademarks or federal trademarks.

State Trademarks

When your business runs under a local institution, or you aim to protect your brand under a local protection, then consider getting a state trademark. Usually, this type of trademark protection is commonly availed by local brands that don’t have plans to expand the market.

Here, you only have to register your trademark under a state authority. Once you have obtained a state registration, then you’ll only enjoy a limited trademark protection.

State trademark registration varies from one state to another, with a lesser hassle and cheaper fees compared to federal trademark registration. Generally, you only need to fill out a form, provide a specimen or drawing of your trademark, and pay for a lesser filing fee as low as $50. But remember, you can’t file a state trademark application unless you have an actual use of your mark in commerce.

As already said that your trademark protection is limited, state trademarks won’t allow you to use the trademark symbol “R.”

Federal Trademarks

On the other hand, federal trademarks guarantee you a nationwide protection for your brand. Although it has higher costs and tedious application process than the state trademark registration, a federal trademark provides you greater rights and benefits.

Federal trademarks are directly registered to the United States Patent and Trademark Office (USPTO). Once you have successfully obtained a trademark, you can expand your market and promote your brand outside of your state. In other words, it guarantees both state and federal protection. If you’re unsure about the process, seeking legal help with trademark registration can ensure that your application is handled correctly and efficiently, providing you with greater rights and benefits.

During a federal trademark application, you have to provide the following:

  1. Your name as the “mark’s owner”;
  2. The type of mark – whether it is a word mark, design mark, or certification mark;
  3. A drawing and a specimen of your mark;
  4. A detailed description of the classification of your goods or services; and
  5. A filing basis.

Unlike a state trademark, you can file for a federal trademark registration even if you have yet to use your mark in commerce. Also, you’ll enjoy the rights of using the trademark symbol “R.”

Because of the superior protection brought by a federal trademark, you can directly bring a trademark lawsuit in a federal court. Hence, the public will notice the record of marks in the USPTO’s database.

J.D. Houvener, a Trademark attorney serving San Francisco, suggests that if you have a business brand online, you need to get a federal protection. Undoubtedly, your extended transactions outside of your state will protect your brand from trademark infringement.

How much does a trademark cost?

The question seems to be the highlight for every person who aspires to apply for trademark registration.

But to give you a quick and brief explanation on how to determine a trademark cost, there are two fees to consider: (1) fees that you’ll pay in a State or Federal trademark registration, and (2) professional fees for your trademark attorney.

(1) State and Federal Trademark Registration Fees

State Trademarks

As already mentioned, state trademarks provide a cheaper and less hassle trademark process. Remember that every state has different trademark laws and regulations. But commonly, the filing fee for a state trademark ranges from $50 to $70.

For instance, the State of California offers a filing fee of $70 per classification. Their classification of goods and services are those adopted by the USPTO, and such a single application may include multiple classification of goods.

Hence, you can save as high as $200 when you file a state trademark.

Federal Trademarks

The USPTO is the governing authority that regulates the fees for federal trademark application.

As a general rule, USPTO calculates your trademark fees per mark on a classification basis.

What does it mean?

One file per trademark application. If you file for another, it requires you to pay another fee. The same goes for the classification of your goods or services – you get additional charges for another class.

Moreover, USPTO provides two options for your Trademark Electronic Application Service (TEAS) fees:

  1. TEAS Plus – $255 per class of goods or services;
  2. TEAS Standard – $275 per class of goods or services;

Yes, you can now file for a federal trademark registration even without an actual use of the mark in the commerce through an Intent-to-Use or the Sec. 2(b) filing basis. Here, USPTO allows you a late submission for your specimen and drawing. However, it constitutes another miscellaneous charges:

  1. When you request for an extension of time and delay your application – $125;
  2. When you submit your actual proof – $100.

(2) Attorney’s Fee

You can file a trademark registration on your own. However, due to its rigid and complex process, self-processing applications obtain more rejections than applications assisted by lawyers.

Trademark applications don’t end after you submit your requirements. You need to respond to Office Actions, which contains technical and legal terms that would confuse you.

Hence, hiring a trademark attorney boosts your confidence and speeds up your effort in applying for trademark registration. How much does a trademark lawyer rate?

Most sources agreed that a trademark lawyer costs around $1000 to $2000 for the general trademark process, but disputes cost the client an additional $300 to $400 an hour.

Clients should expect to pay between $2,000 and $3,000 for a comprehensive trademark service. If you’re paying less than the said costs, then you would likely lose hope.

However, do you need to pay for a lawyer when your phone call amounts to an additional charge?

 

Thus, when you look for a trademark lawyer, always remember the package he provides:

  • A comprehensive trademark search;
  • A flat-fee trademark lawyer costs;
  • A filing fees for trademark application; and
  • A free phone call.

If you’re looking for cost-effective and proven results in trademark registration, Bold Patent offers more than what you expect. With unlimited perks and transparent processes, your trademark application is a no-brainer. Book your free consultation and see how Bold Patent can transform your brand!

Key Takeaways

A great mistake that most entrepreneurs would commit is running a business without a trademark protection. Because of its vulnerability from trademark infringers, paying legal costs is higher than what you could profit.

Hence, there is a great return of investment in trademark registration in your branding, protection, and market expansion.

What kind of protection do you need?

Moreover, trademark protection has two categories: state trademarks and federal trademarks.

For state trademarks:

 

  1. Lesser hassle in the application process;
  2. It is appropriate for businesses that want to promote locally;
  3. Legal protection only limits to where your trademark is registered;

For federal trademarks:

  1. Expand your market and promote your brand outside of your state. In other words, it guarantees both state and federal protection;
  2. Provide rights of using the trademark symbol “R”;
  3. Guarantees you to bring a trademark lawsuit in a federal court. Hence, the public will notice the record of mark in the USPTO’s database; and
  4. Fit for online businesses that have external transactions.

How much does a trademark cost?

  1. State trademarks – $50 to $70 per filed application, depending on what state;
  2. Federal trademarks

            As per you initial application, the rate starts at:

    1. TEAS Plus – $255 per class of goods or services;
    2. TEAS Standard – $275 per class of goods or services;

As per submission of specimen and drawing in your Intent-to-Use application, additional fees include:

  1. When you request for an extension of time and delay your application – $125;
  2. When you submit your actual proof – $100.9
  3. Lawyers Fee – $2,000 and $3,000, which includes:
    1.  A comprehensive trademark search;
    2. A flat-fee trademark lawyer costs;
    3. A filing fees for trademark application; and
    4. A free phone call.

How to Start Your Very Own Music Business

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If you want to start your own business in music, then these tips will certainly help you out.

Decide on your Area of Expertise

There are so many different types of business in the world of music. It’s vital that you decide what you want to focus on to begin with. If you are exploring the world of music production or even audio engineering, then there’s a good chance that you have chosen the career path of a music producer or even an audio engineer. If you are a solo artist or if you are in a band then you may want to set up a business entity for tax purposes, before you go and sign with a record label.  Either way, the last thing that you want to do is try and be everything to everyone. Choose a niche, and then go from there.

Get the Word Out

In this day and age, a site and social media page will play a huge part in spreading the word about your company. If you want to take things to that next level, then you need to try and do everything you can to go to industry events and also to try and meet up with your competitors. If you do this then you will gain a much more solid understanding of what the industry is like, what opportunities there are out there and so much more. If you want some help marketing then hire a link building agency like Ocere.

Get your Paperwork in Order

This is one of the main parts of starting a business that most people hate dealing with. That being said, it is a very crucial step in making sure that your company doesn’t fail. Register your company name with the state or even the country and talk to an accountant to see if they can advise you on the best way to structure it from a tax perspective. If you do this then you will soon find that it is easier than ever for you to start making money without having to worry about paperwork.

Work Hard

The best way for you to advertise would be for you to use word of mouth. The better work that you do for the clients you work with, the more clients you will get in return. Believe it or not, it’s that simple, If you are a publisher or an agent then this still applies to you. You have to make sure that you are consistently good at what you do and you also need to be good to the people who you work with too. If you are able to do this then there is no reason why you shouldn’t be able to push your business and become the best that you can be.

Of course, there are so many things that you can do to try and boost your business and if you follow these tips then you will soon find that you can not only achieve your goals, but also surpass them.

 

 

1-minute tip for artists: Handwritten lyrics.

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Can you make a million from your lyrics? Find out.

Answer: No. BUT it’s fun to post them on your socials.

The Wiggles Release New Album ‘Choo Choo Trains, Propeller Planes & Toot Toot Chugga Chugga Big Red Car!’

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The world’s most popular children’s group The Wiggles have just released their brand-new studio album, Choo Choo Trains, Propeller Planes & Toot Toot Chugga Chugga Big Red Car!

Join Emma, Lachy, Simon and Anthony for this new collection of Wiggly tunes that has been made with love for the band’s preschool audience. The album features songs about all forms of travel – walking, wheelchairs, space travel, swimming, surfing, trains, planes and of course traveling in the famous Wiggle Car, the Big Red Car. The band’s 55th studio album takes listeners on an imaginative virtual journey while being conscious of our times.

Kids are always on the move, and so songs like “Trains, Planes and the Big Red Car,” “Rocket Ship” and “Emma’s Bowmobile (Beep Beep)” are album standouts. A new spin on a children’s classic, “The Wheels on the Wheelchair Go Up and Down,” holds appeal for kids of all abilities.

As Emma Wiggle explains, “Today, more than ever, children need a release for all their creative energy, and we hope this album will have the young listener dancing, singing and using their imagination to go traveling.”

The band shines a positive light on today’s world with the song “Social Distancing” and encourages the listener to have fun washing their hands with ‘Handwashing Song.” Families are invited to bang on pots and pans, make sock puppets and generally “Wiggle at Home” with every song.

Music videos for selected new Wiggly songs are posting on the Wiggles YouTube channel, which is updated weekly.