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Canadian Folk Outlier NOBLE SON Offers “Sad Dumb Lovesick Young Kid” Ahead of New Album, Life Isn’t Fun

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When it comes to describing the indie-folk undertaking that is Canadian artist Noble Son — aka Adam Kirschner, singer/songwriter, actor, and VFV (very familiar voice) — his new single “Sad Dumb Lovesick Young Kid,” and album Life Isn’t Fun, here’s what others have to say:

“There is a dichotomy buried deep in the musical well that is Noble Son: the brutal heartbreak of reality and the bounding absurdity of life itself,” says BeatRoute. “His romanticism is all wrong according to feel-good rules — where love fails, politics prevail, that sort of thing — but maybe that’s why his music makes us hurt so good.

“It’s impossible to speak of his work without also exclaiming about the other component of Noble Son: an uncanny Jim Carrey-esque persona. All the roiling energy in that creative well of the artist also expresses itself through comically brilliant physicality.”

“When we think of folk music at a glance, visions of somber men and women standing emotionally with their guitars often comes to mind,” Citrus Magazine concurs. “Noble Son is quite the opposite.

“Kirschner confronts and criticizes his genre for being too serious, which is pretty obvious for anyone who’s seen him live. Perhaps life is a bit more of a playground than we give it credit, and it’s time for the sad boy musician trope to be a thing of the past. Through storytelling, Kirschner reminds us that we are allowed to have fun, even in times of uncertainty and political unrest.”

Between long, isolating winters during his Northern Canadian upbringing, and inspiration mined from themes of anxiety, self pity, obsessive joy, and rage, Kirschner’s uniquely eruptive songwriting and displays of sonic inventiveness walk the line between subtly endearing and unbridled animalism.

Recorded at Afterlife Studios in Vancouver, BC — and his most ambitious work to date — Life Isn’t Fun features contributions from Erik Nielsen (We Are The City, Deep Dark Woods), Andrew Rasmussen (Hey, Ocean!, Hannah Georgas), Alex Dobson (Old Man Canyon, David Beckingham) and more.

Adam Kirschner is an internationally recognized voice actor, having backed cartoons and commercials for brands such as Porsche, Disney, Bud Light, My Little Pony, the Vancouver Canucks, and more. He’s also an accomplished television and film actor, and has been seen on shows such as CW’s iZombie and the upcoming Hulu original series, Woke.

His most previous video for “Love Love Love” — also featured on Life Isn’t Fun — was shot by Director of Photography Cole Graham (Drake, Solange) and directed by Kasey Lum (Lights, Felix Cartel).

Life Isn’t Fun is available May 15, 2020.

“Sad Dumb Lovesick Young Kid” is available now.

1-minute tip for artists: Throwback Thursdays

Who would have guessed that it all started from a basketball show blog in the mid-2000s? This is your opportunity to share photos, videos, or talk about happy moments in your life, past songs, past memories, anything nostalgic for your audience.

Indigo Love of Reading Foundation Commits $1,000,000 in Funding for Books and Educational Resources to Support Canadian Families in High-Needs Communities During the COVID-19 Pandemic

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SOCAN Announces Resignation of CEO

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SOCAN (the Society of Composers, Authors & Music Publishers of Canada) has announced the resignation of Eric Baptiste as the company’s chief executive officer, effective immediately.

Jennifer Brown, Senior Vice President Operation & Reproduction Rights, has been appointed to the role of Interim CEO during the formal process of identifying a permanent CEO.

“We thank Eric Baptiste for his leadership over the past 10 years,” said Marc Ouellette, President & Chair of SOCAN’s Board of Directors. “During this time, SOCAN has seen growth and has maintained its presence as a leader in serving music creators and publishers in Canada and around the world.”

With the end of the current CEO contract approaching, Eric thought it was time to move on and a mutual decision was reached with the Board to end his tenure now.

Jennifer Brown has been on SOCAN’s executive team for nearly 10 years. She was previously Vice President of the company’s Licensing department and has worked with the company for more than two decades.

SOCAN will continue to serve its members as a not-for-profit organization, as well as its initiatives in rights management, licensing, advocacy, and support for the music and entertainment industry.

The decision is purely coincidental to the current COVID-19 crisis, and the Board of Directors has full faith in SOCAN’s executive management team. The organization continues to operate at full capacity.

SOCAN is a rights management organization that connects more than four-million music creators worldwide and more than a quarter-million businesses and individuals in Canada. More than 160,000 songwriters, composers, music publishers and visual artists are its direct members, and more than 100,000 organizations are Licensed To Play music across Canada. With a concerted use of progressive technology and unique data as well as a commitment to lead the global transformation of rights management, with wholly-owned companies Dataclef and MediaNet, and Entandem (co-owned with RE:SOUND), SOCAN is dedicated to upholding the fundamental truths that music and visual arts have value and creators and publishers deserve fair compensation for their work. For more information: www.socan.com

Giant Tiger Launches #ThankYou Sessions Livestream Concert Series in Support of Food Banks Canada

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Giant Tiger Stores Limited (Giant Tiger) is launching the #ThankYou Sessions livestream concert series in support of Food Banks Canada. The weekly musical performances, featuring Anthem Records recording artists, will stream live every Wednesday at 8pm ET from April 15-May 27, 2020 on Giant Tiger’s official Facebook page. The first artist announced as part of the series is rising Canadian country star, Eric Ethridge, who is set to perform his hits, premiere unreleased songs from his new EP ‘Forever With You’ and chat with viewers about his musical journey. Giant Tiger is also making a donation to support Food Banks Canada with each performance to help fund food for the vulnerable in communities across the country. The concert series aims to thank everyday heroes for helping with the COVID-19 response, and unite Canadians at home in communities coast-to-coast, through the power of live music, all while social distancing.

Music fans are encouraged to ‘like’ Giant Tiger’s Facebook page to access the livestreams and sign up for the Giant Tiger email club to be the first to know the identity of each week’s performer when it’s announced online every Monday.

Giant Tiger stores continue to be dedicated to serving affordable groceries and everyday needs to communities across Canada by maintaining a safe shopping environment and providing customers value through everyday low prices.

The Ottawa-based national retailer continues to be committed to giving back, in small and large ways and recently donated 20,000 medical-grade masks to The Ottawa Hospital to support the medical community in the fight against COVID-19. Local Giant Tiger stores remain focused on giving back to their local communities during this time as well.

SiriusXM’s Kids Place Live launches special series “Tunetopia” during free streaming period

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SiriusXM’s Kids Place Live announced the launch of “Tunetopia”, a daily series of exclusive performances featuring kids’ musicians, award-winning artists from Kids Place Live, and music educators from around the country. The special programming, in video and audio form, is available exclusively on the SiriusXM app beginning today.

“Tunetopia” on Kids Place Live will provide an assortment of fun and educational content for children ages 10 and under, including interviews, games, and in-studio performances from the best in family-friendly music, including those from Laurie BerknerJack FormanLucy KalantariLisa LoebBrady RymerDanny Weinkauf of They Might Be Giants, and more.

In addition, “Tunetopia” will incorporate a special learning segment with music educators, including Matt Marshak (“Matt The Music Man”) and Darlene Graham of “Rockin Tots.” The teaching features include introducing kids to new instruments, and instruction on how to make drum beats, how to beat box, and how to keep rhythm, which helps children explore how sounds are made, and shows them how to make music at home using a variety of household objects.

Kids Place Live is the ultimate entertainment platform for children and an oasis that families come to for fun, learning and laughs. With school closures and increased quality time on the rise, Kids Place Live (ch. 78) is here 24/7 to turn the time at home into a family-friendly staycation. With an “we are in this together” approach, SiriusXM will provide a tool for families to navigate this challenging time.

The “Tunetopia” collection of video and audio can be found within the SiriusXM app on Kids Place Live (ch. 78) and is available to subscribers nationwide and to everyone – including anyone who is not already a SiriusXM subscriber – as part of SiriusXM’s recently announced free streaming access period through May 15. For more information and to start listening, visit: SiriusXM.ca/streamfree.

 

SOCAN Announces $2-million Enhanced Emergency Program for Struggling SOCAN Members

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SOCAN announced today that it is expanding its efforts to provide financial assistance to struggling members as a result of the COVID-19 crisis by allocating up to a total of $2-million for emergency royalty advances.

The program is based on information gained from discussions with numerous SOCAN members. It is primarily aimed at SOCAN’s songwriters and screen composers whose ability to sustain their income has been compromised by the impact of the crisis on the music industry, especially on those whose concerts have been cancelled, or whose television and movie productions have been suspended. The interest-free advances will be considered based on each member’s most recent earnings history, urgency and need.

“SOCAN has our members’ backs,” said Eric Baptiste, CEO of SOCAN. “Getting funds to struggling members as soon as possible is of the utmost importance, and we will do whatever we can to help. We have a long history of supporting our members in time of need.”

Each individual application will be considered on its own. SOCAN already provides royalty advances to thousands of deserving creator and publisher members every year as part of its commitment to nurturing the careers of Canada’s music creators. Domestic music publisher members are able to access support as well.

Members who have been affected by the COVID-19 crisis and wish to apply for the program  should contact SOCAN’s Membership team at 1-866-307-6226, or by email at members@socan.com

Priority will be given to SOCAN members who are faced with a loss in live performance royalties or screen composers whose productions have been suspended.

The interest-free advance program will be followed by additional support initiatives that will be announced in due course as needs are better identified.

As one of the leaders in the Canadian music ecosystem, SOCAN is in proactive contact with all relevant levels of government to draw their attention to the need of music people and businesses to benefit from all general economic relief programs and to consider specific programs for music, as one of the highly impacted sectors. While SOCAN and others will do their parts, the crisis is on a scale that only governments can mitigate.

SOCAN collects license payments from businesses that use recorded and live music. It then identifies the music that was used to those who hold the rights to it and distributes what they have earned in regular royalty payments.

SOCAN will announce additional programs designed to assist its members through the crisis as they are determined.

SOCAN is a rights management organization that connects more than four-million music creators worldwide and more than a quarter-million businesses and individuals in Canada. More than 160,000 songwriters, composers, music publishers and visual artists are its direct members, and more than 100,000 organizations are Licensed To Play music across Canada. With a concerted use of progressive technology and unique data as well as a commitment to lead the global transformation of rights management, with wholly-owned companies Dataclef and MediaNet, and Entandem (co-owned with RE:SOUND), SOCAN is dedicated to upholding the fundamental truths that music and visual arts have value and creators and publishers deserve fair compensation for their work. For more information: www.socan.com

The Big Push Announce North American ‘Lockdown Live’ Virtual Tour

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Brighton-based rockers The Big Push are set to jump across the pond on their first ever North American dates, with the four-piece embarking on a ‘Lockdown Live’ virtual tour presented by Live Nation, starting this Thursday, April 16th. The Big Push will perform different sets for each of their tour dates which will be available for live viewing on Live Nation’s newly launched Live From Home platform as well as hosted across Live Nation and House of Blues’ regional social media channels (dates and links below).

Thursday, April 23rd’s set at 6pm MT will be for fans in Alberta, and Friday, April 24th’s set at 6pm PT will be for fans in British Columbia.

Having only released their debut single ‘It’s Alright’ last year, the band have followed up in 2020 with the two-part single ‘Why My Woman?’ and ‘Oh My Woman!’, the latter of which landed mid-lockdown only recently on Tuesday, April 14th in bizarrely different circumstances to the former, which was the subject of a London release show in early March.

With just shy of 100,000 subscribers and over 9.25 Million views on their YouTube channel, the guys are no strangers to the online world. In fact, with many fans flying in across the world for their debut sold-out headline shows in Brighton (October 2019) and London (March 2020), the demand for The Big Push is truly global.

 

The Big Push NORTH AMERICAN Virtual Tour Dates and Links:
Live From Home
Live Nation Facebook

Thursday, April 16th @ 2:30pm ET
Atlanta – https://www.facebook.com/livenationatl/
HOB Boston – https://www.facebook.com/HOBBoston/
Carolinas – https://www.facebook.com/livenationncsc/
Cleveland – https://www.facebook.com/livenationcleveland/
HOB Cleveland – https://www.facebook.com/HOBCleveland/
Connecticut – https://www.facebook.com/LiveNationCT/
DC – https://www.facebook.com/LiveNationDC/
Detroit – https://www.facebook.com/LiveNationDetroit/
Florida – https://www.facebook.com/LivenationFL/
Indiana – https://www.facebook.com/LiveNationIndiana/
HOB Myrtle Beach – https://www.facebook.com/HOBMyrtleBeach/
New England – https://www.facebook.com/livenationnewengland/
NYC – https://www.facebook.com/livenationnyc/
Ontario, Canada – https://www.facebook.com/LiveNationOntario/
HOB Orlando – https://www.facebook.com/HOBOrlando/
Philadelphia – https://www.facebook.com/LiveNationPhilly/
Saratoga Springs NY – https://www.facebook.com/spacconcerts/
Upstate NY – https://www.facebook.com/livenationUpstateNY/
Western NY – https://www.facebook.com/LiveNationWNY/

Friday, April 17th @ 1:30pm CT
Chicago – https://www.facebook.com/LiveNationChicago/
HOB Chicago – https://www.facebook.com/HOBChicago/
Dallas – https://www.facebook.com/LiveNationDallas/
HOB Dallas – https://www.facebook.com/HOBDallas/
Houston – https://www.facebook.com/LiveNationHouston/
HOB Houston – https://www.facebook.com/HOBHouston/
Iowa – https://www.facebook.com/LiveNationIA/
Minnesota – https://www.facebook.com/livenationmn/
New Orleans – https://www.facebook.com/LiveNationNOLA/
HOB New Orleans – https://www.facebook.com/HOBNewOrleans/
St. Louis – https://www.facebook.com/livenationstl/
Tennessee – https://www.facebook.com/LiveNationTN/

Thursday, April 23rd @ 6pm MT
Alberta – https://www.facebook.com/livenationalberta/
Colorado – https://www.facebook.com/LiveNationCO/
Salt Lake City – https://www.facebook.com/livenationslc/

Friday, April 24th @ 6pm PT
Anaheim – https://www.facebook.com/HOBAnaheim/
Bay Area – https://www.facebook.com/LiveNationBayArea/
British Columbia – https://www.facebook.com/livenationbritishcolumbia/
Las Vegas – https://www.facebook.com/LiveNationVegas/
HOB Las Vegas – https://www.facebook.com/HOBLasVegas/
Los Angeles – https://www.facebook.com/LiveNationLA/
Pacific Northwest – https://www.facebook.com/livenationpnw/
Phoenix – https://www.facebook.com/LiveNationPhx/
Sacramento & Reno – https://www.facebook.com/LiveNationSacReno/
San Diego – https://www.facebook.com/LiveNationSD/

 

Doc Watson and Gaither Carlton Album of live recordings from 1962 coming May 29, 2020 on Smithsonian Folkways

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It’s hard to imagine a time when the brilliant guitar playing and Appalachian roots of Doc Watson weren’t a part of the American musical fabric. A famed artist in his day and a continuing influence on American music, Watson happened into the music industry much by accident, “discovered” by noted folklorist Ralph Rinzler in the early 1960s when he was mainly playing rockabilly tunes on the electric guitar near his home in tiny Deep Gap, North Carolina. Rinzler convinced Watson that audiences around the country were interested in the older music of Appalachia, and the nation soon fell in love with his heartfelt, powerful singing and his inimitable acoustic guitar playing. He inspired countless people to pick up the guitar and learn to flatpick the old melodies, much of this encouragement coming in person after performances. It was at the first of these shows in New York, really Watson’s first time headlining a show in the city (the previous time he’d played there he was one of two guitarists in Clarence Ashley’s band), that we get to hear this old music played by Watson and his fiddling father-in-law, Gaither Carlton. These live recordings from 1962 are to be released May 29, 2020, by Smithsonian Folkways as Doc Watson and Gaither Carlton on CD, digital, and vinyl. Most of these tracks have never been released before, and the recordings capture two masters at the height of their power, reveling in an audience that was there to listen, not just to drink and dance. It’s a moment where the rural Appalachian world of North Carolina came face to face with the urban New York world of young people desperate to learn folk music and to learn more about the Southern traditions they’d been discovering. These recordings show two very different worlds coming together, buoyed by Watson’s charming personality and his willingness to teach all who would learn.

Members of The Last Shadow Puppets, Muse, Jet, and Blur Form New Supergroup

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The Jaded Hearts Club shares new track “This Love Starved Heart Of Mine (It’s Killing Me)” featuring Nic Cester on lead vocals. This lost Marvin Gaye song was originally recorded in 1967 a couple of months after “I Heard It Through The Grapevine” (which at the time was making Gaye a global star), but it wasn’t released from the vaults of Motown until 1994 almost 30 years later. Here The Jaded Hearts Club give it some renewed verve in a way only they can. In the bands’ words…

The Jaded Hearts Club are a new band featuring frontmen Miles Kane (The Last Shadow Puppets) and Nic Cester (Jet), guitarists Graham Coxon (Blur) and Jamie Davis, plus Matt Bellamy (Muse) on bass and drummer Sean Payne (The Zutons). “This Love Starved Heart Of Mine (It’s Killing Me)” is the second track the band have released following “Nobody But Me” which had Miles Kane lending his raucous rock ‘n’ roll vocal on The Isley Brothers’ Northern Soul classic.

The band were formed in 2017 when Jamie Davis, a British guitarist living in Los Angeles who previously ran Coxon’s Transcopic Records label in England, wanted to book a Beatles covers band to play at his birthday party. The cost proved to be excessive and the available tribute acts were drab, so Davis had a back-up plan. “I realised I knew a bunch of half decent British musician friends living in L.A. so I thought I’d ask if they’d come together to form an early ’60s Cavern-era Beatles band.”

They kept their plans a secret. So when family and friends turned up at the party, they were shocked to see an all-star band rampaging through a Cavern Club era Beatles set. “The place went nuts,” smiles Davis, “and everyone had such a good time that we decided to do it again.”

If their debut gig was a big surprise, their second raised the bar in dramatic fashion after Stella McCartney asked Bellamy if the band would play her fashion show in Los Angeles in January 2018. They arrived to see an A-list crowd gathered to see them: Quincy Jones, Katy Perry, James Corden and even Ringo Starr were in attendance. And then things took a turn for the unbelievable. Paul McCartney strolled on stage, winked at Davis and led the Hearts through “I Saw Her Standing There” and “Helter Skelter”. In the space of just two gigs, The Beatles covers band had effectively become the surrogate Beatles.

Things progressed in the same way that they had started. They played SXSW; a late night gig in Chicago after Bellamy had completed a stadium show with Muse; supported Roger Daltrey at The Royal Albert Hall in support of the Teenage Cancer Trust; and headlined London’s legendary 100 Club. Expanding their repertoire to cover other classic British rock songs from the Sixties, the 100 Club show was a tribute to Davis’s late father, with all proceeds donated to the Shooting Star Children’s Hospices. The charity further benefited from the limited edition vinyl only album Live At The 100 Club.

Back in Los Angeles, Bellamy and Davis wanted to develop the band further and started working on an album, with Bellamy producing at Red Room Studios in Los Angeles. The band decided to focus primarily on recording lost classics from the world of Northern Soul, supplemented by their raw, soulful takes on some famous standards from the era.

“Living in L.A. it seems like no-one has heard of Northern Soul,” says Davis. “We just love the story of how the north of England fell in love with American soul music even after it stopped having hits, and using that music as the soundtrack to a good night out.”

“I read somewhere recently, which made me laugh, that rock is the new jazz,” adds Bellamy. “It’s becoming an esoteric genre, but still with huge historical and cultural importance. Like jazz, which often reinvents old songs, The Jaded Hearts Club is continuing the tradition of how bands like The Beatles and The Stones started out – finding great soul and blues standards and recording them in a more modern style.”

Bellamy and Davis shifted through hundreds of songs as they researched what material they should record for the album. The first taster of the project (with Miles Kane on lead vocals) was a raucous rock ‘n’ roll take on a Northern Soul classic, The Isley Brothers’ 1962 song “Nobody But Me”, recorded in the spirit of The Human Beinz’s cult version that followed in 1968.

The band’s motivation, states Davis, is simple. “It goes back to the purest point of why people started bands in the first place – a group of great musicians getting together to play for fun with no pressure. We’re doing it because we have a bloody good time.”