All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com
Photo Gallery: Machine Head at Toronto’s Danforth Music Hall
The Growing Relationship Between Rock Music and Gaming
During the 1950s and 1960s, rock music was one of the most listened to genres of the era with big-name stars like Jimi Hendrix and Ozzy Osbourne driving the style to the mainstream. Following those glory years, the interests of listeners changed from one decade to the next as releases such as Dancing Queen by Abba and Billie Jean by Michael Jackson set the tone for the general music scene in both the 70s and 80s. That said, however, Guns N’ Roses did help to keep the rock candle burning with their iconic track, Sweet Child O’ Mine in 1987.
As a result of the impact of rock music since the 1950s, we’re going to consider how its contemporary relationship with iGaming platforms, such as online casino in Canada LeoVegas, is ensuring that the genre still has mainstream relevance.
Developments Influenced by Rock Stars
Throughout the 21st century, the rock genre has struggled to replicate the effect that it had on listeners many years ago. Along with the sound itself, fans of the genre became immersed in the personalities of at-the-time stars due to the uniqueness of their approach and music style. As mentioned above, Jimi Hendrix and Ozzy Osbourne were iconic entertainers during the rise of rock music in the 50s and 60s, yet, all these years later, they continue to influence contemporary pop culture.
Regarding their relationship with the iGaming industry, online casino slots that are based around their legacies have been developed and are available at many modern-day platforms, including LeoVegas. When playing the Jimi Hendrix slot at LeoVegas, the opening features some of his most famous songs, while the backdrop to the game is, rather suitably, a stage. Moreover, the Seattle-born musician’s slot includes numerous bonus features at the mobile casino online, including the aptly integrated Purple Haze symbol.
Their Wider Gaming Impact
Because of their significance to the rock scene, Ozzy Osbourne and Guns N’ Roses have also had video slot games centered around them. However, in addition to the titles that can be found at LeoVegas, the above music stars have also seen their involvement expand beyond Canadian casino online into the traditional gaming market due to their iconic status.
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Crazy Train, which is an Ozzy Osbourne track that was released in 1980, has been featured in numerous console video games like Guitar Hero: World Tour, Madden NFL 25 and Rock Band 3. Moreover, the now 71-year-old has also done voice acting alongside other musicians such as Lemmy Kilmister, Lita Ford and Rob Halford in Brutal Legend. Although the game itself isn’t based around the Birmingham-born musician, his very involvement speaks volumes about the relationship between gaming and rock music, as 53 years on from the start of his career, his contributions are still being appreciated and recognized.
Gaming Won’t Let Rock Icons Be Forgotten
Ultimately, regardless of the general feeling that people have towards rock as a music genre, there is still an acceptance that its true legends deserve to be remembered. While console developments have sought to integrate elements of rock into their titles, slot games at LeoVegas and beyond have been pivotal in enhancing the relationship between the genre and gaming over the last few yea
With 50,000+ Streams So Far, Hip Hop/Popster TonyTone’s New Single “Fade Away” Gets Spotify Love
Hamilton-born, London, ON-based university student TonyTone is out with his newest single, “Fade Away” — available now!
With over 52,000+ streams across Spotify and YouTube since its premiere this month, the latest from 21-year old Hamilton-area hip hop / pop artist Anthony Marzanek follows suit for TonyTone’s vibe, delivering upbeat lounge beats and an ambient mood that nods to both hip hop and indie influences, while staying pop-centric at its core.
“‘Fade Away’ is a track I wrote, recorded, mixed and mastered myself,” he says. “It was not meant to fall into any sort of genre… I just play around with sounds and write until I come up with something I like.”
TonyTone’s knack for the craft is easily apparent in breakout singles “Shaded” (2018), “Losing Control” (2019) and “Two Roses” (2019). “I taught myself how to use recording software,” he recalls of his sleeves-rolled-up start. “Doing the production and mixing process makes me feel like I’m really in control during the creative process and final sound.”
“Fade Away” is available now.
Conan Gray Announces Highly Anticipated Debut Album ‘Kid Krow’ Out March 20
Kicking off the New Year with very big news, buzzing 21-year-old bedroom pop singer-songwriter Conan Gray reveals the details for his anxiously awaited full-length debut, Kid Krow, arriving in stores and at all digital retailers March 20.
“The Story” lives up to its title as Gray’s most candid and confessional composition yet. Over solo acoustic guitar, he depicts the trauma and tragedy of the suburbs, bullying, sexual repression, and finally escape to a better life in vivid fashion. He opens up more than ever and promises, “It’s not the end of the story…”
He commented, “The record is a study of how I perceive the world. I talk a lot about my friends and people I’ve met touring over the past year. It’s me. I’m not the coolest person, but the album is me accepting the fact I’m weird and I don’t need to be anybody else. It’s also a chance to encourage others to embrace who they are and be unapologetic about it.”
Music from Kid Krow has already resonated in a big way. Songs from the album have been streamed upwards of 92 million times, including the album’s current single “Maniac” [51 million streams], “Comfort Crowd” [19 million streams], and “Checkmate” [22 million streams]. Produced by frequent collaborator Daniel Nigro, it unfolds as a cohesive vision and hints at the expanse of his world. See full tracklisting for Kid Krow below.
As the story goes, Conan Gray found a way out of his tiny Texas hometown by building his own musical world from nothing more than Garage Band and a cheap microphone taped to a lamp.
Within two years since uploading “Idle Town”, he quietly climbed to the forefront of pop on the back of his debut EP, Sunset Season [Republic Records], and a string of successful singles. Amassing upwards of 300 million streams, he garnered acclaim from Vogue, VMAN, Teen Vogue, Paper, The FADER, MTV, i-D, Billboard, Seventeen, and OnesToWatch, to name a few, made his television debut on Late Night with Seth Meyers, and transformed peers such as Billie Eilish, BTS, The 1975, Brendon Urie, Troye Sivan, Lewis Capaldi, and Noah Cyrus into ardent and vocal fans. Prior to the release of a proper full-length, he sold out three North American headline tours and a European headline tour in addition to supporting Panic! At The Disco and performing at Lollapalooza. He will be playing Coachella in 2020.
Kid Krow Tracklisting
“Comfort Crowd”
“Wish You Were Sober”
“Maniac”
“(Online-Love)”
“Checkmate”
“The Cut That Always Bleeds”
“Fight or Flight”
“Affluenza”
“(Can We Be Friends?)”
“Heather”
“Little League”
“The Story”
Columbia Records/Legacy Recordings Set to Release Miles Davis – Music From and Inspired by “Miles Davis: Birth of the Cool,” a Film by Stanley Nelson
Columbia Records/Legacy Recordings, the catalog division of Sony Music Entertainment, will release Miles Davis – Music From and Inspired by “Miles Davis: Birth of the Cool,” a Film by Stanley Nelson on Friday, February 21 right in front of the film’s U.S. broadcast premiere. “American Masters” the award-winning biography series will present the U.S. broadcast premiere of “Miles Davis: Birth of the Cool” on Tuesday, February 25 at 9PM (EST) on PBS channels nationwide (check local listings), pbs.org/milesdavis, and the PBS Video app. The film was recently nominated for a Grammy in the “Best Music Film” category and its soundtrack is the definitive audio companion to this critically-acclaimed new documentary directed and produced by Stanley Nelson (winner of three Primetime Emmy Awards, a MacArthur Fellowship “genius” grant, and recipient of the 2013 National Humanities Medal from President Obama).
An essential Miles Davis playlist for seasoned fans and new listeners alike, the soundtrack was lovingly curated by the director Nelson and paired with short audio excerpts from the film for a unique listening experience. It brings together recordings and performances spanning labels and the artist’s musical evolution–from “Donna Lee” (a 1947 Savoy master take with legendary alto saxophonist Charlie Parker) to “Moon Dreams” from the groundbreaking 1949 Capitol sessions that were ultimately collected on the album Birth Of The Cool, through the seminal 1950s pieces for Columbia that revolutionized the worlds of jazz and popular music (including “Generique,” Miles’ improvised soundtrack to Louis Malle’s “Elevator to the Gallows” as well as tracks from Miles Ahead and, of course the most popular jazz album of all time, Kind of Blue).
The album also highlights Miles’ evolution in the 1960s with tracks from Sketches of Spain and Someday My Prince Will Come to his iconoclastic invention of electric jazz/fusion (exemplified in a 45rpm single edit of “Miles Runs the Voodoo Down” from Bitches Brew). And it documents his triumphant mid 1980s comeback (1986’s “Tutu”), while premiering a brand-new track, “Hail To The Real Chief.” The new track features unreleased Miles Davis studio trumpet performances combined with music written by Lenny White, produced by White and Vince Wilburn, Jr and featuring an all-star collection of Miles band alumni and acolytes including White, Wilburn, Marcus Miller, Emilio Modeste, Jeremy Pelt, Antoine Roney, John Scofield, Bernard Wright, and Quinton Zoto.
“American Masters,” the award-winning biography series, presents the U.S. broadcast premiere of “Miles Davis: Birth of the Cool” on Tuesday, February 25 at 9PM (EST) on PBS channels nationwide (check local listings), pbs.org/milesdavis, and the PBS Video app. The documentary recently earned a Grammy nomination in the “Best Music Film” category.
“Miles Davis: Birth of the Cool” premiered at the 2019 Sundance Film Festival and was an official selection at the 2019 BFI London Film Festival. The film has been screened in limited runs in select theaters in the U.S., Canada and Europe capped by a screening during the London Jazz Festival at the Barbican on November 16.
Nelson’s documentary has been hailed by critics as an engaging key to understanding the life, art and genius of Miles Davis. Owen Gleiberman, praised the movie in Variety (January 30, 2019) as “…. a tantalizing portrait: rich, probing, mournful, romantic, triumphant, tragic, exhilarating, and blisteringly honest…. Nelson is a filmmaker with a sixth sense for how to nudge history into the present.” The San Francisco Chronicle’s Joel Selvin called the “New Miles Davis doc an essential portrait of iconic jazz genius” (September 3, 2019).
“I remember stealing my father’s copy of ‘Kind of Blue’ to take with me to college. I’ve been fascinated with Miles since then and have long dreamed of telling his story. He was to me a singular force of nature; the very embodiment of cool,” said the director Stanley Nelson. “This film is very special to me and curating the soundtrack gave me a chance to delve even deeper into his archive so that both diehard fans and his new listeners could discover something new.”
With full access to the Miles Davis Estate, the film features never-before-seen footage, including studio outtakes from his recording sessions, rare photos and new interviews with Quincy Jones, Carlos Santana, Clive Davis, Wayne Shorter and Ron Carter, among others. Select interview soundbites are included as commentary tracks on the album. MILES DAVIS: BIRTH OF THE COOL is a Firelight Media/Eagle Rock Films Production for American Masters Pictures and Eagle Rock Entertainment in association with BBC Music.
Miles Davis, Music From and Inspired by “Miles Davis: Birth of the Cool,” a Film by Stanley Nelson
1. Commentary: Herbie Hancock, Jimmy Heath
2. Milestones (1958)
3. Commentary: Greg Tate
4. Donna Lee (Charlie Parker with Miles Davis) (1947)
5. Commentary: Ashley Kahn, Symphony Sid Introduction
6. Moon Dreams (1949)
7. Commentary: George Wein
8. ‘Round Midnight (1957)
9. Commentary: Carlos Santana
10. It Never Entered My Mind (1959)
11. Commentary: Vincent Bessieres
12. Generique (1958)
13. Commentary: Jimmy Cobb
14. So What (1959)
15. Commentary: Gil Evans
16. New Rhumba (1957)
17. Commentary: Frances Taylor Davis
18. The Pan Piper (Alborada de Vigo) (1960)
19. Commentary: Jack Chambers
20. Someday My Prince Will Come (1961)
21. Commentary: Wayne Shorter
22. Footprints (1967)
23. Commentary: Carlos Santana, Quincy Troupe
24. Miles Runs The Voodoo Down (45RPM Single Edit) (1970)
25. Commentary: Marcus Miller
26. Tutu (1986)
27. Commentary: Erin Davis
28. Hail To The Real Chief (Brand New Recording featuring unreleased Miles Davis performances; Produced by Lenny White & Vince Wilburn, Jr.)
Atlantic Records AnnouncesTrailblazing, New Soundtrack: Birds Of Prey: The Album
Atlantic Records is proud to announce BIRDS OF PREY: THE ALBUM, the star-studded, all-female musical companion to the eagerly awaited new film from Warner Bros. Pictures. The first official single from the groundbreaking soundtrack features an epic collaboration between Megan Thee Stallion and Normani. “Diamonds” makes history as the first song to interpolate and sample Marilyn Monroe’s iconic “Diamonds Are A Girl’s Best Friend.” The confident, alluring and commanding track is accompanied by an official video incorporating exclusive footage from Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn).
BIRDS OF PREY: THE ALBUM will be celebrated with a massive rollout leading up to the soundtrack and film’s arrival on February 7th including exclusive new singles and mind-blowing music videos from a tremendous array of powerhouse female artists, including Halsey (“Experiment On Me”), Doja Cat (“Boss Bitch”), Charlotte Lawrence (“Joke’s On You”), and Saweetie & GALXARA (“Sway With Me”). The revolutionary album also features brand new tracks from Summer Walker, Lauren Jauregui and Black Canary, Jurnee Smollett-Bell’s character in the film.
BIRDS OF PREY: THE ALBUM continues the hugely successful partnership between Atlantic Records and Warner Bros. Pictures. The two companies previously teamed up for 2016’s GRAMMY Award-nominated SUICIDE SQUAD: THE ALBUM, which topped album charts in over 70 countries around the world, including two consecutive weeks on the Billboard 200. Certified 2x platinum by the RIAA, SUICIDE SQUAD: THE ALBUM defined the summer of 2016 with a number of platinum and multi-platinum certified singles, including the 7x platinum, GRAMMY Award-nominated “Heathens” by twenty one pilots, the 3x platinum “Sucker For Pain” by Lil Wayne, Wiz Khalifa & Imagine Dragons with Logic and Ty Dolla $ign (Feat. X Ambassadors), and the GRAMMY Award-nominated, platinum certified “Purple Lamborghini” by Skrillex & Rick Ross.
BIRDS OF PREY: THE ALBUM was produced and overseen by Kevin Weaver, President, Atlantic Records West Coast (Soundtrack Album Producer of The Greatest Showman, Suicide Squad, Furious 7, The Fault in Our Stars, The Fate of the Furious). Named by Rolling Stone as a “soundtrack guru,” Weaver is a GRAMMY Award winner and five-time nominee, who has produced numerous multi-platinum soundtrack projects that have amassed tens of millions of albums sold worldwide.
BIRDS OF PREY: THE ALBUM was executive produced by Margot Robbie, Cathy Yan, Sue Kroll and Bryan Unkeless. Additional key players involved in the creation of the soundtrack include album producers Brandon Davis and Joseph Khoury, Executives in Charge of Music for Warner Bros. Pictures Darren Higman and Niki Sherrod, as well as Music Supervisors Season Kent and Gabe Hilfer.
You ever hear the one about the cop, the songbird, the psycho and the mafia princess? Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) is a twisted tale told by Harley herself, as only Harley can tell it. When Gotham’s most nefariously narcissistic villain, Roman Sionis, and his zealous right-hand, Zsasz, put a target on a young girl named Cass, the city is turned upside down looking for her. Harley, Huntress, Black Canary and Renee Montoya’s paths collide, and the unlikely foursome have no choice but to team up to take Roman down.
Margot Robbie returns as Harley Quinn, alongside Mary Elizabeth Winstead as Huntress; Jurnee Smollett-Bell as Black Canary; Rosie Perez as Renee Montoya; Chris Messina as Victor Zsasz; and Ewan McGregor as Roman Sionis. Newcomer Ella Jay Basco also stars as Cassandra “Cass” Cain in her feature film debut.
BIRDS OF PREY: THE ALBUM TRACKLIST
1. Doja Cat – Boss Bitch
2. WHIPPED CREAM (feat. Baby Goth) – So Thick
3. Megan Thee Stallion & Normani – Diamonds
4. Saweetie & GALXARA – Sway With Me
5. Charlotte Lawrence – Joke’s On You
6. Maisie Peters – Smile
7. CYN – Lonely Gun
8. Halsey – Experiment On Me
9. Jucee Froot – Danger
10. K.Flay – Bad Memory
11. Sofi Tukker – Feeling Good
12. Lauren Jauregui – Invisible Chains
13. Black Canary – It’s A Man’s Man’s Man’s World
14. Summer Walker – I’m Gonna Love You Just A Little More Baby
15. ADONA – Hit Me With Your Best Shot
Jimmy Page: How Stairway to Heaven was written
Stairway to Heaven was one of the biggest rock songs of the 1970s – loved, imitated and sometimes parodied. Now Led Zeppelin’s classic track is back on the turntable, on a re-mastered version of the band’s fourth album. 43 years after its release, the song continues to hold a place in many music fans’ hearts.
Guitarist Jimmy Page gives a personal account of how a rock anthem came together.
Alan Doyle Announces New EP, Rough Side Out, Available February 14
Alan Doyle – one of Canada’s most treasured musicians – has announced the release of a brand new EP, Rough Side Out, coming February 14.
The album features the single “We Don’t Wanna Go Home” with country star Dean Brody, as well as an appearance by 3-time CCMA Female Artist of the Year winner Jess Moskaluke on the track “What the Whiskey Won’t Do.”
A few days after the EP release, Doyle will kick off a 34-date Canadian tour beginning February 19 in Moose Jaw. A full list of dates can be found below. He will be touring with his powerhouse 6-piece band and special guest Kelly Prescott.
Every ticket purchased comes with a physical copy of the EP and one dollar from each ticket sold for this show will go to support the A Dollar A Day Foundation. Every dollar collected goes directly into the hands of proven Mental Health and Addictions programs across the country, to help with such issues as the opioid crisis in Vancouver and homelessness in St. John’s.
Late last year, Doyle released the music video for “We Don’t Wanna Go Home,” which includes appearances from Brody, The Reklaws and more.
Doyle – the songwriter, producer, actor and author – is a 12-time JUNO Award nominee for his solo material and work with his iconic band Great Big Sea. In 2018, he was awarded the Order of Canada for his contributions to the musical traditions of Newfoundland and for his commitment to numerous charitable initiatives.
ROUGH SIDE OUT TRACK LISTING
1. We’re Gonna Love Tonight
2. We Don’t Wanna Go Home (feat. Dean Brody)
3. What the Whiskey Won’t Do (feat. Jess Moskaluke)
4. Anywhere You Wanna Go
5. It’s OK
6. Paper In Fire
7. I Gotta Go
Tour dates:
February 19 Moose Jaw, SK Mae Wilson Theatre
February 20 Regina, SK Conexus Arts Centre
February 21 Winnipeg, MB Burton Cummings Theatre
February 22 Saskatoon, SK TCU Theatre
February 23 Brandon, MB Western MB Centennial Auditorium
February 25 Lethbridge AB Yates Theatre
February 26 Medicine Hat, AB Esplanade
February 27 Red Deer, AB Central Alberta Theatre
February 28 Calgary, AB Southern Alberta Jubilee
February 29 Edmonton, AB Northern Alberta Jubilee
March 1 Lloydminster, AB Vic Juba Theatre
March 3 Fort McMurray, AB Keyano Theatre
March 4 Grand Prairie, AB Grande Prairie Live Theatre
March 5 Prince George, BC Prince George Playhouse
March 6 Chilliwack, BC Chilliwack Cultural Centre
March 7 Vernon, BC Vernon & District Performing Arts Centre
March 8 Vancouver, BC Queen Elizabeth Theatre
March 24 Mississauga, ON Living Arts Centre
March 26 Kitchener, ON Centre In The Square
March 27 Belleville, ON Empire Theatre
March 28 Ottawa, ON National Arts Centre Southam Hall
March 29 Montreal, QC L’Olympia
March 31 Kingston, ON Grand Theatre
April 1 London, ON Centennial Hall
April 2 Hamilton, ON FirstOntario Concert Hall
April 3 Toronto, ON Danforth Music Hall
April 4 Toronto, ON Danforth Music Hall
April 5 Quebec, QC Impérial Bell
April 7 Summerside, PE Harbourfront Theatre
April 8 Moncton, NB Casino New Brunswick
April 9 Halifax, NS Rebecca Cohn Auditorium
April 10 Halifax, NS Rebecca Cohn Auditorium
April 11 Fredericton, NB Playhouse Theatre
April 12 Saint John, NB Imperial Theatre
Sebadoh Announce Spring Tour Dates
Indie rock pioneers Sebadoh have announced a new set of US tour dates this spring. The tour will kick off on April 15th in Boston and run till Brooklyn on May 9th.
Sebadoh released their latest critically acclaimed album Act Surprised last year, their first in more than six years, via Dangerbird Records. The album continues the soulful collaboration that’s defined the band since 1991’s Sebadoh III and 1994’s Bakesale. Their new batch of songs reaffirms how vital the creative partnership is between members Lou Barlow, Jason Loewenstein, and Bob D’Amico. Pitchfork raved that it “sounds like the work of a band refreshingly free of baggage” while NPR Music stated “Sebadoh kicks off its fourth decade with rare cohesiveness of vision, in a string of spiky, aggressive three-minute rock songs that don’t let their jagged edges obscure the throbbing heart at their center.”
Tour Dates:
04/15 – Boston, MA @ The Sinclair
04/16 – Portland, ME @ Port City Music Hall
04/17 – Providence, RI @ Met Cafe
04/18 – Philadelphia, PA @ Underground Arts
04/19 – Durham, NC @ Motorco
04/21 – Jacksonville, FL @ Jack Rabbits
04/22 – Orlando, FL @ The Social
04/23 – Tampa, FL @ Orpheum
04/24 – Athens, GA @ 40 Watt
04/25 – Asheville, NC @ Mothlight
04/26 – Louisville, KY @ Headliners Music Hall
04/28 – Madison, WI @ High Noon Saloon
04/29 – Minneapolis, MN @ Turf Club
04/30 – Chicago, IL @ Lincoln Hall
05/01 – Ann Arbor, MI @ Blind Pig
05/02 – Toronto, ON @ Horseshoe
05/04 – Ithaca, NY @ The Haunt
05/05 – Burlington, VT @ Higher Ground
05/06 – Albany, NY @ The Hollow
05/07 – Lancaster, PA @ Chameleon Club
05/08 – Washington, DC @ Black Cat
05/09 – Brooklyn, NY @ Music Hall of Williamsburg
Canadian Music Week Releases Preliminary Session Line Up For Radio Active Summit May 20-21, 2020
Canadian Music Week’s annual audio expo, the Radio Active Summit, is greeting the 2020’s with a boom. The revamped and rebooted Radio Active Summit at the Sheraton Centre Toronto Hotel will feature two full days, May 20 – 21, dedicated to everything that reaches audiences ears via streaming, podcasting and broadcasting. It is a technological, sociological and business-oriented deep dive, featuring workshops, sessions and more celebrity and international speakers than ever before.
The 2020 Radio Active Summit keynote speakers will include Pulitzer Prize-winning journalist and co-author of She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement Megan Twohey, Australian futurist, speaker, creative director, and “Digital Prophet” David Shingy, and America’s leading expert on GenY and Z consumers Matt Britton.
Neill Dixon, President and Founder of Canadian Music Week, says: “In association with Canada’s radio broadcasters, I’m pleased that we’ve retained the services of respected Canadian broadcast executive Ross Davies to help take our Radio Active conference to the next level. We are very excited about the plans already in place for next May.”
Ross Davies adds: “This year we will double the number of sessions by creating two side by side tracks, one dealing with the operations, research and product side of the business, and the other touching on the more strategic, future facing issues of our industry. There will be something there for everyone.”
Global experts from programming, branding, revenue, over-the-air, digital, social media, tech and regulatory will attend the Radio Active Summit to discuss and determine the past, present and future of these industries.
Click here to see the preliminary outline of speakers and sessions, with more sessions to be announced soon. Registration is open now.
The 38th Annual Canadian Music Week will return to Toronto May 19 – 23, 2020.
Now in its 38th year, Canadian Music Week is Canada’s leading annual entertainment event dedicated to the expression and growth of the country’s music, media and entertainment industries. Combining multifaceted information-intensive conferences; a trade exposition; awards shows and the nation’s largest new music festival which spans five nights of performances, with hundreds of showcasing bands at more than 40 live music venues in downtown Toronto. All conference functions take place at the Sheraton Centre Toronto Hotel, 123 Queen Street West in Toronto.
CMW Radio Active Summit 2020 – The Audio Explosion!
Conference & Radio Awards
May 20-21, 2020
Sheraton Centre Toronto Hotel
For the current Radio Active Summit program, please visit: http://cmw.net/radio/agenda/