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Vanessa Carlton Announces Sixth Studio Album Love Is An Art; Premieres Single ‘the Only Way To Love’

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Vanessa Carlton is excited to announce her much-anticipated sixth studio album, Love Is An Art, will be available March 27, 2020 via Dine Alone Records. Tying into the album announce, Vanessa unveiled her single “The Only Way To Love” now streaming HERE. Earlier this week, Vanessa unveiled the first leg of her Love Is An Art Tour featuring special guest Jackie O with tickets available now. The U.S. headlining dates kick off on April 2, 2020 and run throughout the month, with one Canadian stop in Toronto at The Drake on April 9.

Album and concert ticket bundles are available through Vanessa’s fan ticketing site and include a discount when purchasing a signed CD or vinyl along with a concert ticket. Signed albums will be available for pick up night of the show at participating venues at the merch stand. $1 for each ticket sold through Vanessa’s ticketing site will benefit the Nashville Ballet. “This tour is a seismic shift for me…” says Carlton. “I am bringing out a full band for the first time in 15 years! My goal is to bring the enormous landscape in the album to life, every night. The highs, the lows, the dreams in between. I am also thrilled to be sharing the stage with the fantastic songwriter Jenny O who will be opening all shows.”

Vanessa gave fans a first taste of the upcoming album with the track and music video for “Future Pain”. In the video, directed by Joshua Shoemaker (Margo Price, Hurray For The Riff Raff), Vanessa plays three versions of herself, a changing person within an unchanging tradition of having a drink alone at the bar. She sings, “I’ve got nothing to lose and nothing to gain but future pain,” paying homage to past mistakes of her former self while foreshadowing a familiar future.

Love Is An Art, produced by Dave Fridmann (MGMT, Flaming Lips), explores the eternal seesaw that is human connection: the push, the pull, the balance, the bottoming out. It’s that constantly evolving nature of love, expectations and compassion that Carlton analyzes from all angles on Love Is An Art, from romantic, to parental, to the friends that hold us up and the leaders that repeatedly let us down.

“Love is the energy you put out into the world,” says the Nashville-based Carlton, who was inspired in part by the 1956 book The Art of Loving by philosopher Erich Fromm, and by stories and struggles both in her interior world and the world around her. “And it can be so incredibly messy at times.”

Love Is An Art finds Carlton reckoning with toxic relationships (the confessional “Miner’s Canary”), eternal partnership (“Companion Star”) and the children who fill the world with love and grace while politicians fill their pockets (the passionate “Die, Dinosaur,” written after the shootings in Parkland, Florida). And true to Carlton’s skill as both a lyricist and an instrumentalist, the arrangements on Love Is An Art tell these tales as vibrantly as the words themselves: piano parts that speak of rage and tenderness, synths that burst and glow like dawn.

The album doesn’t just explore connections – it was also born of one. Carlton wrote the album with the acclaimed Nashville-based singer-songwriter Tristen, camped out and working while her daughter napped. “This record is about being out of my comfort zone,” says Carlton. “What’s going to happen when we do things that people assume are not naturally a match, like working with Dave Fridmann? I loved the idea of working with someone who’s known for a palette that isn’t associated with me, but it was a fit the second we started working together. Or what could happen when I sit with another writer, and just collaborate?”

The result is an extremely dynamic LP filled with sticky melodies and haunting phrases as well as experimental constructions: super high highs, super low lows, and song structures that break the mold from the expected. Unlike her previous, critically-acclaimed 2015 album Liberman, which Carlton describes as having a calming, almost meditative palette, Love Is An Art reads, and sounds, “red.” Huge. Passionate. The color of a beating heart.

Carlton has constantly challenged both herself and the expectations that surround her throughout her lengthy, accomplished career: she attended both the School of American Ballet and Columbia University, and was discovered as a singer-songwriter/pianist when a cassette tape demo was given to legendary music impresario Ahmet Ertegun. With her debut single “A Thousand Miles,” Carlton soared to the top of the Billboard charts and garnered multiple Grammy nominations, though that song is only a small fraction of the body of work and artistic identity she’s developed since then, ever evolving and growing as a performer and songwriter. In the summer of 2019, she pushed that even further, making her Broadway debut as Carole King in Beautiful: The Carole King Musical.

Love Is An Art Tracklisting:
1. I Can’t Stay The Same
2. Companion Star
3. I Know You Don’t Mean It
4. Die, Dinosaur
5. Love Is An Art
6. Future Pain
7. Back To Life
8. Patience
9. The Only Way To Love
10. Salesman
11. Miner’s Canary

Love Is An Art Tour

April 2 – St. Louis, MO @ Blueberry Hill
April 3 – Omaha, NE @ Waiting Room
April 4 – Minneapolis, MN @ Varsity Theatre
April 5 – Chicago, IL @ City Winery
April 6 – Chicago, IL @ City Winery
April 8 – Ann Arbor, MI @ The Ark
April 9 – Toronto, ON @ The Drake
April 10 – Homer, NY @ Center for the Arts of Homer
April 11 – Pittsburgh, PA @ Jergels
April 13 – Cleveland, OH @ Music Box Theatre
April 14 – Washington, DC @ Birchmere
April 16 – Philadelphia, PA @ World Cafe Live
April 18 – Boston, MA @ Sinclair
April 19 – New York, NY @ City Winery
April 20 – Annapolis, MD @ Rams Head Tavern
April 22 – Charlotte, NC @ The Underground
April 23 – Atlanta, GA @ City Winery
April 24 – Atlanta, GA @ City Winery
April 25 – Nashville, TN @ Exit/In

Ron Sexsmith Announces Canadian Tour

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Canada’s most accomplished singer-songwriter, Ron Sexsmith has returned with new music. The single, “You Don’t Wanna Hear It” is the first single from his forthcoming album HERMITAGE, Ron’s first album since his move from his longtime home of Toronto to a more bucolic life in Stratford, Ontario. Ron partnered with producer Don Kerr to create HERMITAGE; the two set up in Ron’s living room to record the album, with Ron playing all the instruments except the drums. This album marks Ron’s 25th year as a recording artist.

Describing the new single Ron says, “It’s a song about someone who has their nose all out of joint about something and are not in the mood to hear the truth.”

In addition to the new music, Ron will be heading out on a Canadian tour in May of 2020. The 7-date run will bring him from Victoria to Ottawa, with stops in Vancouver, Calgary, Saskatoon, Winnipeg and Toronto.

Ron Sexsmith is one of Canada’s greatest singer songwriters. He has collaborated with the likes of Daniel Lanois, Mitchell Froom, Ane Brun, Tchad Blake, and Bob Rock. His songwriting appears on albums from Rod Stewart, Michael Bublé, k.d. lang, Emmylou Harris and Feist. He has been awarded 3 Juno Awards, having been nominated 15 times including 8 nods for Songwriter of the Year.

At 56, Canada’s foremost well-heeled troubadour has made a most unlikely discovery: domestic bliss. All it took, it turns out, was leaving the city he loved.

Following 30 years as an emblem of Toronto’s west end, Ron Sexsmith reluctantly uprooted to the serene hamlet of Stratford, Ontario, and the melodic, playful, theatrically vivacious Hermitage came gushing out.

“Almost immediately after arriving here I just felt this kind of enormous stress cloud evaporate and all these songs started coming,” recalls Sexsmith. “I’d walk along the river every day into town and feel like Huckleberry Finn or something. It had a really great effect on my overall state of being.”

This new zen can be heard from the first moments of Kinks-esque album opener, “Spring of the Following Year,” as the serene sound of birds situate the listener into Sexsmith’s state of grace.

“We’d moved in the wintertime and I was imagining how pretty it was going to be in the spring,” he explains. “We have this sort of idyllic kind of existence — we have bunnies in the yard and are surrounded by trees on all sides, so we get tons of birds. Every morning I hear these cardinals and we had a duck in the yard; I’d never really noticed birds in Toronto.”

It’s not like he was planning to write his 16th long player as soon as he arrived, he adds. After all, Sexsmith was already quite busy turning his first novel, Deer Life, into a prospective musical. But when melodies as infectious as the Chi-Lights-inspired “You Don’t Want to Hear It” or the ear-worm inducing “Lo and Behold” entered his mind, he had to get them on record. Adding his signature mischievously astute worldplay (in “Dig Nation,” for example) to ground the album firmly in the Sexsmith oeuvre. Even the album’s title is a coy subversion of the 15 time Juno nominee’s own expectations upon arriving in Justin Bieber’s hometown. “I felt I’d reached the age where I could be a hermit finally, but it didn’t really work out that way,” he laughs.

Further reflecting Sexsmith’s new confidence, Hermitage is the first album on which he played nearly all the instruments, an idea he credits to producer and longtime drummer Don Kerr. “Don said ‘Why don’t you make one of those sort of Paul McCartney-type records?’ and it’s like a light bulb went on over my head,” he says. “That had never occurred to me.”

The result is the songwriter’s most self-assured collection, still charmingly subtle yet increasingly full of musical vigor, as on “Chateau Mermaid,” an ode to his own Stratford Graceland, or the surprisingly hopeful “Small Minded World,” (originally penned for the Addams Family film), in which Sexsmith croons, “Oh now don’t feel blue ‘cos they don’t get you, you’ll win this small minded world.”

“I think it’s a very upbeat album, lyrically,” he confirms. “It’s reflective of the sort of peacefulness that I’d recently felt. I’m getting more comfortable in my own skin.”

Tour Dates
May 3 – Victoria, BC – Alix Goolden Performance Hall
May 5 – Vancouver, BC – Rio Theatre
May 6 – Calgary, AB – The National Music Centre
May 8 – Saskatoon, SK – Broadway Theatre
May 9 – Winnipeg, MB – West End Cultural Centre
May 28 – Ottawa, ON – National Arts Centre
May 30 – Toronto, ON – Danforth Music Hall

A Live Performance Of Super Mario Music

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The Super NES Band ensures that your feet – and hands – don’t stay still as they perform video game music using the actual tone generators classic consoles. Listen as they prime up for live medleys of tunes from Super Mario World, Super Mario Bros. 3, and Super Mario Land.

 

The ballet that incited a riot

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Dive into the history and controversy of Igor Stravinsky’s ballet, “The Rite of Spring,” which shattered the conventions of classical ballet.

Ballet is typically thought of as harmonious, graceful and polished— hardly something that would trigger a riot. But at the first performance of Igor Stravinsky’s “The Rite of Spring,” audience members were so outraged that they drowned out the orchestra. People hurled objects at the stage, started fights and were arrested. What caused this shocking reaction? Iseult Gillespie explains the controversy.

Lesson by Iseult Gillespie, directed by WOW-HOW Studio.

Award-Winning Contemporary Jazz Artist Fiona Ross Releases ‘Raw & Real’ New Single, “For My Dad”

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Award-winning contemporary jazz artist Fiona Ross is out today with her newest single, “For My Dad” — available now! The second track on her newest album, Fierce and Non-Compliant, ‘For My Dad” is especially noteworthy for being one of two especially raw and pared-down productions as live, musically pared-back takes completed in a stairwell.

“I wanted the production to reflect the honesty of the song: raw and real,” Ross confides. “This album ended up being a really personal journey, and this song just happened. I was going through my songwriting book and found a list of chords. I had no idea what they were for, and they had no lyrics with them.

“So I turned them into a song for my dad.”

Based in London and resonating throughout the International scene, Ross is known for her illustrative songwriting and unique fingerprint of sound that blends a Latin Jazz with vintage club styles, plus a touch of Neo soul for good measure.

“Her style is poetic and the messages ooze with Millennial angst,” says Jazz Weekly of Ross’ heart-wrenching ballads and demonstrable lyricism.

The album is not merely a sonic sojourn into Ross’ songwriting journal, but also her jotter notes as an esteemed jazz journalist. “I’ve interviewed some incredible people,” she shares, including Maxine Gordon, Steven Gadd, Dee Dee Bridgewater, Terri Lynne Carrington, and Kyle Eastwood, to name a few. “I’d wanted to include some people on the album that have really inspired me as a person and as an artist. I was truly blown away they said yes.”

Latin GRAMMY Award-nominated bassist Snow Owl (Antonio Sanchez, Hans Zimmer, Elton John) is another particularly special guest on two tracks within Fierce and Non-Compliant — “Don’t Say” and “I Don’t Want It.” “We recorded two songs in a castle in Vienna,” Ross recalls of working with Internationally influential bassist. “(It was) the same castle Snow Owl recorded his album, The Blue Road, in.

“(There were) no real rehearsals, live takes…” she continues of the experience. “It was an overwhelming experience I will never forget.”

Adding to the roster is award-winning dancer, choreographer, and director — not to mention long-time friend of Ross’ — Adam Cooper. The duet was a throwback to their early school days when the pair would sneak out of class, break into the rehearsal room, and sing George Gershwin songs together, Ross recalls.

Featuring album artwork by Chris Cunningham and sleeve notes from renowned author, educator, and wife of Dexter Gordon, Maxine Gordon, other guests on Fierce and Non-Compliant include Kim Cypher, and Marco Piccioni.

Since the age of two, there has rarely been a day for the award winning vocalist, pianist, composer, producer, educator, and journalist that hasn’t entered around music. Storied highlights include fibbing her age at 14 years old to elbow her way onto jazz club stages throughout London to gig on weekends, and attending England’s prestigious Arts Educational School. As Head of British Academy of New Music for nearly a decade, Ross is credited for having a hand in training the likes of Ed Sheeran, Rita Ora, and Jess Glynne, to name a few.

“Finding the album cover photo of me as a child made me reflect on my childhood and my upbringing,” she continues of Fierce and Non-Compliant. “My parents always wanted me to be an artist, and my whole childhood was based on that. My mum wanted me to be the next Julie Andrews, even sending me to the same school, and my dad wanted me to be some kind of Judy Garland/Bette Davis combo.

“Now that I am finally doing my thing, I do find it sad that they can’t see it. My mum is still around, but in a home with Alzheimer’s, so… She’s not really here, in most ways.”

In her artistic career, Ross has previously released Black, White and a Little Bit of Grey, Just Me (and sometimes someone else), and A Twist of Blue.

But Fierce and Non-Compliant has been the contemporary virtuoso’s most challenging artistry yet, she says.

This album “has been a huge challenge on many levels,” Ross says, having completed all of the writing, arrangement and production, save for two of the 13 tracks produced by Snow Owl. “I have reached into places I have just not been before.

“The ‘fierce’ is coming from many different angles,” she continues. “It has been emotional!”

“For My Dad” and Fierce and Non-Compliant are available now.

Photo Gallery: Chris Janson at Niagara Falls’ Fallsview Casino

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

Chris Janson
Chris Janson
Chris Janson
Chris Janson
Chris Janson
Chris Janson
Chris Janson
Chris Janson
Chris Janson

My Next Read: Liberation Through Hearing by Richard Russell

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For almost 30 years as label boss, producer, and talent conductor at XL Recordings, Richard Russell has discovered, shaped and nurtured the artists who have rewritten the musical dictionary of the 21st century, artists like The Prodigy, The White Stripes, Adele, M.I.A., Dizzee Rascal and Giggs. Growing up in north London in thrall to the raw energy of ’80s US hip hop, Russell emerged as one part of rave outfit Kicks Like a Mule in 1991 at a moment when new technology enabled a truly punk aesthetic on the fledgling free party scene. For most of the 90s identified with breakbeat and hardcore, Russell’s stewardship at the label was always uncompromising and open to radical influences rather than conventional business decisions.

Liberation Through Hearing (out April 2 through Hachette publishing house White Rabbit) tells the remarkable story of XL Recordings and their three decades on the frontline of innovation in music; the eclectic chorus of artists who came to define the label’s unique aesthetic, and Russell’s own story; his highs and lows steering the fortunes of an independent label in a rapidly changing industry, his celebrated work with Bobby Womack and Gil Scot Heron on their late-career masterpieces, and his own development as a musician in Everything is Recorded.

Always searching for new sounds and new truths, Liberation through Hearing is a portrait of a man who believes in the spiritual power of music to change reality. It is also the story of a label that refused to be categorised by genre and in the process cut an idiosyncratic groove which was often underground in feel but mainstream in impact.

The 1975 Announces North American Headline Tour

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The 1975 unveiled plans for an extensive North American tour and shared “Me & You Together Song” – the new song from Notes On A Conditional Form. Named as one of 2020’s most anticipated albums by Rolling Stone, Pitchfork and Vulture, Notes On A Conditional Form will be released on April 24.

Produced by Live Nation, the headline tour will kick off on April 27 at The Cynthia Woods Mitchell Pavilion in Houston, TX. The run will include shows at The Forum in Los Angeles (May 7), Red Rocks Amphitheatre in Morrison, CO (May 11) and New York City’s Madison Square Garden (May 26). Phoebe Bridgers and Beabadoobee will support on most dates. The 1975 will also be performing at numerous 2020 festivals, including Bonnaroo. See below for itinerary.

One dollar from each ticket sold will go to One Tree Planted, a non-profit organization that plants trees all over the world to fight climate change, protect biodiversity, empower communities and restore our planet. Their aim is to reforest the planet, one tree at a time.

“Me & You Together Song” debuted as the Hottest Record in the World earlier today when The 1975 performed it live on BBC Radio 1’s “Future Sounds with Annie Mac.”

Fans who pre-order Notes On A Conditional Form will instantly receive “Me & You Together Song” plus the opening track – “The 1975,” which features a Greta Thunberg monologue – and the singles “People” and “Frail State of Mind.” Placing “People” on its list of “The 100 Best Songs of 2019,” Pitchfork said, “The song is both a wake-up call and an admission of defeat—a balls-out strut to be played for the indifferent masses as the world burns.”

Notes On A Conditional Form is the follow-up to 2018’s A Brief Inquiry Into Online Relationships, the Manchester-based quartet’s third consecutive album to top The Official U.K. Albums chart. In the States, it claimed the No. 1 position on the Top Album Sales, Alternative Albums and Top Rock Albums charts. The single “Give Yourself A Try” has received a GRAMMY® nomination for Best Rock Song. The 1975 took honors for best British Group and British Album of the Year at the 2019 BRIT Awards and received two Ivor Novello awards – Songwriters Of The Year and Best Contemporary Song (“Love It If We Made It”).

After being named one of the best songs of 2018 by critics at The New York Times, Pitchfork, Rolling Stone, Vulture and NPR, “Love It If We Made It” also appeared on the Best Songs of the 2010s recaps. A Brief Inquiry Into Online Relationships and the band’s second studio album, I like it when you sleep, for you are so beautiful yet so unaware of it, were included on Pitchfork’s 200 Best Albums of the 2010s list.

The 1975 Spring 2020 North American Tour Dates

April 27 Houston, TX The Cynthia Woods Mitchell Pavilion
April 29 Austin, TX Germania Insurance Amphitheater (formerly Austin360)
May 2 Dallas, TX Dos Equis Pavilion
May 3 El Paso, TX Don Haskins Center
May 5 Phoenix, AZ Gila River Arena
May 7 Los Angeles, CA The Forum +
May 8 Irvine, CA FivePoint Amphitheatre +
May 11 Morrison, CO Red Rocks Amphitheatre
May 13 Omaha, NE Baxter Arena
May 14 St. Louis, MO Enterprise Center
May 16 St. Paul, MN Xcel Energy Center
May 18 Milwaukee, WI Fiserv Forum
May 19 Columbus, OH Schottenstein Center
May 21 Toronto, ON Budweiser Stage
May 23 Washington, DC The Anthem
May 26 New York, NY Madison Square Garden
May 29 Hanover, MD The Hall at Live! Casino and Hotel
June 2 Pittsburgh, PA Petersen Events Center
June 3 Cleveland, OH Rocket Mortgage FieldHouse
June 5 Virginia Beach, VA Veterans United Home Loans Amphitheater
June 6 Charlotte, NC Spectrum Center
June 8 Jacksonville, FL Daily’s Place
June 9 Miami, FL Bayfront Park Amphitheater
June 11 Atlanta, GA Infinite Energy Center *
June 12 Manchester, TN Bonnaroo Music & Arts Festival * +

Phoebe Bridgers will be direct support on all dates except *
Beabadoobee will be support on all dates except +

Simple Minds’ Street Fighting Years Box Set Released On March 6

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On March 6, UMC will release a box set of Simple Minds’ 1989 album, Street Fighting Years. Produced by Trevor Horn (and Stephen Lipson), Street Fighting Years was the band’s fourth number one album in the UK and featured their first UK number one single, Belfast Child.

An artistically ambitious and elegant album, it arrived at a time of personnel changes. It saw the band reduced to a trio of Jim Kerr, Charlie Burchill and Mick MacNeil with session musicians playing the bass and most of the drum roles (notably Manu Katché from Peter Gabriel’s band and former Police drummer, Stewart Copeland).

Recorded in Scotland between 1988 and 1989, it was also a stylistic departure from the sound of Simple Minds’ previous album, Once Upon a Time. After 10 years of recording and releasing music, the band had learnt their craft, becoming skilled musicians and songwriters. This resulted in an album with a sense of drama and cinematic in quality.

Having recently turned 30 years of age, and at the end of an incredibly divisive decade in British politics – not to mention global tensions – an outward-looking maturity emerged in frontman Jim Kerr’s lyric writing, which found him confronting major themes of the times.

“I was 30 years old and I wanted to write about Belfast….Apartheid and I wanted to write about the policies of Margret Thatcher. I’m glad I wanted to do that.” Jim Kerr

This is demonstrated on songs that tackle such subjects as Apartheid (Mandela Day, and a cover of Peter Gabriel’s Biko), the on going troubles in Northern Ireland (Belfast Child), knife crime (Street Fighting Years – a very personal lyric about the loss of a Kerr family close friend), as well as the Poll Tax, Berlin Wall and nuclear submarines off the coast of Scotland.

Musically, where Once Upon a Time was influenced by American soul and gospel, Street Fighting Years was a much more atmospheric album, incorporating many styles, including Celtic and folk influences. It was Trevor Horn who recognised a folk quality about the band, especially in Kerr’s voice, and encouraged them to explore new territory.

Nowhere is this exemplified more than on Belfast Child. Released three months prior to the album on the Ballad of the Streets EP, Belfast Child was based on the Irish folk song She Moved Through The Fair. Kerr heard the melody of this song a few days after the horrific Enniskillen bombing, and wrote a song trying to relate to the people of Northern Ireland and those who had lost loved ones. The song received praise for addressing such a painful and emotive subject, including from Q Magazine (who also awarded the album five stars).

Equally contemplative songs on the album include Soul Crying Out (about Margaret Thatcher’s government) and Let It All Come Down. Conversely, though in large part a highly meditative and reflective album, Street Fighting Years also features more strident, uptempo numbers, such as Take a Step Back, Wall of Love and Kick It In. Songs which showcase the guitar-playing mastery of Charlie Burchill.

Standout songs on the album include This Is Your Land, which saw the band fulfil a teenage dream, as it featured one of their heroes and biggest influences – Lou Reed, and Mandela Day. Approached by Jerry Dammers to write a song celebrating Nelson Mandela (who was still imprisoned at that time), Mandela Day was completed in under an hour and recorded in less than a day. It made it’s live debut not long after at the Nelson Mandela 70th birthday tribute at Wembley Stadium, in June 1988.

Street Fighting Years was a creative triumph for Simple Minds and attained the remarkable commercial achievement of securing a number one single with a song almost seven-minutes in length. Although, as ever, with Simple Minds there is hope and optimism, also present is a wistfulness on an album that captures, and is a reminder of, the end of one of the most tumultuous decades of the 20th century.

Street Fighting Years will be released in multiple formats which are all fully endorsed by the band. The album was remastered at Abbey Road studios by Andrew Walters and contains the album as well as a bonus disc of B-sides, edits and 12 remixes and a previously unissued Verona show from 1989 round the set off.

The booklet was designed by long time contributor Stuart Crouch and contains sleeve notes by Daryl Easlea who interviewed the band and producer Trevor Horn extensively for the set. They provide a fantastic insight into how the album was recorded and produced.

FORMATS:

4-CD BOX SET
DISC ONE: Street Fighting Years
Street Fighting Years
Soul Crying Out
Wall of Love
This Is Your Land
Take A Step Back
Kick It In
Let It All Come Down
Mandela Day
Belfast Child
Biko
When Spirits Rise

DISC TWO: Edits, B-Sides and Remixes
Belfast Child – Edit
Mandela Day- Edit .
This Is Your Land – Edit
Saturday Girl – B-Side
Year of The Dragon – B-Side
This Is Your Land – DJ Version
Kick It In – Edit
Waterfront – ’89 Remix
Big Sleep – Live
Kick It In – Unauthorised Mix
Sign O’ The Times – Edit
Let It All Come Down – Edit
Sign O’ The Times – B-Side
Jerusalem B-Side
Sign O’ The Times – C. J. Mackintosh Remix

DISC THREE: Verona
Theme for Great Cities ’90
When Spirits Rise
Street Fighting Years
Mandela Day
This Is Your Land
Soul Crying Out
Waterfront
Ghost Dancing
Book of Brilliant Things
Don’t You (Forget About Me)

DISC FOUR: Verona
Gaelic Melody
Kick It In
Let It All Come Down
Belfast Child
Sun City
Biko
Sanctify Yourself
East at Easter
Alive and Kicking

2-CD DELUXE VERSION
DISC ONE: Street Fighting Years
Street Fighting Years
Soul Crying Out
Wall of Love
This Is Your Land
Take A Step Back
Kick It In
Let It All Come Down
Mandela Day
Belfast Child
Biko
When Spirits Rise

DISC TWO: Edits, B-Sides and Remixes
Belfast Child – Edit
Mandela Day- Edit .
This Is Your Land – Edit
Saturday Girl – B-Side
Year of The Dragon – B-Side
This Is Your Land – DJ Version
Kick It In – Edit
Waterfront – ’89 Remix
Big Sleep – Live
Kick It In – Unauthorised Mix
Sign O’ The Times – Edit
Let It All Come Down – Edit
Sign O’ The Times – B-Side
Jerusalem B-Side
Sign O’ The Times – C. J. Mackintosh Remix

1-CD VERSION
Street Fighting Years
Soul Crying Out
Wall of Love
This Is Your Land
Take A Step Back
Kick It In
Let It All Come Down
Mandela Day
Belfast Child
Biko
When Spirits Rise

2-LP
SIDE ONE
Street Fighting Years
Soul Crying Out
Wall of Love

SIDE TWO
This Is Your Land
Take A Step Back
Kick It In

SIDE THREE
Let It All Come Down
Mandela Day
Belfast Child

SIDE FOUR
Biko
When Spirits Rise

Songwriters Hall Of Fame Announces 2020 Inductees: Mariah Carey, Eurythmics, The Isley Brothers, Steve Miller, The Neptunes

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Musical legends Mariah Carey, Annie Lennox / Dave Stewart p/k/a Eurythmics, Ernie Isley / Marvin Isley / O’Kelly Isley / Ronald Isley / Rudolph Isley / Chris Jasper p/k/a The Isley Brothers, Steve Miller, Chad Hugo / Pharrell Williams p/k/a The Neptunes, Rick Nowels and William “Mickey” Stevenson will become the latest inductees of the Songwriters Hall of Fame at the organization’s 51st Annual Induction and Awards Dinner. These legendary songwriters wrote mega-hits such as, “Vision of Love,” “Sweet Dreams (Are Made of This),” “Shout,” “The Joker,” “Hollaback Girl,” “Heaven is a Place on Earth,” and “Dancing In The Street.” The star-studded induction event is slated for Thursday, June 11th at the Marriott Marquis Hotel in New York City. Additional special award honorees will be announced soon.

SHOF Chairman Nile Rodgers said, “The first thing you need to know is it’s about the song, the second thing you need to know is it’s about the song, the third thing you need to know is it’s about the song. I am very proud that we are recognizing some of the culturally most important songwriters of all time and that the 2020 slate of inductees represents diversity and unity across genres, ethnicity and gender, writers who have enriched our lives and in their time literally transformed music and helped make it what it is today.”

Established in 1969, the Songwriters Hall of Fame (SHOF) serves as a vital bridge between music’s past and future. In the Hall, musical pioneers are enshrined and celebrated, while the organization’s outreach to the music community grooms the next generation of troubadours. To qualify for induction, a songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song.

Mariah Carey is one of the most celebrated singer-songwriters and the best-selling female artist of all time. Smashing the Billboard Hot 100 number ones, Mariah Carey is the all-time most successful female songwriter in chart history. She has written or co-written 18 of her 19 number one songs on the Billboard Hot 100, and holds the record as the songwriter with the most weeks spent at the number one spot on the chart, counting 77 weeks in total. Mariah is in an elite group of songwriters to have had four or more number one singles on the Billboard Hot 100 from one album, four of which are from her self-titled debut album.

She wrote her debut single, “Visions of Love” and first No.1 hit single at the age of 17. Since then, she has penned the most successful modern (post-1963) Christmas standard, “All I Want For Christmas Is You,” and in 2006 the song became the first ringtone to be certified Gold by the RIAA, and it is now certified 2x Platinum making it the first ringtone to do so. The Christmas hit also holds the Guinness World Record for highest-charting holiday (Christmas/New Year) song on Billboard’s Hot 100 by a solo artist in addition to becoming the most streamed track on Spotify in 24 hours.

In 2011, Rolling Stone voted Mariah Carey’s “One Sweet Day” with Boyz II Men the Best-Ever Musical Collaboration and the track held the record for most weeks at number one on the Billboard Hot 100 from 1995 to 2019. The superstar is also the only songwriter to have had three songs debut at number one on the Billboard Hot 100 (“Fantasy,” “One Sweet Day,” “Honey”) and she is the only songwriter to receive Billboard’s Song of the Decade twice (“One Sweet Day” and “We Belong Together” for the 90’s Together” for the 00’s). Additionally, Mariah’s “We Belong Together” and “One Sweet Day” are both on Billboard’s list of All-Time Top 100 Hit Songs.

Over the course of her career, Mariah Carey has received ample recognition for her songwriting. In 2012, she won the BMI Icon Award for Songwriting, and has won 34 BMI Pop Music Awards for 21 different singles including three Songwriter of the Year Awards and two Song of the Year Awards for “Vision of Love” and “One Sweet Day.” She was GRAMMY-nominated two times as a writer for Song of the Year for “Vision of Love” and “We Belong Together” and three times as a writer for R&B Song for “Honey,” “We Belong Together,” and “Don’t Forget About Us.” In 2018, Carey was nominated for a Golden Globe for the title song of the movie, The Star and in 2019 won the prestigious Ivor Novello Award for songwriting.

In addition to her outstanding songwriting achievements, Carey has won multiple GRAMMY Awards, numerous American Music Awards, Billboard’s “Top Female Artist of All Time”, Billboard’s “Artist of the Decade” Award, Billboard’s “Icon Award,” and the World Music Award for “World’s Best Selling Female Artist of the Millennium.” With her distinct five-octave vocal range, prolific songwriting, and producing talent, Mariah is truly the template of the modern pop performance.

Over the last three decades, Mariah Carey has written over 50 timeless songs and has collaborated with industry icons including Jermaine Dupri, Rick James, Tricky Stewart, Missy Elliot, Jay-Z, Dianne Warren, Carole King, George Michael, Randy Jackson, Whitney Houston and more. Mariah Carey’s songs have been covered, performed and sampled by numerous artists, including Aretha Franklin, Patti Labelle, Kelly Rowland, Kelly Clarkson, Fantasia, Ariana Grande, Idina Menzel, Cee-Lo Green, Michael Buble, Fifth Harmony and Drake. Her ongoing impact has transcended the music industry to leave an indelible imprint upon the world at large.

80’s British pop duo, Eurythmics namely, Annie Lennox and Dave Stewart, achieved global success with their album Sweet Dreams (Are Made of This) for which the title track became a worldwide hit topping the charts in numerous countries including the U.S. The duo went on to release a string of hit singles and albums before they went their own ways in 1990. Both Lennox and Stewart spent the next nine years focusing on their solo careers. Eurythmics reunited in 1999 to record their ninth album, Peace, and once again in 2005 to release their single “I’ve Got A Life,” which also appeared on the new Eurythmics compilation album, Ultimate Collection. The duo won an MTV Music Video Award for Best New Artist in 1984, a GRAMMY Award for Best Rock Performance by a Duo or Group with Vocal in 1987, a Brit Award for Outstanding Contribution to Music in 1999, and were inducted into the UK Music Hall of Fame in 2005. They were also nominated for induction into the Rock & Roll Hall of Fame in 2017.

Lennox’s solo career began with the release of her solo debut album, Diva, which includes several hit songs like “Why” and “Walking on Broken Glass.” Her 1995 album, Medusa, includes “No More I Love You’s” and “A Whiter Shade of Pale.” She has released six solo studio albums and a compilation album entitled The Annie Lennox Collection in 2009. Over the decades, Annie Lennox has received numerous accolades in recognition of her contribution to the music business, including 8 BRIT Awards (including a Lifetime Achievement), 4 Ivor Novello Awards, 3 MTV Awards, 4 GRAMMY Awards, 26 ASCAP Awards, a Golden Globe and an Academy Award for Best Original Song for “Into the West,” written for the soundtrack to the film The Lord of the Rings: Return of the King. She was also named one of The 100 Greatest Singers of All Time by Rolling Stone. Lennox has been awarded fellowships from some of the world’s most prestigious music institutions, including The British Academy of Songwriters, The Royal Scottish Academy of Music and Drama, Berklee College of Music, and The Musicians Company.

Dave Stewart is recognized as one of the most respected and accomplished talents in the music industry today with a music career spanning four decades and over 100 million album sales. Stewart co-wrote and produced each Eurythmics album along with Annie Lennox. He has also co-written and produced albums and songs with Tom Petty, Gwen Stefani, Jon Bon Jovi, Stevie Nicks, Mick Jagger, Bryan Ferry, Katy Perry, Sinead O’Connor, Joss Stone and many others. Along the way, his work has garnered numerous awards including 26 ASCAP Awards and BMI awards for most performed songs, 4 Ivor Novello Awards, 4 Brit Awards including Best Producer, a Lifetime Achievement Award, The Silver Clef Award, the Clive Davis Legend in Songwriting Award, and a Grammy Award. In 2015, Stewart also won the Outstanding Contribution to UK Music Award given by the Producers Guild. He has scored films for several directors, has written and produced the title songs for many hit movies and together with Mick Jagger, he wrote and produced the score for Alfie, which won the pair a Golden Globe for Best Original Song. Additionally, Stewart along with songwriter/producer Glen Ballard wrote the music for the musical adaptation of the 1990 Jerry Zucker film Ghost, which is now being performed in many cities all over the world. Beyond his creative work as a musician, Stewart is a renowned film and TV producer, author, photographer, entrepreneur, and philanthropist. He has established multimedia companies including Dave Stewart Entertainment (DSE) and The Hospital Club with Microsoft’s Paul Allen, co-authored The Business Playground: Where Creativity and Commerce Collide (Financial Times/Pearson), and Executive Produced NBC’s hit show Songland. Also, in 2001, Stewart was approached by Nelson Mandela to help fight against the Aids epidemic. Stewart developed a Global Campaign using Mandela’s prison number 46664 as a telephone number. When people dialed this number Mr. Mandela answered followed by new songs Dave had written with Joe Strummer, Bono and Edge, Paul McCartney, and many others. While you listened, money was being donated into 46664 foundation by the telephone companies. He then went on to organize the biggest concert ever staged in South Africa, appearing on stage with Beyoncé, Bono, Bob Geldof, Queen, Anastacia, and longtime partner Annie Lennox. The concert was broadcast live to over 1 billion people and Oprah Winfrey devoted a week to this special event. In addition, Stewart is an award winning public speaker winning best public speaking awards 3 times in the last ten years.

The Isley Brothers started as a vocal trio consisting of brothers O’Kelly Isley Jr, Rudolph Isley and Ronald Isley. first formed in the early ’50s, the Isley Brothers have enjoyed one of the longest, most influential and most diverse careers in the pantheon of popular music. Over the course of more than a half-century of performing, the group’s distinguished history spans not only two generations of Isley siblings, but also massive cultural shifts which heralded their music’s transformation from gritty R & B to Motown soul to blistering fun.

The Isley Brothers have had over 15 #1 singles in the United States Billboard charts, sixteen of their albums charted in the Top 40 and 13 albums have been certified gold,
platinum or multi-platinum by the RIAA.

After moving from Cincinnati, Ohio to the New York City area in the late 1950’s, the group first came to national prominence in 1959 with their fourth single “Shout,” written by the three brothers. Initially a modest charted single, the song eventually sold over a million copies. Afterwards the group recorded for a variety of labels, including the Top 20 single, “Twist and Shout” and the Motown single “This Old Heart of Mine (Is Weak for You)” before recording and issuing the Grammy Award-winning hit, “It’s Your Thing” in 1969 on their own label, T-Neck Records.

Influenced by gospel and doo-wop music, the group began experimenting with different musical styles incorporating elements of rock and funk as well as pop balladry. Younger brothers Ernie Isley and Marvin Isley and Rudolph’s brother-in-law, Chris Jasper, joined the group in 1973. The Isleys scored a massive hit with their rock-funk fusion cover of their own earlier single “Who’s That Lady” retitled “That Lady, Pt. 1.” The album “3 + 3” also proved highly successful, as did 1975’s “The Heat Is On” also spawned the smash “Fight the Power, Pt. 1” For the next decade, they recorded top-selling albums, including “Between The Sheets” and had several hit singles. Towards the end of the decade they frequently topped the R & B charts with singles like “The Pride,” “Take Me To The Next Phase, Pt.,” “I Wanna Be With You, Pt. 1” and “Don’t Say Goodnight.”

Isley/Jasper/Isley was formed as a splinter group of The Isley Brothers in 1984 by Chris Jasper, Ernie Isley and Marvin Isley, releasing three albums including “Caravan of Love,” which featured the #1 out-of-the-box title hit, written and sung by Jasper and subsequently covered by English recording group, the Housemartins, who made “Caravan” an international #1 pop hit. The group disbanded in 1987.

After the break-up, Jasper continued as a solo artist, multi-instrumentalist and producer, forming his own independent record label, Gold City Records. Ernie teamed up with Ronald Isley and they have continued to record and tour as the Isley Brothers. They have achieved mainstream success in the intervening decades with spots on the pop and R & B charts including Dreamworks first #1 record, “Body Kiss.” They most recently collaborated with Carlos Santana on 2017’s “Power of Peace” and are currently on a nationwide tour celebrating the Isley Brothers 60th Anniversary.

Ronald became a solo artist while keeping the Isley Brothers’ name and continued to record platinum albums. Ernie and Marvin later reunited with their brother Ronald until Marvin became ill. Marvin passed away in 2010. Ronald and Ernie are currently on a nationwide tour celebrating “Shout’s” 60th Anniversary!

The Isley Brothers, including Chris Jasper, were inducted into the Rock and Roll Hall of Fame in 1992 and received the Grammy Lifetime Achievement Award in 2014. Two of the Isley Brothers’ songs have been inducted into the Grammy Hall of Fame. Their music has been sampled widely and featured in a number of hip-hop’s most important songs, including those by Notorius B.I.G., Ice Cube, Public Enemy, Jay-Z, Lil Wayne, Snoop Dog, Mac Miller, Ludacris, etc.

O’Kelly Isley Jr. died from a heart attack in1986. Rudolph Isley retired in 1986 and went into ministry with his wife Elaine.

Steve Miller has been an enlivening presence on the American music scene for more than half a century. Miller crafted a brand of pure pop that was smart, polished, exciting, irresistible and that dominated radio in a way that few artists have ever managed. Hit followed hit in what seemed like an endless flow: “The Joker,” “Take the Money and Run,” “Rock’n Me,” “Fly Like an Eagle,” “Living in the USA” and “Abracadabra” among some of his stand out hits. Running through Miller’s distinctive catalog is a combination of virtuosity and song craft. In the course of his long, full career, Miller has sold tens of millions of records and with each listen the beauty and immediacy of his work, whether at its most playful or most serious, is palpable.

Chad Hugo a native of Virginia Beach is a Grammy Award winning producer and multi-instrumentalist. Best known as half of the songwriting-production duo The Neptunes with Pharrell Williams, and member of the genre breaking hip-hop/funk-rock band N.E.R.D. For nearly 30 years, Chad has quietly and profoundly influenced the shape of hip-hop as a genre of music.

His most recent work, Hugo co-produced nine songs on Justin Timberlake’s Man of the Woods album that debuted at number one in the US. Hugo recently wrapped up a world tour with N.E.R.D and their platinum hit “Lemon,” featuring Rhianna. Also in 2018, Splice tapped the Virginian for his first ever sample pack of sounds. Featuring a library of high quality signature samples and loops from Chad’s expansive catalog of chart topping songs. He is currently in the studio working on solo material and collaborations with Pharrell, SG Lewis and others.

Pharrell Williams, visionary recording artist, producer, songwriter, philanthropist, fashion designer, and entrepreneur, has been a creative force in the music industry and beyond for more than two decades. From his beginnings as a teenage prodigy and multi-instrumentalist in Virginia Beach back in the early ’90s, through enough hits to earn him Billboard’s Producer of the Decade in 2010, to his current status as multi-media superstar, Williams has never stopped creating.

Starting his producing career as one half of The Neptunes with longtime production partner Chad Hugo, Williams has helped create classics such as Daft Punk’s “Get Lucky,” Robin Thicke’s “Blurred Lines,” Nelly’s “Hot in Herre,” JAY-Z’s “I Just Wanna Love U (Give it 2 Me),” Britney Spears’ “I’m A Slave 4 U,” and Justin Timberlake’s “Like I Love You.” Over four albums, Williams and Hugo, along with Shae Haley, created an unpredictable hybrid as part of the Virginia Beach alt-rock/hip-hop group N.E.R.D., which reunited for 2017’s No One Ever Really Dies. The album debuted with the wildly successful single, “Lemon,” featuring Rihanna, and includes world-class artists such as Kendrick Lamar, André 3000, M.I.A., Future, Wale, Gucci Mane, and Ed Sheeran.

The music industry has honored Williams with 13 Grammy Awards, including 2004’s, 2014’s and 2019’s Producer of the Year, and ASCAP’s prestigious Golden Note Award in 2012. He received a 2017 Academy Award nomination as one of the producers for Best Picture-nominated Hidden Figures, as well as a Golden Globe nomination for co-scoring the film. In 2014, his original song “Happy,” featured in the animated film Despicable Me 2, also received an Academy Award nomination. “Happy” remained atop the Billboard Hot 100 chart for ten consecutive weeks, peaking at No. 1 on iTunes in 103 markets worldwide, and was the lead single from his 2014 solo album, G I R L.

In April 2019, Pharrell launched the first ever SOMETHING IN THE WATER, a multi-day music festival and cultural experience on the beach in his hometown of Virginia Beach. The festival’s mission was to unite the community and celebrate the diversity and magic of Virginia Beach. It was an opportunity to bring the best of what Pharrell has encountered around the world back to his hometown. The weekend celebrated opportunity and the chance to empower everyone from the youth to the small business owners. Some of the world’s biggest musicians, personalities, scholars, students, artists, activists and athletes converged on Virginia Beach to activate and amplify, collaborate and co-author, shift and shape the future.

Most recently, Williams and Hugo co-wrote and co-produced the original song, “Letter to My Godfather,” for Netflix’s The Black Godfather about the legendary music executive, Clarence Avant. Williams also produced five songs on the soundtrack for Disney’s 2019 remake of The Lion King including, “I Just Can’t Wait To Be King,” “Hakuna Matata,” “The Lion Sleeps Tonight,” “Can You Feel The Love Tonight” and “Mbube.”

A prolific songwriter since the age of 13, Grammy winner Rick Nowels has co-written over 60 Top 20 singles worldwide, Belinda Carlilse’s No. 1 global hit “Heaven is a Place on Earth” and “Circle in the Sand” among the most notable. His breakthrough came when Stevie Nicks heard his songs and teamed with him in writing “Rooms on Fire” and other songs. His numerous other credits include the #1 hit “The Power of Goodbye” on Madonna’s Grammy Award-winning Album of the Year “Ray of Light”.

Nowels received an Ivor Novello award for “White Flag” with Dido. He co-wrote the ASCAP Song of the Year “Game of Love” for Santana featuring Michelle Branch, “Green Light” for John Legend/ André 3000, “You Get What You Give” for the New Radicals, “Standing Still” for Jewel, “Fallin’ for You” with Colbie Caillat, “I Follow Rivers” for Lykke Li, “Loud Places” for Jamie xx and “Lost in your Light” for Dua Lipa/Miguel. Rick has also written with Lana Del Rey for all six of her studio albums. Their hits include “Summertime Sadness,” “Young and Beautiful,” “West Coast,” “High by the Beach,” “Love,” and “Lust for Life”. Other collaborations include Adele, Sia, Nelly Furtado, Tom Odell, Alessia Cara. Key songs in the Nowels catalog include “Heaven Is A Place On Earth,” “White Flag,” “Summertime Sadness,” “You Get What You Give” and “The Power Of Goodbye.”

William “Mickey” Stevenson joined Motown in 1959 as its very first Head of A&R, responsible for building its roster of songwriters, musicians, and artists, writing hit songs, and producing its superstar roster. Notably, Stevenson is responsible for helping develop Marvin Gaye, Stevie Wonder, The Four Tops, and Martha Reeves. He was one of the principal architects of the “Motown Sound,” having personally assembled the “Funk Brothers,” Motown’s famous house band for most of the label’s timeless 1960’s hits. Stevenson also discovered many of Motown’s legendary songwriters, including Ron Miller, George Ivy “Jo” Hunter, Norman Whitfield, and Frederick “Shorty” Long.

Described by Motown founder Berry Gordy, Jr as “the best A&R man who leads the list of [Motown’s] unsung heroes” and by Smokey Robinson as “never having received his props,” Stevenson was also a prolific songwriter and producer during Motown’s golden era.

Among his biggest songwriting successes are Martha & the Vandella’s “Dancing in the Street” (co-written by Hunter and Gaye), Marvin Gaye and Kim Weston’s “It Takes Two” (co-written by Sylvia Moy), The Marvelettes’ “Beechwood 4-5789” (co-written by Gaye and George Gordy), Marvin Gaye’s “Stubborn Kind of Fellow” (co-written by Gaye and Gordy), Marvin Gaye’s “Pride and Joy” (co-written by Gaye), The Four Tops’ “Ask the Lonely” (co-written by Hunter), The Contours’ “Can You Jerk Like Me” (co-written by Hunter), and Mitch Ryder and the Detroit Wheels’ “Devil With the Blue Dress On” (co-written by Frederick “Shorty” Long).

Stevenson was also a highly successful producer, having produced Jimmy Ruffin’s “What Becomes of the Brokenhearted” (co-produced by William Weatherspoon), Stevie Wonder’s “Uptight (Everything’s Alright)” (co-produced by Henry “Hank” Cosby), and countless other hits.

After leaving Motown, Stevenson was appointed head of Venture Records in 1969, a subsidiary of MGM, and founded Peoples Records. He later shifted gears to follow his passion, writing and producing a series of theatrical musicals including Swann, Showgirls, Wings and Things, The Gospel Truth, TKO, Chocolate City, and Sang, Sista, Sang.

In 2015, Stevenson released his autobiography entitled “The A&R Man”. Currently, he is collaborating with Brian Holland, Smokey Robinson, and Deitrick Haddon to produce “Azusa Revival,” a musical based upon the origins of the Pentecostal movement.

The Songwriters Hall of Fame celebrates and honors the contributions of songwriters of all genres of music, educates the public with regard to their achievements and produces a spectrum of professional programs devoted to the development of new songwriting talent through songwriting craft forums, scholarships, digital initiatives and Master Sessions on both coasts. Educational activities are held at The GRAMMY Museum, which hosts the permanent Songwriters Hall of Fame Gallery, and at the University of Southern California/Thornton School of Music, with additional events and programs at Belmont University’s Mike Curb College of Entertainment & Music Business, the University of North Carolina and NYC’s Stuyvesant High School. Out of the tens of thousands of songwriters of our era, there are approximately 450 inductees who make up the impressive roster enshrined in the Hall of Fame. A songwriter with a notable catalog of songs qualifies for induction 20 years after the first significant commercial release of a song. The list of inductees include Kenneth Gamble & Leon Huff, Barry Mann & Cynthia Weil, Jerry Leiber & Mike Stoller, Eddie Holland, Lamont Dozier & Brian Holland, Smokey Robinson, Paul Williams, Hal David & Burt Bacharach, Billy Steinberg & Tom Kelly, Bob Dylan, Isaac Hayes & David Porter, Carole King, Paul Simon, Billy Joel, Neil Diamond, Lionel Richie, Carole Bayer Sager, Jon Bon Jovi & Richie Sambora, Elton John & Bernie Taupin, Brian Wilson, James Taylor, Don Schlitz, Bruce Springsteen, Phil Collins, Alan & Marilyn Bergman, Felice & Boudleaux Bryant, Loretta Lynn, Jimmy Webb, Van Morrison, Kris Kristofferson, Dolly Parton, Garth Brooks, Diane Warren, Stevie Wonder, Steven Tyler & Joe Perry, Mac Davis, Leonard Cohen, Ray Davies, Merle Haggard, Cyndi Lauper, Desmond Child, Mick Jones & Lou Gramm, Elvis Costello, Marvin Gaye, Nile Rodgers & Bernard Edwards, Bill Withers, Jay Z, Tom Petty, Toby Keith, Max Martin, Jimmy Jam & Terry Lewis, Berry Gordy, Kenneth “Babyface” Edmonds, Robert Lamm & James Pankow, Bill Anderson, Steve Dorff, Jermaine Dupri, Alan Jackson, Kool & The Gang, John Mellencamp, Allee Willis, Yusuf/Cat Stevens, Missy Elliott, John Prine, Dallas Austin, Tom T. Hall and Jack Tempchin, among many others.