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Finneas Unveils Marian Hill Remix Of ‘I Lost A Friend’

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Following his late night television debut performance on ABC’s Jimmy Kimmel Live!, 22-year-old 5-time GRAMMY Award nominated musician, songwriter and producer, FINNEAS returns today with a brand new remix of “I Lost A Friend” from NYC-based songwriting and production duo, Marian Hill. Jeremy from Marian Hill put his own unique spin on the poignant single about the deterioration of a close friendship, which Billboard hailed as an “intimate tune,” with “emotional vocals” with Consequence of Sound calling it “thoughtful” and “heartfelt,” praising his “soulful vocals,” “minimalist approach to instrumentation” and “layered harmonies.” The single appears on his debut EP, Blood Harmony, which is out now.

Earlier this month, FINNEAS received an impressive 5 GRAMMY Award nominations including the prestigious Producer of the Year, Non-Classical, becoming one of the youngest producers to be nominated in the category according to Billboard, and the youngest to be nominated on his own, without a collaborator-a distinction previously held by Lauryn Hill who was 23 at the time she was nominated for her classic 1998 album, The Miseducation of Lauryn Hill. FINNEAS also received a nomination for Best Engineered Album, Non-Classical as well as nominations for Record of the Year, Album of the Year and Song of the Year with his sister Billie Eilish for her groundbreaking No. 1 debut album WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? and hit single ‘bad guy.’

After recently completing his first sold-out North American headlining tour this past fall, FINNEAS performed an intimate acoustic set at Urban Outfitters’ SPACE 15TWENTY in Los Angeles yesterday to celebrate the vinyl release of his debut EP, Blood Harmony – out now. Next on the live front, in addition to joining his sister on her upcoming WHERE DO WE GO? World Arena Tour in 2020, FINNEAS has confirmed solo festival performances at Hangout Festival in Gulf Shores, Alabama , Madrid’s Mad Cool Festival, NOS Alive ’20 festival in Lisbon and Lollapalooza Paris.

Responsible for penning international smashes ‘ocean eyes’ and ‘when the party’s over’ and producing the No. 1 debut album ‘WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?’ FINNEAS recently topped the Billboard Hot 100 Producers charts for 5 consecutive weeks, with three songs that he solely produced featured on the Billboard Hot 100. He also ties with his sister at No. 3 on the Hot 100 Songwriters Chart after sharing four total weeks at No. 1. To date, FINNEAS has ruled the Songwriters chart for a total of 10 weeks.

FINNEAS’ trademark production can also be heard on Selena Gomez’ No. 1 single, “Lose You To Love Me,” JP Saxe and Julia Michaels’ collaboration, “If The World Was Ending,” and most recently on “Used To This” (which he co-wrote) and “First Man,” both featured on Camila Cabello’s sophomore album, Romance.

Video: Watch Camila Cabello Perform ‘My Oh My’ With Da Baby on The Tonight Show With Jimmy Fallon

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Music guest Camila Cabello performs “My Oh My” with DaBaby for the Tonight Show audience.

https://youtu.be/y–dU8lAGs8

Multi-platinum singer-songwriter Alessia Cara to host and perform at The 2020 JUNO Awards

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The Canadian Academy of Recording Arts and Sciences (CARAS) and CBC today announced Canadian singer-songwriter and two-time JUNO Award winner Alessia Cara will host and perform on this year’s JUNO Awards Broadcast. The 2020 JUNO Awards will be held in Saskatoon, SK, on Sunday, March 15, at the SaskTel Centre. Canada’s biggest night in music will be broadcast live across the country on CBC, CBC Gem, CBC Radio One, CBC Music, and the CBC Listen app. The awards will also be available for audiences outside of Canada to stream at cbcmusic.ca/junos at 8 p.m. ET (6 p.m. CT).

“To be asked to host the 49th annual JUNO Awards Broadcast is such an incredible honour,” said Cara. “I am ecstatic to be a part of the largest celebration of Canadian music and can’t wait to see what the country’s top talent has in store.”

“It has been a pleasure watching Alessia flourish from when she first won Breakthrough Artist of the Year at The 2016 JUNO Awards,” said Allan Reid, President & CEO, CARAS/The JUNO Awards & MusiCounts. “Her music and artistry has quickly grown to be internationally recognized, and I know she will be a fantastic host.”

First coming onto the music scene in 2015 with her global anthem “Here”, the song quickly grabbed the world’s attention to become one of the most viral songs of the year, selling over three million copies. She soon followed it with an EP, Four Pink Walls, and a full-length album Know-It-All that went on to become certified platinum. The next year she lent her voice to Disney’s Moana, singing the official song “How Far I’ll Go,” and came out with the #1 hit “Stay” with Zedd, which became the song of the summer. With these hits and more, Cara became the most-streamed new female artist of 2017.

In 2018, Cara became the first Canadian-born artist to win Best New Artist at the Grammys. She continued on to win an MTV EMA for Best World Stage Performance with the release of her highly anticipated sophomore album The Pains of Growing. Since then, Cara has been touring the globe with fellow Canadian artist, Shawn Mendes, and released her EP This Summer in September 2019.

The 49th annual JUNO Awards and JUNO Week 2020 will be hosted in Saskatoon, SK from March 9 through March 15, 2020, culminating in The JUNO Awards Broadcast on Sunday, March 15, at the SaskTel Centre, available live on CBC, the free CBC Gem streaming service in Canada and globally at cbcmusic.ca/junos. It will also air as a live radio special on CBC Radio One, CBC Music and the CBC Listen app.

Daniel Caesar, Lennon Stella, The Glorious Sons and Tory Lanez slated to perform on the 2020 JUNO Awards Broadcast

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he Canadian Academy of Recording Arts and Sciences (CARAS) and CBC today announced the first wave of artists set to perform at The 2020 JUNO Awards Broadcast alongside host Alessia Cara and Canadian Music Hall of Fame inductee Jann Arden. R&B artist Daniel Caesar, rock band The Glorious Sons, rising pop singer Lennon Stella and hip hop powerhouse Tory Lanez will take the stage for Canada’s biggest night in music. The 49th annual JUNO Awards will be broadcast live from the SaskTel Centre, Saskatoon, SK on Sunday, March 15 at 8 PM ET (6 PM CDT) across the country on CBC, CBC Gem, CBC Radio One, CBC Music, and the CBC Listen app. The awards will also be available for audiences outside of Canada to stream at cbcmusic.ca/junos.

Tickets to The 2020 JUNO Awards Broadcast are available starting at $39.95 (plus fees) online at www.ticketmaster.ca, by phone at 1-800-970-SEAT (7328) and in-person at the SaskTel Centre Box Office – 3515 Thatcher Avenue (Main Entrance). $1 from every ticket sold will be donated to MusiCounts, Canada’s music education charity associated with CARAS and the JUNO Awards, courtesy of SaskTel Centre.

Taking part in this packed showcase of emerging and established Canadian talent is Daniel Caesar, nominated for R&B/Soul Recording of the Year. Caesar became an international breakout star after his critically acclaimed debut album Freudian, which won the 2018 JUNO R&B/Soul Recording of the Year.

First-time nominee and Canadian pop artist Lennon Stella will join in on the action, boasting a nomination for Single of the Year and Breakthrough Artist of the Year (Sponsored by FACTOR, The Government of Canada and Canada’s Private Radio Broadcasters).

JUNO Award winners and 2020 nominees for Rock Album of the Year, The Glorious Sons will bring their eclectic rock sound to the stage. Closing out the current roster is two-time JUNO Award winning rapper Tory Lanez, who is up for five nominations including JUNO Fan Choice (Presented by TD), Artist of the Year, Rap Recording of the Year and two nominations in the R&B/Soul Recording of the Year category.

Joining the line-up is this year’s Canadian Music Hall of Fame inductee and eight-time JUNO Award winner Jann Arden and the recently announced host of The 2020 JUNO Awards, Alessia Cara, nominated this year for an impressive six awards.

The 49th annual JUNO Awards and JUNO Week 2020 will be hosted in Saskatoon, SK from March 9 through March 15, 2020, culminating in The JUNO Awards, on Sunday, March 15, at the SaskTel Centre, broadcast live on CBC, CBC Gem, CBC Radio One, CBC Music, the CBC Listen app and globally at cbcmusic.ca/junos.

Nominations Announced for The 2020 JUNO Awards: Alessia Cara leads with six nominations, Tory Lanez with five

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The nominees for the 49th Annual JUNO Awards were announced today by The Canadian Academy of Recording Arts and Sciences (CARAS) at a press conference attended by media and industry notables at the Canadian Broadcasting Centre (CBC), in downtown Toronto. JUNO Week 2020, hosted in Saskatoon, SK, will culminate with Canada’s biggest night in music – The 2020 JUNO Awards – broadcast live from the SaskTel Centre on Sunday, March 15 on CBC, CBC Gem, CBC Radio One, CBC Music, the CBC Listen app and globally at cbcmusic.ca/junos.

First-time host of this year’s JUNO Awards Broadcast, Alessia Cara, leads this year with a total of six nominations including: JUNO Fan Choice, Single of the Year, Album of the Year, Artist of the Year, Songwriter of the Year and Pop Album of the Year. Tory Lanez received five nominations including JUNO Fan Choice, Artist of the Year, Rap Recording of the Year and two nominations in the R&B/Soul Recording of the Year category.

Artists with three nominations include Alexandra Stréliski for Album of the Year, Breakthrough Artist of the Year and Instrumental Album of the Year; Bryan Adams for Album of the Year, Artist of the Year and Adult Contemporary Album of the Year; bülow for Single of the Year, Songwriter of the Year and Pop Album of the Year; Loud Luxury for JUNO Fan Choice, Group of the Year and Dance Recording of the Year; NAV for JUNO Fan Choice, Album of the Year and Rap Recording of the Year; and Shawn Mendes for JUNO Fan Choice, Single of the Year and Artist of the Year.

The host province of Saskatchewan is well represented with nominations including first-time nominees Hunter Brothers for Breakthrough Group of the Year and Country Album of the Year; Foxwarren for Alternative Album of the Year; The Dead South for Traditional Roots Album of the Year; and Terri Fidelak and Carey Shaw for Album Artwork of the Year.

Tickets are available starting at $39.95 (plus fees) online at www.ticketmaster.ca, by phone at 1-800-970-SEAT (7328) and in-person at the Sasktel Centre Box Office – 3515 Thatcher Avenue (Main Entrance). $1 from every ticket sold will be donated to MusiCounts, Canada’s music education charity associated with CARAS and the JUNO Awards, courtesy of SaskTel Centre.

The 49th annual JUNO Awards and JUNO Week 2020 will be hosted in Saskatoon, SK from March 9 through March 15, 2020, culminating in The JUNO Awards, on Sunday, March 15, at the SaskTel Centre, broadcast live on CBC, the free CBC Gem streaming service in Canada and globally at cbcmusic.ca/junos. It will also air as a live radio special on CBC Radio One, CBC Music, and the CBC Listen app.

Award Sponsors for The 2020 JUNO Awards include: JUNO Fan Choice Presented by TD, Album of the Year Presented by Music Canada, Breakthrough Artist of the Year Sponsored by FACTOR, The Government of Canada, and Canada’s Private Radio Broadcasters, Breakthrough Group of the Year Sponsored by FACTOR, The Government of Canada, and Canada’s Private Radio Broadcasters, Songwriter of the Year Presented by SOCAN, Alternative Album of the Year Presented by Long & McQuade, Pop Album of the Year Presented by Live Nation Canada, Indigenous Artist or Group of the Year Presented by APTN, World Music Album of the Year Presented by Aeromexico, Music Video of the Year Presented by Stingray, and Comedy Album of the Year Presented by SiriusXM Canada.

Does Your Business Need Automation?

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The modern world dictates its own rules for doing business, and often translates all business activities into the virtual world: it is fast, convenient, reliable. But even without the introduction of digital solutions, the automation problem is very acute: it is difficult to imagine today a business in which computer technologies would not be involved, whether it be complex production or growing flowers for sale.

Here is a simple example:

Two women live on the same street in neighboring houses. They are not familiar with each other, but they are united by one nice thing: both prepare cakes. Both began trying to cook to order in 2007. One has its own business, does not have time to hand out orders, has opened courses and is looking for a permanent workshop, although its cakes are tasty but quite standard, like an average cafe. The second one prepares something unrealistically tasty and home-made, but at the same time she made only 4 sales in 12 years and as a result, she cooks only for relatives. The fact is that the first coped with the total automation of production and marketing, and the second did not. This has become a decisive factor. True, a simple household example? And you can scale it to any size: from an advertising agency with two employees to a super corporation. Is automation really that important?

Let’s Start Small: What Resources Does Any Company Hold on To?

  • Employees are the most important element without which the company itself will not be. They need to be managed, their work needs to be facilitated as much as possible so that they can redistribute efforts to tasks related to customers, development, etc., and not get bogged down in a monotonous routine.
  • Management is also employees, but with special requirements: it is important for them to see what results their strategy brings, what are the dynamics of indicators, how effective are employees (KPI). The management needs a tool that will allow quick and capacious analysis and easy resolution of problems (for example, sharing leads or listening to problem calls when complaints come from customers).
  • Clients – we consciously put them higher than production, because no matter how cool and mega-sophisticated your product is, if you have no one to sell it, you will not get anything from it (except for the exceptional pleasure of contemplating the work of your hands / brain, but with this special aesthetic you will not be full). They need a cool, prompt, and now also personalized service.
  • Production – the most important process of creating a product, work or service in order to exchange all this for money from a client. It is important to be able to integrate all processes so that the production is on-time, in accordance with the requirements of customers.
  • Data is not just “new oil”, but a valuable thing that should not be idle: it is important to collect, process and interpret the necessary and relevant information so as not to shoot sparrows from the gun with the efforts of the company, but to hit precisely at the target.

Now Consider How Automation Helps Each of These Resources

  • Automation is convenient for employees: it speeds up and streamlines work, does not allow being distracted by unnecessary things or resolving personal issues during working hours. Automation of processes also creates a single information environment, for example, a client base, access to which is immediately available to all employees who need it. It helps to quickly, clearly and ideally do the nastiest job – to form and prepare documentation for printing. Helps to distribute the load within the team – thanks to planning tools. This greatly facilitates the work when you can go to the calendar, see the busyness of the entire company or unit and in three clicks to assign tasks or schedule a meeting. No calls, rallies and other side conversations, really time-consuming.
  • For managers, automation is a powerful analytical tool that will help you make decisions quickly, not waste time on employee reports, but at the same time give you the opportunity to objectively evaluate the work of each employee. With it, you can easily check the work and evaluate its quality in the event of complaints or conflicts.
  • Clients: The client never thinks whether you have CRM or not – he just feels it at his own pace according to the level of service and, on this basis, already decides whether to bring money to you or your competitor, which is automated to the teeth. Take a simple example: you run an online casino and want to make it in a format of no deposit casinos. You bought the basic software but did not configure it, and as a result, your customers cannot play without depositing money into the account, which means they will go to other, more friendly competitors. Automation increases the speed of customer service, it personalizes and concretizes the requests of your regular customers, allows you to adjust the timing and track errors in maintenance or work.
  • Production: automation helps to control resources, remove downtime and errors, makes it possible to keep inventory records without spending time and human factors.
  • Data: information controls the world, and automatic systems control information.

When Automation Is not Required?

Yes, there are cases when automation is not needed or it is not worth it.

  • If automation is more expensive than potential income: until you understand how profitable your business is and whether it is ready to invest in automation, do not take up the implementation.
  • If you have very few customers and the specifics of the business involves a small number of transactions (complex technological sectors, state-owned companies with a long operating cycle, etc.).
  • If you are not able to provide effective automation: not just the purchase of licenses, but also the implementation, completion, training, etc.
  • If your business is preparing for restructuring.
  • If you don’t have an understanding of the processes, debugged relationships and everything suits you in this corporate chaos. If you want to change the situation – the automation of processes will be at your fingertips.

In general, the automation of the company is always good, but on one condition – you need to work on automation, this is not a magic key.

The Office’s “Threat Level Midnight!” full movie released on YouTube

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After 11 years of preparation, Michael is ready to debut his action movie. The Office presents to you THREAT LEVEL MIDNIGHT!

After secret agent Michael Scarn (played by Scott) is forced into retirement due to the death of his wife Catherine Zeta-Scarn, the President of the United States of America (played by Darryl Philbin) requests that he prevent Goldenface (played by Jim Halpert) from blowing up the NHL All-Star Game and killing several hostages. Scarn goes undercover and learns how to play hockey, killing another hockey player (played by Oscar Martinez) to make it into the game, but after confronting Goldenface, he is shot. He later recuperates but learns that the President was in on it all along. Depressed, he goes to a bar to drown his sorrows. The patrons of the bar sing a song called “The Scarn” which he danced to with his wife, which cheers Scarn up immensely. With his courage restored, Scarn is able to save the day and blow up Goldenface in the process.

The Strokes Announce A Run Of Shows In North America

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Today, The Strokes announce an upcoming run of shows in North America. This March, the band will perform in Vancouver, Seattle and Los Angeles. Special guests King Princess and Alvvays will join The Strokes in L.A. Alvvays will also join for Seattle and Vancouver. Please see below for touring details. The general on-sale will start on Friday, January 31 at 10am for the Los Angeles show and 12pm for the Vancouver and Seattle shows. Visit thestrokes.com for tickets and tour information.

THE STROKES LIVE
March 5 – Vancouver, BC – Pepsi Live at Rogers Arena*
March 9 – Seattle, WA – WaMu Theater*
March 14 – Los Angeles, CA – The Forum*†
*with Alvvays
† King Princess

Neil Peart’s Isolated Drum Track for Rush’s ‘YYZ’

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Rush’s YYZ, from their 1981 album Moving Pictures is one of the band’s most popular pieces and a staple of the band’s live performances. The live album Exit…Stage Left (1981) and the concert video recording A Show of Hands (1989) both include versions in which Neil Peart incorporates a drum solo; as an interlude on the former, and as a segue out of the piece on the latter.

Whoa. That is all.

ABBA to Re-release Landmark Concert as 3LP Set Half-Speed Mastered by Miles Showell at Abbey Road Studios

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By the time ABBA played London’s Wembley Arena in November 1979, they had spent five years in the public spotlight – although it seems a short time now, they had lived several lives in that period. Comprising of writers Björn Ulvaeus and Benny Andersson, and the incomparable vocals of Agnetha Fältskog and Anni-Frid Lyngstad, ABBA shot to international fame by winning the Eurovision Song Contest in Brighton UK in 1974. From that moment on, they had moved through the glam’n’glitter of Arrival, the megastardom of ABBA – The Album and the gloss and embracing of disco of Voulez-Vous.

ABBA’s concerts in London at the end of the ’70s – the decade that they helped to shape musically – quickly became the stuff of legend. For a group that toured only a handful of times, these shows were a pinnacle, coming near the end of their touring life. Backstage they would have admirers such as Ian DuryJoe Strummer (‘Spanish Bombs’ from the Clash’s London Calling was said to be influenced by ABBA) and Jimmy Page dropping by to catch the hottest ticket in town. John Cleese was spotted in the auditorium.

The tour had opened in Edmonton, Canada in September 1979 and was to close in Dublin on November 15th. ABBA loved being in London (Frida wore an Arsenal FC shirt one night), fighting off winter chills to deliver some of the most exhilarating performances of their career. Coinciding with the release of their Greatest Hits Volume 2 album, this was high-octane ABBA, captured forever in the legendary pictures of the event with Frida and Agnetha appearing initially in Nordic outfits that referenced ‘blue-tinged mountains and glittering waters’ before all four emerged in their blue jumpsuits, singing as if their life depended upon it.

When ABBA took the stage, their experience and professionalism showed. Audiences and critics were astounded that ABBA could reproduce their studio sound live – and sometimes it swung even more. The backing musicians were Sweden’s best and most experienced. Although principally promoting their recent Voulez-Vous album, the set covered highlights throughout their career and contained a rare performance of Agnetha’s ‘I’m Still Alive’, unreleased on any album. It is now time to hear ABBA at the peak of their live performance again on ABBA – Live at Wembley ArenaThe concert is now available on a 180gm beautiful triple vinyl, produced by Ludvig Andersson, and half-speed mastered by Miles Showell at Abbey Road Studios.

3LP Track Listing:

LP1 – Side A
1. Gammal fäbodpsalm
2. Voulez-Vous
3. If It Wasn’t For The Nights
4. As Good As New
5. Knowing Me, Knowing You

LP1 – Side B
1. Rock Me
2. Chiquitita
3. Money, Money, Money
4. I Have A dream

LP2 – Side A
1. Gimme! Gimme! Gimme! (A Man After Midnight)
2. SOS
3. Fernando

LP2 – Side B
1. The Name Of The Game
2. Eagle
3. Thank You For The Music
4. Why Did It Have To Be Me

LP3 – Side A
1. Intermezzo No. 1
2. I’m Still Alive
3. Summer Night City
4. Take A Chance On Me

LP3 – Side B
1. Does Your Mother Know
2. Hole in your soul
3. The Way Old Friends Do
4. Dancing Queen
5. Waterloo