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Bush And +Live+ Add Fall Dates To Hits-Packed Alt-Imate Tour

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By popular demand, seminal rock bands +LIVE+ and BUSH are adding fall dates to their acclaimed ALT-IMATE Tour, which Billboard raved about as a night when the two bands “roar through the classics.” The high-powered co-headline run sees these two iconic acts celebrating the 25th anniversary of their respective landmark albums Throwing Copper and Sixteen Stone.

Produced by Live Nation, this hits-packed road show is hitting arenas and outdoor amphitheaters across the country, and is now adding shows in San Diego, Las Vegas, Salt Lake City, Portland, Seattle, Reno, Temecula and Phoenix.

About the tour, Bush frontman Gavin Rossdale told Consequence of Sound, “I’ve known Live since back in the day and they’re great people. As far as what people can expect, it’s a thousand percent and lots of energy, a couple of new songs and a just a celebration of the summer. It’s good fun.”

“So thrilled that the ALT-IMATE Tour is extending into October! From the first concert with Bush and Our Lady Peace, we knew that this show was something special,” says +LIVE+ frontman Ed Kowalczyk. “The fans have been so supportive and are obviously sharing our excitement! See you on the road!”

Released in 1994 and fueled by blockbuster No. 1 singles “Lightning Crashes,” “Selling The Drama,” “Glycerine,” “Comedown” and “Machinehead,” breakthrough albums Throwing Copper and Sixteen Stone sold more than 20 million albums combined. Both were spotlighted on Rolling Stone’s list, “1994: The 40 Best Records From Mainstream Alternative’s Greatest Year,” and remain timeless favorites, thanks to radio staples that include “Everything Zen,” “Little Things,” “I Alone” and “All Over You.”

Two decades later, Bush has another radio hit on their hands with “Bullet Holes,” which is the end title track in the blockbuster film, “John Wick: Chapter 3 – Parabellum.” Click HERE to watch the Jesse Davey-directed companion video, which features a band performance interspersed with footage from the film. “Bullet Holes” was produced by Tyler Bates (John Wick 1 &2, Guardians of the Galaxy, Deadpool 2) and is the first single from Bush’s upcoming album, The Mind Plays Tricks On You.

Coming off a sold-out European tour, +LIVE+ returns to the U.S. with new single “Hold Me Up”–originally recorded for Throwing Copper. “Hold Me Up” is marching up the rock radio charts and is part of the band’s freshly released Throwing Copper 25th anniversary deluxe package (out now on Radioactive/MCA/UMe). +LIVE+ is also celebrating the anniversary of Throwing Copper with a toast of their first craft beer aptly named, “Throwing Copper Ale” which is on presale now HERE.

+LIVE+ and Bush The ALT-IMATE Tour 2019 Dates:
*new dates bolded below
Tuesday, August 06, 2019 Los Angeles, CA Greek Theatre
Wednesday, August 07, 2019 Concord, CA Concord Pavilion
Friday, August 09, 2019 Tuolumne, CA Black Oak Casino – West Side Pavilion
Saturday, August 10, 2019 Costa Mesa, CA OC Fair
Sunday, August 11, 2019 Tucson, AZ AVA Casino
Wednesday, August 14, 2019 Rogers, AR Walmart AMP
Friday, August 16, 2019 Tampa, FL MIDFLORIDA Credit Union Amphitheatre
Saturday, August 17, 2019 Miami, FL Bayfront Park Amphitheater
Sunday, August 18, 2019 Jacksonville, FL Daily’s Place
Tuesday, August 20, 2019 Atlanta, GA Cadence Bank Amphitheatre at Chastain Park
Friday, August 23, 2019 Essex Junction, VT Champlain Valley Expo
Saturday, August 24, 2019 Baltimore, MD MECU Pavilion
Sunday, August 25, 2019 Pittsburgh, PA Stage AE
Tuesday, August 27, 2019 Allentown, PA The Great Allentown Fair
Thursday, August 29, 2019 Wantagh, NY Northwell Health at Jones Beach Theater
Friday, August 30, 2019 Bethel, NY Bethel Woods Center for the Arts
Wednesday, September 04, 2019 Dayton, OH The Rose Music Center at The Heights
Friday, September 06, 2019 Tinley Park, IL Hollywood Casino Amphitheatre
Saturday, September 07, 2019 Allegan, MI Allegan County Fair
Sunday, September 08, 2019 Rochester, MI Meadow Brook Amphitheatre
Thursday, October 10, 2019 San Diego, CA North Island Credit Union Amphitheatre
Friday, October 11, 2019 Las Vegas, NV The Joint at Hard Rock Hotel & Casino Las Vegas
Saturday, October 12, 2019 Salt Lake City, UT USANA Amphitheatre
Tuesday, October 15, 2019 Portland, OR Veterans Memorial Coliseum
Wednesday, October 16, 2019 Seattle, WA ShoWare Center
Saturday, October 19, 2019 Reno, NV Grand Sierra Theatre
Sunday, October 20, 2019 Temecula, CA Pechanga Resort and Casino
Monday, October 21, 2019 Phoenix, AZ Comerica Theatre
Wednesday, October 23, 2019 Cedar Park, TX HEB Events Center*

TD Markham Jazz Festival Announces Spectacular Sunday August 18 headlined by Brandi Disterheft

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2019 TD Markham Jazz Festival announces spectacular Sunday performances headlined by Brandi Disterheft.

Sunday, August 18 brings another incredible day of jazz performances of all genres by our magnificent roster of professional musicians, with a festival-closing show featuring bassist and singer Brandi Disterheft. All outdoor stage performances are free!

Bassist, singer, composer Brandi Disterheft has been under the apprenticeship of Miles Davis’s bassist, Ron Carter, since she relocated to NYC from Vancouver. It’s not only her fiery bass playing, it’s also her innovative live shows as she sings in both English and French, showcasing her ambient, dreamy voice. Winning a JUNO for her “Debut” album, Brandi has performed with Benny Green, Cyrus Chestnut, Jeremy Pelt and Renee Rosnes to name a few. Brandi is a Canadian staple of the NYC jazz scene.
www.brandidisterheft.com

Check out the full roster of artists playing at the Pfaff BMW Millennium Bandstand on Sunday, August 18. Come and join us for an incredible day and evening of music!

1:00 – 2:30 p.m. – Heather Bambrick
3:00 – 4:30 p.m. – Kollage
5:00 – 6:30 p.m. – Brandi Disterheft

Kicking up a party at the Watford Group – McKay Wine & Beer Garden will be:
12:30 – 2:00 p.m. – Jerome Tucker Band
2:30 – 4:00 p.m. – Hector (with Chris Gale)
4:30 – 6:00 p.m. – Bywater Call

And at the Source Office Furnishings – Varley Art Gallery Patio we feature:
12:00 – 1:30 p.m. – Virginia MacDonald
2:00 – 3:30 p.m. – Kristin Fung
4:00 – 5:30 p.m. – Viper’s Cloud

The TD Markham Jazz Festival is a not-for-profit organization with a mandate to enrich cultural life in the region by bringing emerging and established jazz artists to Markham for all to enjoy. Established in 1998, the festival draws more than 25,000 residents and visitors to the streets of Unionville during the third weekend in August. Local and international artists deliver over 30 open-air performances during the weekend as well as in selected “hot spots” and at a ticketed opening-night concert. During the year, the festival hosts “Hot Spot Concerts” at selected venues in Markham. TD Canada Trust became its title sponsor in 2014.

Upgrade Your Audio Experience with These Music Streaming Apps

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If there’s no day that goes by without your favorite music and you could easily call yourself a music buff, you’re most probably interested in enjoying the best audio quality when it comes to your favorite albums and artists. Thankfully, more and more music streaming apps and services make that possible for little money.

Some of these services have been around for quite some time now and they’ve gained their popularity for a good reason that is called premium audio quality. Moreover, some of them couple that high-quality audio with user-friendly features and the possibility to enjoy thousands of tunes even offline.

A classic for a reason

Apps to improve the quality of one’s life are now available in great numbers and when it comes to music apps, there’s no exception. There are a few streaming music apps and services that remain favorites despite the emergence of newer such products. YouTube, Google Play Music, SoundCloud, and Spotify are some of them.

Each of them comes with features and rich music archives that enable users to search for and find an overwhelming variety of artists based on different genres. The filters available significantly simplify the user’s experience when searching for favorite artists and their albums. All of these services are available for web and mobile use and offer free features.

New music apps you might want to try 

You might read really interesting piano books but if you want to hear how popular piano players sound like, you can also try some of the newer music streaming apps. Tidal is an app worth adding to your music app kit if you’re on the lookout for high-fidelity music and a rich library of songs. You will get around 25 million songs, to be more precise.

Even if the app is not free, its features are a great reason to try it. You can watch more than 75,000 videos without ads interrupting them, use discovery tools to reach that album that delights you so much, and even enjoy exclusives.

In case you relate to classical music, you want to feed your passion for opera and orchestral performances, and enjoy the various benefits of listening to classical music, Idagio should not go unchecked.

For only $9.99 per month, you can enjoy a rich library of new, rare, and exclusive recordings of such performances. The quality is high and the variety offered is remarkable. Plus, you can use various filters to enjoy custom search results such as composers, soloists, or orchestras.

Deezer is also popular among music buffs interested in enjoying their favorite tunes even when on the road and offline. This music streaming option allows users to download high-fidelity tracks for offline use, which is a feature that, at least in our case, makes it a winner even if this possibility is available with the premium subscription.

Online radios

If listening to the radio sounds like something you’d almost always go for but you’d like that experience to come with a custom touch, then rest assured that the music streaming service market does not run short when it comes to such options.

LiveXLive is one of them. The streaming service replaced Slacker Radio but you get to enjoy many of the old features as there is a variety of stations you can listen to depending on the genres you like. Pandora and TuneIn are very much the same. They offer the possibility to listen to various stations after you’ve selected the genres and subgenres you’re into.

Pandora, for example, offers the Pandora Plus subscription which enables users to enjoy unlimited replays and skips and even download stations for offline use. Other noteworthy personalized online radios include Jango Radio and iHeartRadio.

Greil Marcus interviews D.A. Pennebaker about filming Bob Dylan

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8 years ago, New Video’s Docurama Films released the first Blu-ray release of Dont Look Back, newly mastered in high definition and featuring this brand new and exclusive interview with D.A. Pennebaker, the film’s director, and renowned rock and culture critic Greil Marcus.

When acclaimed documentary filmmaker D.A. Pennebaker (Monterey Pop, The War Room) filmed Bob Dylan during a three-week concert tour of England in the spring of 1965, he had no idea he was about to lens one of the 1960s most iconic feature films. Wanting to make more than just a concert film, Pennebaker decided to seek out both the public and private Bob Dylan. With unobtrusive equipment and rare access to the elusive performer, he achieved a fly-on-the-wall view of one of the most influential musicians of any era — and redefined filmmaking along the way.

Greil Marcus interviews D.A. Pennebaker about filming Bob Dylan from New Video Digital on Vimeo.

This Beatboxing by B-ART is astounding

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Get ready for another judge showcase by the one and only B-art. Witness how he wins over the crowd and brings them to a whole new energy level.

Late Night With Conan O’Brien’s Remote Segment with Hunter S. Thompson in 1997

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Shooting machine guns and drinking hard liquor. Living his dream, that Hunter.

What’s the Difference between a Digital Piano and a Keyboard?

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Do those black and white keys fascinate you? Fancy learning the art of making music with them? Pianos have forever been grand. But with all the advancements and fancy musical instruments ruling the industry, keyboards have been stealing the thunder.

In a dilemma about what to purchase? It is only natural for a beginner to be confused about which one to trust more – A digital piano or a keyboard?

But before you go splurging your money, we are here to help you decide the best for you.

Folks, there’s no denying the fact that each of them has certain unique features that make them stand apart.

However, let us narrow down things a little bit and give you a clearer picture, shall we?

Mobility at stake or not?

Well, if you knew, digital pianos are modern day doppelgängers if the good old acoustic pianos. With the size so grand and the body carved out solid wood, these get a tad bit difficult to carry around. Turn off, right?

However, a keyboard wins this round. Designed specifically to be portable, this one comes with a lesser number of keys comparatively. There’s no doubt that this one is the choice for all those musicians who keep touring with all the feels. Why? Well, they are light weight and extremely suitable.

Sound Quality

Coming to one of the most important factors, a digital piano is wired to replicate the sound of an acoustic piano. Yes, the sound works grand. Why? Because it is made by taking the sound samples from a charming acoustic piano and recording it.

On the contrary, keyboards come with a myriad of sound features. With accompaniments, rhythm section, and different sounds simulating various other musical instruments, keyboards take music production on a whole new level.

Tap and voila!

Keys are an integral part of both the instruments. However, digital pianos differ a lot when it comes to how tapping keys feels. With a set of graded hammer keys, a digital piano is sensitive to pressure. You gotta tap harder.

On the other hand, the feel of the keys of a keyboard is soft. There is almost no resistance or weight on the keys. All you need to do is press oh – so – lightly and voila!

Pedals for the win

While a keyboard comes without a pedal, a digital piano comes with a set of 3 pedals to improve the sound experience. The pedals work to sustain sound whenever there’s a need.

These three pedals are namely soft pedal, sustaining pedal, and silent pedal.

However, if you feel like giving a touch of grandness to the sound of your keyboard, you can get yourself an external sustaining pedal.

Prices

Alright, let us address the elephant in the room, shall we? It is only imperative to talk about the weight of it all on your wallet. A perfectly functional and portable keyboard is less expensive as compared to a grand digital piano.

A decent fully functional keyboard would come at 250$-400$. Whereas, a basic digital piano starts at somewhere around 350$. I’d suggest you to read digital piano reviews on reputed sites like Piano Nadu before purchasing!

Take your pick, folks.

Well, in the battle of the best, there’s no one absolute winner. With different perks that come with both the digital piano and keyboard, it is for you to pick one that suits you the best and fits your style like nothing else.

However, if you dream of becoming a concert pianist someday, a digital piano is your best bet. Why? Well, it perfectly simulates the sound of a fancy good old grand acoustic piano. That is the real deal, no matter how much you deny.

But then again, if you wish to tour in the future and want something more flexible, portable, and stuffed with electronic sound and rhythm effects, a keyboard should be your best friend forever.

Hope this helps. Go splurge some money already!

Have you cried today yet? No? Good. Watch Pixar’s “Kitbull” short film

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Kitbull, directed by Rosana Sullivan and produced by Kathryn Hendrickson, reveals an unlikely connection that sparks between two creatures: a fiercely independent stray kitten and a pit bull. Together, they experience friendship for the first time.

15 years in the making… Orillia-based REAY release debut album, ‘Butterfly Tongue Revisited’

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Some species of butterfly spend their entire existences in migration, journeying to the ends of the Earth on nothing more than sheer determination and undeniable instinct.

Sean Murray can identify. The veteran Ontario musician has also devoted a vast portion of his life to the all-consuming pursuit of a distant, seemingly unreachable goal: The completion of his magnum opus Butterfly Tongue Revisited, a long-gestating labour of love whose arrival also heralds the birth of his new alternative indie-rock project Reay (pronounced Ray, after his grandmother’s maiden name).

“This has been a project of perseverance,” the singer-songwriter, multi-instrumentalist and producer understates. “It’s been in the works for close to 15 years. Right from the beginning, I knew these songs were special. And since then, I have put so much time and effort and sweat into finishing them. It’s been weighing on my shoulders for so long. There have been so many times I wanted to give up, but my soul would never have rested. I could never have gone to my grave without putting out these songs. It would have been the biggest regret of my life. So I just kept coming back to it whenever I had the chance — and now it’s finally finished. And it’s the most soul-cleansing experience of my life.”

It’s also a listening experience you are unlikely to forget anytime soon. Unlike the insubstantial bits and bytes of automated musical fluff that stream into your playlist one day and vanish without a trace the next, Butterfly Tongue Revisited is music that grabs you instantly and holds fast. It’s an album in the organic, old-school sense: Expertly and artfully crafted, carefully arranged and thoughtfully sequenced to deliver a moving musical experience that is simultaneously transcendent and transfixing, timely yet timeless, familiar yet fundamentally unique. There are sonic, stylistic and songwriting elements of everyone from Pink Floyd to The Verve, Death Cab For Cutie to War on Drugs — all topped with Murray’s soulfully raspy pipes and poetic lyrics, and filtered through an adventurously stylish, multi-layered production sensibility reminiscent of Canadian legend Daniel Lanois’ groundbreaking work with the likes of U2.

“It drives me nuts to listen to an album where every song sounds the same, so we deliberately made every song sound different,” Murray explains. “Every single song, we tore the drum kit down and set it up in a different space. Sometimes we used a different snare or ride cymbal. A lot of the songs have two drum tracks, one on either side of the mix. There are a lot of delays and hypnotic beats. In some cases, we recorded over a dozen guitar tracks that we edited down into two or three performances. We used a real cello. We had a trombone player and a flautist come in to do parts. Putting it all together was like painting a picture. It’s definitely an ear massage. And now, nobody can really put their finger on who it sounds like. It’s all over the map.”

The beauty and diversity of that sonic landscape is united and anchored by Murray’s powerful, grounded songcraft. The swirling, radio-ready rocker Halo opens the proceedings on an uplifting note of romantic yearning. The thundering drums and cascading guitars of Rain presage an emotional storm that builds in intensity until the squall passes and the glowing sun emerges. Eternally topical and sonically scratchy, Poison points the finger at our world of con artists, broken promises, false advertising and “bullshit-baffled brains.” Single Lemondrop Girl is a bittersweet, bluesy ballad fuelled by B-3 organ. Badside kicks back with some groovy soul-funk and falsetto backups. Peacemaker raises the stakes again with noisy guitars and lyrics decrying hatred and tribalism. The atmospheric, semi-acoustic Junkyard Hill paints a sombre scene in a post-apocalyptic world where the last man standing rules over a global pile of garbage. The haunting Spirit maintains there is hope even in the depths of emotional darkness. And the epic, richly textured Travelling fittingly completes the album’s richly rewarding emotional and musical passage.

Of course, for Reay — which also includes guitarist Ryan Smith, bassist Chad VanDusen, drummer Matt Copeland and Murray’s son Bayze on guitar and keyboards — the trip is only beginning. With Butterfly Tongue Revisited finally taking flight September 6th, 2019, Murray — whose extensive resume includes everything from opening for Glass Tiger to playing glam-rock at CBGB’s to gigging with a Grateful Dead tribute band — is already looking down the road for the next horizon to chase. “I’ve got a lot of songs in the works,” he says. “I can’t wait to start writing new stuff and recording again. My goal is to make four or five more of these.”

This butterfly isn’t touching down anytime soon.

Butterfly Tongue Revisited is available September 6, 2019. “Lemondrop Girl” is available now.

TDMJF’s Opening Night Concert  featuring “Oakland Stroke”  –  Wednesday, August 14 at 8:00 pm!

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The TD Markham Jazz Festival proudly announces its 2019 Opening Night Concert and Party.

Join us for some uptown funk on Wednesday, August 14 at the Markham Museum. Groove to the Lou Pomanti Project “Oakland Stroke”, a 10-piece band known for its ’70s horn hit repertoire highlighting the likes of Tower of Power, Blood Sweat & Tears, Earth Wind & Fire, Chicago and more.

Tickets are available in advance only at the link shown below.
http://www.markhamjazzfestival.com/

Date and Time:
Wednesday, August 14. Gate opens at 7:30 pm; music starts at 8:00 pm; event ends at 10:30 pm

Location:
Markham Museum, 9350 Markham Road, Markham, ON – located on the northeast corner of Hwy 48 and 16th Ave.
Easy venue to reach – FREE parking

Ambience:
Beautiful outdoor park setting with gazebo and pavilion; It’s a party!
Sit and listen to great music under the stars. Get up and groove if the spirit moves you.

Silent Auction:
Discover excellent items in our silent auction, which raises funds for our annual Festival.

Worried about the weather?
Don’t!  Contingency plan is in effect.  Concert moves to inside hall on the Museum grounds if the weather changes.

Cash bar and food available.
Enjoy wine or beer at our cash bar, as well as tasty food options, all at modest prices.

The opening event of each year’s Festival has become a sought-after way to launch a weekend of outstanding music. Visit our website at www.markhamjazzfestival.com to reserve your tickets!