All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com
















in January 1979, Lou Reed and John Cale visited the music station WPIX in New York City to be the hosts for an afternoon and immediately garnered the attention of everyone listening. Reed is in a hostile mood, already, until later on he takes some calls from listeners. In between he rails against the record industry, music critics, and almost everything else on his mind. God bless them both.
In February 1968, the children’s television program “Mister Rogers’ Neighborhood” debuted nationally.
Besides its eponymous creator, the show also featured a cast of characters from Mister Rogers’ make-believe world (King Friday XIII, Daniel Striped Tiger, and Bob Dog), and his “real” world (Mr. and Mrs. McFeely, Lady Aberlin, and Handyman Negri).
François Clemmons was cast in the “real” world as Officer Clemmons.
Fred Rogers met François in 1968 after hearing him sing in a Pittsburgh-area church they both attended. He was so impressed with his voice that he asked him to join the show. At the time, François was a graduate student working on getting his singing career going and was reluctant to accept Fred’s offer. But after realizing he would get paid to appear on the show—enabling him to afford his rent—François accepted, becoming the first African American actor to have a recurring role on a children’s television series.
For 25 years François appeared on the show while maintaining a separate career as a professional singer. In 1973, his performance with the Cleveland Orchestra earned him a Grammy Award and his love of spiritual music later led him to found the Harlem Spiritual Ensemble. He also spent 16 years as an artist-in-residence at Middlebury College in Vermont until his retirement in 2013.
François came to StoryCorps to discuss how he became the friendly singing Officer Clemmons, and his relationship with the man known to children as Mister Rogers.
In the latest episode of the MOJO Innovators Podcast MOJO Editor John Mulvey and Associate Editor Ian Harrison discuss how the machine-age grooves of Kraftwerk propelled music into the future.
The artist painted hundreds of landscapes for his television show — so why are they so hard to find?
James have been churning out alternative rock hits since the 1980s, and if you were around, their songs Sit Down Laid were glorious then, and still heard on alternative rock stations today. They don’t rest on their past, though. James, led by frontman Tim Booth, visited the Paste Studio to perform songs from their 2018 album Living in Extraordinary Times as well as 2014’s La Petite Mort.
Two Spaniards, a Canadian, a Colombian and a clip from a Dominican TV show helped turn a tribute to reggaeton into one of the hottest international songs of the summer.
Warner Music Canada is proud to partner with Lorraine Segato and Slaight Music in celebrating the 35th anniversary of the iconic Parachute Club anthem “Rise Up” by releasing two newly recorded contemporary pop versions of the song. The Anniversary Version and Diesel Remix of “Rise Up” are meant to empower a new generation of youth activists to take a stand and make a difference in the world.
Profits from all streams and downloads of the single go here where 4 non-profit organizations will share in an ongoing campaign to raise awareness via stories, shares, direct donation and pledge contests for the selected organization.
The two new versions of the song feature an inter-generational mix of performers. Original Parachute Club members Julie Masi, David Gray and Lorraine Segato, along with emerging artists Theo Tams, Jimmy Chauveau (Ascot Royals), Jillea, Kayla Diamond, Maya Kiltron and spoken word artist Britta Badour come together under the name “The New Parachute Collective.”
A contemporary country version of the tune was released last Fall. Titled “Rise Up (Redux)” this third version features 17 of Canada’s biggest country artists uniting as “The Common Cause Collective” (3XC).
Of the initiative, Segato says, “The enduring appeal of this song has inspired us to celebrate its legacy with a campaign to engage, celebrate and honour a new generation of social justice activists who are shaping the future. It’s time to pass the baton and elevate the work of the impressive young activists of today. Every transformational moment needs a song to dance to, to celebrate and rally around. In 1983 we made a call for equality and empowerment and our enduring positive message is as relevant today as it was 35 years ago.”
Lorraine Segato, lead singer and co-founder of The Parachute Club first recorded the hit single “Rise Up” in Hamilton’s Grant Avenue Studio 35 years ago with producer Daniel Lanois for the Parachute Club’s debut LP. Segato and Slaight Music have come together in philanthropic partnership to release a charity single of the iconic song that serves to celebrate, encourage and embolden this next generation of activists.
Rise Up Share Your Power is a Canadian initiative that cultivates collaborative artistic activist engagement via music and art.
This initiative partners Slaight Music with Warner Music Canada and includes two distinct 35th Anniversary all-star remakes and re-releases of “Rise Up,” the classic Canadian empowerment anthem. All selected grassroots groups have innovative approaches to their organization and have been vetted for equality and diversity practices.
Canadian singer/songwriter Bree Whitworth has released her second single off this summer’s forthcoming EP Siren Songs; described as “atmospheric” and “beautifully written,” “Don’t Let Me Go” is available now.
Self-admittedly “obsessed” with music for as long as she can remember, the classically trained pianist kept her songwriting and singing hidden, imposter syndrome taking the wheel. It was with insistent support and encouragement from family and friends that she connected with producer Matthew Mei to record her debut album in 2008.
An additional album and three singles later, Whitworth took a brief hiatus. It was within this multi-year break she weathered a “devastating breakup,” she shares, and found herself picking up the pen.
“It was the first time I had written new music in almost four years, and it was such a cathartic process for me,” she recalls. “Writing these songs helped me reflect on this relationship, and put my feelings into lyrics that ultimately helped me heal.
“The first songs on the album — “Wasting My Life”, “Good Wife” and this one, “Don’t Let Me Go” — started out with sadness, anger and despair…” she continues. “But as I continued writing the last two songs — “In the End” and “Bliss” — I found my lyrics evolving. I was literally and lyrically letting go and moving on.
“Writing this album allowed me to realize that despite all the pain, I still had hope and I still believe in love.”
The winding narrative found throughout Siren Songs weave a captivating story; paired with Whitworth’s irresistibly alluring vocals and delicately stunning melodies, listeners are in for a journey through love, loss, and everything in between.
“I named the album Siren Songs not because I want to lure sailors to their deaths with an irresistible song…” she winks, “but because love is like a ‘siren song’…
“It’s something alluring but potentially risky. Yet will still go back for more.”
Siren Songs is available this Summer 2019. “Don’t Let Me Go” is available now.