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The Best End Credit Scene In TV History: Police Squad

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Created by David Zucker, Jim Abrahams, and Jerry Zucker, and starring Leslie Nielsen as Frank Drebin, Police Squad was a spoof of police procedurals, featuring hilarious sight gags, wordplay and non sequiturs. They also had the best end credit scene in history:

https://youtu.be/lkNVgrOJfl0

The Beatles Walk…Literally…Across Abbey Road In This Trippy Fan-Created Video

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The Beatles’ Abbey Road, the most iconic album cover of all time, goes through a trippy journey, in this short 2D/3D hybrid animation created by Pierre Gombaud. As for the music, he used Paul McCartney’s Two Finger Chord & Whistle, followed by a remix of Tomorrow Never Knows that Pierre made from the master tracks.

ABBY_ROWED_1920x1080_24fps_MONTAGE_FINAL from Pierre Gombaud on Vimeo.

Bass Guitarist Covers The Cranberries’ ‘Zombie’

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German musician Tommy Lee Depp wrote and arranged and performed an incredible bass cover of The Cranberries song Zombie as a heartfelt tribute to he late lead singer Dolores O’Riordan, who passed away in January, 2018.

Photo Gallery: Kaleo at Toronto’s Rebel

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

Kaleo
Kaleo
Kaleo
Kaleo
Kaleo
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Kaleo

 

Funko is releasing a line of breakfast cereals called FunkO’s

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Breakfast is fun again with FunkO’s (you guys can use that one). Each cereal will come with sweet box art and a Pop! figure of the themed character. The first batch of FunkO’s will be available this month in a number of stores, including GameStop, Hot Topic and FYE.

Paul McCartney announced the first four dates of 2018 tour, and Canada gets him first

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Paul McCartney announced the first four dates of a 2018 tour entitled “Freshen Up,” which will support the release of his new solo album Egypt Station, and all the dates so far are in Canada.

Egypt Station is McCartney’s first solo LP since 2013’s New. “I liked the words ‘Egypt Station.’ It reminded me of the ‘album’ albums we used to make. Egypt Station starts off at the station on the first song and then each song is like a different station. So, it gave us some idea to base all the songs around that. I think of it as a dream location that the music emanates from.”

McCartney also said he’d like to play a bit smaller venues in the future. “It not only takes you back to where you started, but there’s the intimacy in the audience, and you can have a lot of fun. And you sometimes don’t feel like it’s quite so precious. Because if there’s 40,000 people who paid all that money, you’ve gotta think about pleasing them. If there’s only a couple hundred, and we’re all having a party, you just think, ‘We can throw in “Matchbox,”or we’ll throw in an odd number that we’d only do at sound checks or something.’ So they’re good fun for that reason.”

I saw him last summer in New York, and easily one of the best shows I’ve ever seen. Good Lord, he’s a Beatle. Go catch him.

Paul McCartney ‘Freshen Up’ 2018 Tour Dates
9/17 – Quebec City, QC – the Videotron Centre
9/20 – Montreal, QC – Bell Centre
9/28 – Winnipeg, MB – Bell MTS Place
9/30 – Edmonton, AB – Rogers Place

Stony Plain Records Partners With True North Records And Linus Entertainment For Global Rights Management

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Stony Plain Records of Edmonton and Linus Entertainment, Inc. of Waterdown, Ontario are pleased to announce their agreement to transfer administrative obligations of the Stony Plain catalogue to Stony Plain Rights Management, a division of Linus Entertainment, Inc. effective July 1st. 2018.

Under this joint arrangement Linus will assume responsibility for administration of Stony Plain’s catalogue – Stony Plain’s distribution will continue to be handled by Warner Music Canada, ADA (a subsidiary of Warner Music Group – US) and The Orchard (a subsidiary of Sony Music – Global) in addition to existing export and licensing partners around the world.

“We’re happy to be working with Geoff Kulawick at Linus Entertainment and proud to be associated with the Linus Entertainment & True North Records team,” said Holger Petersen, President of Stony Plain. “Transferring our catalogue’s rights management to Linus Entertainment will ultimately take advantage of their marketing, distribution, administrative capabilities and efficiencies, while providing optimal service to our artists.”

“Stony Plain Records, under the leadership of Holger Petersen and Alvin Jahns, has built one of the most important catalogs of North American roots & blues music – it has significant historical value, with iconic artists, multiple Grammy nominations, Juno Awards, Gold & Platinum certifications,” said Geoff Kulawick, President of Linus Entertainment. “It is an honour to be associated with them, and their artists.”

Stony Plain Records was founded in Edmonton in 1975 by Holger Petersen and Alvin Jahns, former bandmates who continue to be active business partners 42 years later. Stony Plain has won 13 Juno Awards and received 7 Grammy Award nominations. The label released almost 400 albums by artists including Ian Tyson, Corb Lund, Jeff Healey, Long John Baldry, MonkeyJunk, Sue Foley, Colin Linden, Paul Reddick, Harry Manx & Kevin Breit and Kenny ‘Blues Boss’ Wayne. Non-Canadian artists include Eric Bibb, Rory Block, Ronnie Earl, Duke Robillard, Maria Muldaur, Jay McShann and Joe Louis Walker. Stony Plain’s deep catalog includes titles by Emmylou Harris, Steve Earle, Rodney Crowell, Jay Geils and Asleep At The Wheel.

Linus Entertainment is the leading global distributor and exporter of Canadian sound recordings, managing the rights of over 30 labels including True North Records, The Children’s Group, Spring Hill Music, Solid Gold, Black Hen and Borealis Records, with titles by Bruce Cockburn, Buffy Sainte-Marie, Gordon Lightfoot, Paul Brandt, Big Wreck, Colin James, Jimmy Rankin, Natalie MacMaster, The Guess Who, Stan Rogers, Jane Bunnett, Chilliwack, Rough Trade, The Wailin’ Jennys, Canadian Brass, Classical Kids, Pavlo, Peter Kater, and The Mozart Effect Orchestra.

Rock And Roll Hall Of Fame Exhibits The Relationship Between Pinball Machines And Music

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Starting July 11 at the Rock and Roll Hall Of Fame in Cleveland, Part of the Machine: Rock & Pinball launches as an interactive exhibit showcasing rock-themed, playable pinball machines combined with historic merchandise and artifacts to explore the artistic portrayal of artists and bands.

Rock and roll and pinball have a lot in common. Loud, colorful and rebellious, it was inevitable that the two would combine to celebrate rock’s icons. Inside the exhibit you’ll find machines featuring icons such as KISS, Guns ‘n’ Roses, Alice Cooper, Dolly Parton, The Who, Elton John and more. All the machines on display are playable by visitors.

Every pinball machine can be played with Rock Hall tokens. A limited number of complimentary tokens will be included with a Rock Hall admission ticket and additional tokens can be purchased in the exhibit. Tweet your high score with #pinballwizard for a chance to be featured on the leaderboard.

From Peter Criss of KISS’ drum set to Dolly Parton’s dress that inspired the backglass for the Dolly Parton pinball machine, fans will find other artifacts on display as they learn more about the popular pinball and rock subculture. Highlight items include Pete Townshend of the Who’s acoustic guitar used to compose “Pinball Wizard”, a rare Andy Warhol piece, “Little Electric Chair”, and an electric chair Alice Cooper stage prop used in his 1971 tour across North America and Europe

You Can Now Own Joy Division’s Unknown Pleasures Artwork On Your Doc Martens

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The 1460 is the original Dr. Martens boot. The boot’s instantly recognizable DNA looks like this: 8 eyes, a heel-loop, yellow stitching, and a comfortable air-cushioned sole with grooved edges. I’m being vaugue because of the build-up I’m going to write: The boot has the artwork of Joy Division’s Unknown Pleasures.

This 1460 was created in homage to British post-punk band Joy Division and the cover art from Unknown Pleasures, their first album. The now-classic design, created by Peter Saville, is a visual translation of pulsar sound waves — explosive, raw and intense — much like the sound of the band. A natural fit for the 1460, the iconic imagery translates seamlessly into an emboss on their classic Smooth leather.

Get Ready For The Next Generation Of Leahy: Planet L

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Ask Adele Leahy to briefly summarize the sound and soul of Planet L, and the words pour out in a dizzying stream.

“We are multi-instrumentalists and our music comes from the heart,” the 16-year-old says on behalf of fast-rising bandmates Gregory Leahy, Angus Leahy, Cecilia Leahy, Joseph Leahy, and Evelyn Leahy, who range in age from 16 to eight. “Our music is original; it’s music you can feel. It’s edgy but also rhythmic, danceable. And it’s positive, happy and… well…” Adele laughs, “I could go on.”

Indeed. Adele could also confidently list words like buoyant, vivid, accomplished, melodic, fun. One listen to Planet L’s new single, the sparkling, harmony-goosed, and hopelessly earwormy “Can’t You Feel The Rhythm” brings the group’s towering talents into focus. Though relatively new on the scene, the members of Planet L have been playing together literally their whole lives (yup, they’re sibs) which makes their performances electrifying displays of seldom-seen cohesion.

“We all play at least four instruments, we all dance and sing,” Adele confirms. “We are surrounded by music and we absolutely love it. It’s what we do.”

That innate musical ease is neatly captured in the accompanying video for “Can’t You Feel The Rhythm,” which culminates with Adele, Gregory, Angus, Cecilia, Joseph, and Evelyn dazzling a packed venue completely stoked on Planet L’s effervescent pop, a scene possibly inspired by the sextet’s actual debut concert last year where an audience hearing their songs for the very first time “went absolutely nuts.” Which augurs rather well for Planet L’s hotly anticipated debut EP, dropping soon.

“All of us have big dreams to play for people around the world,” Adele says. “We all love music and can see the possibilities it can bring.”

In case the legendary name Leahy conjures preconceived notions of what Planet L’s music sounds like, Adele insists that, “We are our own thing, making original pop. We are proud of our family’s musical heritage and we are connected to it. But we are also free to express ourselves. We are Planet L.”

And they’re boldly beginning their first spin around the sun. Stay tuned for more…