Home Blog Page 2281

Clean Bandit Unveils New Self-Directed Music Video For “Solo” Featuring Demi Lovato

0

Chart-topping, GRAMMY award-winning, UK trio Clean Bandit unveil a brand new self-directed official music video for their single “Solo” ft. Demi Lovato released earlier this month, accumulating over 20 million streams during its first week. Following the song’s empowering narrative of finding yourself after a break-up, the video which stars both Clean Bandit and Demi Lovato serves as another reminder of the band’s unparalleled, innovative visual output.

Grace Chatto of Clean Bandit says, “Making little films is our passion, just as important to us as music (or more!). We made this one in LA, which was super cool! It was the first time we met Demi Lovato properly since we recorded the song, and filming her was really special. Can’t wait for you to see it!”

Since breaking through to the mainstream in 2014 with their mammoth, 11 million-selling single “Rather Be” and two million-selling debut album ‘New Eyes’, the pioneering, GRAMMY-winning and 6 x BRIT-nominated trio have paved the way in the global pop scene with their multi-genre catalogue. Becoming one of the most successful singles collectives of the century with their matchless blend of classical, electronica, pop, dancehall and R&B, that only Grace Chatto, Jack Patterson and Luke Patterson could unite so compellingly, Clean Bandit have sold over 35 million singles, worldwide, and have accumulated over 3 billion streams and 3.5 billion YouTube views to date! Not to mention their cutting-edge self-directed official music videos, which have further propelled the band as an unparalleled creative force. To date, Clean Bandit have commanded a wealth of guest vocalists on their chart hits including Anne-Marie, Zara Larsson, Jess Glynne and Julia Michaels (to name a few). The band’s 2016 UK Christmas No.1 “Rockabye” featuring Anne-Marie and Sean Paul has received 65 x Platinum certifications across the globe since its release and even went onto become the UK’s longest-running UK No.1 in 22 years, surpassing Wet Wet Wet’s “Love Is All Around” – the track has since been nominated for a Billboard Music Award in the ‘Dance/Electronic Song’ category. Clean Bandit is currently working on their second studio album.

Photo Gallery: Slayer with Lamb of god, Anthrax, Behemoth and Testament at Toronto’s Budweiser Stage

0

All photos taken by Mini’s Memories. You can contact her at minismemories@hotmail.com

Slayer
Slayer
Slayer
Slayer
Slayer
Slayer
Slayer
Slayer
Slayer
Slayer
Slayer
Slayer
Lamb of god
Lamb of god
Lamb of god
Lamb of god
Lamb of god
Lamb of god
Anthrax
Anthrax
Anthrax
Anthrax
Anthrax
Anthrax
Anthrax
Behemoth
Behemoth
Behemoth
Behemoth
Behemoth
Testament
Testament
Testament
Testament

Accolades Release New Video For “Electric Groove” Featuring Alexis Baro

0

Toronto’s scorching 8-piece funk-fusion band, Accolades are working on their second EP, Whatchu Got?, and they just released their video for “Electric Groove”, featuring world-class trumpet player, Alexis Baro.

The band writes, “Electric Groove, the Accolades’ first single released under Akashic Rekords, is a high-intensity funk anthem. Electric Groove boasts powerful blasts of horns, a phenomenal rhythm section, and the powerhouse vocals of Thomas Thurley, bringing together a gleeful and groovy piece.

A mix of images taken on the rooftop of a great Toronto building, and of the band recording the song in one of the greatest studios of the city, its music video showcases the technical maestro of the Accolades, while demonstrating their captivating performance skills, and their attachment to their magnificent city.”

You can catch Accolades in Owen Sound on June 1! Grab your tickets HERE, and check out the video below.

Hip Hop Fan Listens To Rage Against The Machine For The First Time

0

I love this idea – what albums do you wish you could hear for the first time again? Mine would be The Beatles’ Sgt. Peppers or My Bloody Valentine’s Loveless.

Now, before you ask, how is it that this guy has never heard Rage Against The Machine’s debut album before…Not everyone is as old as you, heh.

https://youtu.be/J3MaBTVmcsE

Toronto’s “The Art of Banksy” Announces Additional Tickets And Extends Gallery Hours

0

– Starvox Exhibits and Live Nation announces a new allotment of additional tickets on sale and extended gallery hours for the North American Premiere of “The Art of Banksy”. The exhibition runs from June 13 to July 11, 2018 at 213 Sterling Road (Lansdowne TTC stop). With over 40,000 tickets already sold, “The Art of Banksy” is proving to be a hot ticket in Toronto this summer!

This $35 million-dollar exhibit, making its debut in Toronto, features 80 original works associated with, arguably, the most intriguing and talked-about artist in modern history.
“The Art of Banksy”, curated by Steve Lazarides, the artist’s former agent, displays the world’s largest collection of Banksy’s works ever exhibited. Included in the exhibition are the iconic “Balloon Girl”, ranked in 2017 as “The United Kingdom’s number one favourite artwork”, “Flag Wall”, an urbanized take on the famous picture of soldiers raising the U.S. flag at Iwo Jima, “Laugh Now”, a witty piece depicting a foreboding message, and many other pieces, no less compelling and equally thought-provoking.

Corey Ross, President & CEO of Starvox Exhibits says, “After announcing The Art of Banksy’s North American Premiere, tickets have sold fast! Due to popularity, interest and excitement, we are pleased to extend hours to the exhibit and offer additional ticketed timeslots so more visitors can enjoy it.”

“It’s very exciting to see Toronto react so enthusiastically to the announcement of The Art of Banksy. Selling over 40,000 tickets in such a short time is record-breaking,” says Michel Boersma, Senior Vice President Family Entertainment & Theatre, Live Nation. “I am happy that we are able to announce an extra allotment of tickets. This allows even more Torontonians to enjoy our blockbuster exhibit.”

Tickets to The Art of Banksy are:
$35 – Adults
$32.50 – Seniors (65+) / Students (6 – 17 years of age, Valid Student ID required for youth)
Free – Children (up to 5 years old)

The Art of Banksy extended Gallery Hours are as follows:
Monday – Tuesday              11:00 a.m. – 7:00 p.m.
Wednesday                           11:00 a.m. – 8:00 p.m.
Thursday                              11:00 a.m. – 9:00 p.m.
Friday                                     11:00 a.m. – 11:00 p.m.
Saturday                                9:00 a.m. – 12:00 a.m.
Sunday                                  9:00 a.m. – 9:00 p.m.

This one-of-a-kind exhibition has already generated excitement in Melbourne, Amsterdam, Tel Aviv and Auckland.

To purchase tickets and for more information on The Art of Banksy, go to www.banksyexhibit.com or call 1-855-323-7878.

Music Canada Live Releases “Here, The Beat: The Economic Impact of Live Music in BC”

0

Music Canada Live, Canada’s national live music industry association, launched Here, The Beat: The Economic Impact of Live Music in BC.  This historic, first-ever assessment of BC’s live music sector was unveiled at the Creative BC offices in Vancouver to a packed room of industry and media, featuring speakers and talented BC artist Gillian Thomson.  Powerful, key highlights of the study include:

  • The live music sector contributed 6,950 FTEs, $619.3 million in labour income and $815.8 million in GDP to the BC economy in 2017.
  • A vibrant live music industry provides the conditions that the broader music industry requires to thrive. It is increasingly becoming the financial lifeblood for the wider music sector.
  • BC festivals attracted over 7.4 million attendees in 2017, and 78% are predicting increases in attendance in the future.

Here, The Beat identifies a number of challenges and opportunities facing the live music industry in BC, and offers valuable insight to strengthen and grow what has become the most important source of both artist revenue and audience development.

“This study confirms what we have always known… that BC’s live music industry matters. It matters economically. It matters culturally. It matters socially – and it matters to our incredible artists and to their thousands upon thousands of fans.  Live music builds community, enhances our quality of life. The research demonstrates that we have room to grow as well as the will to collaborate, and as much as it reflects ourselves back to us, it is also an open invitation to government, tourism and others to work together to continue to forge one of the most dynamic and thrilling live music scenes in the world – for the benefit of all.  The future is beginning now” said Erin Benjamin, Executive Director of Music Canada Live, “the opportunities for growth, innovation, integration and development are truly limitless.”

Music Canada Live Board member and study partner Nick Blasko, Director, Amelia Aritists and Atomique Productions, noted that “The release of this study is another important milestone towards quantifying and understanding the value of live music in BC.”

“BC is a province of festivals and live music events, creating jobs and economic impact for business BC,” adds Alex Grigg, Executive Director of Music BC. “Live music performances are vital and growing in importance for the livelihood of artists, engagement of fans, and attraction of tourist dollars.”

Here, The Beat  is the culmination of months of research lead by Nordicity, a leading Canadian consulting firm specializing in policy, strategy, and economic analysis. The study was made possible with thanks to Creative BC and Music BC, and in partnership with the City of VancouverThis is BlueprintAtomique ProductionsBRANDLIVELive Nation and Music Canada.

Read the full report here.

Troye Sivan Announces “The Bloom” Tour

0

After teasing information about The Bloom Tour during his appearance on TODAY earlier this week, Troye Sivan revealed the full itinerary today. The North American headline run, produced by Live Nation, will kick off on September 21 in Dallas at the Pavilion at Toyota Music Factory. It will include his first-ever show at New York City’s Radio City Music Hall (October 9) and performances at the Greek Theatre in Los Angeles (October 30) and The Masonic in San Francisco (November 1). See below for itinerary.

Fans who download the official Troye Sivan app, available on Apple Store and Google Play, will have access to a chance at advance tickets during the pre-sale, which begins on Tuesday, June 5, at 9:00 AM PT. Exclusive content, merchandise and more will also be available to app users. Tickets go on sale to the general public beginning Friday, June 8, starting at 9:00 AM PT at LiveNation.com and TroyeSivan.com. All tickets for the North American dates will include a CD copy of Troye’s new album, Bloom, which will be released by Capitol Records on August 31.

The New York Times, in a Sunday Arts & Leisure cover story, observed “Troye Sivan Is a New Kind of Pop Star: Here, Queer and Used to It The 22-year-old singer is climbing the charts while demonstrating how his sexual orientation is both part of his art and beside the point.” Pitchfork noted, “his latest single, ‘Bloom,’ is all about living in the delicious present. A gentle, rolling beat and strips of electric guitar cut through airy synth pads…Vocally, Sivan’s as open and earnest as he’s ever sounded.” Noisey said, “Sivan has re-announced himself as a pop heavyweight, and one who is not here to make any compromises at that.” NYLON declared, “It’s Troye Sivan’s year. If this past January’s ‘My My My!’ single cemented him as a budding gay icon, his latest release, ‘Bloom,’ is his grand flowering.”

“My My My!” was the top trending topic worldwide on Twitter after its release in January. Combined global streams of the track, which Pitchfork named as one of the “first great songs” of 2018, are approaching 200 million. The official video, directed by Grant Singer (Lorde, The Weeknd), became the #1 trending clip on YouTube and has nearly 30 million views.

Cumulative streams of “The Good Side,” another track from the album, now surpass 40 million worldwide. V Magazine observed, “If artists are thinking of claiming 2018 as their year, they’ll have to steal it from Troye Sivan. The 22-year-old is on fire…[‘The Good Side’] shows the growing pop star’s range.”

Troye supported his 2015 debut album, Blue Neighbourhood (Capitol Records) with two sold-out North American tours. Blue Neighbourhood, which topped the iTunes charts in 66 countries, has sold more than 2.5 million adjusted albums worldwide and is certified Gold in the U.S. Streams across all platforms exceed 2.5 billion while video views have surpassed 500 million. Associated Press named Blue Neighbourhood as the No. 1 album of 2015 and Rolling Stone awarded it four stars. The single “Youth” claimed the No. 1 spot on Billboard’s Hot Club Play chart and has been certified Platinum in the U.S. Troye has appeared on the covers of Rolling Stone, Out and V Magazine. His numerous awards include a Billboard Music Awards trophy and two GLAAD Media wins.

Troye Sivan – North American Tour Dates
6/8 Pittsburgh, PA Pittsburgh Pride 2018/Downtown Pittsburgh
8/4 Hershey, PA Hersheypark Stadium/Show of the Summer

The Bloom Tour

9/21 Irving, TX Pavilion @ Toyota Music Factory
9/23 Austin, TX Austin City Limits Live at The Moody Theater
9/24 Sugar Land, TX Smart Financial Center
9/26 Jacksonville, FL Daily’s Place Amphitheater
9/28 St. Petersburg, FL Mahaffey Theater
9/29 Miami, FL Bayfront Park Amphitheatre
10/1 Atlanta, GA Coca-Cola Roxy
10/2 Charlotte, NC Charlotte Metro Credit Union Amphitheatre
10/4 Washington, DC The Anthem*
10/6 Upper Darby, PA Tower Theater
10/9 New York, NY Radio City Music Hall
10/11 Laval, QC Place Bell
10/12 Boston, MA Boch Center – Wang Theatre
10/14 Detroit, MI Fox Theatre
10/15 Toronto, ON Sony Centre For The Performing Arts
10/17 Minneapolis, MN State Theatre
10/19 Chicago, IL Chicago Theatre
10/20 Milwaukee, WI Eagles Ballroom
10/22 Denver, CO Fillmore Auditorium
10/24 Phoenix, AZ Comerica Theatre
10/25 San Diego, CA Cal Coast Credit Union Open Air Theatre at SDSU
10/27 Anaheim, CA House of Blues
10/30 Los Angeles, CA Greek Theatre
11/1 San Francisco, CA The Masonic
11/5 Portland, OR Roseland Theater
11/7 Seattle, WA Paramount Theatre
11/8 Vancouver, BC Queen Elizabeth Theatre

KIDZ BOP And MusiCounts Surprise Toronto School With MusiCounts Band Aid Program Instrument Grant

0

Today, the KIDZ BOP Kids, Billboard Magazine’s #1 kids artist for eight consecutive years, joined MusiCounts for a celebration of the MusiCounts Band Aid Program at Immaculate Conception Catholic School in Toronto. KIDZ BOP surprised school students with $10,000 worth of new instruments for the school’s music program, followed by a special performance and Q&A as part of the festivities. The MusiCounts Band Aid Program instrument grant was made possible by The Acapella Foundation, a Toronto-based organization that supports programs and charities in Toronto whose goals are to improve quality of life for children.

Before kicking off their KIDZ BOP LIVE 2018 tour on Friday, the KIDZ BOP Kids Freddy, Julianna, Isaiah and Liv, took to the stage to perform songs from their new album  “KIDZ BOP 2018” including “Havana”, “Perfect”, and a mashup of “Stay” and “Issues”, then answered questions from the excited auditorium of students. Prior to the celebration, Immaculate Conception Catholic School only had seven instruments in good working order for 110 students in the Grade 7 and 8 instrumental music program.

Host CBC Kids personality Tony Kim highlighted the importance of music education and MusiCounts’ ongoing committment to making music accesible to Canadian youth. Since 1997, MusiCounts has supported over 900 school music programs by donating nearly $9 million in musical instruments and equipment. Schools can apply to receive instruments via the MusiCounts Band Aid Program each fall at www.musicounts.ca.

Abby Wambach Just Gave The Commencement Speech Of 2018

0

Abby Wambach, the soccer champion and activist for pay equity and LGBTQ rights, delivered the keynote address to the Class of 2018 at Barnard’s 126th Commencement on Wednesday, May 16, 2018 at Radio City Music Hall.

Greetings to President Beilock, Barnard faculty, trustees, and honorees: Katherine Johnson, Anna Quindlen, and Rhea Suh.

And to each of the 619 bad-ass women of the Barnard graduating class of 2018: Congratulations!

Doesn’t it feel like the second you figure anything out in life, it ends and you’re forced to start all over again?

Experts call these times of life “transitions.” I call them terrifying.

I went through a terrifying transition recently when I retired from soccer.

The world tries to distract us from our fear during these transitions by creating fancy ceremonies for us. This graduation is your fancy ceremony. Mine was the ESPYs, a nationally televised sports award show. I had to get dressed up for that just like you got dressed up for this, but they sent me a really expensive fancy stylist. It doesn’t look like you all got one. Sorry about that.

So it went like this: ESPN called and told me they were going to honor me with their inaugural icon award. I was humbled, of course, to be regarded as an icon. Did I mention that I’m an icon?

I received my award along with two other incredible athletes: basketball’s Kobe Bryant and football’s Peyton Manning. We all stood on stage together and watched highlights of our careers with the cameras rolling and the fans cheering—and I looked around and had a moment of awe. I felt so grateful to be there—included in the company of Kobe and Peyton. I had a momentary feeling of having arrived: like we women had finally made it.

Then the applause ended and it was time for the three of us to exit stage left. And as I watched those men walk off the stage, it dawned on me that the three of us were stepping away into very different futures.

Each of us, Kobe, Peyton and I—we made the same sacrifices, we shed the same amount of blood sweat and tears, we’d left it all on the field for decades with the same ferocity, talent and commitment—but our retirements wouldn’t be the same at all. Because Kobe and Peyton walked away from their careers with something I didn’t have: enormous bank accounts. Because of that they had something else I didn’t have: freedom. Their hustling days were over; mine were just beginning.

Later that night, back in my hotel room, I laid in bed and thought: this isn’t just about me, and this isn’t just about soccer.

We talk a lot about the pay gap. We talk about how we U.S. women overall still earn only 80 cents on the dollar compared to men, and black women make only 63 cents, while Latinas make 54 cents. What we need to talk about more is the aggregate and compounding effects of the pay gap on women’s lives. Over time, the pay gap means women are able to invest less and save less so they have to work longer. When we talk about what the pay gap costs us, let’s be clear. It costs us our very lives.

And it hit me that I’d spent most of my time during my career the same way I’d spent my time on that ESPYs stage. Just feeling grateful. Grateful to be one of the only women to have a seat at the table. I was so grateful to receive any respect at all for myself that I often missed opportunities to demand equality for all of us.

But as you know, women of Barnard—CHANGE. IS. HERE.

Women have learned that we can be grateful for what we have while also demanding what we deserve.

Like all little girls, I was taught to be grateful. I was taught to keep my head down, stay on the path, and get my job done. I was freaking Little Red Riding Hood.

You know the fairy tale: It’s just one iteration of the warning stories girls are told the world over. Little Red Riding Hood heads off through the woods and is given strict instructions: Stay on the path. Don’t talk to anybody. Keep your head down hidden underneath your Handmaid’s Tale cape.

And she does… at first. But then she dares to get a little curious and she ventures off the path. That’s of course when she encounters the Big Bad Wolf and all hell breaks loose. The message is clear: Don’t be curious, don’t make trouble, don’t say too much or BAD THINGS WILL HAPPEN.

I stayed on the path out of fear, not of being eaten by a wolf, but of being cut, being benched, losing my paycheck.

If I could go back and tell my younger self one thing it would be this:

“Abby, you were never Little Red Riding Hood; you were always the wolf.”

So when I was entrusted with the honor of speaking here today, I decided that the most important thing for me to say to you is this:

BARNARD WOMEN—CLASS OF 2018—WE. ARE. THE. WOLVES.

In 1995, around the year of your birth, wolves were re-introduced into Yellowstone National Park after being absent for seventy years.

In those years, the number of deer had skyrocketed because they were unchallenged, alone at the top of the food chain. They grazed away and reduced the vegetation, so much that the river banks were eroding.

Once the wolves arrived, they thinned out the deer through hunting. But more significantly, their presence changed the behavior of the deer. Wisely, the deer started avoiding the valleys, and the vegetation in those places regenerated. Trees quintupled in just six years. Birds and beavers started moving in. The river dams the beavers built provided habitats for otters and ducks and fish. The animal ecosystem regenerated. But that wasn’t all. The rivers actually changed as well. The plant regeneration stabilized the river banks so they stopped collapsing. The rivers steadied—all because of the wolves’ presence.

See what happened here?

The wolves, who were feared as a threat to the system, turned out to be its salvation.

Barnard women, are you picking up what I’m laying down here?

Women are feared as a threat to our system—and we will also be our society’s salvation.

Our landscape is overrun with archaic ways of thinking about women, about people of color, about the “other,” about the rich and the poor, about the the powerful and the powerless—and these ways of thinking are destroying us.

We are the ones we’ve been waiting for.

We will not Little Red Riding Hood our way through life. We will unite our pack, storm the valley together and change the whole bloody system.

Throughout my life, my pack has been my team.

Teams need a unifying structure, and the best way to create one collective heartbeat is to establish rules for your team to live by. It doesn’t matter what specific page you’re all on, just as long as you’re all on the same one.

Here are four rules I’ve used to unite my pack and lead them to gold.

Rule One: MAKE FAILURE YOUR FUEL

Here’s something the best athletes understand, but seems like a hard concept for non-athletes to grasp. Non-athletes don’t know what to do with the gift of failure. So they hide it, pretend it never happened, reject it outright—and they end up wasting it.

Listen: Failure is not something to be ashamed of, it’s something to be POWERED by. Failure is the highest octane fuel your life can run on. You gotta learn to make failure your fuel.

When I was on the Youth National Team, only dreaming of playing alongside Mia Hamm. You know her? Good. I had the opportunity to visit the National Team’s locker room. The thing that struck me most wasn’t my heroes’ grass-stained cleats or their names and numbers hanging above their lockers—it was a picture. It was a picture that someone had taped next to the door so that It would be the last thing every player saw before she headed out to the training pitch.

You might guess it was a picture of their last big win, of them standing on a podium accepting gold medals—but it wasn’t. It was a picture of their longtime rival—the Norwegian national team—celebrating after having just beaten the USA in the 1995 World Cup.

In that locker room, I learned that in order to become my very best—on the pitch and off—I’d need to spend my life letting the feelings and lessons of failure transform into my power. Failure is fuel. Fuel is power.

Women, listen to me. We must embrace failure as our fuel instead of accepting it as our destruction.

As Michelle Obama recently said: “I wish that girls could fail as well as men do and be okay. Because let me tell you watching men fail up—it’s frustrating. It’s frustrating to see men blow it and win. And we hold ourselves to these crazy, crazy standards.”

Wolf Pack: Fail up. Blow it, and win.

Rule Two: LEAD FROM THE BENCH

Imagine this: You’ve scored more goals than any human being on the planet—female or male. You’ve co-captained and led Team USA in almost every category for the past decade. And you and your coach sit down and decide together that you won’t be a starter in your last World Cup for Team USA.

So… that sucked.

You’ll feel benched sometimes, too. You’ll be passed over for the promotion, taken off the project—you might even find yourself holding a baby instead of a briefcase—watching your colleagues “get ahead.”

Here’s what’s important. You are allowed to be disappointed when it feels like life’s benched you. What you aren’t allowed to do is miss your opportunity to lead from the bench.

During that last World Cup, my teammates told me that my presence, my support, my vocal and relentless belief in them from the bench is what gave them the confidence they needed to win us that championship.

If you’re not a leader on the bench, don’t call yourself a leader on the field. You’re either a leader everywhere or nowhere.

And by the way: the fiercest leading I’ve ever seen has been done between mother and child. Parenting is no bench. It just might be the big game.

Wolf Pack: Wherever you’re put, lead from there.

Rule Three: CHAMPION EACH OTHER

During every 90-minute soccer match there are a few magical moments when the ball actually hits the back of the net and a goal is scored. When this happens, it means that everything has come together perfectly—the perfect pass, the perfectly timed run, every player in the right place at exactly the right time: all of this culminating in a moment in which one player scores that goal.

What happens next on the field is what transforms a bunch of individual women into a team. Teammates from all over the field rush toward the goal scorer. It appears that we’re celebrating her: but what we’re REALLY celebrating is every player, every coach, every practice, every sprint, every doubt, and every failure that this one single goal represents.

You will not always be the goal scorer. And when you are not—you better be rushing toward her.

Women must champion each other. This can be difficult for us. Women have been pitted against each other since the beginning of time for that one seat at the table. Scarcity has been planted inside of us and among us. This scarcity is not our fault. But it is our problem. And it is within our power to create abundance for women where scarcity used to live.

As you go out into the world: Amplify each others’ voices. Demand seats for women, people of color and all marginalized people at every table where decisions are made. Call out each other’s wins and just like we do on the field: claim the success of one woman, as a collective success for all women.

Joy. Success. Power. These are not pies where a bigger slice for her means a smaller slice for you. These are infinite. In any revolution, the way to make something true starts with believing it is. Let’s claim infinite joy, success, and power—together.

Wolf Pack: Her Victory is your Victory. Celebrate it.

Rule Four: DEMAND THE BALL

When I was a teenager, I was lucky enough to play with one of my heroes, Michelle Akers. She needed a place to train since there was not yet a women’s professional league. Michelle was tall like I am, built like I’d be built, and the most courageous soccer player I’d ever seen play. She personified every one of my dreams.

We were playing a small sided scrimmage—5 against 5. We were eighteen-year-olds and she was—Michelle Akers—a chiseled, thirty-year-old powerhouse. For the first three quarters of the game, she was taking it easy on us, coaching us, teaching us about spacing, timing and the tactics of the game.

By the fourth quarter, she realized that because of all of this coaching, her team was losing by three goals. In that moment, a light switched on inside of her.

She ran back to her own goalkeeper, stood one yard away from her, and screamed:

GIVE. ME. THE. EFFING. BALL.

And the goalkeeper gave her the effing ball.

And she took that ball and she dribbled through our entire effing team and she scored.

Now this game was winner’s keepers, so if you scored you got the ball back. So, as soon as Michelle scored, she ran back to her goalie, stood a yard away from her and screamed:

GIVE ME THE BALL.

The keeper did. And again she dribbled though us and scored. And then she did it again. And she took her team to victory.

Michelle Akers knew what her team needed from her at every moment of that game.

Don’t forget that until the fourth quarter, leadership had required Michelle to help, support, and teach, but eventually leadership called her to demand the ball.

Women. At this moment in history leadership is calling us to say:

GIVE ME THE EFFING BALL.

GIVE ME THE EFFING JOB.

GIVE ME THE SAME PAY THAT THE GUY NEXT TO ME GETS.

GIVE ME THE PROMOTION.

GIVE ME THE MICROPHONE.

GIVE ME THE OVAL OFFICE.

GIVE ME THE RESPECT I’VE EARNED AND GIVE IT TO MY WOLF PACK TOO.

In closing, I want to leave you with the most important thing I’ve learned since leaving soccer.

When I retired, my sponsor Gatorade surprised me at a meeting with the plan for my send-off commercial. The message was this: Forget Me.

They’d nailed it. They knew I wanted my legacy to be ensuring the future success of the sport I’d dedicated my life to. If my name were forgotten, that would mean that the women who came behind me were breaking records, winning championships and pushing the game to new heights. When I shot that commercial I cried.

A year later, I found myself coaching my ten-year old daughter’s soccer team. I’d coached them all the way to the championship. (#Humblebrag.) One day I was warming the team up, doing a little shooting drill. I was telling them a story about when I retired. And one of those little girls looked up at me and said: “So what did you retire from?” And I looked down at her and I said, “SOCCER.” And she said, “Oh. Who did you play for?” And I said, “THE. UNITED. STATES. OF. AMERICA.” And she said, “Oh. Does that mean you know Alex Morgan?”

Be careful what you wish for, Barnard. They forgot me.

But that’s okay. Being forgotten in my retirement didn’t scare me. What scared me was losing the identity the game gave me. I defined myself as Abby Wambach, soccer player—the one who showed up and gave 100 percent to my team and fought alongside my wolf pack to make a better future for the next generation.

Without soccer who would I be?

A few months after retirement, I began creating my new life. I met Glennon and our three children and I became a wife, a mother, a business owner and an activist.

And you know who I am now? I’m still the same Abby. I still show up and give 100 percent—now to my new pack—and I still fight every day to make a better future for the next generation.

You see, soccer didn’t make me who I was. I brought who I was to soccer, and I get to bring who I am wherever I go. And guess what? So do you.

As you leave here today and everyday going forward: Don’t just ask yourself, “What do I want to do?” Ask yourself: “WHO do I want to be?” Because the most important thing I’ve learned is that what you do will never define you. Who you are always will.

And who you are—Barnard women—are the wolves.

Surrounding you today is your wolf pack. Look around.

Don’t lose each other.

Leave these sacred grounds united, storm the valleys together, and be our salvation.

​Aqua, Prozzäk and Whigfield Are Going Out On A Canadian “Rewind Tour”

0

Danish super group AQUA are coming to Canada on their first ever tour here. Joining them will be Canadian favourites PROZZAK and “Saturday Night” hitmaker Whigfield. The killer 90s lineup will be bringing fans back to the era of video countdown’s and high school dance parties with a Much Music Video Dance Party to get things started. AQUA is Denmark’s biggest pop-act of all time, with an estimated 33 million records sold since 1996, and 1 million alone is Canada. AQUA are known best for their pop formula that produced highly infectious hit singles like ‘Barbie Girl’, ‘Roses are Red’, ‘My oh My’, ‘Doctor Jones’ ‘Turn back Time’, and ‘Lollipop Candyman’.

09/08 Toronto, ON – Echo Beach
09/10 Abbotsford, BC – Abbotsford Centre
09/13 Calgary, AB – Grey Eagle Event Centre
09/14 Enoch, AB – River Cree Resort & Casino
09/15 Winnipeg, MB – Bell MTS Place
09/16 London, ON – Harris Park