Where does OK Go come up with ideas like dancing in zero gravity, performing in ultra slow motion or constructing a warehouse-sized Rube Goldberg machine for their music videos? In between live performances of “This Too Shall Pass” and “The One Moment,” lead singer and director Damian Kulash takes us inside the band’s creative process, showing us how to look for wonder and surprise.
Short Cuts: The Best Songs Heard On January 5, 2018 From The Indie World
Acid Dad
Die Hard
Acid Dad first appeared in the New York scene in 2016. After spending the year self-releasing demos recorded at their studio in upstate New York, the band garnered local praise from the likes of Oh My Rockness, Consequence of Sound, BrooklynVegan, Stereogum and more. This song is a triumphant vindication of those great blogs getting to the band early. A cross between Devo, The Strokes and The Romantics playing in Elvis Costello’s room, and that’ll do me fine.
Greg Owens and the Whiskey Weather
Xanax and Whiskey
Greg Owens grew up in a small rural town in West Tennessee just 80 miles North of Memphis, and it’s gotta be a tough area. There might not be a better title to fit the kind of music playing this year. A hypnoic sound in the pipes, a mind full of loneliness, this is compulsive and genuine. Forget old or even outlaw country – he’s going to break your soul like Nick Drake or Springsteen ever did. I’d love to hang with Greg, but with his history, I think I’d die before sunrise.
Edwin
Waiting
Edwin is brothers Jacob and Matthew Boll, who traveled to Eau Claire, Wisconsin to record with S. Carey (who also plays drums on the record) who helped them combine their songs with their love for George Harrison, Michael Kiwanuka and a touch of Pink Floyd. They’ve got a sound for caring about when they found the gem, never overly complicating the song. They’ve got the ability to let their sound breathe. Turn off your mind, relax, and float downstream.
Ark Patrol
Myrmidon
Sounds bleak, but spiritual, but always in control. The voice could make you squirm to newcomers in its efforts to sound a bit other-worldly, but its in their search for inner space in the outer limits of EDM is where they’ll be fully realized as the geniuses they are.
Kibbo Records
Naked Girl
A cool strumming and trembling melody picked out in the field of a summer sunset and a starry night sky. They’re going to continue to win converts to their following with this one.
Mezmah
One Day
A simple jazz-funk, hip hop riff staying as long as your mind can hold out. Still on a roll from his past Silver Lining and X singles, he’s living up to his own worthy ambition.
Mr. Max
Brunchin’ Yuppies
Mr. Max” is the solo project of Atomic Walrus guitarist Max Cohen, and he continues to stretch the boundaries of more taxing matters like genres. The relentless beat, the funk, the colorful guitars and sounding like a cross between Red Hot Chili Peppers and Bootsauce. Put this on at Midnight during your party and watch your living room turn into a dance floor.
Kodiak Soul
Nightmares (W/waivs)
The producer hailing from Charlotte North Carolina infuses elements of hip hop and electronic music into a new influx of melodies, beats and everything in between. A claustrophobic set-up turns into wandering off on his own voice and mind. Kodiak’s rich future is there for the underground to get into the serious business of not keeping him on the fringes – he deserves more.
Matt Westin
Our Redneck Of the Woods
Deciding to make a country record in his father’s honour, Matt Westin gives you a seat riding shotgun through the backwoods of country music. Rest assured, he’s on the right track. Johnny Cash, Garth Brooks, a hint of Nickelback, all illuminated by an attitude worthy of all those great artists, and his own father.
TJ Stewart
Let Me Love You
TJ emerges as a singer of tenderness as well as power. Dig it if you like the laid-back grooves of The Fray, U2 and Harry Styles, the bedrock of contemporary pop. Peel back the slick, and see the realness and authenticity right here.
Lewis
Ball Queen
There are a hundred other little things that go into making a great song, but Lewis isn’t about throwing it all in there – just the voice and a piano, raring to go. The durability of a cool song sometimes is the barren route, and Lewis found it. If you believe in Sam Smith and Elton John, this is the indie equivalent, but not for long, he’s ready for the big time.
The Like Violence
My Way
The Like Violence is a fairly new alternative/Indie-rock project from Atlanta, GA’s Dustin Phillips, who has been working with Nate Novarro of Cobra Starship. This is a song you cannot afford to avoid. Meet the new generation of artists influenced by Imagine Dragons and Dustin is on the right path to reaching the same dizzy heights of hit singles and gold albums, too.
Spectre Hearts
Liar Liar
The latest single by Toronto’s Spectre Hearts, produced by Zaddi Pesino and mastered by Chuck Carvalho. They could scare the crap of of every other indie rock band in the city, buzzing with punk attitude and vocals crossing between savage and intimidating. They’re probably much cooler than you, too, and deserve to be. Can’t wait to see them live.
Kat Von D + Green Day’s Billie Joe Armstrong Team Up to Create Limited Edition Black Pencil Eyeliner
Kat Von D has teamed up with long-time friend, and Green Day frontman, Billie Joe Armstrong, to create the perfect black smudge pencil eyeliner for the ultimate rocker, messy, smoky eye. From shows to music videos to the red carpet, Billie Joe has rocked his signature eyeliner look since the 90’s, and now guys and girls can recreate it themselves with this super limited-edition collaboration available exclusively at SEPHORA and KATVONDBEAUTY.COM. No need for brushes or multiple products, simply apply, smudge with fingers, and flaunt.
“It’s really exciting to be – what I think is the first – male musician (or even male) – to launch a black pencil eyeliner like this and in collaboration with Kat. Her products are amazing,” said Billie Joe Armstrong, lead singer of Green Day.
“Super excited about our upcoming eyeliner collab! There’s no one else on the planet better to create a black pencil eyeliner to give a perfect anti-precision smudgy look than the guy who made it famous in the first place, Billie Joe…,” added Kat Von D.
https://youtu.be/us1Mrm-R38k
Kat’s unique formula glides on creamy with plenty of play-time, which means you can effortlessly smudge and diffuse to achieve your favorite look, before it sets in place for unstoppable wear. With a chubby pencil format and maxed-out, ultra-black pigment, Basket Case is the perfect tool for super-fast lining around the eye. Kat and Billie Joe tested this formula themselves to make sure it’s the ultimate cool tool to achieve Billie Joe’s famous look, and the built-in sharpener ensures you’re always ready to rock.
The name Basket Case comes from Green Day’s most popular track from their 1994 album, Dookie.
Kat’s passion for animals means that all products are made with love, not animals and 100% Cruelty-Free Forever. Basket Case Anti-Precision Eyeliner is 100% vegan.
LiveXLive Acquires Slacker Radio
LiveXLive, one of the only premium networks devoted to live music and music-related video content, announced today that it has closed its acquisition of Slacker Radio, a streaming music and personalized radio subscription service.
Slacker is a key innovator in the streaming music space. Slacker represents the next-generation of personalized radio, enabling music lovers to choose from the broadest selection of human-curated stations personalized to their independent tastes. Its proven programming and personalization platform boasts a catalog of more than 13 million audio tracks from all three major music companies and many independent labels. Slacker has approximately 1.5 million monthly unique users and more than 400,000 subscribers on its paid and ad-supported platforms. Additionally, Slacker has hundreds of expertly programmed stations, including news, sports, and talk from ABC News, ESPN and others. Slacker also powers the streaming music experiences for global brands including Tesla and Samsung.
“LiveXLive is leading the evolution of the music business and we believe Slacker is a perfect complement to our video platform,” said Robert Ellin, CEO and Chairman of LiveXLive Media. “We look forward to working with the Slacker team as we combine the best audio and video content across live and recorded music. By combining LiveXLive’s leadership in music festival streaming and our massive music video content with Slacker’s proven audio platform, we immediately expand our reach and dramatically accelerate our ability to deliver world-class music-related entertainment across platforms – on a global scale,” continued Mr. Ellin.
Slacker and LiveXLive are combining content programming teams and building a network of both audio and video channels that stretch across mobile, TV apps, and in-car infotainment systems. Slacker Radio furthers LiveXLive’s ability to drive innovation across technology and digital entertainment while providing the company with access to a new base of consumers and music enthusiasts. Slacker’s technology team and data-rich platform bring significant advantages to both the audio and video sides of LiveXLive. Similarly, LiveXLive’s leadership in live music streaming and access to festivals, clubs, venues, concerts and its influencer network, with more than 85 million combined followers, will open the door for creative new content collaborations and increased exposure.
Nearly 60 percent of millennials use two or more apps for streaming music, according to Nielsen. The market is primed for a service that combines video with the live and recorded music worlds. Bringing Slacker into the LiveXLive fold provides fans with a premium radio experience and a virtual pass to some of music’s biggest nights, from festivals and concerts to special performances by some of the world’s top artists.
“We are thrilled to join the LiveXLive team. We look forward to executing on our mutual commitment to reinvigorate the music business by creating fan-first content and programming. We are leveraging our combined cutting-edge technologies to deliver a superior consumer experience which will accelerate growth in the overall business,” said Duncan Orrell-Jones, CEO of Slacker.
TOTO “40 Trips Around The Sun” To Be Released On February 9
TOTO is pleased to announce a February 9th worldwide release date on Legacy Recordings (a division of Sony Music) for their brand new Greatest Hits package titled 40 Trips Around The Sun. The 17 track album features three previously unreleased recordings: “Spanish Sea” “Alone” and “Struck By Lightning” alongside newly remastered classic tracks worked on by Elliot Scheiner & Gavin Lurssen and his team. The core Toto members, Steve Lukather, David Paich, Steve Porcaro, Joseph Williams re-entered the studio earlier this year to work on this release.
While going through the Sony vaults, the band uncovered several unfinished tracks that featured both Jeff and Mike Porcaro, one of which is now “Spanish Sea.” “This track is originally from the Isolation sessions,” Steve Lukathercommented. “It’s one that didn’t make it and we had to re-write it including creating a new chorus. Thanks to modern tech we were able to play once again with not only our 20 something selves but with our dear brothers Jeff and Mike Porcaro reminding us just how deep their groove was. Bittersweet… Many stories, laughs and a few tears on this one. It’s classic Toto with an excellent solo and I kept my old 1985 melody solo Dave wanted me to do… Old meets new but since legendary pal Al Schmitt cut the tracks and Bob Clearmountain mixed…it sounds like it was done 2 weeks ago not 30 + years ago!”
All fans who pre-order the album beginning today will receive both “Spanish Sea” & “Alone” as instant grat tracks. “Alone is a brand new song,” Lukather remarked. “This one was written with just the four of us really writing together and no one else in the room with us. We wanted to start with an ‘up’ song in terms of groove for the album. The lyric is darker but we are older guys now ands have lived life. The good, bad and ugly… we have lived it all and in the end we are all alone anyway. Proud of this piece and it just sort of organically happened.” Fans can pre-order the album here: https://lnk.to/toto_GH
The third new track on 40 Trips Around The Sun: “Struck By Lightning” began with David Paich. “I had the opening riff in my head for months,” Paich said. “Joe and the guys helped flesh this one out. I love the heavy arrangement and Luke’s solo on it is an all time great!”
Beginning on February 11th in Helsinki, the band will begin the first leg of their worldwide 40 Trips Around The Sun tour in support of their 40th anniversary. 36 shows in Europe have been announced to date. The tour will be the band’s most extensive run in years and is expected to hit the U.S. later in 2018. More shows will be announced shortly.
Few ensembles in the history of recorded music have individually or collectively had a larger imprint on pop culture than the members of TOTO. As individuals, the band members can be heard on an astonishing 5000 albums that together amass a sales history of a half a billion albums. Amongst these recordings, NARAS applauded the performances with more than 200 Grammy nominations. Toto has over 400 million streams on Spotify alone along while views on YouTube far exceed over a half billion.
With close to 40 years together and literally thousands of credits, including the biggest selling album of all time: Michael Jackson’s Thriller, and accolades to their names, TOTO remains one of the top selling touring and recording acts in the world. They are the benchmark by which many artists base their sound and production, and they continue to transcend the standards set by the entire music community, being simply synonymous with musical credibility. Their repertoire continues to be current via high profile usage on broadcast television. They are pop culture, and are one of the few 70’s bands that have endured the changing trends and styles to a career enjoy a multi-generational worldwide fan base.
TOTO – 40 TRIPS AROUND THE SUN TRACK LISTING
Alone
Spanish Sea
I’ll Supply The Love
I’ll Be Over You
Stranger In Town
99
Struck By Lightning
Pamela
Afraid Of Love
I Won’t Hold You Back
Jake To The Bone
Stop Loving You
Lea
Hold The Line
George Porgy
Rosanna
Africa
TOTO – 2018 – 40 TRIPS AROUND THE SUN EUROPEAN TOUR
|
2/11 |
Helsinki, FI |
Icehall |
|
2/12 |
Tallinn, EE |
Nordea Concert Hall |
|
2/14 |
Stockholm, SE |
Fryshuset |
|
2/16 |
Oslo, NO |
Spektrum |
|
2/17 |
Copenhagen, DK |
Forum |
|
2/19 |
Hamburg, DE |
Mehr! Theater |
|
2/21 |
Dusseldorf, DE |
Mitsubishi-Electric Hall |
|
2/22 |
Munich, DE |
Olympiahalle |
|
2/24 |
Berlin, DE |
C-Halle |
|
2/25 |
Leipzig, DE |
Haus Auensee |
|
2/27 |
Prague, CZ |
Forum Karlin |
|
2/28 |
Krakow, PL |
Tauron Arena |
|
3/2 |
Vienna, AT |
Gasometer |
|
3/4 |
Sofia, BG |
National Palace Of Culture |
|
3/5 |
Skopje, MK |
Boris Trajkovski Sports Hall |
|
3/9 |
Zagreb, HR |
Dom Sportova |
|
3/10 |
Milan, IT |
Mediolanum Forum |
|
3/12 |
Zurich, CH |
Hallenstadion |
|
3/13 |
Stuttgart, DE |
Porsche Arena |
|
3/15 |
Lille, FR |
Zenith |
|
3/17 |
Amsterdam, NL |
Ziggo Dome |
|
3/18 |
Brussels, BE |
Forest National |
|
3/20 |
Offenbach, DE |
Stadthalle |
|
3/22 |
Geneva, CH |
Arena Geneva |
|
3/23 |
Bologna, IT |
Unipol Arena |
|
3/25 |
Marseille, FR |
Dome |
|
3/26 |
Toulouse, FR |
Zenith |
|
3/27 |
Lyon, FR |
Halle Tony Garnier |
|
3/29 |
Luxembourg City, LU |
Rockhal |
|
3/30 |
Paris, FR |
La Seine Musicale |
|
4/1 |
London, UK |
Royal Albert Hall |
|
4/2 |
Manchester, UK |
Bridgewater Hall |
|
4/4 |
Dublin, IE |
Vicar Street |
|
4/5 |
Dublin, IE |
Vicar Street |
|
4/7 |
Belfast, UK |
Waterfront Auditorium |
|
4/8 |
Glasgow, UK |
SEC Armadillo |
How to Make Simple Speaker Stands
I Like to Make Stuff points out different ways to make a pair of simple speaker stands that raise your monitors to ear level for the average human being (but not for shot guys like myself.) Using only a handful of power tools, he is the superhero we need the most.
Great Footage Of Prince Rehearsing George Gershwin’s “Summertime” With His Band In 1990
Great footage of Prince rehearsing ‘Summertime’ in Osaka, Japan in September 1990. Watch it while you can.
https://youtu.be/oJjZLwOwzb8
Watch “The Last Pogo” Punk Doc From 1978
The Last Pogo is a short film made by Colin Brunton in 1978. Shot in Toronto, at the Horseshoe Tavern, The Last Pogo concert on December 1 was billed as “the last punk rock concert” in Toronto—at least for that original wave of punkers circa 1977/1978. Named as ironic tribute to “The Last Waltz”, the concert film of the final concert by The Band directed by Martin Scorsese. Featuring performances by The Scenics, The Cardboard Brains, The Secrets, The Mods, The Ugly, The Viletones and Teenage Head, the event also spawned a live recording called And Now Live From Toronto — The Last Pogo.
Apart from the performances, the highlight of the film was probably the shots of the aftermath, because during the show, a bit of a riot occurred. Brunton’s crew was ushered outside by police and firefighters, but the sound recordist stuck it out.
https://youtu.be/Hisms1Pt_hk
The 18-Minute Tiffany Haddish Speech Is The Best Thing You’ll Read All Week
The Girls Trip star accepted her best-supporting-actress New York Film Critics Circle prize with an exciting, entertaining, and vibrant (and funny) speech that will be the best thing you read this week:
O.K., this is not a grapefruit. This is a microphone; I’m much better with that. The Tiffany special [a special cocktail]—I wanna call it the Tiffanicity-tini. It’s delicious. I’ve had two, and I do feel like magic.
First, I want to look at the award and make sure they spelled my name right—because I remember when I ran track, they spelled my name wrong. It’s right. Somebody did this with calligraphy and everything. [To a friend at her table] Remember when we took calligraphy class? I have my best friend with me, and my other best friend, and my other best friend.
O.K. First, I want to thank God, because without God, my mama and daddy wouldn’t have put their two uglies together and they wouldn’t have made me. That was all God right there. He put two crazy people together to make this one awesome, crazy person. So I super-thank God. I want—[looking at the statue above the stage, a many-armed goddess holding several different items] I’ve been staring all night. Y’all see this?
All night I’ve been staring at this bitch. I’m trying to figure out “Who is this bitch?” Her name is Quan Yin. Quan Yin is a goddess in Hinduism. I’m here to teach you. And when I look at her, I feel like I’m looking at myself. Like she taking a nap, but she doing a lot of stuff all at the same time. That’s what my life has been like the last year. I’m asleep, but I’m woke. I’ve never been more tired in my whole entire existence, and I feel like I do all these things.
Like, she got some weed or some drink in both hands; she holding on to the rings, you know, because she trying to get a ring on it. She working out—she got dumbbells. She holding feathers because she take care of animals and creatures. She got an eraser to erase the bullshit. She holding on to some seeds or a pinecone, which means she’s trying to produce and create, and that’s exactly what I’m trying to do. I’m not trying to get pregnant yet, Michael, but I’m working on it. B. Jordan.
You see these plates that she got? I don’t know if these are plates or if this is distributing medication, because I worked in a pharmacy for two days. This brings us to feed people. I’m going to go with that’s a plate to feed people, because she feeds people with spiritual knowledge. That’s where I’m going because sometimes I do that too.
She got the sun in her hand because she light this motherfucker up. That’s me too! Then I think she got a cracker because she get hungry. And then she’s got another little thing in her hand . . . [speaking up to the lights] Can y’all light this? Y’all have it lit up all night—I get up here and you turn it off. I seen the bitch blink twice. It scared the fuck out of me. Did y’all see her blinking? I was like, “I know I didn’t take my drugs today.”
She’s got a key over here that looks like a heart, and I’m always holding my heart. For me, in this business—I’ve been doing stand-up comedy since I was 15. I’m 21 for the 17th year now. And I’ve been in a lot of different projects.
To get in Girls Trip was absolutely amazing. First off, I didn’t even know the movie was happening. I did a movie with Jordan Peele called Keanu, and we shot it in New Orleans, where I was a gangster chick. I was a different type of person, but the same. And I hung out with the crew. I always feel like when I work with people, I work with everybody—from the person that’s working the camera to the person that’s running the water to the person that’s putting the clothes on me, the person that’s combing my hair, my makeup, the person that’s like, “You gotta sign these papers.” I try to hang out with everybody. Because all of y’all make my money come through.
So now that I get to meet the critics, first off, thank you, guys. I don’t even—I don’t read reviews. I don’t. The most reviews you’ll see me read is something that either my publicist sends me and says, “Read this,” and I’m like, “You read it,” because if it hurt my feelings I’m going to cuss their ass out in my soul, and then I’m going to pray for them, and I’ll laugh. Because I’m super-sensitive. I don’t mean to be so sensitive, but that’s just who I am. And I’m not afraid to admit it.
And I know I’m going to do a lot of different things in this business. I’m going to be around here a long time. I’m going to be an old lady. I know some people in here are going to talk shit about me. It’s O.K. You know why it’s O.K.? Because you care enough to say something. If you didn’t say nothing, then you didn’t care.
So if you said something, thank you. I don’t care if it’s positive or negative. I appreciate you; I’m glad you see me. Because it’s been so many years nobody saw me.
When you’re a little kid going through the [foster-care] system, you wonder, “Does anybody even know I’m alive?” To be able to be this example to so many youth—there’s so many people like me that you guys have no clue about. But they coming. Because I kicked the fucking door open.
It’s going to be a lot of people that say what they think. It’s going to be a lot of people where [unintelligible] is normal, because they’re not holding back their truth. Stop holding your truth; speak your truth. Be yourself. It’s the healthiest way to be. Be who you are. Speak who you are. If don’t nobody like you, fuck it; there’s 10 other people that do. There’s somebody like you, and they need to hear you.
So, I’m always going to be me. I’m never going to be perfect, I’m always going to say what I think, and I might be messed up for it, but I don’t care.
And I want to give a special shout-out to all the people that supported me throughout all these years. My best friend, Selena. I’ve known you since we were 12 years old. I walked up to you like, “You’re going to be my friend” and you was like “What?” And you’re still my friend.
And she never tried to kick me to the curb, and that means she laughed at all my stupid jokes. Told me when I was doing too much, told me when I was doing just enough, and told me when to do more, and I appreciate you for that.
I want to say thank you to Malcolm Lee. You hired me for this job. I was like “For real? I’m going to get to do the grapefruit? Because I practiced that for years.” That’s how I got my first Corvette. So I knew if they hired me, I would do a good job, at least in that scene if nothing else.
And on the second day, he led me—he said, “O.K., you do the scene the way it’s supposed to be done, and then do what you want.” Then I did what I wanted, and I said a lot of things, and some things didn’t make it to the movie. And that hurt my feelings. And a lot of things made it to the movie that I didn’t think would ever make it to the movie. But can I share one scene with y’all that I really wanted to make it to the movie, but Universal said that they was afraid that women would actually do this shit? So they didn’t put it in there, because they didn’t want to get sued. Can I share that with y’all?
And I’m going to put this in my special, and I don’t care if somebody try to sue me, because they shouldn’t have been a cheating-ass mother.
So, there’s a scene where I tell Regina [Hall] all the things I would do for her, that I got her back, no matter what. I’m like, no matter what, I got your back. I’m talking Timberland boots, hot bricks—I don’t care. We’re going to give him some Ambien, night night. And then, when he sleep, we’re going to burn your name in his dick. And then we’re going to put mud and salt on it so it can keloid over, and then it will be ribbed for your pleasure. And then when he wake up, we’ll look him dead in his eyes, and we’ll tell him right to his face to keep your name out these bitches’ mouths.
Now, they took it out of the movie. But I like to tell everybody about it, because these are the things I think about at night. Don’t hurt my feelings, Michael B. Jordan. I’m just putting in my card, player. I’ll check your credit score, though, to make sure you qualify.
Moving on to thank-yous . . . I want to thank the loyalty of James Lopez, because I’ve seen you at comedy shows, and you say hi to me and don’t say nothing else. And then to be in this movie and see you, and you telling me about how you saw me at the comedy clubs all these years and didn’t never get me a job until now—that’s cool. It’s supposed to be now; it’s supposed to be now; it’s supposed to be now.
All these crew members from Keanu: let me tell y’all, that’s how I found out about the movie. So I did Keanu, and all the crew members—it was like eight of them—sent me the script for Girls Trip. We shot that in New Orleans. They sent me the script, and they say, “Girl, this is you. This is you last summer. You need to be in this movie. You need to audition for it.”
I tried to get an audition, and my agent is like, “Oh, they only want to see names.” And I said, “You tell them I’ve had a name since 1979, and it’s Tiffany motherfucking Haddish. You get me in there.” And they finally got me in there, and I did a pre-read, and another read, and another read—and finally I got to do the Skype audition for Malcolm, which I thought was crazy as hell because I’m used to Skype sex. So I didn’t know . . . it worked out good. I didn’t take my shirt off. Nothing inappropriate happened, so good job. That was a great joke; that was the truth.
Anyway, moving on. So thank you, James Lopez, for putting my name in the hat. I want to say thank you to my makeup artist, Dionne Wynn, who I’ve known for a long time and I’ve been trying to work with forever, and when I saw her in the trailer of Girls Trip, I knew that it was meant for us to be together, and I’ve been taking her with me everywhere I go. I’ve been doing a lot of projects since Girls Trip, and girl, you’re going to be doing makeup until your fingers get arthritis. Arthritic—you know what I’m saying. They’re crippled up.
I’ll keep you with me, because she makes me feel pretty. I think it’s about how you feel. I think this whole business is about how you feel, and what feeling you put out into the world, and how you make other people feel. When you feel good about what you’re doing, in my mind, you make other people feel good. I’m going to tell you—on set, working, with Queen Latifah, Jada Pinkett Smith, Regina Hall, and them allowing me to be myself, and they wasn’t no haters. They was like, “Keep going.” Queen Latifah would egg me on into the most craziest stuff, and I was like, “She’s got to be my friend in real life, because we’ll never go to jail.” And she is my friend in real life, and we haven’t been to jail yet.
I’m super-grateful and thankful. I’m thankful for you critics; I’m learning a lot about you guys. The only critics I ever known before this was Siskel and Ebert, and then when they passed, I was like, “Oh, well.” I ain’t going to lie to you: all my stuff comes from TV. Who’s the new movie-critic TV show? Is there one? Get it together, y’all. Y’all should have a TV show so we know who you are.
I don’t read reviews. Like I said, I’m sensitive. I hope that you guys get a better feel for who I am now. I’m wearing a pretty dress. I don’t know if my coochie is showing right now or not. If it is, it’s cool, because I’m wearing God’s panties and my panties on top of them. Some of y’all don’t get that joke, but you will later. I’ve got that throwback.
At the end of the day, I’m real happy to be here—that was too much? O.K., I don’t care. I’m a comedian. I’m going to say what I think. I love you too!
I hope everybody who’s in here has the most awesome 2018. I hope that your cycles come on time. If you don’t want it to come, I hope it don’t come. I hope every man in here is super-happy and super-rich, and if you’re not happy, change your thought patterns and start having happy thoughts. Because it’s your fault you’re not happy. Nobody’s in control of your emotions but you.
That’s what I learned from therapy. Years of therapy. You’re the only one that’s in control of your emotions; you’re the only one that’s inside of you at all times. So control you however you want to. If you’re not happy, that’s your fault. Change your mind, dammit.
That’s what I did. I just got me a better house in South Central L.A. No roaches, no rats. Cherry hardwood floors. That’s because my check came in. Does this come with a check? I’m going to show it to my grandma, and she’s going to be like, “Somebody write nice in calligraphy?”
I’m just reading what’s up here right now. I want to say thank you to Eric. Eric, I don’t know if you had anything to do with me getting this award. I don’t know how you feel about me standing here talking this long, and I don’t care. But I thank you. You were the first person to greet me when I walked into the room, and you smiled and looked me dead in my eyes and shook my hand. You weren’t afraid to talk to me.
The thing I hate the most is people that come up to me, and I can smell fear on them. It makes me want to fuck them up. I hate fear. I know fear is fuel for other things; fear will help you move toward something great. But don’t be trying to put that shit on me. Come up to me happy; come up to me with a smile; find your joyful self if you’re talking to me. If you coming up to me scared, it’s going to make me talk to you crazy.
Think of me as a wild dog, because I’m confident. I smile. Come up confident, and look me dead in my eyes, I’m going to be cool with you. Come up scared and act like a bitch, it’s how you’re going to get treated.
That might be too much information, but I don’t care. If this was a black party, everybody would be laughing. I’m teaching ‘all something today.
My name is Tiffany Haddish. I want to give it up to this lady back here. And to God, my grandma, my mama, my daddy, and everybody who taught me not to be afraid.

