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Cardi B Is Record Breaking! Joins The Beatles & Ashanti With First 3 Hot 100 Hits in Top 10 At The Same Time

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Cardi B becomes just the third act – and the first rapper – to place her first three Billboard Hot 100 entries in the chart’s top 10 simultaneously, joining only The Beatles and Ashanti in achieving the feat.

The Bronx rapper earns the honor as G-Eazy’s “No Limit,” featuring A$AP Rocky and Cardi B, lifts from No. 5 to a No. 4 high on the new Jan. 6-dated Hot 100; Migos, Nicki Minaj and Cardi B’s No. 6-peaking “MotorSport” holds at No. 7; and Cardi B’s former three-week No. 1 debut smash “Bodak Yellow (Money Moves)” returns to the top 10, rising 12-10.

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Important Seminar Happening In Toronto: Life Skills for Musicians: Practical Advice from Real Experts

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JAZZ.FM91, once again in partnership with TD Bank Group, is presenting a jazz-focused Music Business Seminar on February 11, 2018 in Toronto.

This informative and entertaining event will give participants access to industry experts and world famous jazz performers. Canadian sensation Molly Johnson will be on hand to speak to the state of jazz in Canada today; international guitar master Matt Stevens will address his experience of moving to New York City and “making it;” entrepreneur and musician Miranda Mulholland will expound on the pros and cons of digital media from a musician’s perspective and Dr John Chong will present his advice on maintaining mental and physical health while living as a musician.

Life Skills for Musicians: Practical Advice from Real Experts
Date: Sunday, February 11
Time: 12:00pm – 5:00pm
Location: JAZZ.FM91, 4 Pardee Ave, Unit 100, Toronto
Admission: $20.00 (includes full day access and lunch)

To register for the seminar, please click here.

Netflix Debuts Trailer For ‘The End of the F***ing World’

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Featuring a kick-ass soundtrack and stellar performances, the fearless series reimagines the ‘coming-of-age’ teen-angst dramedy – removing the cliche BS to reveal a nuanced and unexpected love story.

https://youtu.be/vbiiik_T3Bo

Based on the award-winning graphic novels, adapted by acclaimed newcomer Charlie Covell, the eight part, half hour series follows James (Alex Lawther, Black Mirror) and Alyssa (Jessica Barden, Penny Dreadful) – a budding teen psychopath and a foul-mouthed rebel fed-up with her boring life. The two embark on a roadtrip to find a better life, and escape the impending doom of adulthood. As their chaotic journey unfolds, it becomes apparent that James and Alyssa have crossed a line and have no choice but to take it as far as they can…The End of the F***ing World.

Will Smith Gives His Tips To A Happy Marriage On His 20th Anniversary

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20 years ago today, Will Smith married Jada Pinkett, and on Instagram, he offered his advice to the rest of us on how to have a happy and long-lasting marriage.
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Love is Like Gardening… I have learned to focus on HELPING you to BLOSSOM into what YOU want to be (into what you were born to be)… Rather than Demanding that you become what my Fragile Ego needs you to be.
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I’ve learned to take pleasure in Nourishing YOUR dreams… Rather than wrestling with you to Fulfill my Selfish Needs & Satiate My Insecurities.
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I have learned that
Love is Listening.
Love is Giving.
Love is Freedom.

Justin Timberlake Announces New Album “Man of the Woods” Out February 2

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If you’re a Justin Timberlake fan, you’ve waited a four long years for his followup to The 20/20 Experience – 2 of 2, but you won’t have to wait much longer.

He unveiled a minute-long teaser trailer for the record on Twitter today, which disclosed that Timberlake’s fifth studio album, titled Man of the Woods, is set to arrive Feb. 2.

Dave Chappelle: Equanimity + The Bird Revelation

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Make America wait again? Not a chance. Two all-new stand-up specials from Dave Chappelle premiering on New Year’s Eve, only on Netflix.

And Now, Here’s A Potato Doing A Cover Version Of Darude’s “Sandstorm”

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To start your new year off right with some inspiration, here’s a potato doing a version of Darude’s 2000 hit Sandstorm.

David Crosby On The Difficulty Of Touring At 76 Years Of Age

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It’s a good time to be David Crosby. The two-time Rock & Roll Hall of Fame inductee is experiencing an unprecedented surge not only in prolificacy, but in creativity.

Sky Trails, his third album of original material in four years, takes the fearless folk rock legend in a new musical direction as the set tilts toward a full band sound with deep, soulful grooves. “It’s a natural thing for me,” says Crosby, who joyously embraced the challenge of the shifting song structures. “I’ve always felt more comfortable there. There’s complexity, intricacy and subtleties in the music. I like that stuff.”

But, being 76 years old and on the road isn’t easy.

“There’s about three hours of joy, and then around 21 hours of hard stuff. When I get to sing, I’m the happiest guy you ever met. I love it. But the rest of the time, when you can’t get more than three hours of sleep in a row and you’re eating at some crappy restaurant and you don’t get home cooking, then it’s hard. It beats the crap out of me. I’m an old guy and I don’t have the kind of stamina I used to, and so it’s daunting. In the first place, I love performing, and in the second place, it’s the only way we make any money now. We don’t make any money off records, so the only way we make a living is to go out and play live. And it’s hard. At my age, it’s really hard. But it’s also the only thing I’ve got.”

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John Oates’ New Americana Song ‘Arkansas’

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John Oates is one half of the best-selling duo of all time, Hall & Oates, as well as an accomplished solo artist. Now, he has teamed up with an amazing group of accomplished and rising stars in the Americana music world to bring his new album, Arkansas, to life.

The project originally began as a tribute to Oates’ idol, Mississippi John Hurt. It evolved organically, during a series of Nashville recording sessions, into a unique, retrospective collection drawing from a wide rand of Oates’ musical influences. Asked about the style and sound of Arkansas, he says, ”it’s like Dixieland dipped in bluegrass and salted with Delta blues.”

David Bazan on The Influence Of Tom Petty In His Music

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Last spring, after 11 years of performing and recording under his own name, Dave Bazan’s growing fatigue with working alone hit a tipping point. “I missed the energy of making music with other people on stage and constantly traveling alone was starting to really sting”, Bazan recalls. “I needed to be in a band again”.

At that point, assuming this new band would be billed as “David Bazan Band” or similar, he began to set the wheels in motion to make it happen. He rented a rehearsal space again, hired a couple buddies for upcoming tours, and started fleshing out demos for the band to cue off of.

He didn’t realize it at first, but by mid-summer something big started to dawn on him: he had stumbled back into the very same process that yielded the first three Pedro the Lion records. “To my surprise, it felt a bit like coming home.” Bazan is very excited to be back playing rock & roll as Pedro the Lion again.

Last time I saw you in Pittsburgh, you covered Tom Petty’s “Climb that Hill.” Can you talk about his influence on you?
He’s the only person whose work I’ve known that intimately who’s died. I’m a big Bowie fan and a big Prince fan, but Tom Petty’s catalog I just know more intimately. It was more of a native language for me. And maybe it was because folk music — strumming an acoustic guitar, I know how to do that.

… Basically Wildflowers is how I got into it, because I didn’t listen to any secular music when I was a kid. So I didn’t know any of the earlier stuff, even the way that most people do because it’s just in the air. I was in a different air. But when Wildflowers hit me I kind of fell in love with it. … It appealed to me that he took standard — and almost stock — forms and imbued them with his real vibrant personality in a way that transcended the form. And he was able to take simple phrases and simple ways of doing things, and by being real within those forms was able to convey something totally unique and worthy of study, almost. Wildflowers is just a record of tremendous depth even though it’s really just strumming acoustic guitars to drums.

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